scholarly journals Von dem Trauma des anderen und der Sehnsucht nach Behausung in Lutz Seilers Roman Kruso (2014)

2017 ◽  
Vol 52 (2) ◽  
pp. 320-345
Author(s):  
Sophie Wennerscheid

AbstractDrawing on Sara Ahmed’s concept of the ‘body not at home’ on the one hand and on the concept of the disturbing ‘foreign body’ (Fremdkörper) as deployed in various trauma studies on the other, this article explores how the traumatized body is to be understood as a disoriented and unstable body. Trauma, however, is not only something that leaves one restless. It also connects one with the trauma of another and leads to mutual understanding. Having been affected by the wound of another, a certain kind of communication among the wounded emerges, which makes traumatic memory accessible. How such an affective impact may look can be shown by examining Lutz Seiler’s award-winning novel Kruso (2014). Set on the isle of Hiddensee shortly before the fall of the Berlin Wall in 1989, Seiler tells the story of two men, Kruso and Ed, both traumatized by the loss of a loved one. As both are East German castaways and equally affected by their loss, they develop an intimate relationship, one not void of suppressed desire, mistrust, and aggression. Only years after Kruso’s death is Ed able to come to terms with the past and find a place for burying the vanished dead.

2019 ◽  
Vol 7 (1) ◽  
pp. 69-91
Author(s):  
Cajetan Iheka

Mineral extraction in Africa has exacerbated ecological degradation across the continent. This article focuses on the example of the Niger Delta scene of oil exploration depicted in Michael Watts and Ed Kashi’s multimedia project, Curse of the Black Gold: 50 Years of Oil in the Niger Delta. Analyzing the infringement on human and nonhuman bodies due to fossil fuel extraction, I read the Delta, inscribed in Watts and Kashi’s image-text, as an ecology of suffering and as a site of trauma. Although trauma studies tend to foreground the past and the present, I argue that Curse of the Black Gold invites serious consideration of trauma of the future, of-the-yet-to-come, in apprehending the problematic of suffering in the Delta. I conclude with a discussion of the ethics of representing postcolonial wounding, which on the one hand can create awareness of ecological degradation and generate affect, but which on the other hand, exploits the vulnerability of the depicted and leaves an ecological footprint.


2018 ◽  
Vol 70 (4) ◽  
pp. 392-407
Author(s):  
Yuri Corrigan

Abstract This essay explores Donna Tartt’s adaptation of Fyodor Dostoevsky’s novels The Adolescent, The Idiot, and The Brothers Karamazov in The Goldfinch as a guide to understanding Dostoevsky’s unorthodox and theologically inflected theory of trauma. The essay argues that both authors approach traumatic memory through the ancient folkloric archetype of the “external soul” (the inner essence displaced into external objects for safekeeping) and conceive of the healing process as the attempt to bring the externalized soul—and its unwanted memories—back into the body. This motif allows both writers to reimagine the concept of the soul in modern secular terms: in Tartt’s conception of post-traumatic “soul loss” as a critical stage in the moral and aesthetic education of the self, and in Dostoevsky’s view of wounded memory as opening up the self to the more expansive, overwhelming trauma of religious experience. Tartt’s use of Dostoevsky in The Goldfinch underscores the Russian author’s value to contemporary trauma studies as an alternative to the prevailing canon.


2013 ◽  
Vol 30 (4) ◽  
pp. 502-529
Author(s):  
Thomas Irvine

Early in Wilhelm Heinse’s eccentric novel Hildegard von Hohenthal (1796) his characters confront the problem of how music works on the senses. The novel’s hero, Kapellmeister Lockmann, tunes a piano—to an idiosyncratic temperament of his own invention—as he proposes an intensely physical model for musical listening. He uses this demonstration, while simultaneously trying to start a love affair with the novel’s heroine, Hildegard von Hohenthal, to reclaim older ideas about natural temperaments and key characteristics in an era of heightened interest in the anatomy of cognition. But Heinse’s own opinions are not always the same as those of his characters. Drawing on his notebooks, I trace how Heinse struggled to come to terms with opposing views of his friend and colleague, the anatomist Samuel Thomas Soemmering, and of the philosopher Immanuel Kant of how sound affects the body. Soemmering’s Über das Organ der Seele (1796) and Kant’s Critique of Aesthetic Judgment (1790) both act as intertexts and paratexts to the novel, and Heinse more than once splits his own opinions about both books between his characters. The tuning scene addresses important questions about the hierarchy of the senses, the creation of musical meaning, and the freedom of performers and listeners to form their own interpretations of music. Heinse’s naturalist ideas about musical agency rub against the grain of a narrative—still current today—dominated by a transaction between heroic composers on the one side and awe-struck listeners on the other. To re-assess these ideas is to re-imagine a crucial hinge in music history.


