Stimmversagen, Sprachinfarkt und Zungenbremse? Posttridentinische Betrachtungsliteratur Italiens zwischen orazione mentale und orazione vocale

2021 ◽  
Vol 72 (1) ◽  
pp. 218-246
Author(s):  
Stephanie Wodianka
Keyword(s):  
Council Of Trent ◽  
Supporting Function ◽  
Self Reflection ◽  
Specific Relationship ◽  
Reception Aesthetics ◽  
Made In ◽  
Spiritual Voice

Abstract In the following, the literary potential of a counterreformation-minded uncertainty will be in focus which in turn resulted from the distinction in orazione orale and orazione mentale made in the context of the Council of Trent. The differentiation of inner-mental and external-vocal voice as well as one’s own word and the prescribed or appropriated word was accelerated by the Council and lead to a self-reflection of prayer literature and meditations concerning their voice and voicing. Whose voice speaks in prayers and contemplation and by which aesthetic qualities are they characterized? The literary crystallisation of standardization, domestication but also the emancipating obstinacy of the meditation-voice ought to be made visible hereafter in an exemplary way. Promoted by the Council of Trent, the revaluation of the spiritual ‘inner’ prayer, in comparison to the textual prayer spoken with an external voice, has become effective in the Catholic counterreformation literature as creative-conceptual freedom, but also as a practical-aesthetic challenge. Literary and lyrical meditations – as will be shown here using the example of Antonio Grillo, Gabriele Fiamma and Loreto Mattei – not only implement the spiritual voice of contemplation discursively and thematically, but also textually and performatively. The specific relationship between production aesthetics (meditating lyrical self) and reception aesthetics (meditating contemplative poetry appropriating self) has a supporting function. Conflicting voice-discourses do not become effective in the sense of reciprocal prevention, but in the sense of symbiotic coexistence. The lyrical considerations analysed here do not solve the interferences of vocal regimes conceptually-fundamentally, but performatively-concretely.

scholarly journals Pensive professionalism: The role of 'required reflection' on a professional doctorate

2018 ◽  
Author(s):  
Bryan Cunningham
Keyword(s):  
Professional Identity ◽  
Reflective Writing ◽  
Short Paper ◽  
Doctoral Thesis ◽  
Self Reflection ◽  
Professional Doctorate ◽  
Professional Doctorates ◽  
Made In

This short paper examines the origins and nature of the reflective writing that is presently required on one part-taught doctorate in education (EdD) programme. It explores the various ways in which EdD candidates have engaged with self-reflection, using a number of extracts from writing submitted for formal assessments (including of the doctoral thesis itself, the culmination of their doctoral journey). The specific ways in which individuals have been caused to interrogate their place within, and contributions to, their respective professional realms are examined, as is the question of how writing in reflective vein has contributed to the evolution of professional identity. In the context of reflective writing, particular attention is paid to the ways in which the specific matter of developing confidence with accessing and manipulating language is frequently cited by individuals. As appropriate, connections are made in the paper between the above dimensions of what I am terming pensive professionalism and the perspectives of certain writers. The article concludes by drawing attention to the ways in which those of us involved in delivering professional doctorates need to be aware of, and induct our candidates into, the benefits of pensive professionalism.

scholarly journals Análise discursiva das apreciações das rodas vinculantes no contexto universitário latino-americano

2020 ◽  
Vol 16 (esp. 1) ◽  
pp. 239-255
Author(s):  
Rosaura Gutierrez Valero ◽  
Olivier Gérard Angel Méric ◽  
Juan José Leiva Olivencia
Keyword(s):  
Personal Development ◽  
Indigenous Communities ◽  
Qualitative Inquiry ◽  
Community Empowerment ◽  
Value Analysis ◽  
Self Reflection ◽  
Discursive Analysis ◽  
Communicative Strategies ◽  
Communicative Exchange ◽  
Made In

This research analyses the discursive characteristic of social binding wheels discourse made in the framework of educational and communicative processes with different social and educational agents from different indigenous communities, from Pastaza (Ecuador). This discursive analysis consists of a qualitative inquiry of quantitative data regarding the potential of integrative community therapy (ICT) and the binding wheels. It aims to assess their impacts, their achievements, their difficulties through a methodology of mixed quanti-qualitative cutting. The obtained results demonstrate that binding wheels allow self-reflection and communicative exchange, promote resilience, and evidence community empowerment. Finally, we consider (that) this analysis may be of special interest to improve educational and communicative strategies in intercultural educational context of the Ecuadorian Amazon, allowing social value analysis and promoting personal development.

