scholarly journals Palingenetic Ultra-Nationalist Christianity: History, Identity, and the Falsity of Peripeteic Dialectics

2021 ◽  
Vol 42 (4) ◽  
pp. 39-64
Author(s):  
Dustin J. Byrd
Keyword(s):  
World War Ii ◽  
Free Market ◽  
Historical Context ◽  
Christian Identity ◽  
World War ◽  
End Of History ◽  
Western Modernity ◽  
Free Market Capitalism ◽  
The End Of History ◽  
Market Capitalism

The recent upsurge of European nationalism is partially an attempt to address the ongoing identity crisis that began with the Bourgeois revolution, which expressed itself through positivistic scientism and aggressive secularization, and culminated in the post-World War II “liberal consensus”: representative democracy and free-market capitalism as the “end of history.” Due to the needs of capitalism after World War II, coupled with the liberalization and Americanization of European societies, there has been a growing presence of “non-identical” elements within Europe, which itself is reexamining the very geography of what it means to be European. In this essay, I explore the historical context of the current identity struggles that are facing Europeans. From a Critical Theory perspective, I challenge the idea that Christianity or a Christian age can be resurrected by ultra-nationalists in their attempt to combat the cosmopolitanism of Western modernity. Moreover, I demonstrate how such attempts to return to an idealized Christian identity are rooted in a false possibility: Peripeteic Dialectics, or “dialectics in reverse.”

The Cold War Origins of the “Crisis of Democracy”

2018 ◽  
Vol 5 (1) ◽  
pp. 39-61
Author(s):  
Kyong-Min Son
Keyword(s):  
World War Ii ◽  
Common Good ◽  
Free Market ◽  
World War ◽  
Social Coordination ◽  
Free Market Capitalism ◽  
The Common ◽  
The Cold War ◽  
Market Capitalism ◽  
The Welfare State

This article suggests that a “crisis of democracy” can be understood not simply as a deterioration of specific representative institutions but as a repositioning of democratic politics vis-à-vis other principles of social coordination, most notably the capitalist market, and the attendant decline of democratic subjectivity—people’s attunement to claims appealing to the common good. I trace this process to the post–World War II era. I show that the crisis of democracy was shaped by the substantive imperative of fusing democracy with free-market capitalism. Many postwar democratic theorists believed that the welfare state could manage the tension latent in this fusion. But an analysis of Friedrich Hayek’s theory of neoliberal democracy, which recognizes that tension more acutely, reveals that the incorporation of free-market capitalism creates tendencies that undermine democracy from within.

Problems of ‘Socialist Planning’: Evan Durbin and the Labour Government of 1945

1991 ◽  
Vol 34 (3) ◽  
pp. 687-702 ◽  
Author(s):  
Stephen Brooke
Keyword(s):  
Free Market ◽  
Second World War ◽  
World War ◽  
Labour Government ◽  
Free Market Capitalism ◽  
National Investment ◽  
Market Capitalism ◽  
Second World ◽  
National Control ◽  
Central Economic

‘Socialist planning’ was a notable, if unlikely casualty of Labour government after the Second World War. Between 1931 and the election victory of 1945, central economic planning was, in the words of G.D.H. Cole, the ‘professed creed of the Labour Party’. Depression and war demonstrated that the anarchy of free-market capitalism had to ‘give way to ordered planning under national control’. Labour won the election of 1945 with a commitment to ‘plan from the ground up’ through the socialization of industry, the establishment of a national investment board and the use of wide-ranging economic controls. Planning was the defining characteristic of Labour's socialism in this period and it could indeed be argued that the party did not find so effective a political rhetoric until ‘Labour and the scientific revolution’ in 1963.

Geopolitics and the Cold War

2013 ◽  
Author(s):  
Geoffrey Warner
Keyword(s):  
Cold War ◽  
Soviet Union ◽  
Free Market ◽  
The United States ◽  
World War ◽  
World War 2 ◽  
The Soviet Union ◽  
Free Market Capitalism ◽  
The Cold War ◽  
Market Capitalism

This chapter examines the geopolitical aspect of the Cold War. It discusses the origin of the term “geopolitics,” and investigates how and why relations between the United States and the Soviet Union deteriorated so rapidly after the World War 2. The chapter highlights the incompatibilities between the ideologies of the two superpowers, and explains that communism and free-market capitalism are polar opposites. It also argues against the claims about the extent to which the Cold War was based on ideological as opposed to geopolitical factors that persisted throughout the conflict.