2019 ◽  
pp. 466-474
Author(s):  
Olha Kovalenko

In this article was considered genre specifics and motives of the novel “Bieguni” (“Flights”) by polish writer Olga Tokarczuk. On the example of the novel was determined the main genre specifics of postmodern novel-travelogue, where was raised the main issues of present days – life and death, physical and spiritual, workaday and philosophical. “Bieguni” is the novel about modern people, which looking for their goal, situated in a constantly movement just not to come to the Antichrist`s hands. The airports and hotels aren`t only a shelter, it`s a real home, what underline motive of travel in the novel. Representing home in a different ways, the writer consider the human body as a shelter for two components – spiritual and material. The body that was created by God is physical “home” for self-awareness. Herewith the writer doesn`t reject physiological theory of body beginning and consider it as a product of completing, finishing and the signification of human`s death. Address to Biblical, religious, mythological, bibliographic and oniric motives again and again underline anti-utopy world with his own canons and decrees, what doesn`t submit to logical, grounded explanation, but have philosophical elucidation. “Bieguni” it`s a binding of stories, feelings and laws. The main characters of the composition are different aged, nationality and different time period people, but united by just one important thing – searching of sense of life, that is different for everyone of them. Variety of characters, story of everyone`s life, text`s fragmentation give to the reader experience of personal meeting with every literature character. The hidden drama, that attendanted in everyone of them create the aureole of mystique, mysteriousness and feeling of temporarily proximity, that`s the main feeling of traveler. The leitmotif of the novel unite fragments into the one full picture, where we can see the main thesis of the novel: “Movement is a life, life is a travel”, because at the travel we can see a human`s wish to find the salvation out of routine problems, social duties and conditionalities. Characteristic for the novel using of philosophical and Biblical motives and also application to the history and author`s experience are non-textual survey of art of Olga Tokarczuk and her own morally-pscychological skills.


2011 ◽  
Vol 8 (4) ◽  
pp. 396-412
Author(s):  
Stefan Sperling

After the fall of the Berlin Wall in 1989, reunified Germany intensified its policy of political transparency in an attempt to alleviate European concerns over a new German superpower. As transparency became a means to political legitimacy, the term and the practice acquired a distinctive ethical dimension. Germany’s on-going effort to come to terms with its national socialist past came to encompass the years of state socialism as well. As Germany’s new-found moral legitimacy came to rest on portraying East Germany as an immoral state, the former socialist state became an object that needed to be made fully transparent. The East German secret police (Stasi) and its vast surveillance apparatus became a natural target of transparency, as it inverted the logic of transparency by which the West German state claimed to function. As one form of transparency became key to legitimacy in Germany, its inversion – surveillance – became a marker of illegitimacy. In that sense, surveillance came to justify the unequal treatment of East Germans, of their political system, and of their public life. The conflict between divergent understandings of transparency became especially clear in a debate between two political figures, one from the former East and one from the former West. The case of German reunification serves to highlight the contingency of the meaning of the concepts of transparency, surveillance, and privacy.


1967 ◽  
Vol 12 (5) ◽  
pp. 477-496
Author(s):  
Jean-François Saucier

For centuries the excessive reactions of mentally ill subjects to the death of one parent have been noticed. Bowlby (3, 4) was struck by the similarity of these reactions to those of young children separated from their mother. According to him, the child reacts first by a vehement protest, expressed in many-different forms (confusion, negation, efforts to recover the lost one, crying, rage against her, self-mutilation and introjection). The following phase is that of despair, manifested by apathy, disorganization of behaviour, loss of appetite, solitary rumination and isolation. At last, the third phase is the one of gradual detachment from the mother, followed by a reattachment to the surrounding persons and to the mother-substitute. This behaviour sequence of the young child following the mother's departure is hypothetically considered here as the prototypical sequence of mourning behaviour in adults (following the final departure of a parent), not only in our western culture, but in all human societies. A brief investigation is made to verify the presence throughout the world of institutionalized funeral rituals similar to the many separation reactions of the young child. Phase one: Protest As an example of negation of death, one has the mummification used by the Egyptians to prevent the putrefaction of the corpse, or the belief (48) in the reincarnation of the dead one in a grandchild. As equivalent to efforts to recover the mother, one has the custom in Trobriand (50) to visit the Island of the Dead and to talk with them. The practice of crying is ritualized in many societies, for example the ‘paid’ weepers. Rage against the dead one is expressed among the Kurnai (30) through violent protest, or through aggressive behaviour against the corpse (63). Self mutilation among the bereaved, through guilt, has been observed with the Hottentots (11), where the relatives have to cut off their little finger to be placed with the body in the grave. Introjection of the dead one is facilitated among the Armas (61) by the custom of putting on the deceased's clothes or, in Melanesia (51), by the ritual of piously eating the deceased's flesh, sarco-cannibalism. Phase two: Despair Not only do most societies allow the bereaved to abandon themselves to grief by temporarily excusing them from their social duties, but often they prescribe precise behaviours, as in Bengal (64), the prohibition against washing, shaving and combing one's hair, or among the Warramunga (80), the custom for the widow to keep silent for years. Phase three: Detachment Detachment is favoured in many societies through the beliefs in integration of the deceased into another world (41) through rituals forbidding the dead ones to come back among the living (28), or through preventing them from doing so by building symbolic barriers around the house (55), or in Africa leaving wooden monuments to the dead to rot (34), or putting into the coffin all their belongings (73). Finally, many ceremonies are provided to reintegrate the bereaved into society after a certain period of time, through banquets (93), steps to facilitate the remarriage of the widowed (85), etc. In conclusion, it is confirmed that the spontaneous, purely psychological reactions of the young child following separation from his mother, although sometimes strange and unexpected, have been found institutionalized, that is imposed as normal in many human societies. Then contrary to what Durkheim had thought, there is not a chasm between psychology and socio-anthropology, but a differential continuity in the sense that each society chooses, among the large field of possible behaviours of the child to separation, a few of them which it prefers, and institutionalizes them as rituals to be followed by the community. The following stage of this study would be to investigate the causes of these choices, for example why certain societies dramatize mourning so much, whereas others try to minimize it.