Theologie und Exil

2015 ◽  
Vol 75 (6) ◽  
pp. 406-419
Author(s):  
Ulrich Lincoln
Keyword(s):  
The Self ◽  
Strong Tendency ◽  
Historical Experience ◽  
Self Reflection ◽  
Great Relevance ◽  
Definition Of ◽  
The Church ◽  
Made In

Abstract This article analyses, with a systematic interest, the relevance of the experience of exile for the self-understanding of Protestant theology. Starting from the insight that within the German context the question of exile is hardly being raised, the attempt of a theological definition of the term is made. In view of the strong tendency of theology and the church to inculturate, the historical experience of both Israel and the Church invites the understanding of exile as a corrective for (inner-)theological discourses of self-reflection. The self-reflexive questioning of one’s own theological identity from the border has great relevance, especially for ecumenical hermeneutics.

The Making of the Artist in Late Timurid Painting

2019 ◽  
Author(s):  
Lamia Balafrej
Keyword(s):  
Manual Dexterity ◽  
Islamic Art ◽  
Self Reflection ◽  
Manuscript Painting ◽  
Artistic Work ◽  
Artistic Self ◽  
Made In ◽  
Artistic Performance

This book constitutes the first exploration of artistic self-reflection in Islamic art. In the absence of a tradition of self-portraiture, how could artists signal their presence within a painting? Centred on late Timurid manuscript painting (ca. 1470-1500), this book reveals that pictures could function as the painter’s delegate, charged with the task of centring and defining artistic work, even as they did not represent the artist’s likeness. Influenced by the culture of the majlis, an institutional gathering devoted to intricate literary performances and debates, late Timurid painters used a number of strategies to shift manuscript painting from an illustrative device to a self-reflective object, designed to highlight the artist’s imagination and manual dexterity. These strategies include visual abundance, linear precision, the incorporation of inscriptions addressing aspects of the painting and the artist’s signature. Focusing on one of the most iconic manuscripts of the Persianate tradition, the Cairo Bustan made in late Timurid Herat and bearing the signatures of the painter Bihzad, this book explores Persian manuscript painting as a medium for artistic performance and self-representation, a process by which artistic authority was shaped and discussed. In addition, each chapter explores a different theme: how painters challenged the conventions of royal representation (chapter 1); the role of writing in painting, its relation to ekphrasis and the context of the majlis (chapter 2); image, mimesis and potential world (Chapter 3); the line and its calligraphic quality (Chapter 4); signature (Chapter 5); the mobility of manuscripts (epilogue).

scholarly journals PENERAPAN KETERAMPILAN BERBAHASA INDONESIA BERBASIS PENDEKATAN EXPERIENCE BASED EDUCATION PEGAWAI DISHUB BATAM

2018 ◽  
Vol 2 (2) ◽  
pp. 261-269
Author(s):  
Yunisa yunisa Oktavia
Keyword(s):  
Community Service ◽  
Department Of Transportation ◽  
Service Program ◽  
Self Reflection ◽  
Written Information ◽  
Bahasa Indonesia ◽  
Made In

