scholarly journals Development of a Collection of Garments Inspired by the Hawa Mahal Historical Monument

Tekstilec ◽  
2020 ◽  
Vol 63 (3) ◽  
pp. 185-194
Author(s):  
Sukhvir Singh Mody ◽  

Sources of inspiration play a vital role during the initial stages of the fashion design process by providing a specific direction to the entire fashion design process. Fashion designers interpret their imagination to improve the creative use of design inspirations during the development of clothing collections. Such exploration for design inspiration is crucial in the fashion design process for absorbing visual ideas and translating them into original creative clothing. The uniqueness of such creatively and systematically designed original clothing will also improve significantly. The current study focuses on the systematic development of a collection of casual women’s wear inspired by the Hawa Mahal (The Palace of Winds) historical monument in Jaipur, Rajasthan. The fabric patterns were developed by extracting motifs from the Hawa Mahal architectural marvel using computer-aided designing solutions and digital printing with hand embroidery. In order to check the market potential of developed garments, a mini-survey was also conducted to analyse the extent of the appropriateness of garment silhouettes, fitting and drape, and overall aesthetic features among targeted consumers.

2021 ◽  
Author(s):  
Robert Ott

This thesis examines the ways in which fashion designers think about themselves, the design process, and the fashion industry. Recent interest in design thinking has brought decision making to the forefront in an effort to resolve conflicts between creative individuals and managers during the design process. Within the fashion design literature there are studies of processes in large fashion manufacturing enterprises but very little has focused on small-scale fashion design entrepreneurs. In this inductive, qualitative study, I use grounded theory as the methodology in the analysis of semi-structured interviews of twelve Canadian fashion design entrepreneurs. The findings explore their perceptions of their identity as designers, their perceptions of design process, and their relationship to their business. This research has developed the concept of “artisanal fashion design” as a distinct subset of design for further study and for consideration by organizations, the fashion industry, and educators.


2021 ◽  
Author(s):  
Anika Kozlowski

Sustainable fashion has developed as a response to the growing prominence and awareness of the negative environmental and social impacts of fashion apparel throughout its life cycle. Responses to these wide-scale impacts have focused on piecemeal strategies that lack a cohesive perspective. The notion of design thinking and a holistic viewpoint are increasingly being seen as valued strategies for developing a sustainable fashion system. Fashion designers generally lack the tools to enable change and are caught within a system that cannot fulfill the potential of design-driven solutions for sustainability. Transformations to the design process, business practices, consumer behaviours and supply-chain sustainability are needed. This dissertation presents a series of manuscripts investigating a re-conceptualization of fashion design for system sustainability. Concepts put forth in the first manuscript, Theorizing the Fashion System provide context for a design focus. This study reviews existing theories of fashion production and consumption, for the purpose of establishing a theoretical framework to support subsequent research and tool design. The second manuscript Tools for Sustainable Fashion Design: An Analysis of their Fitness for Purpose examines existing design tools developed specifically for sustainable fashion designers. This research led to the creation and proposal of two conceptual frameworks: an innovation framework and five-dimensional model of sustainable fashion. Using the frameworks to analyze the tools and sustainable strategies within the tools resulted in the identification of three tool archetypes: 1) Universal, 2) Participatory and 3) Assessment. The third manuscript investigates and analyzes current design practices of sustainable fashion micro and small enterprises (MSE) and available sustainable design tools. The fourth manuscript, The reDesign Canvas: Fashion Design as a Tool for Sustainability, is a qualitative in-depth case study with a small fashion start-up. Utilizing observations in the field, interviews and design sessions, this study was able to identify leverage points within the design process to integrate sustainable strategies. The data collected informed the development of a sustainable fashion design tool, the reDesign Canvas. This framework was tested and refined with the case study. This work aims to contribute a reconceptualization of the fashion design process to provide designers with the tools necessary to achieve a sustainable fashion system.


2021 ◽  
Author(s):  
Robert Ott

This thesis examines the ways in which fashion designers think about themselves, the design process, and the fashion industry. Recent interest in design thinking has brought decision making to the forefront in an effort to resolve conflicts between creative individuals and managers during the design process. Within the fashion design literature there are studies of processes in large fashion manufacturing enterprises but very little has focused on small-scale fashion design entrepreneurs. In this inductive, qualitative study, I use grounded theory as the methodology in the analysis of semi-structured interviews of twelve Canadian fashion design entrepreneurs. The findings explore their perceptions of their identity as designers, their perceptions of design process, and their relationship to their business. This research has developed the concept of “artisanal fashion design” as a distinct subset of design for further study and for consideration by organizations, the fashion industry, and educators.


