A Challenge to Global Literary History: The Case of World War I

2018 ◽  
Vol 53 (2) ◽  
pp. 221-238
Author(s):  
Margaret R. Higonnet
Keyword(s):  
World War I ◽  
Literary History ◽  
War Literature ◽  
Critical Values ◽  
Great War ◽  
World War

Abstract This essay begins by investigating the possibility of a global literary history through the lens of periodization and its challenges for comparatists, starting from World War I. Second, by examining neglected texts from the periphery, it seeks to ‘provincialize’ the Eurocentric focus of our histories of war literature. To address the complex temporality of this epoch, we must accommodate the multicultural contexts from which these works emerge, as well as the long-term recovery of texts. Belatedness reflects the reemergence of memories from trauma, the discovery of manuscripts, the paucity of translations, and the long silencing of marginalized voices from the periphery. In turn, shifts in critical values and the translation of materials permit us to enlarge and reconstitute a globalized archive, as a few examples demonstrate. Great War texts by Huidobro, Svarnakumari, and Diallo as well as oral laments offer fruitful perspectives from the periphery on that epochal experience.

Scottish Literature and World War I

2020 ◽  
Keyword(s):  
World War I ◽  
Case Studies ◽  
War Literature ◽  
Popular Literature ◽  
Great War ◽  
World War ◽  
Letters To The Editor ◽  
Scottish Literature ◽  
Charles Murray ◽  
Lewis Grassic Gibbon

This work is the first book-length study of Scottish Great War literature. Rather than arguing the war exerted a singular influence on the country’s writing, the collection highlights the variety of literary, social, political, and philosophical reverberations of the war in Scotland literature. Part one of the collection presents multi-text case studies of nationalism, pastoralism, Scottish Great War prose, popular literature, women’s, letters to the editor, Gaelic writing, and philosophy. Part two contains essays devoted to individual authors, including canonical figures such as Lewis Grassic Gibbon, Nan Shepherd, Neil Gunn and John Buchan, as well as peripheral authors such as George A. C. Mackinlay, Charles Murray and Ewart Alan Mackintosh.

The Expatriate Idyll

2018 ◽  
pp. 98-125
Author(s):  
William Cloonan
Keyword(s):  
World War I ◽  
War Literature ◽  
Traumatic Experiences ◽  
Great War ◽  
The Novel ◽  
World War ◽  
Contemporary World ◽  
American Expatriates ◽  
Post War ◽  
The Great War

A critique of American expatriates, mostly veterans of World War I, who turn Europe into a vast American playground. The alleged justification of their behaviour is their traumatic experiences of the Great War which has been over for ten years at the start of the novel. Robert Cohn’s character contrasts with that of his fellow expatriates and sheds light on their affections and sterility. He also represents the condition of post-war literature, severely tried by the realities of the war, but slowly re-establishing its strength and ability to comment meaningfully on the contemporary world.

‘A reflection of the contrasts’: Scottish Literature and World War I

2020 ◽  
pp. 1-18
Author(s):  
David A. Rennie
Keyword(s):  
World War I ◽  
War Literature ◽  
Critical Reception ◽  
Great War ◽  
World War ◽  
Scottish Literature ◽  
Literary Scholarship ◽  
Historical Role

Surveys the varying interpretations of Scottish Great War Literature put forward by scholars and suggests the critical reception of Scottish World War I literature has, at times, been too focused on generalisations of the effects of World War I on Scottish writing. The Introduction situates the collection within wider trends in World War I literary scholarship and provides a summary of Scotland’s historical role in the war – on the home and military fronts.

International Opera in Nineteenth-century New York

2020 ◽  
pp. 244-269
Author(s):  
Karen Ahlquist
Keyword(s):  
Nineteenth Century ◽  
New York ◽  
New York City ◽  
World War I ◽  
Buenos Aires ◽  
Considerable Extent ◽  
World War ◽  
Metropolitan Opera ◽  
The City

This chapter charts how canonic repertories evolved in very different forms in New York City during the nineteenth century. The unstable succession of entrepreneurial touring troupes that visited the city adapted both repertory and individual pieces to the audience’s taste, from which there emerged a major theater, the Metropolitan Opera, offering a mix of German, Italian, and French works. The stable repertory in place there by 1910 resembles to a considerable extent that performed in the same theater today. Indeed, all of the twenty-five operas most often performed between 1883 and 2015 at the Metropolitan Opera were written before World War I. The repertory may seem haphazard in its diversity, but that very condition proved to be its strength in the long term. This chapter is paired with Benjamin Walton’s “Canons of real and imagined opera: Buenos Aires and Montevideo, 1810–1860.”

The Great War of the Postcards

2021 ◽  
Vol 88 (3) ◽  
pp. 525-568
Author(s):  
Johann Strauss
Keyword(s):  
Middle East ◽  
World War I ◽  
Great War ◽  
World War ◽  
The Balkans ◽  
Book Illustrations ◽  
Characteristic Features ◽  
The Impact ◽  
The Great War

This article examines the functions and the significance of picture postcards during World War I, with particular reference to the war in the Ottoman Lands and the Balkans, or involving the Turkish Army in Galicia. After the principal types of Kriegspostkarten – sentimental, humorous, propaganda, and artistic postcards (Künstlerpostkarten) – have been presented, the different theatres of war (Balkans, Galicia, Middle East) and their characteristic features as they are reflected on postcards are dealt with. The piece also includes aspects such as the influence of Orientalism, the problem of fake views, and the significance and the impact of photographic postcards, portraits, and photo cards. The role of postcards in book illustrations is demonstrated using a typical example (F. C. Endres, Die Türkei (1916)). The specific features of a collection of postcards left by a German soldier who served in Turkey, Syria, and Iraq during World War I will be presented at the end of this article.

