scholarly journals OBRAZ DZIEDZICTWA TONYʼEGO GARNIERA W MIEJSKICH MURALACH

1970 ◽  
pp. 117-126
Author(s):  
KAMIL LIPIŃSKI

The article addresses artes memoriae perceived as documentary traces of a spatial project which has slipped to oblivion, namely Une Cité Industrielle by Tony Garnier from 1917, redefined by Cité de Création in the context of urban housing. The movement, revolving around modern philosophies of urban planning and launched at the turn of the 19th and 20th centuries assumed elimination of private property, equality of the working class and division into zones. It also restored the concept of the relations between nature, history of the inhabitants,industrial and historical development of Viollet-Le-Duc functionality and locality. A contemporary cluster of murals creates a mosaic of historical memorial spaces and contributes to Lyon’s development in a new form.

De Jure ◽  
2021 ◽  
Vol 12 (1) ◽  
Author(s):  
Ivelina Velcheva ◽  
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This paper focuses on paragraph 16 of Article 148 of the Bulgarian Spatial Development Act, as well as on the need of establishing this new regulation, the means for applying the street regulation provided in the detailed development plan, and the history of development laws in Bulgaria. It considers the new provision in terms of its meaning for better urban planning of settlements and construction of infrastructure necessary for the development of property, such as pavements, streetlights, landscaping, etc. The legal order established by the Bulgarian Constitution is guaranteed through meeting the requirement for public interest and the principle of proportionality under alienation of private property for the purpose of applying street regulation.


2013 ◽  
Vol 48 (5) ◽  
pp. 1435-1449 ◽  
Author(s):  
DOUGLAS E. HAYNES

AbstractThis review examines three major books on the history of Bombay. Historians of the city have tended to focus primarily on the period before 1930; this tendency has seriously limited our understanding of the dramatic transformations that have taken place in Bombay over the course of the twentieth century. Each of the studies reviewed here devotes considerable attention to developments since the 1920s. Collectively these works make a significant contribution to the appreciation of such matters as working-class politics, the changing character of workers’ neighbourhoods, land use, urban planning, and the ways the city has been imagined and experienced by its citizens. At the same time, these works all shift their analytic frameworks as they approach more contemporary periods and this restricts the authors' ability to assess fully the character of urban change. This paper calls upon historians to continue to apply the tools of social history, particularly its reliance on close microcosmic studies of particular places and groups over long periods of time, as they try to bridge the gap between the early twentieth century and the later twentieth century. At the same time, it suggests that historians need to consider Gyan Prakash's view of cities as ‘patched-up societies’ whose entirety cannot be understood through single, linear models of change.


Nasledje ◽  
2020 ◽  
pp. 211-222
Author(s):  
Danica Petrović

The focus of the academic subject themed The Protection and Revitalisation of Architectural Heritage in the academic 2019/2020 year was on defining the preservation of cultural, historical, architectural and urban-planning values of the spatial cultural and historical unit of great importance - the Old Downtown of Zemun. The purpose of this paper was to collect and review the literature and other sources and conduct fieldwork in the said area with the view to examining its cultural and historical values, identifying issues, and exploring the potential for its revitalisation and the preservation of its authenticity and identity. The paper presents the results of the research into the historical development and values of Zemun cemetery in Gardoš, and the possibilities for the improvement of its current condition and its further protection. The study spurred the proposals on revitalisation and planning of the space, the increase of its capacity, and the communication of its significance to the community.


Author(s):  
Nataliya B. Bezrukova ◽  

The article highlights the history of the so-called proletarian museums that opened in Moscow’s working-class suburbs in the 1920s. The study of their activities seems relevant, since it opens up the opportunity for a deeper study of the history of art museums in Moscow in the 1920s. Special attention is given to the Fifth Proletarian museum, which was a part of the State Tretyakov Gallery. More archival documents have survived on this museum than on any other of the proletarian museums. After studying some unpublished documents in Russia’s major archives, the author has discovered some important, previously unknown facts about these museums. This article takes a close look at how the paperwork was handled at the museum, how the items were registered, accounted for and taken care of and how the collections were accumulated and organized. Also thoroughly described in the article is the history of the museum’s closure as the author analyzes why it was eventually shut down. Moscow’s proletarian museums went down in history as an original new form of art institutions targeting “uncultured” visitors. Unfortunately, these museums were short-lived as they fell victim to the lack of funding and shortage of trained staff during the New Economic Policy era (1921–1928).


