Einleitung: Staatsfinanzen und Konflikt

2021 ◽  
Vol 62 (2) ◽  
pp. 291-302
Author(s):  
Korinna Schönhärl ◽  
Mark Spoerer

Abstract The following issue arose from a section at the Congress for Economic and Social History in Regensburg in March 2019 and focuses on fiscal conflicts in Europe from the early modern period until today. Distributive fiscal conflicts are seen here as a probe into the past which can increase our understanding of historical social structures. Fiscal history is analysed as a central arena of the modern state. The introduction provides an overview of current research into fiscal history in Germany and of the contributions presented in this focus issue.

2012 ◽  
Vol 55 (4) ◽  
pp. 899-938 ◽  
Author(s):  
ALEXANDRA WALSHAM

ABSTRACTThis article is a revised and expanded version of my inaugural lecture as Professor of Modern History at the University of Cambridge, delivered on 20 Oct. 2011. It explores how the religious upheavals of the sixteenth and seventeenth centuries reshaped perceptions of the past, stimulated shifts in historical method, and transformed the culture of memory, before turning to the interrelated question of when and why contemporaries began to remember the English Reformation as a decisive juncture and critical turning point in history. Investigating the interaction between personal recollection and social memory, it traces the manner in which remembrance of the events of the 1530s, 1540s, and 1550s evolved and splintered between 1530 and 1700. A further theme is the role of religious and intellectual developments in the early modern period in forging prevailing models of historical periodization and teleological paradigms of interpretation.


2018 ◽  
Vol 28 (4) ◽  
pp. 613-628
Author(s):  
Vesa-Pekka Herva ◽  
Janne Ikäheimo ◽  
Matti Enbuske ◽  
Jari Okkonen

The unknown and exotic North fascinated European minds in the early modern period. A land of natural and supernatural wonders, and of the indigenous Sámi people, the northern margins of Europe stirred up imagination and a plethora of cultural fantasies, which also affected early antiquarian research and the period understanding of the past. This article employs an alleged runestone discovered in northernmost Sweden in the seventeenth century to explore how ancient times and northern margins of the continent were understood in early modern Europe. We examine how the peculiar monument of the Vinsavaara stone was perceived and signified in relation to its materiality, landscape setting, and the cultural-cosmological context of the Renaissance–Baroque world. On a more general level, we use the Vinsavaara stone to assess the nature and character of early modern antiquarianism in relation to the period's nationalism, colonialism and classicism.


Author(s):  
Craig Kallendorf

Even the word “Renaissance” (“rebirth” in French) points to the effort to revive the learning of antiquity that motivated the intellectual elite of that era—for what sprang forth was an urgent awareness of the ancient past, prompting innovations in both ideas and the arts. The classical tradition, accordingly, has long played a central role in Renaissance studies. With the growing interest in nonelite cultures, the classical tradition in what is now sometimes called the early modern period has had to share the scholarly stage with an ever-increasing number of other areas of inquiry, but the recent burst of activity in reception studies has given the classical heritage a new lease on life along with a way to engage with the more theoretical discourse that has flourished in other areas of Renaissance studies over the past generation.


Author(s):  
James M. Bromley

This chapter articulates a historical methodology, cruisy historicism, for attending to the erotic possibilities of the resistances from minor voices within a text and the mismatch between text and historical context. Drawn analogically from queer public sexual practices, cruisy historicism is particularly suited to unpacking the queer sexual possibilities that inhere in these multiplicities and misalignments. This methodology is explored via the intersection of clothing and space in Ben Jonson’s Every Man Out of His Humour. The play depicts lavishly dressed male characters circulating knowledge about queer forms of eroticism and subjectivity in the middle aisle of St Paul’s Cathedral, a place famed for its parading gallants in the early modern period. This chapter uses cruisy historicism to access the utopian fantasies surrounding extravagant apparel that exceed their historical and satiric contexts. In addition, cruisy historicism invites readers to encounter texts that do not seem especially welcoming to queerness so as to rework them into sites in which queer pleasure can animate one’s relationship with the past and compel us to rethink present-day political demarcations of legitimate forms of sexual practice.


