Olwid, Or the Beginnings of Polish Postcolonialism

2016 ◽  
Vol 57 (4) ◽  
pp. 446-460
Author(s):  
Katarzyna Szewczyk-Haake

Summary This article presents a postcolonial interpretation of Olwid’s (Witold Hulewicz’s) book of poems Flame in Hand (Płomień w garści, 1921). His poetic ‘fragments’ describing the experience of the World War are remarkably similar to the poetry of German expressionism. Whereas previous critics treated this similarity as a proof of the derivative, unoriginal nature of the Poznań expressionism, this article claims that Olwid’s was a deliberate attempt to start a rapprochement between the Polish and the German culture. After decades of colonial dependence the breakthrough of 1918 the two cultures had a chance to resume a dialogue of equals with the expressionist poetics as a new footing. Hulewicz tones down the difference between the hegemon and the victim in the spirit of the expressionistic search for common humanity. To that end he also develops a new interpretation of the Polish Romantic tradition. His endeavours mark him out as a precursor of postcolonial criticism, and more specifically that type of postcolonialism which uses the emancipatory strategy as a means to the creation of a ‘truly free man’. That high goal is pursued not because of a commitment to cosmopolitanism but in the name of absolute human values.

2000 ◽  
Vol 8 (4) ◽  
pp. 569-589 ◽  
Author(s):  
Ken'ichi Mishima

The haunting image of Nietzsche as a pre-fascist ideologist does not fit the early impression of him in Japan and Germany. At the beginning of the 20th century, he stimulated young intellectuals to liberate themselves from the culture of the bourgeois. This was replaced by a Heideggerian interpretation of Nietzsche given in the Nazi-period, which influenced conservative circles both in Germany and Japan after World War II. There is now emerging a new interpretation of Nietzsche from the perspective of the cultural left. Considering the impressions of Nietzsche in the two cultures, the author comes to the conclusion that we must forget the old-fashioned dichotomy between East and West and speak instead of the ‘entangled modernity’.


Religions ◽  
2019 ◽  
Vol 10 (8) ◽  
pp. 478
Author(s):  
Verónica Roldán

The present study on the religious experience of the Peruvian community in Rome belongs to the area of studies on immigration, multiculturalism, and religion in Italy. In this article, I analyze the devotion of the Peruvian community in Rome to “the Lord of Miracles”. This pious tradition, which venerates the image of Christ crucified—painted by an Angolan slave—began in 1651 in Lima, during the Viceroyalty of Peru. Today, the sacred image is venerated in countries all over the world that host Peruvian immigrant communities that have set up branches of the Confraternity of the Lord of Miracles. I examine, in particular, the cult of el Señor de los Milagros in Rome in terms of Peruvian popular religiosity and national identity experienced within a transnational context. This essay serves two purposes: The first is to analyze the significance that this religious experience acquires in a foreign environment while maintaining links with its country of origin and its cultural traditions in a multilocal environment. The second aim is to examine the integration of the Peruvian community into Italian society, beginning with religious practice, in this case Roman Catholicism. This kind of religiosity seems not only to favor the encounter between the two cultures but also to render Italian Roman Catholicism multicultural.


Karl Barth ◽  
2021 ◽  
pp. 84-99
Author(s):  
Christiane Tietz

The support of prominent theologians for the First World War made Barth understand that their premises were false. How instead could a pastor rightly speak of God? Barth returned anew to the biblical text, becoming convinced that it can still speak to people today. The result was Barth’s first Epistle to the Romans (1919), a commentary to Paul’s letter. Barth stresses that the kingdom of God comes about solely through God, while all human activities, including religion, belong to the world. Barth’s cultural critique reflects the spiritual situation of the wartime and postwar period, yet without any hope on cultural renewal. In his 1919 Tambach lecture, Barth further developed his insights of the difference between God and religion. For God one can only wait. Jesus Christ’s resurrection is the wholly other. Therefore theology needs to think dialectically. Barth’s new ideas found great resonance, but he was also accused of arbitrary exegesis.


2018 ◽  
Vol 27 (1) ◽  
pp. 46-53
Author(s):  
Peter Lachmann

Charles Percy Snow was born in Leicester in 1905 and – like his fictional alter ago Lewis Eliot – determined from an early age to be remembered. The essays in this issue, some 60 years after he first wrote about ‘The Two Cultures’, give testimony that in this respect he has been successful. There is still merit in his essential contentions that there are graduates in the humanities who remain out of touch with scientific developments – and science graduates who don’t read novels. But the world has changed: the computer revolution and the World Wide Web have permitted far broader access to each of the two cultures. While the split between the humanities and the sciences may have grown less, another fissure has become prominent: the sharp divide between those I call the true children of the European enlightenment and those who reject these values, the ‘fideists’. This argument began at Christ’s College, Cambridge.