2012 ◽  
Vol 9 (4) ◽  
pp. 612-627 ◽  
Author(s):  
Eleni Liarou

The article argues that the working-class realism of post-WWII British television single drama is neither as English nor as white as is often implied. The surviving audiovisual material and written sources (reviews, publicity material, biographies of television writers and directors) reveal ITV's dynamic role in offering a range of views and representations of Britain's black population and their multi-layered relationship with white working-class cultures. By examining this neglected history of postwar British drama, this article argues for more inclusive historiographies of British television and sheds light on the dynamism and diversity of British television culture.


Author(s):  
Roman Fedorov

The article is devoted to the problem of the social state as one of the fundamental constitutional principles of the state structure of modern developed countries. The course of historical development of philosophical and legal thought on this problem is considered. The idea of a close connection between the concept of the social state and the ideas of utopian socialism of Thomas More and Henri Saint-Simon is put forward. Liberals also made a significant contribution to the development of the idea of the social state, they argued that the ratio of equality and freedom is a key problem for the classical liberal doctrine. It is concluded that the emergence of the theory of the social state for objective reasons was inevitable, since it is due to the historical development of society.


ARCHALP ◽  
2018 ◽  
pp. 126-137
Author(s):  
Marina Hämmerle

We cannot understand the development of Vorarlberg’s architectural culture without its spatial, topographical, and socio-economic context. There is a great contrast between rural valleys and the busy, semi-urban Rhine Valley. With their exemplary buildings, states and municipalities model the production of excellent, contemporary architecture. Industrial and commercial architecture has achieved an impressive corporate identity as well. However, we rarely find the same quality in residential construction. Because of the high cost of real estate and construction apartment buildings have grown up like mushrooms, intruding upon areas formerly predominated by detached housing. Urban sprawl has eliminated the borders between the 29 municipalities of the Rhine Valley, resulting in a giant suburban landscape. To remedy this process, the players cooperate with the regional authorities as they carry out their vision of urban planning, including guidelines and ideas. Because planning and production have become so complex, urban and regional development has turned into an immense challenge. Provincial and municipal authorities value openness, participation, common good, ecology, and sustainability and involve citizens and adapt the process to their needs. Still, they must consider subsidy rules and regulations, which, until now, have privileged private property over common good and have prioritized ecological standards over architectural quality and the concerns of urban planning. Since 1997, the Vorarlberg Architecture Institute, has inspired, challenged, and spoken for the architectural-cultural scene. It continues to mediate and complement the discourse and activities of the Central Association of the Architects of Vorarlberg. In addition, the Chamber of Architects strives to improve competition procedures. The Energy Institute Vorarlberg supports ecology and promotes sustainability. The Quality Association “vorarlberger_holzbaukunst” has promoted the renaissance of timber construction. Carpenters and architects actively support the prefabrication and development of new technical solutions. Similarly, the members of the Werkraum Bregenzerwald, a craftsmen’s association, continue and transform the cultural heritage in sophisticated and resource-friendly ways, as evidenced by many buildings and the “Werkraumhaus” itself. Vorarlberg’s hospitality industry plays an important role in supporting and promoting the architectural culture. However, thoughtful and coordinated master planning is necessary to expand the quality of individual architectural projects to urban and regional planning and construction. This transition will be the most important challenge for the period of urban densification. Vorarlberg may be Alpine – even rural – but it is urban without doubt.[English translation by Ingeborg Fink].


2020 ◽  
Vol 7 (1) ◽  
pp. 45-58
Author(s):  
Mohamed Chamekh

This article explores illegal migration through Tunisian rap. It considers this music an aspect of resistance and protest against the socio-economic and political conditions obliging thousands of Tunisians to cross the Mediterranean in makeshift boats in search of better prospects and challenging the increasing security and legislative measures crippling mobility imposed by the EU and Tunisian authorities. This article contends that harga songs document the history of the working class in Tunisia and carve the identity of harraga as people who have been marginalised for generations. It concludes that EU-Tunisia security talks and dialogues remain ineffective as long as the root causes of illegal migration have not been addressed. Keywords: illegal migration, Tunisian rap, resistance, marginalization, security, immobility, identity


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