Its strength and the beauty of it: The standardization of the third person neuter possessive in Early Modern English

Author(s):  
Terttu Nevalainen ◽  
Helena Raumolin-Brunberg
2017 ◽  
Vol 45 (4) ◽  
pp. 338-366
Author(s):  
Christopher Joby

A well-known example of variation in Early Modern English is found in the morphology of the third-person singular present tense indicative verb. In general terms there was a gradual shift from - th to - s (e.g., pleaseth to pleases). However, previous studies such as Kytö (1993) and Nevalainen and Raumolin-Brunberg (2003) found that this shift was by no means uniform, varying by, for example, region, type of text, and author. More specifically, Nevalainen, Raumolin-Brunberg, and Trudgill (2001) analyzed the distribution of endings for the third-person singular present indicative verb in Early Modern East Anglian English, i.e., the variety of English used in the counties of Norfolk and Suffolk. However, for the final twenty-year period of their study (1660-1680), they only have four informants. This article analyzes the distribution of verb endings for a larger number of informants during this period, which marks the final stages of - th recession in East Anglian English, using letters written in Norfolk. The corpus based on these letters allows for a detailed analysis of linguistic and extralinguistic factors that influenced this distribution. Linguistic factors include the stem-final sound and verb-type ( have, do, and say are analyzed separately). Among the extralinguistic factors analyzed are the sex of the author and addressee, the level of formality, and the author’s social class. One of the informants in this study is Sir Thomas Browne. The distribution of verb endings in his correspondence makes him an outlier. His usage has led some authors to exclude his results from their analysis. The present article offers a new approach to dealing with such cases. The overall results are compared with those for other parts of England from the same period in order to identify patterns of regional variation. Finally, an analysis of correspondence for the period 1680-1750 indicates that by this time - th had more or less disappeared from Norfolk correspondence.


1993 ◽  
Vol 5 (2) ◽  
pp. 113-139 ◽  
Author(s):  
Merja Kytö

ABSTRACTThis study concentrates on the development of the third-person indicative present singular verb inflection in Early Modern British and American English. Within the framework of sociohistorical variation analysis, corpus-based comparisons focus on a number of extralinguistic and linguistic factors that have influenced the choice of the forms over successive periods of time. During the period studied, the main line of development is the replacement of the -th by the -s ending; the zero from is clearly in decline, as is the use of the -s and the -th endings in the third-person present plural inflection. The type of the verb (notably have and do vs. other verbs) and stem-final sounds play an important role in the choice of the form. The text type, the level of formality, and the sex of the author can also be seen to influence the distribution patterns. The -s ending had already been firmly established in everyday usage before the settlers left for the New World. Contrary to what has usually been attributed to the phenomenon of “colonial lag,” the rate of change was more rapid in the colonies than in the mother country.


Author(s):  
Matthias Hofer

Abstract. This was a study on the perceived enjoyment of different movie genres. In an online experiment, 176 students were randomly divided into two groups (n = 88) and asked to estimate how much they, their closest friends, and young people in general enjoyed either serious or light-hearted movies. These self–other differences in perceived enjoyment of serious or light-hearted movies were also assessed as a function of differing individual motivations underlying entertainment media consumption. The results showed a clear third-person effect for light-hearted movies and a first-person effect for serious movies. The third-person effect for light-hearted movies was moderated by level of hedonic motivation, as participants with high hedonic motivations did not perceive their own and others’ enjoyment of light-hearted films differently. However, eudaimonic motivations did not moderate first-person perceptions in the case of serious films.


2020 ◽  
Author(s):  
Xiaoyang Yu

The human brain and the human language are precisely constructed together by evolution/genes, so that in the objective world, a human brain can tell a story to another brain in human language which describes an imagined multiplayer game; in this story, one player of the game represents the human brain itself. It’s possible that the human kind doesn’t really have a subjective world (doesn’t really have conscious experience). An individual has no control even over her choices. Her choices are controlled by the neural substrate. The neural substrate is controlled by the physical laws. So, her choices are controlled by the physical laws. So, she is powerless to do anything other than what she actually does. This is the view of fatalism. Specifically, this is the view of a totally global fatalism, where people have no control even over their choices, from the third-person perspective. And I just argued for fatalism by appeal to causal determinism. Psychologically, a third-person perspective and a new, dedicated personality state are required to bear the totally global fatalism, to avoid severe cognitive dissonance with our default first-person perspective and our original personality state.


Philologus ◽  
2020 ◽  
Vol 164 (1) ◽  
pp. 83-106
Author(s):  
Klaas Bentein

AbstractMuch attention has been paid to ‘deictic shifts’ in Ancient Greek literary texts. In this article I show that similar phenomena can be found in documentary texts. Contracts in particular display unexpected shifts from the first to the third person or vice versa. Rather than constituting a narrative technique, I argue that such shifts should be related to the existence of two major types of stylization, called the ‘objective’ and the ‘subjective’ style. In objectively styled contracts, subjective intrusions may occur as a result of the scribe temporarily assuming himself to be the deictic center, whereas in subjectively styled contracts objective intrusions may occur as a result of the contracting parties dictating to the scribe, and the scribe not modifying the personal references. There are also a couple of texts which display more extensive deictic alter­nations, which suggests that generic confusion between the two major types of stylization may have played a role.


1975 ◽  
Vol 32 (3) ◽  
pp. 234-242
Author(s):  
Jay G. Williams

“Might it not be possible, just at this moment when the fortunes of the church seem to be at low ebb, that we may be entering a new age, an age in which the Holy Spirit will become far more central to the faith, an age when the third person of the Trinity will reveal to us more fully who she is?”


2012 ◽  
Vol 42 (2) ◽  
pp. 70-80
Author(s):  
Edward A. Beckstrom

For centuries a mystery has surrounded the meaning of Jesus' term “The Son of Man” in his ministry, and today it is often called “The Son of Man Problem.” Studying “Son of Man” in all of its biblical references, and apocryphal usages, together with insights from the Dead Sea Scrolls, I propose a solution that the idiom means “Priest” or “High Priest,” but most especially “Heavenly High Priest” and is framed in the third person by Jesus because it is expressed as his destiny given by God—it is the Will of God. “The Son of Man” is distinct from Jesus own will, but is the destiny he follows. It is also the use of this term that caused Caiaphas to cry “blasphemy” at Jesus' Sanhedrin trial, who then sent him to Pilate for crucifixion, yet asserting that Jesus proclaimed himself “King of the Jews.” Caiaphas, knew, I believe, that “Son of Man” was synonymous with “High Priest.”


Sign in / Sign up

Export Citation Format

Share Document