Author(s):  
Sunaj Hadžija ◽  
Jahja Fehratović ◽  
Kimeta Hamidović

Imperialism emerged in the late 19th century. Europe's supremacy in various areas of life which led to the view that Europe is above other parts of the world that are uncivilized and culturally fell behind, and that needed to be civilized. This attitude lead to negative phenomena such as racism - contesting the rights of other races and colonialism - conquering territories inhabitated by people of other cultures. The world seen from an imperialist perspective was most often the one colonized by Europe, postcolonial research has critized the way in which European colonial powers (especially England and France) created values of subordinate cultures and established relations between center and margins. However, the notion of discursive domination is spread quickly to all relations between colonizers and colonized, which is why this second group includes all gender and ethic groups that did not have cultural independece, but were marginalized and subjected to institutional repression. As different cultural minorities began to form resistance to agressive political, gender, and racial domination, postcolonialism also represents a disagreement with the passivity towards cultural supremacy which is symbolized in empires that no longer even existed. The novel A Passage to India represents Forster's interests in Indian culture, which was colonized by Great Britain. A Passage to India is an exploration of the spiritual and cultural contrast of the two cultures of East and West.


2019 ◽  
Vol 16 (2) ◽  
pp. 116-127 ◽  
Author(s):  
Tatiana S. Akhromeeva ◽  
Georgy G. Malinetsky ◽  
Sergey A. Posashkov

The article considers the interaction of science and art, as well as the development of Science Art from the standpoint of the theory of self-organization and the theory of humanitarian-technological revolution. The world is at the point of bifurcation defining the future. The choice of the further trajectory will be largely determined by what is happening in the emotional and intuitive spaces. This, in turn, depends on the deve­lopment of art, science, philosophy. The article discus­ses alternative futures and the role of culture in them.Charles Snow wrote about a gap between the two cultures — natural science, answering the question “How?” and looking into the future, and humanities, answering the question “What?” and often reflec­ting on the past.The growing gap between the two cultures prevents the civilization from relying to the necessary extent on scientific knowledge and leads to its devaluation. The authors show the importance of the “exchange of metaphors” between science and art, allowing to build bridges over the gap of two cultures. Another way to connect these two spaces is the development of interdisciplinary approaches, in particular, the theory of self-organization, or synergetics. In the 1970s, synergetics was conceived as a language that allowed humanitarians, specialists in natural sciences and mathe­maticians to discuss, formulate and pose common problems, while remaining, nevertheless, in the space of science. Now the central interdisciplinary problem is the study of not only the rational (as du­ring the last three centuries), but also the emotional and intuitive space of human and society.Currently, there are two forecasts materializing — the one of D. Bell, on the transition from the industrial phase of development to the post-industrial, from the world of technology to the world of people, and the one of N.A. Berdyaev, on the transition from the Se­cond Antiquity to the Second Middle Ages. The article shows how this will change the culture itself and its place in society.


Derrida Today ◽  
2010 ◽  
Vol 3 (2) ◽  
pp. 201-220 ◽  
Author(s):  
Vicki Kirby

This article explores Derrida's suggestion in Of Grammatology that deconstruction might be considered a positive science. The implication here is that ‘no outside of text’ does not evoke an enclosure whose limits can't be breached, an enclosure that discovers human exceptionalism in linguistic and technological capacities. Instead, this sense of a system and its involvements (différance) is already entangled in any ‘atom’ of its expression, whereby ‘no outside of text’ can be read as ‘no outside of Nature’. The logic that informs and justifies the conventional separations between nature and culture, ideation and matter, and human and non-human, are thereby confounded; the dimensions of efficacy, as well as the vexed question of intention appear as non-local (systemic); and the very notion of language – what it is and how it works – is distributed in ways that give rise to the same quandaries that surround the quantum problematic. Indeed, at the end of this meditation the difference between the humanities and the sciences, especially in its current configuration as the impasse of ‘the two cultures’, can no longer be sustained.


2017 ◽  
Vol 13 (1) ◽  
pp. 36-55
Author(s):  
Nataša Kampmark

Focusing on literary careers of individual writers, this paper traces the trajectory of Serbian migrant writing in Australia from its beginnings after World War ii until the present, arguing that this writing has progressively evolved from being part of a doubly neglected ghetto-like literary community to becoming a fully integrated, award-winning authorship. Each new wave of migrants is viewed as a link in the chain of evolution triggered by migration understood as a change of place. In the case of migrant writers and writers of non-Anglo-Celtic background in Australia, the advantages gained by migration include the access to a large bilingual cultural pool, a doubly informed vision and interpretation of the world, and the privileged position of a mediator between two cultures.


2020 ◽  
Vol V (III) ◽  
pp. 91-98
Author(s):  
Mumtaz Ahmad ◽  
Asma Haseeb Qazi ◽  
Sahar Javaid

This article is an endeavor to provide an insight into Native American novelist Louise Erdrich's use of the magical-realist technique in an attempt to harmonize the mythic and modern conceptions of reality represented by the Native American and Euro American subjects, respectively. The article demonstrates that in an attempt to seek a way possible to intertwine the two cultures, to wed the Native and the European ideologies of the world into accommodative space and to strike out the all-pervasive differences between the two people inhabiting the same land, Erdrich delves into the structuring principles of each culture's conceptualizing and internalizing the reality and the faith in it, and presents them as simultaneous albeit contrary versions of the same events, suggesting the possibility of simultaneous and harmonious co-existence of the two views, each retaining its essential outlook and yet respecting and accommodating the other. Employing Bower and Paula Gunn Allen's theoretical postulations of magical realism as a particular discourse embedded in the mythic and cultural beliefs of the Native American subjects, the article explores the mythic and modern formulations of female identity in Native American magical-realist fiction Tracks.


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