2021 ◽  
pp. 344-369
Author(s):  
Joshua Teplitsky

This chapter uses theories of diaspora—which transcend narrative of origins/dispersal and explore instead synchronic ties between multiple centers—to examine phenomena of Jewish cultural and social life in Central Europe during the early modern period (ca. 1500–1800), an geo-cultural association that was captured by the term “Ashkenaz.” Using examples from print culture, social history, and epistolary exchanges, it argues that Jews occupied a position of “variant-participants”—at once participating in wider social, intellectual, and cultural trends and translating those trends into a particular idiom with a distinctly Jewish inflection, shaped both by relationship to past texts and traditions and to other Jewish communities both within and outside of Central Europe. Considering the accommodations of diaspora existence, which creates a “home away from home,” provides a useful lens for conceptualizing the dimensions of Jewish distinctiveness, even while recognizing their local indigeneity, and allows for a consideration of the creation of local practices as well as extra-territorial forms of identification.


2020 ◽  
Vol 24 (1) ◽  
pp. 1-16 ◽  
Author(s):  
Melissa Calaresu

Abstract All of the articles in this special issue show the necessity of having to combine different kinds of sources—texts with images, images with objects, and objects with absences—to build an integrated history of the material worlds of food in the early modern period. They also reflect newer approaches to materiality which are sensitive to the relationship between matter and the senses and consider the haptic, visual, olfactory, and even aural aspects of cooking and eating alongside taste. In turn, the tastes of collectors and the fragility and absence of source material also need to be taken into consideration in order to write a meaningful cultural and social history of food. Despite the ephemeral nature of eating and cooking, this special issue shows that the sources studied by historians of material culture of the early modern period are remarkably rich, and their analysis fruitful.


Religions ◽  
2021 ◽  
Vol 12 (6) ◽  
pp. 370
Author(s):  
Laura Kathryn Jurgens

This article provides an overview of the social-historical methodology, highlights relevant scholarship on this approach, and offers specific examples of studies on the Reformation period in Europe that use the social-historical method. I begin by explaining how the social-historical methodology, otherwise known as new social history, originated from the historical method. While highlighting key scholarship on this approach, I outline how the social-historical method differs from the historical method. I also present two essential methodological features of social history, including using sources in new, more analytical ways. I conclude by presenting specific examples of how historians of the early modern period, such as Kirsi Stjerna and Merry Wiesner-Hanks, apply the social-historical method in their own studies. This last section focuses on works that explore women’s history, family life, work, and witchcraft, primarily during the Reformation period in Europe. My goal is to provide a resource for emerging young scholars, such as undergraduate students and newly admitted graduate students, who are interested in strengthening their own work by better understanding the social-historical research method and how it is used in the study of history and religion.


2021 ◽  
Vol 52 (1) ◽  
pp. 77-103
Author(s):  
S. Mohammad Mozaffari ◽  
Jeremy J. Drake

