On the role of prosodic features in syntactic change

Author(s):  
Donka Minkova ◽  
Robert P. Stockwell
Languages ◽  
2021 ◽  
Vol 6 (2) ◽  
pp. 74
Author(s):  
Cristina Guardiano ◽  
Melita Stavrou

In this paper, we investigate patterns of persistence and change affecting the syntax of nominal structures in Italiot Greek in comparison to Modern (and Ancient) Greek, and we explore the role of Southern Italo-Romance as a potential source of interference. Our aim is to highlight the dynamics that favor syntactic contact in this domain: we provide an overview of the social context where these dynamics have taken place and of the linguistic structures involved.


WORD ◽  
1962 ◽  
Vol 18 (1-3) ◽  
pp. 121-131 ◽  
Author(s):  
Hansjakob Seiler
Keyword(s):  

1979 ◽  
Vol 22 (4) ◽  
pp. 708-716 ◽  
Author(s):  
A. Wingfield ◽  
J. Buttet ◽  
A. W. Sandoval

Comparative data are reported for the intelligibility of English and of French time-compressed speech when heard spoken either in normal intonation or in intonation patterns conflicting with underlying syntactic structure. Within an overall decrement in intelligibility with increasing compression, both French and English show similar superiority functions for sentences heard in normal intonation. Results suggest a role of prosodic features in perceptual processing of French comparable to that previously reported for English.


Rhema ◽  
2020 ◽  
pp. 9-17
Author(s):  
Natalia M. Solntseva ◽  
Zhang Rui

The article deals with the phonostylistic and semantic features of acoustic images in the early realist stories of Alexander Grin. The conclusion is made about their important compositional role. Attention is focused on vocabulary with acoustic semantics, as well as onomatopoeia understood as the imitation of both the sound and its meaning. The functions of sound polyphony in the depicting of landscapes and emotional states and in the plot structure are discussed. The role of alliteration, the temporal characteristics of acoustic images, a combination of autologous and associative images, and variable functionality of remarks in dialogs are described. The prosodic features of the narrative are analyzed. The motifs of silence and music and their role in the semantic structure of Grin’s stories are noted.


2017 ◽  
pp. 51-76
Author(s):  
Olga Fischer ◽  
Hendrik De Smet ◽  
Wim van der Wurff
Keyword(s):  

Author(s):  
Tatiana Vasilenko ◽  
Elena Belova ◽  
Elena Shevarshinova

The article touches upon the concept of manipulation, its basic characteristics, and its role in the modern informational society. The authors point out that alongside the informational function, media texts carry out the pragmatic function, namely, they manipulate the public opinion. According to the authors, manipulation is a more negative than positive phenomenon. Besides, there is a definition of radiotext and some considerations concerning its specific features as compared to other types of mediatexts, namely, wide audience, no video, but only audio, etcetera. British Broadcasting Corporation radiotexts have been chosen by the authors as the object of analysis. The authors have considered some historical aspects that determine the manipulative character of radio news. Also, special attention is paid to their structural and linguistic (grammatical, lexical, prosodic) features which are aimed at forming listeners’ opinion about current events. A number of examples from radiotexts are given and their analysis is conducted. The authors state that alongside the text structure and the choice of material itself much attention should be paid to linguistic means, among which prosody is of the greatest importance. Such elements of prosody as tempo, loudness, the use of various tones in final and non-final prosodic groups and the speaker’s timber influence the audience view of the world and draw the listeners’ attention to particular aspects. At the end of the article the authors make a conclusion that taking into consideration the specific features of radiotexts, linguistic, mainly prosodic means play the leading role in the process of manipulation.


2020 ◽  
Vol 63 (8) ◽  
pp. 2578-2588
Author(s):  
Shanpeng Li ◽  
Wentao Gu ◽  
Lei Liu ◽  
Ping Tang

Purpose Sarcasm is a specialized speech act in daily vocal communication usually characterized by unique prosodic features, but the role of voice quality in expressing sarcasm has not been explored much. The goal of this study is to explore the voice quality features of Mandarin sarcastic speech in comparison to sincere speech. Method Fifteen male and 15 female native speakers of Mandarin uttered 31 target sentences with both sincere and sarcastic attitudes. Nine voice quality parameters extracted from the acoustic and electroglottographic signals were analyzed using a linear mixed model, and a classification analysis using a random forest algorithm was conducted to identify the relative contribution of these parameters to the differentiation between sincere and sarcastic utterances. Results In comparison to sincere speech, sarcastic speech had a creakier voice, which was characterized by a lower fundamental frequency, a greater degree of vocal fold adduction (i.e., higher contact quotient), lesser noise (i.e., higher harmonics-to-noise ratio), and more multiple pulsing (i.e., higher subharmonic-to-harmonic ratio). The interaction effect revealed a gender difference in the use of creakier voice to express sarcasm in Mandarin. The classification analysis using the random forest algorithm showed that the nine voice quality parameters resulted in 84.0% and 83.7% identification rates for sarcastic and sincere utterances, respectively. Conclusions The results of this preliminary study support the role of voice quality in expressing sarcasm in Mandarin speech. Using a set of voice quality parameters, sarcastic and sincere utterances can be effectively identified. Furthermore, there is a gender difference in the use of creakier voice in expressing Mandarin sarcastic speech. Supplemental Material https://doi.org/10.23641/asha.12743780


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