Bahasa Indonesia has developed rapidly. Bahasa Indonesia has been taught in many countries and used in written or spoken context, formally and informally. As one of government departments, Batam’s Department of Transportation certainly has to take part in promoting the proper use of Bahasa Indonesia. Unfortunately, there are a lot of problems faced by the official of Batam’s Department of Transportation. The problems in written context can be seen in the letter, announcement, or other written information issued by this department. In spoken context, the problems can be seen in the context of politeness used by the official. These problems then are tried to be solved by the community service team through this community service program. This program is aimed at reducing the problems  faced by the official in using Bahasa Indonesia. This program adopted Experience Based Education Approach which rely on knowledge and experience sharing. The result of this community service shows that this program has successfully become a means of self reflection and conceptualization of proper use of Bahasa Indonesia which further enable the participant to analyze the mistakes made in using Bahasa Indonesia. This result is then expected to be one of solutions to problems faced by the officials in using Bahasa Indonesia.

scholarly journals Private messages from the field

2020 ◽  
Vol 2 (1) ◽  
pp. 1-19
Author(s):  
Crystal Abidin ◽  
Gabriele De Seta
Keyword(s):  
Digital Media ◽  
Ethnographic Research ◽  
Special Issue ◽  
Self Reflection ◽  
Rich Variety ◽  
Ethnographic Writing ◽  
The Rich ◽  
The One ◽  
Turf Wars ◽  
Made In

This special issue collects the confessions of five digital ethnographers laying bare their methodological failures, disciplinary posturing, and ethical dilemmas. The articles are meant to serve as a counseling stations for fellow researchers who are approaching digital media ethnographically. On the one hand, this issue’s contributors acknowledge the rich variety of methodological articulations reflected in the lexicon of “buzzword ethnography”. On the other, they evidence how doing ethnographic research about, on, and through digital media is most often a messy, personal, highly contextual enterprise fraught with anxieties and discomforts. Through the four “private messages from the field” collected in this issue, we acknowledge the messiness, open-endedness and coarseness of ethnographic research in-the-making. In order to do this, and as a precise editorial choice made in order to sidestep the lexical turf wars and branding exercises of ‘how to’ methodological literature, we propose to recuperate two forms of ethnographic writing: Confessional ethnography (Van Maanen 2011) and self-reflection about the dilemmas of ethnographic work (Fine 1993). Laying bare our fieldwork failures, confessing our troubling epistemological choices and sharing our ways of coping with these issues becomes a precious occasion to remind ourselves of how much digital media, and the ways of researching them, are constantly in the making.

Painting about Painting

2019 ◽  
pp. 1-42
Author(s):  
Lamia Balafrej
Keyword(s):  
Manual Dexterity ◽  
Islamic Art ◽  
Self Reflection ◽  
Manuscript Painting ◽  
Artistic Work ◽  
Artistic Self ◽  
Made In ◽  
Artistic Performance

This book constitutes the first exploration of artistic self-reflection in Islamic art. In the absence of a tradition of self-portraiture, how could artists signal their presence within a painting? Centred on late Timurid manuscript painting (ca. 1470-1500), this book reveals that pictures could function as the painter’s delegate, charged with the task of centring and defining artistic work, even as they did not represent the artist’s likeness. Influenced by the culture of the majlis, an institutional gathering devoted to intricate literary performances and debates, late Timurid painters used a number of strategies to shift manuscript painting from an illustrative device to a self-reflective object, designed to highlight the artist’s imagination and manual dexterity. These strategies include visual abundance, linear precision, the incorporation of inscriptions addressing aspects of the painting and the artist’s signature. Focusing on one of the most iconic manuscripts of the Persianate tradition, the Cairo Bustan made in late Timurid Herat and bearing the signatures of the painter Bihzad, this book explores Persian manuscript painting as a medium for artistic performance and self-representation, a process by which artistic authority was shaped and discussed. In addition, each chapter explores a different theme: how painters challenged the conventions of royal representation (chapter 1); the role of writing in painting, its relation to ekphrasis and the context of the majlis (chapter 2); image, mimesis and potential world (chapter 3); the line and its calligraphic quality (chapter 4); signature (chapter 5); the mobility of manuscripts (epilogue).