The historical evidence from the past two millennia show two problems concerning the star Algol (β Per): First, a critical variation in its brightness from a magnitude m ~ 2 in (1) Ptolemy’s Almagest (2nd century AD) and reported by (2) al-Ṣūfī (10th ct.) through its diminution to m = 4 in (3) the star catalog prepared by the Persian astronomers in service of the Yuan dynasty of China in the 13th ct. to becoming brighter, m = 3, as reported by (4) Ibn al-Shāṭir (14th ct.) and (5) Tycho Brahe (16th ct.). In the early modern period, it returned back to m ~ 2, as reported, for example, by Hevelius and Flamsteed (17th ct.), before the discovery of its periodic variability in 1783. Second, al-Ṣūfī reports it as a red star. We present detailed analyses of the sources (3) and (4) for the test of their accuracy and reliability. Our conservative hypothesis concerning the first problem is that the past astronomers observed the star at various phases of its 3-day period of variability. We reject the reddening to have arisen from the extinction due to either the Earth’s atmosphere or an interstellar medium. For resolving both problems, we instead speculate on astrophysical explanations for the observations. These are: copious dust produced as a result of arrested coronal mass ejections or pulverized planetary debris that resides close to the central binary before being dispersed; and a much-enhanced accretion rate that lead Algol into a W Ser-like state in which the primary was enveloped in an inflated accretion disk. We draw an analogy between the dimming of Algol and the recent dimming of Betelgeuse in order to highlight the value of historical observations for understanding astrophysical phenomena.


Author(s):  
Diane H. Bodart

In the past decades, studies on the materiality and the efficacy of images, as well as the artistic and social practices related to them, have allowed scholars to explore how much images’ making, use, handling and display contributed to the activation of their powers of presence through their interaction with the viewer. Further, the growing interest in the articulation between the history of art and the anthropology of images has brought to light the close links between the art object and the body: in fact, if the body can be the medium of the animate art object, the art object can potentially act as a substitute of the animate body. But what happens when the body is the support of a distinctive image, when it inscribes an image on its own surface, whether directly on the skin or through intermediary props such as clothing or corporeal parure? Wearing Images investigates the different modes of interaction between the image and the body that wears it in the Early-Modern period, when devotional, political, dynastic or familial images could be worn as medals, jewels, badges, embroidered garments or tattoos.En las últimas décadas, los estudios sobre la materialidad y la eficacia de las imágenes, así como de las prácticas artísticas y sociales asociadas a ellas, han permitido a los historiadores explorar hasta qué punto la fabricación de las imágenes, su uso, manejo y exhibición contribuyó a activar sus capacidades de presentarse a través de su interacción con el espectador. Además, el creciente diálogo entre la historia del arte y la antropología de las imágenes ha puesto de relieve las estrechas conexiones entre el objeto artístico y el cuerpo: en efecto, si el cuerpo puede ser el medio para el objeto artístico animado, el objeto artístico puede actuar potencialmente como sustituto del cuerpo animado. Pero ¿qué ocurre cuando el cuerpo es el soporte de una imagen distintiva, cuando inscribe una imagen en su propia superficie, ya sea directamente en la piel o a través de intermediarios como el vestido o un adorno? Wearin Images investiga las diferentes modalidades de interacción entre la imagen y el cuerpo que se viste con ella en la Edad moderna, en una época en la que imágenes devocionales, políticas, dinásticas o familiares podían vestirse como medallas, joyas, placas, prendas bordadas o tatuajes.


2016 ◽  
Vol 40 (158) ◽  
pp. 171-191
Author(s):  
Eamon Darcy

AbstractThe draft notes for a proposed history of Ireland compiled by Arthur Annesley, the first earl of Anglesey, and letters to Edmund Borlase, author of The history of the execrable Irish rebellion (London, 1680), which describe the reception of his work in England and Ireland, offer a convenient keyhole through which historians can investigate the craft of history writing in the early-modern period. While there has been much discussion of these authors and their contribution to wider political (and highly partisan) debates concerning the Popish Plot and the Exclusion Crisis, less has been said about the historical methods they employed to understand the past. While this article does not deny that both authors attempted to defend their own political factions and views, it argues that a focus on the partisan nature of their contributions neglects the historiographical context to what they produced. Both Anglesey’s and Borlase’s research and writing occurred at a time of profound change in history writing as readers were becoming increasingly critical of works they read and authors engaged in sustained attempts to understand deep-lying causes of the various crises that engulfed the three kingdoms. The purpose of this article, therefore, is to illustrate how both Anglesey and Borlase’s ‘histories’ reflected this historiographical turn in the late-seventeenth century.


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