The Legacy of Iraq

2015 ◽  
Keyword(s):  
Middle East ◽  
Liberal Democracy ◽  
Iraq War ◽  
Free Market ◽  
Political Elite ◽  
Islamic State ◽  
Sequence Of Events ◽  
The World ◽  
Free Market Capitalism ◽  
Market Capitalism

This book critically reflects on the failure of the 2003 intervention to turn Iraq into a liberal democracy, underpinned by free-market capitalism, its citizens free to live in peace and prosperity. The book argues that mistakes made by the coalition and the Iraqi political elite set a sequence of events in motion that have had devastating consequences for Iraq, the Middle East and for the rest of the world. Today, as the nation faces perhaps its greatest challenge in the wake of the devastating advance of the Islamic State of Iraq and Syria (ISIS) and another US-led coalition undertakes renewed military action in Iraq, understanding the complex and difficult legacies of the 2003 war could not be more urgent. Ignoring the legacies of the Iraq War and denying their connection to contemporary events could mean that vital lessons are ignored and the same mistakes made again.

scholarly journals Estonia’s Digital Transformation

2019 ◽  
pp. 143-160 ◽  
Author(s):  
Rainer Kattel ◽  
Ines Mergel
Keyword(s):  
Public Sector ◽  
Social Inequality ◽  
Free Market ◽  
Digital Transformation ◽  
Invisible Hand ◽  
Economic Success ◽  
Policy Makers ◽  
Free Market Capitalism ◽  
Distinct Features ◽  
Market Capitalism

Estonia’s transition to free-market capitalism and liberal democracy is marked by three distinct features: economic success, digital transformation of its public sector, and a rapid increase and persistence of social inequality in Estonia. Indeed, Estonia has become one of the most unequal societies in Europe. Economic success and increasing social inequality can be explained as different sides of the same coin: a neoliberal policy mix opened markets and allowed globalization to play out its drama on a domestic stage, creating winners and losers. Yet Estonia has been highly successful in its digital agenda. Particularly interesting is how the country’s public sector led the digital transformation within this highly neoliberal policy landscape. While within economic policy, Estonia did indeed follow the famed invisible hand in rapidly liberalizing markets, in ICT, Estonia seems to have followed an entirely different principle of policymaking. In this domain, policy has followed the principle of the hiding hand, coined by Albert Hirschman: policy-makers sometimes take on tasks they think they can solve without realizing all the challenges and risks involved— and this may result in unexpected learning and creativity. The success of Estonia’s e-government has much to do with the principle of the hiding hand: naïvety and optimism propelled initial ‘crazy ideas’ in the early 1990s to become ingrained in ICT policy, enabling the creation of multiple highly cooperative and overlapping networks that span public–private boundaries.

scholarly journals The Nanking Atrocity: Still and Moving Images 1937–1944

2014 ◽  
Vol 1 (1) ◽  
pp. 51-67
Author(s):  
Gary Evans
Keyword(s):  
World War Ii ◽  
Public Opinion ◽  
Visual Culture ◽  
Historical Context ◽  
Visual Media ◽  
World War ◽  
Moving Images ◽  
Mass Public ◽  
Racial Context ◽  
Film Clips

This manuscript investigates the facts of publication of the images of the Nanking Atrocity (December 1937–January 1938) in <em>LIFE </em>and <em>LOOK</em> magazines, two widely read United States publications, as well as the Nanking atrocity film clips that circulated to millions more in American and Canadian newsreels some years later. The publishers of these images were continuing the art of manipulation of public opinion through multimodal visual media, aiming them especially at the less educated mass public. The text attempts to describe these brutal images in their historical context. Viewing and understanding the underlying racial context and emotive impact of these images may be useful adjuncts to future students of World War II. If it is difficult to assert how much these severe images changed public opinion, one can appreciate how the emerging visual culture was transforming the way that modern societies communicate with and direct their citizens' thoughts.

