Silver and Sanctified Bookkeeping: St. Eligius and the Smelting of Sin in the Wittenberg Heiligtum

2017 ◽  
Vol 80 (3) ◽  
pp. 329-348
Author(s):  
Stephanie Lebas Huber

Abstract This article examines Lucas Cranach’s renderings of two non-extant silver gilt reliquaries made in the likeness of St. Eligius from the electoral Heiligtu. in Wittenberg. The significance of Eligius’s dual roles as both a metalworker for the Merovingian kings and as the bishop of Noyon bestowed the prince-electors in Wittenberg, most notably Frederick the Wise, with the ability to cleanse their treasury of all sin associated with indulgences. To explain the prominent place given to Eligius’s image in the collection, the article investigates his connection to French royalty, Holy Roman Emperor Charles IV’s valorization of his cult, the meaning attributed to his image in vernacular legends, and the evolving administrative role of bishops across the Middle Ages.

2021 ◽  
Author(s):  
Engin Akyürek

The Hippodrome of Constantinople was constructed in the fourth century AD, by the Roman Emperor Constantine I, in his new capital. Throughout Byzantine history the Hippodrome served as a ceremonial, sportive and recreational center of the city; in the early period, it was used mainly as an arena for very popular, competitive, and occasionally violent chariot races, while the Middle Ages witnessed the imperial ceremonies coming to the fore gradually, although the races continued. The ceremonial and recreational role of the Hippodrome somehow continued during the Ottoman period. Being the oldest structure in the city, the Hippodrome has witnessed exciting chariot races, ceremonies glorifying victorious emperors as well as the charioteers, and the riots that shook the imperial authority. Today, looking to the remnants of the Hippodrome, one can imagine the glorious past of the site.


1984 ◽  
Vol 13 ◽  
pp. 65-96 ◽  
Author(s):  
Mildred Budny ◽  
Dominic Tweddle

Among the relics in the treasury of the church of St Catherine at Maaseik in Limburg, Belgium, there are some luxurious embroideries which form part of the so-called casula (probably ‘chasuble’) of Sts Harlindis and Relindis (pls. I–VI). It was preserved throughout the Middle Ages at the abbey church of Aldeneik (which these sister-saints founded in the early eighth century) and was moved to nearby Maaseik in 1571. Although traditionally regarded as the handiwork of Harlindis and Relindis themselves, the embroideries cannot date from as early as their time, and they must have been made in Anglo-Saxon England. Indeed, they represent the earliest surviving examples of the highly prized English art of embroidery which became famous later in the Middle Ages as opus anglicanum.


2018 ◽  
Vol 23 (1) ◽  
pp. 48-66
Author(s):  
Marcel Bubert

AbstractAlthough the medieval period was not part of Michel Foucault’s seminal study on ‘The Order of Things’, there are good reasons to believe that the learned cultures of the Middle Ages were to a certain degree based on specific epistemic orders, general organizing principles which were unconsciously presupposed in concepts of reality. Nevertheless, the extent as to which these concepts are in fact committed to the assumption of a metaphysically determined measuring of reality, is not altogether clear. This article aims to discuss this question in general, based on recent views of the role of the ‘subject’ in epistemic orders.


2014 ◽  
Vol 11 (1) ◽  
pp. 152-157
Author(s):  
Dana Vasiliu

Abstract In “The Waning of the Middle Ages”, J. Huizinga has pointed out that “all things would be absurd if their meaning would be exhausted by their function and their place in the phenomenal world, if by their essence they did not reach into a world beyond this.” (1924:201) Starting from this assumption, I purport to analyze the role/roles played by everyday/ordinary objects in the miracle stories depicted in the Trinity Chapel glazing and argue that their individuation/haecceity is subject to practices of ritualistic and artistic encodings


2021 ◽  
Vol 5 (S2) ◽  
pp. 284-302
Author(s):  
Iryna Yu Konovalova

The article is devoted to comprehension of specifics and formation prerequisites of composer’s and musical authorship phenomena historical formation in European culture of the Middle Ages. Genesis of composer’s phenomenon and individual musical authorship model is considered on the basis of historical, socio-cultural and aesthetic-artistic transformations, on awareness about their dynamic’s tendencies and general cultural institutionalization of an authorship phenomenon, as well as on an increasing role of individual creativity in an artistic realm. It is stated that multi-ethnic and anonymous culture of oral tradition, folklore and Christian singing practices, as well as instrumental improvisation’s traditions, became spiritual sources of this phenomena and turn into a strong foundation of musical professionalism and creative impulse for European authorial music evolution. It is emphasized that process of composer’s formation as a creativity subject and musical professionalism carrier was stimulated by the necessity of everyday vocal-choral practice, conditioned by the spiritual context of time, by intention on theocentric world’s picture and religious – Christian outlook dominance. Significant role of secular direction development in the context of music-author’s discourse formation and composer’s figure assertion in the late Middle Ages is highlighted. 


2014 ◽  
Vol 4 ◽  
pp. 193-207
Author(s):  
Ян Страдомский ◽  
Мария Иванова

The apocryphal Apocalypse of St. Paul the Apostlebelongs to the group of early-Christian texts which exerted significant impact on people’s perceptionof the nether world and the Last Judgment. In the Middle Ages, the text was known in the area ofwestern and eastern Christian literary tradition. Numerous translations also include the renditionof the Apocalypse of St. Paul the Apostle into Church Slavonic, made in Bulgaria between the 10thand the 11th century, whose presence and distribution in the area of southern Slavdom and Rutheniais confirmed by copies of manuscripts. The article is devoted to a manuscript of the Apocalypse ofSt. Paul the Apostle hitherto overlooked in studies, whose unique form supplements and makes theSlavic textual tradition of the manuscript more comprehensible. The unique feature of the discussedcopy is supplementation of the text with an ending, present only in the ancient Syrian and Coptictranslations of the apocryphal text.


2021 ◽  
Vol 2021 (2) ◽  
pp. 72-87
Author(s):  
O.A. Oparin ◽  

The article shows and analyzed the development of hospitals in the Middle Ages. The main features of hospitals in its different periods are shown. The deterrent role of medieval religious beliefs and dogma in the development of hospitals is shown and revealed


Author(s):  
John Kenneth Galbraith

This chapter discusses the basic economic life in the Middle Ages, noting the absence of trade or a market during the period. It first considers the legacy of the Romans with respect to economic and political life, including their commitment to the sanctity of private property and Christianity. In particular, it describes Christian attitudes toward wealth and the link between morality and the market. It also examines the ideas of Saint Thomas Aquinas and Nicole Oresme before turning to the role of markets in the Middle Ages, along with their special characteristics. Finally, it looks at other aspects of economic life during the medieval period, such as the intrusion of ethics on economics—the fairness or justice of the relationship between master and slave, lord and serf, landlord and sharecropper.


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