2018 ◽  
Vol 13 (3) ◽  
pp. 364-381
Author(s):  
Margot Gayle Backus ◽  
Spurgeon Thompson

As virtually all Europe's major socialist parties re-aligned with their own national governments with the outbreak of World War I, Irish socialist and trade unionist James Connolly found himself internationally isolated by his vociferous opposition to the war. Within Ireland, however, Connolly's energetic and relentless calls to interrupt the imperial transportation and communications networks on which the ‘carnival of murder’ in Europe relied had the converse effect, drawing him into alignment with certain strains of Irish nationalism. Connolly and other socialist republican stalwarts like Helena Molony and Michael Mallin made common cause with advanced Irish nationalism, the one other constituency unamenable to fighting for England under any circumstances. This centripetal gathering together of two minority constituencies – both intrinsically opposed, if not to the war itself, certainly to Irish Party leader John Redmond's offering up of the Irish Volunteers as British cannon fodder – accounts for the “remarkably diverse” social and ideological character of the small executive body responsible for the planning of the Easter Rising: the Irish Republican Brotherhood's military council. In effect, the ideological composition of the body that planned the Easter Rising was shaped by the war's systematic diversion of all individuals and ideologies that could be co-opted by British imperialism through any possible argument or material inducement. Although the majority of those who participated in the Rising did not share Connolly's anti-war, pro-socialist agenda, the Easter 1916 Uprising can nonetheless be understood as, among other things, a near letter-perfect instantiation of Connolly's most steadfast principle: that it was the responsibility of every European socialist to throw onto the gears of the imperialist war machine every wrench on which they could lay their hands.


2010 ◽  
Vol 3 (2-3) ◽  
pp. 238-262
Author(s):  
Virgil W. Brower

This article exploits a core defect in the phenomenology of sensation and self. Although phenomenology has made great strides in redeeming the body from cognitive solipsisms that often follow short-sighted readings of Descartes and Kant, it has not grappled with the specific kind of corporeal self-reflexivity that emerges in the oral sense of taste with the thoroughness it deserves. This path is illuminated by the works of Martin Luther, Jean-Luc Marion, and Jacques Derrida as they attempt to think through the specific phenomena accessible through the lips, tongue, and mouth. Their attempts are, in turn, supplemented with detours through Walter Benjamin, Hélène Cixous, and Friedrich Nietzsche. The paper draws attention to the German distinction between Geschmack and Kosten as well as the role taste may play in relation to faith, the call to love, justice, and messianism. The messiah of love and justice will have been that one who proclaims: taste the flesh.


Author(s):  
Lisa Sousa

The Woman Who Turned Into a Jaguar examines gender relations in indigenous societies of central Mexico and Oaxaca from the 1520s to the 1750s, focusing mainly on the Nahua, Ñudzahui (Mixtec), Bènizàa (Zapotec), and Ayuk (Mixe) people. This study draws on an unusually rich and diverse corpus of original sources, including Ñudzahui- (Mixtec-), Tíchazàa- (Zapotec-), and mainly Nahuatl-language and Spanish civil and criminal records, published texts, and pictorial manuscripts. The sources come from more than 100 indigenous communities of highland Mexico. The book considers women’s lives in the broadest context possible by addressing a number of interrelated topics, including: the construction of gender; concepts of the body; women’s labor; marriage rituals and marital relations; sexual attitudes; family structure; the relationship between household and community; and women’s participation in riots and other acts of civil disobedience. The study highlights subtle transformations and overwhelming continuities in indigenous social attitudes and relationships. The book argues that profound changes following the Spanish conquest, such as catastrophic depopulation, economic pressures, and the imposition of Christian marriage, slowly eroded indigenous women’s status. Nevertheless, gender relations remained inherently complementary. The study shows how native women and men under colonial rule, on the one hand, pragmatically accepted, adopted, and adapted certain Spanish institutions, concepts, and practices, and, on the other, forcefully rejected other aspects of colonial impositions. Women asserted their influence and, in doing so, they managed to retain an important position within their households and communities across the first two centuries of colonial rule.


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