Encounter Three: Art and the Socialist State

2019 ◽  
pp. 55-68
Author(s):  
Jan Bryant
Keyword(s):  
Free Market ◽  
Socialist Realism ◽  
The Political ◽  
Political Climate ◽  
Avant Garde ◽  
Western Art ◽  
Socialist State ◽  
Political Views ◽  
Free Market Capitalism ◽  
Market Capitalism

This chapter traces the tactics used by the art Slovenian collective, Neue Slowenische Kunst (NSK), specifically the art section, Irwin and the music group, Laibach, to criticise the socialist state of Yugoslavia. The chapter offers a brief overview of the political climate at the time leading up to and during the Yugoslavian wars (1980s and ‘90s). Closely analysed is NSK’s use of ambiguity and parody to hold a mirror up to authoritarianism and Irwin’s appropriation of early Russian avant-garde motifs to criticise socialist-realism and the State’s ‘misuse’ of art. As protection against retaliation by the state, NSK never prescribed their intentions, so audiences and viewers needed to bring their own context and perspective to events. Once Slovenia left the Yugoslavian Federation to enter into free-market capitalism, NSKs tactics seemed far less potent, flowing neatly into a 1980s western art context (a moment in history) that embraced ambivalence and indeterminacy. As an approach that hides a work’s political intent, allowing its viewers to have their own political views affirmed, it is argued that such a tactic fails to shake the political aesthetic. [181]

Planetary Ambitions

2019 ◽  
pp. 67-84
Author(s):  
Joshua Armstrong
Keyword(s):  
Cognitive Mapping ◽  
Free Market ◽  
Ground Level ◽  
Global Capitalism ◽  
Hegemonic Discourse ◽  
The World ◽  
Free Market Capitalism ◽  
New Perspective ◽  
Fredric Jameson ◽  
Market Capitalism

This chapter reads Lydie Salvayre's Portrait de l’écrivain en animal domestique (2007). In this novel, Salvayre’s anxieties about allowing oneself—and even herself as author—to be domesticated by the logic of global capitalism are condensed into the pathological relationship between her narrator avatar (who incarnates politically-engaged literature) and the satirical Jim Tobold, the richest man on the planet and ‘uncontested champion of globalization’—a character who, incidentally, bears more than a passing resemblance to Donald Trump. Tobold sees the world at the level of the master, corporate map, from which he can make boardroom decisions in perfect disregard for their harmful, ground-level side effects. This chapter revisits and further explores Bruno Latour on cartographic megalomania, and draws on Fredric Jameson on cognitive mapping, and David Harvey on the self-defeating contradictions of the infinite expansion paradigm of capitalism in a world of increasingly finite resources. Moreover, it develops the Salvaryean notion of the paralipomenon, offering a new perspective on Salvayre’s underlying (engaged) literary strategy, one that, by focusing on the seemingly insignificant details of a hegemonic discourse—such as that of free-market capitalism—reveals its inherent contradictions and flaws.

‘Communism Is a Religion That Is Inspired, Directed and Motivated by the Devil Himself’: Billy Graham’s Apologetics and the Cold War West

2021 ◽  
pp. 141-159
Author(s):  
Uta Andrea Balbier
Keyword(s):  
Cold War ◽  
Free Market ◽  
Second World War ◽  
World War ◽  
Billy Graham ◽  
Free Market Capitalism ◽  
The 1950S ◽  
End Times ◽  
The Cold War ◽  
Second World

Anti-Communism constituted a core feature of Billy Graham’s preaching in the 1950s. In Graham’s sermons Communism did not just stand for the anti-religious thread of an atheistic ideology, as it was traditionally used in Protestant Fundamentalist circles, but also for its opposition to American freedom and Free Market Capitalism. This article argues that the term Communism took on significantly new meaning in the evangelical milieu after the Second World War, indicating the new evangelicals’ ambition to restore, defend, and strengthen Christianity by linking it into the discourse on American Cold War patriotism. This article will contrast the anti-Communist rhetoric of Billy Graham and other leading evangelical figures of the 1950s, such as Harold Ockenga, with the anti-Communist rhetoric used by early Fundamentalists in the 1910s and 1920s. Back then, Communism was predominantly interpreted as a genuine threat to Christianity. The term also made appearances in eschatological interpretations regarding the imminent end-times. The more secular interpretation of Communism as a political and economic counter-offer by evangelical preachers such as Billy Graham will be discussed as an important indicator of the politicization and implied secularization of the evangelical milieu after the Second World War.

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