1988 ◽  
Vol 15 (1) ◽  
pp. 14-23 ◽  
Author(s):  
C. Michael Allen ◽  
Donald Duchesne ◽  
Jagmohan Humar

Application of computer-aided design (CAD) in civil engineering is most effective when the entire design process, from design and analysis to construction, is integrated. Owing to the complexity of civil engineering projects, complete integration of design has not been achieved as yet. However, even partial integration considerably improves the reliability and efficiency of the design process. This is illustrated in the paper through a case study on the application of CAD in the structural design of the Ontario Domed Stadium. The Ontario Domed Stadium, currently being constructed on a site near the Toronto harbour, will have a seating capacity of 55 000. A unique feature of the stadium is its fully retractable roof. The proposed roof has four separate steel space truss panels, three of which move along tracks and one of which is fixed. To handle the large volume of data involved in the design and analysis of the roof structure, generation of data files containing information on the geometry and topology of the roof structure was automated as much as possible. Special interfaces were developed to transfer this data to application programs for structural analysis, design, and production of working drawings. Computer graphics played a vital role in the design process, assisting in data generation, visual check of geometry and deflected shapes, and seating layout. Key words: computer-aided design, CAD, computer graphics, Ontario Domed Stadium, sight line studies, solids modelling.


2021 ◽  
Author(s):  
Anika Kozlowski

Sustainable fashion has developed as a response to the growing prominence and awareness of the negative environmental and social impacts of fashion apparel throughout its life cycle. Responses to these wide-scale impacts have focused on piecemeal strategies that lack a cohesive perspective. The notion of design thinking and a holistic viewpoint are increasingly being seen as valued strategies for developing a sustainable fashion system. Fashion designers generally lack the tools to enable change and are caught within a system that cannot fulfill the potential of design-driven solutions for sustainability. Transformations to the design process, business practices, consumer behaviours and supply-chain sustainability are needed. This dissertation presents a series of manuscripts investigating a re-conceptualization of fashion design for system sustainability. Concepts put forth in the first manuscript, Theorizing the Fashion System provide context for a design focus. This study reviews existing theories of fashion production and consumption, for the purpose of establishing a theoretical framework to support subsequent research and tool design. The second manuscript Tools for Sustainable Fashion Design: An Analysis of their Fitness for Purpose examines existing design tools developed specifically for sustainable fashion designers. This research led to the creation and proposal of two conceptual frameworks: an innovation framework and five-dimensional model of sustainable fashion. Using the frameworks to analyze the tools and sustainable strategies within the tools resulted in the identification of three tool archetypes: 1) Universal, 2) Participatory and 3) Assessment. The third manuscript investigates and analyzes current design practices of sustainable fashion micro and small enterprises (MSE) and available sustainable design tools. The fourth manuscript, The reDesign Canvas: Fashion Design as a Tool for Sustainability, is a qualitative in-depth case study with a small fashion start-up. Utilizing observations in the field, interviews and design sessions, this study was able to identify leverage points within the design process to integrate sustainable strategies. The data collected informed the development of a sustainable fashion design tool, the reDesign Canvas. This framework was tested and refined with the case study. This work aims to contribute a reconceptualization of the fashion design process to provide designers with the tools necessary to achieve a sustainable fashion system.


Science Scope ◽  
2017 ◽  
Vol 041 (01) ◽  
Author(s):  
Nicholas Garafolo ◽  
Nidaa Makki ◽  
Katrina Halasa ◽  
Wondimu Ahmed ◽  
Kristin Koskey ◽  
...  

Biomimetics ◽  
2018 ◽  
Vol 3 (3) ◽  
pp. 14 ◽  
Author(s):  
Ruben Kruiper ◽  
Julian Vincent ◽  
Eitan Abraham ◽  
Rupert Soar ◽  
Ioannis Konstas ◽  
...  

2021 ◽  
Vol ahead-of-print (ahead-of-print) ◽  
Author(s):  
Prabod Dharshana Munasinghe ◽  
D.G.K. Dissanayake ◽  
Angela Druckman

Purpose The process of fashion design varies between market segments, yet these variations have not yet been properly explored. This study aims to examine the fashion design process as practised at the mass-market level, as this is the most vibrant and the largest market segment in terms of production volumes and sales. Design/methodology/approach It is observed that 15 semi-structured interviews were conducted with mass-market fashion designers. Key activities of the mass-market design process were identified and a comparative analysis was conducted with the general design process. Findings The mass-market design process is found to prioritise profits rather than aesthetic aspects, with the buyer exercising more power than the designer. This hinders creativity, which, in turn, may impede a move towards more environmentally benign designs. Originality/value The clothing industry is responsible for high environmental impacts and many of these impacts arise through decisions made in the design stage. In particular, the mass-market for clothing because of its high volume of sales and fast throughput, accounts for a great deal of the impact. However, little is understood about the design process that is practised in the mass-fashion market. This paper fills the gap by developing a framework that describes the mass-market design process. Understanding the design process will enable progress to be made towards achieving the United Nations Sustainable Development Goal 12: Responsible Consumption and Production.


Sign in / Sign up

Export Citation Format

Share Document