“To Maintain the Biological Substance of the Polish Nation” : Reproductive Rights as an Area of Conflict in Poland

2021 ◽  
Vol 10 (2) ◽  
pp. 357-381
Author(s):  
Michael Zok
Keyword(s):  
World War I ◽  
Reproductive Rights ◽  
World War ◽  
Discursive Strategies ◽  
Polish Society ◽  
Constitutional Tribunal ◽  
Biological Substance ◽  
The Law ◽  
Almost All

On October 22, 2020, the long-term dispute about reproductive rights in Polish society had a comeback. The Constitutional Tribunal declared the embryo-pathological indication of abortions guaranteed by the law of 1993 to be unconstitutional. The tribunal’s ruling was met with widespread protests, as it effectively forbade almost all reasons for terminations of pregnancies. While members of the Church’s hierarchy and pro-life activists celebrated, politicians began once again to discuss the law, and different suggestions were made (including a draft law similar to laws in effect in other European countries like Germany, and a law which would allow the termination of a pregnancy if the fetus were likely to die, or a law forbidding them in the case that the fetus had been diagnosed as having down’s syndrome). The debates are hardly new to Polish society and history. On the contrary, they date back to the recreation of the Polish state after World War I. This article concentrates on the developments in the Communist People’s Republic that led to the legislation of 1993, which is commonly referred to as a “compromise.” It focuses on the main actors in this dispute and the policymakers and their arguments. It also contextualizes these discursive strategies in a long-term perspective and highlights continuities and ruptures.

scholarly journals The Politics of Russian Memory: The Great War in the European Context

2021 ◽  
Vol 20 (2) ◽  
pp. 216-235
Author(s):  
Olga S. Porshneva
Keyword(s):  
World War I ◽  
Historical Memory ◽  
Central Committee ◽  
Great War ◽  
World War ◽  
Politics Of Memory ◽  
Red Army ◽  
The Government ◽  
The Masses ◽  
The Great War

This article examines how the historical memory of World War I emerged and developed in Russia, and also compares it to how Europeans have thought about the conflict. The author argues that the politics of memory differed during the Soviet and post-Soviet periods. In the wake of the 1917 Revolution, Bolshevik efforts to re-format the memory of the Great War were part of its attempt to create a new society and new man. At the same time, the regime used it to mobilize society for the impending conflict with the 'imperialist' powers. The key actors that sought to inculcate the notion of the war with imperialism into Soviet mass consciousness were the Central Committee of the Bolshevik Communist Party, the Department of Agitation and Propaganda, and, in particular, the Red Army and Comintern. The latter two worked together to organize the major campaigns dedicated to war anniversaries, which were important both to reinforce the concept of imperialist war as well as to involve the masses in public commemorations, rituals and practices. The Soviet state also relied on organizations of war veterans to promote such commemorative practices while suppressing any alternative narratives. The article goes on to explain how, under Stalin, the government began to change the way it portrayed the Great War in the mid-1930s. And after the Second World War, Soviet politics of memory differed greatly from those in the West. In the USSR the Great Patriotic War was sacralized, while the earlier conflict remained a symbol of unjust imperialist wars.

scholarly journals Conservation survey, condition report and collections care proposal for the World War I portrait collection at State Records of South Australia

2021 ◽  
Author(s):  
Sarah Ann Ernisse
Keyword(s):  
World War I ◽  
South Australia ◽  
World War ◽  
Advantages And Disadvantages ◽  
The World ◽  
Detailed List ◽  
Collections Care ◽  
And Storage ◽  
State Records

This practical thesis project report contains a conservation survey, condition report and collections care proposal for the World War I portrait collection at State Records of South Australia. The plan prescribes immediate, short term and long term recommendations for the improvement of preservation techniques for the World War I collection. The paper also contains information and results gathered through the condition report of the collection sample and conservation survey. The survey investigated the current environment and storage facilities, access, security and disaster planning surrounding the collection. The paper also outlines the practices and methodologies of the applied thesis for both the conservation survey and condition report. The collection care proposal assesses current practices in order to provide State Records with accurate goals that offer flexible options. A detailed list of housing recommendations is included in the proposal; an advantages and disadvantages assessment if included for each option to help State Records better fit its needs and abilities in the future. Charts showing the results of the condition report and environmental assessment from the conservation survey are included in the appendix for further reference. This project is intended to draw attention to the urgent need for better preservation practices for the World War I portrait collection.

From the Great War to White Christmas

2019 ◽  
pp. 97-114
Author(s):  
Jeffrey Magee
Keyword(s):  
World War Ii ◽  
World War I ◽  
Great War ◽  
World War ◽  
To Come ◽  
The Great War

Irving Berlin’s all-soldier World War I revue, Yip Yip Yaphank, made a unique impact on Broadway in 1918 and in Berlin’s work for decades to come. The show forged a compelling and comic connection between theatrical conventions and military protocols, using elements from minstrelsy, the Ziegfeld Follies, and Berlin’s distinctive songs. Featuring such Berlin standards as “Sterling Silver Moon” (later revised as “Mandy”) and “Oh! How I Hate to Get Up in the Morning,” it was revised for World War II as This Is the Army, and scenes from it reappear, transformed, in Berlin’s films Alexander’s Ragtime Band and White Christmas.

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