scholarly journals El texto de El ser sobrenatural como contexto próximo para entender la noología, la metafísica y la visión de Dios sobre Zubiri

2021 ◽  
Vol 17 ◽  
pp. 137-165
Author(s):  
Rafał S. Niziński

The philosophy of Xavier Zubiri is recognized as one of the most diffi cult to understand because there is something unclear in it. Therefore one may guess that there is a hidden presumption done by Zubiri. Zubiri in the self-presentation of his philosophical backgrounds acknowledges that his philosophy owes most to the phenomenology of Husserl and metaphysics of Heidegger. He also admits of being infl uenced by Aristotle to a certain degree. Zubiri starts his analyses from perception of things, with which he fulfi lls phenomenological requirement of beginning philosophy with the description of reality. As the fi nal step he ads metaphysics, which explains the description of reality. Following this code of interpretation of Zubiri’s philosophy it is difficult to grasp its core meaning. What is this hidden supposition? In The Supernatural Being: God and Deifi cation in Saint Paul’s Theology, which he wrote in the 30s’ and 40s’ of the 20th century, Zubiri presents early Christian Neoplatonic theology. In the same work Zubiri also states that it is possible to discover the same ideas following the way up, i.e. departing from the creatures and ascending to God. And this will be the hidden supposition of his philosophy. This paper tries to show the philosophy of Zubiri can be understood as a kind of proof that the Neoplatonic vision of the reality presented in The Supernatural Being: God and Deifi cation in Saint Paul’s Theology is true and can be discovered by reason alone, i.e. departing only from description of facts.

Tekstualia ◽  
2018 ◽  
Vol 2 (53) ◽  
pp. 99-114
Author(s):  
Wojciech Paszkowicz

The threads binding the poetry of Vladimir Vysotsky with Russian and foreign literature have a diverse character – some convergences, similarities of his works to those of other authors can be identifi ed in the content, the subject, and the metre of the poems. Some of the literary associations are easily detectable for any recipient, others are more diffi cult to fi nd. The article focuses on the identifi ed links between the works of Vysotsky and those of foreign authors such as Pierre-Jean de Béranger, Robert Burns, and Bertolt Brecht. The convergences observed between Vysotsky’s and de Béranger’s poems, in the subject, form, and metre, indicate the affi nity of the way of thinking and ideals, as well as both poets’ love of freedom, despite the 150 year gap between their birth dates. The presented links with literature of the 18th, 19th, and 20th century widen the opportunities for interpreting the works of Vladimir Vysotsky.


2012 ◽  
Vol 54 (1) ◽  
pp. 30-49
Author(s):  
Paul Trebilco

Abstract An analysis of the distribution of self-designations in Acts reveals that Luke’s use of these self-designations is not random. Rather significant insight into Luke’s theology and into early Christian history can be gained by looking at the way these self-designations are distributed throughout Acts, when they are actually used, and whether they are used by Luke’s narrator or by actors in his story. The self-designations discussed here are ἀδελφοί, µαθηταί, ἐκκλησία, “the believers” and “the saints” or “the sanctified ones.”


Arts ◽  
2021 ◽  
Vol 10 (3) ◽  
pp. 41
Author(s):  
Eran Almagor

This paper explores the ambiguous Persian Achaemenid attitude towards the horse and the lion. It examines the way these animals appear in imperial official presentations, local artifacts throughout the empire and Greek textual representations. In the case of the stallion, it looks at the imagery of horse riding or the place of the horse in society and religion alongside the employment of steeds in chariots. Images of the lion are addressed in instances where it appears to be respected as having a significant protective power and as the prey of the chase. This paper attempts to show that this ambiguity corresponds roughly to the dual image of the Persians as both pre-imperial/nomad and imperial/sedentary (and hence allegedly luxurious), a schism that is manifest in both the self-presentation of the Achaemenids and in the Greek texts.


Author(s):  
Jonathan Hill

This chapter puts forward the idea of a distinctively early Christian understanding of divine power in terms of a logic driven primarily by concerns about apostolic mission and preaching. It maintains that first-century Christian authors, notably Paul and Luke in Acts, offer a reimagining of the nature of divine power in six different ways: the Christological, communicative, pneumatological, kerygmatic, pre-eminence, and weakness aspects to the concept. Further, the essay seeks to trace the way in which these features of the divine dunamis are reinterpreted, and, sometimes, extended quite radically, by three early Christian authors of very different kinds: Ignatius of Antioch, who wrote epistles to some degree after Paul; Hermas, who wrote about visions and parables in a deeply allegorical style; and Justin Martyr, an apologist who used the language and concepts of contemporary Platonism.