Appels, peren en fruit

2019 ◽  
Vol 111 (3) ◽  
pp. 433-452
Author(s):  
Annemarie van Stee
Keyword(s):  
Cognitive Processes ◽  
Cognitive Neuroscience ◽  
Cognitive Process ◽  
Meta Analysis ◽  
Analysis Method ◽  
Self Reflection ◽  
Methodological Choices ◽  
Meta Analyses ◽  
Made In

Abstract Conceptual review as task analysis methodMeta-analysis is a crucial research tool in cognitive neuroscience. For meta-analysis to succeed, it is important that studies that are grouped together investigate the same cognitive process and that studies that investigate different cognitive processes are grouped apart. After all, comparing apples and oranges makes no sense. Studies’ comparability depends on the cognitive tasks employed. Yet current meta-analyses, especially when automated (e.g. Neurosynth, BrainMap), select and group studies based on cognitive labels (e.g. ‘working memory’, ‘self-reflection’). Unfortunately, labels are often applied inconsistently to tasks: different tasks may receive the same cognitive label, leading to a comparison of apples and oranges during meta-analysis; and the same task may receive different labels, leading to meta-analyses that fail to include all apples, so to speak. I propose conceptual review as a method for overcoming this problem. A conceptual review analyzes the conceptual implications of task choices made in a cognitive neuroscience subfield. It applies philosophical ways of uncovering and analyzing implicit assumptions to the methodological choices neuroscientists make. I explicate how this works and discuss several ways in which conceptual review would benefit cognitive neuroscience. Conceptual review could be combined with neuro-informatics to improve the quality of automated versions of meta-analysis and thereby provide an important contribution to progress in cognitive neuroscience.

Spectrophotometric measurements of objective-prism spectra

1966 ◽  
Vol 24 ◽  
pp. 118-119
Author(s):  
Th. Schmidt-Kaler
Keyword(s):  
Progress Report ◽  
Two Dimensional ◽  
Objective Prism ◽  
Made In

I should like to give you a very condensed progress report on some spectrophotometric measurements of objective-prism spectra made in collaboration with H. Leicher at Bonn. The procedure used is almost completely automatic. The measurements are made with the help of a semi-automatic fully digitized registering microphotometer constructed by Hög-Hamburg. The reductions are carried out with the aid of a number of interconnected programmes written for the computer IBM 7090, beginning with the output of the photometer in the form of punched cards and ending with the printing-out of the final two-dimensional classifications.

Surface Structure in Microtomed Sections Caused by Glass and Diamond Knives

1971 ◽  
Vol 29 ◽  
pp. 456-457
Author(s):  
J. Temple Black ◽  
William G. Boldosser
Keyword(s):  
Plastic Deformation ◽  
Epoxy Resin ◽  
Carbon Coating ◽  
Surface Damage ◽  
Body Angle ◽  
Normal Manner ◽  
Bottom Side ◽  
Cutting Direction ◽  
Made In ◽  
Diamond Knife

Ultramicrotomy produces plastic deformation in the surfaces of microtomed TEM specimens which can not generally be observed unless special preparations are made. In this study, a typical biological composite of tissue (infundibular thoracic attachment) infiltrated in the normal manner with an embedding epoxy resin (Epon 812 in a 60/40 mixture) was microtomed with glass and diamond knives, both with 45 degree body angle. Sectioning was done in Portor Blum Mt-2 and Mt-1 microtomes. Sections were collected on formvar coated grids so that both the top side and the bottom side of the sections could be examined. Sections were then placed in a vacuum evaporator and self-shadowed with carbon. Some were chromium shadowed at a 30 degree angle. The sections were then examined in a Phillips 300 TEM at 60kv.Carbon coating (C) or carbon coating with chrom shadowing (C-Ch) makes in effect, single stage replicas of the surfaces of the sections and thus allows the damage in the surfaces to be observable in the TEM. Figure 1 (see key to figures) shows the bottom side of a diamond knife section, carbon self-shadowed and chrom shadowed perpendicular to the cutting direction. Very fine knife marks and surface damage can be observed.

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