2019 ◽  
Vol 2 ◽  
pp. 92-101
Author(s):  
Elsa Soro

The capillary diffusion of digital and mobile technologies has deeply changed both the way of travelling and loving. Against this changing context, the aim of this paper is to examine the relationship between tourism discourse and online-dating discourse. Through analysis of a sample of Tinder profiles, the relationship between the self-presentation and the touristic space experience will be scrutinized. The main hypothesis that drives this work is that different ways of being attractive and seductive on dating apps correspond to specific, current narratives and typologies of tourism. The article maintains that discourse of mediated intimacy platforms borrow its themes from tourism imaginaries. Consequently, tourism discourse shapes the different modes of self-presentation in online intimacy.


2020 ◽  
Vol 39 (2) ◽  
pp. 188-224
Author(s):  
Erik Gunderson

This is a survey of some of the problems surrounding imperial panegyric. It includes discussions of both the theory and practice of imperial praise. The evidence is derived from readings of Cicero, Quintilian, Pliny, the Panegyrici Latini, Menander Rhetor, and Julian the Apostate. Of particular interest is insincere speech that would be appreciated as insincere. What sort of hermeneutic process is best suited to texts that are politically consequential and yet relatively disconnected from any obligation to offer a faithful representation of concrete reality? We first look at epideictic as a genre. The next topic is imperial praise and its situation “beyond belief” as well as the self-positioning of a political subject who delivers such praise. This leads to a meditation on the exculpatory fictions that these speakers might tell themselves about their act. A cynical philosophy of Caesarism, its arbitrariness, and its constructedness abets these fictions. Julian the Apostate receives the most attention: he wrote about Caesars, he delivered extant panegyrics, and he is also the man addressed by still another panegyric. And in the end we find ourselves to be in a position to appreciate the way that power feeds off of insincerity and grows stronger in its presence.


2018 ◽  
Vol 7 (1) ◽  
pp. 80-87
Author(s):  
Laura Carmen Cuțitaru

Abstract The 2016 much acclaimed American sci-fi movie Arrival is based on (what is in reality an extension of) the so-called “Sapir-Whorf” hypothesis, a linguistic theory set forth in the first half of the 20th century, according to which one’s native language dictates the way in which one perceives reality. By taking into account the latest in human knowledge, this paper tries to provide arguments as to why such a claim works wonderfully in fiction, but not in science.


Author(s):  
Matthew D. C. Larsen

What does it mean to read the gospels “before the book”? For centuries, the way people have talked about the gospels has been shaped by ideas that have more to do with the printing press and modern notions of the author than they do with ancient writing and reading practices. Gospels Before the Book challenges several subtle yet problematic assumptions about authors, books, and publication at work in early Christian studies. The author explores a host of underappreciated elements of ancient textual culture, such as unfinished texts, accidental publication, postpublication revision, and multiple authorized versions of the same work. Turning to the gospels, he argues the earliest readers and users of the text we now call the Gospel according to Mark treated it not as a book published by an author but as an unfinished, open, and fluid collection of notes (hypomnēmata). The Gospel according to Matthew, then, would not be regarded as a separate book published by a different author but, rather, as a continuation of the same unfinished gospel tradition. Similarly, it is not the case that, of the five different endings in the textual tradition, one is “right” and the others are “wrong.” Rather, each ending represents its own effort to fill in what some perceived to be lacking in the Gospel according to Mark. The text of the Gospel according to Mark is better understood when approached as unfinished notes than as a book published by an author. Larsen also offers a new methodological framework for future scholarship on early Christian gospels.


Author(s):  
George Pattison

This chapter sets out the rationale for adopting a phenomenological approach to the devout life literature. Distinguishing the present approach from versions of the phenomenology of religion dominant in mid-twentieth-century approaches to religion, an alternative model is found in Heidegger’s early lectures on Paul. These illustrate that alongside its striving to achieve a maximally pure intuition of its subject matter, phenomenology will also be necessarily interpretative and existential. Although phenomenology is limited to what shows itself and therefore cannot pass judgement on the existence of God, it can deal with God insofar as God appears within the activity and passivity of human existence. From Hegel onward, it has also shown itself open to seeing the self as twofold and thus more than a simple subjective agent, opening the way to an understanding of the self as essentially spiritual.


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