The Cultural Politics of Markets: Economic Liberalization and Social Change in Nepal

2005 ◽  
Vol 107 (3) ◽  
pp. 543-544
Author(s):  
ANNE RADEMACHER
Keyword(s):  
Social Change ◽  
Cultural Politics ◽  
Economic Liberalization

scholarly journals Cultural Studies, Critical Theory and Critical Discourse Analysis: Histories, Remembering and Futures

2003 ◽  
Vol 14 (2) ◽  
Author(s):  
Terry Threadgold
Keyword(s):  
Social Change ◽  
Discourse Analysis ◽  
Critical Theory ◽  
Cultural Studies ◽  
Critical Discourse Analysis ◽  
Cultural Politics ◽  
The Other ◽  
Critical Discourse ◽  
Local Contexts ◽  
Global And Local

In this paper I have explored some of the histories which inevitably connect, but also differentiate, critical discourse analysis and cultural studies. I have argued that both are strongly influenced by the versions of critical theory which have been characterised as 'postmodernism' and 'poststructuralism' and that both could benefit not only from some serious engagement with the several disciplines from which their interdisciplinarity is derived but also from some further in depth exploration of the critical theory which informs them and which they have often 'translated' or 'co-opted' in reductionist ways. I have also argued that the claims sometimes made for critical discourse analysis are inflated and that without serious ethnographies and attention to the theorisation as well as research of contexts those claims cannot really be sustained. On the other hand 'resignification' or the cultural politics of CDA are important agendas and we need to do much more work on establishing exactly how social change can be effected through the kinds of work CDA could do. My conclusion is that we need to reframe and recontextualise the ways in which we define and perform CDA and that that will involve bringing cultural studies and critical discourse analysis together in productive new ways with other disciplinary and theoretical formations and with proper attention to the new and different global and local contexts in which we work.

scholarly journals Política cultural institucional como medio de transformación. La experiencia en la Comunidad Foral de Navarra = Institutional Cultural Politics as a Means of transformation. An experience in the Comunidad Foral de Navarra

2020 ◽  
pp. 319
Author(s):  
Celia Martín Larumbe ◽  
Roberto Peña León
Keyword(s):  
Social Change ◽  
Cultural Politics ◽  
Present Situation ◽  
Local Administration ◽  
Gender Perspective ◽  
Course Of Action ◽  
The World ◽  
Current Context ◽  
New Perspective ◽  
Opening Up

El actual contexto de cambio social está afectando al sector de la Cultura y, de manera específica, al sistema del arte. Dentro del mismo, la institución «museo» se ha visto afectada de una manera especial por este escenario de transformación. Los debates en el sector (ICOM, OME) permiten introducir propuestas diversas para abordar este escenario. Aparecen así nuevos planteamientos y líneas de abordaje, presentándose la perspectiva de género como la más potente y adecuada para ello. En este artículo se presentan el conjunto de acciones llevadas a cabo en la Comunidad Foral de Navarra desde el aparato institucional en los últimos años, amparados por una legislación diseñada en este sentido y que ya ha empezado a dar resultados, abriendo caminos que prometen ser muy interesantes: reflexión autocrítica, remodelación de la exposición permanente, exposiciones temporales de nuevo cuño, visitas guiadas, etc. La actual situación requiere sistematizar estos medios y procedimientos y mantener la dirección usando las sinergias generadas y apoyándose en las reflexiones ya elaboradas con éxito.AbstractThe current context of social change is affecting the world of Culture, and specifically the Art system. Within this area the «museum» as an institution has been deeply affected  by this transformation scenario. The discussions in this sector (ICOM, OME) allow us to introduce diverse suggestions to deal with this issue. This is how new proposals and approaches have appeared, being the gender perspective the most powerful and accurate tool to achieve that. In this article we present a number of actions carried out in the CFN by the local Administration in the last few years, supported by some laws designed in this direction; actions that have already yielded good results, opening up new paths that can be very interesting: self-criticism reflection, reorganization of the permanent exhibition, temporary exhibitions with a new perspective, guided visits, etc. The present situation demands to structure these tools and procedures, in order to maintain this course of action, using the generated synergies and relying on the successful reflections already accomplished.

scholarly journals Je suis Shakespeare: The Making of Shared Identities in France and Europe in Crisis

2019 ◽  
Vol 19 (34) ◽  
pp. 31-53
Author(s):  
Nicole Fayard
Keyword(s):  
Social Change ◽  
Shock Waves ◽  
Cultural Politics ◽  
Cultural Authority ◽  
Terrorist Attacks ◽  
Power Dynamics ◽  
Romeo And Juliet ◽  
Cultural Productions ◽  
The Tempest ◽  
Strongly Connected

This essay investigates the ways in which Shakespearean production speaks to France and wider European crises in 2015 and 2016. The Tempest and Romeo and Juliet were directed by Jérôme Hankins and Eric Ruf respectively in December 2015 and reflected significant contemporaneous issues, including: (1) two Paris terrorist attacks which sent shock waves throughout France and Europe; (2) the belief that shared identities were under threat; (3) concerns over shifting power dynamics in Europe. The portrayal of these issues and their reception bring into question the extent to which cultural productions can help to promote social change or shape perceptions of national and pan-European events. This essay focuses on whether the plays successfully complicate binary narratives around cultural politics in a context of crises by creating alternative representations of difference and mobilities. It concludes that appropriating Shakespeare’s cultural authority encourages some degree of public debate. However, the function of Shakespeare’s drama remains strongly connected to its value as an agent of cultural, political and commercial mobility, ultimately making it difficult radically to challenge ideologies.

The Project of Autonomy: Politics and Architecture Within and Against Capitalism, Pier Vittorio Aureli, New York: The Temple Hoyne Buell Center for the Study of American Architecture at Columbia University and Princeton Architectural Press, 2008

2010 ◽  
Vol 18 (4) ◽  
pp. 219-236 ◽  
Author(s):  
Gail Day
Keyword(s):  
New York ◽  
Social Change ◽  
Cultural Politics ◽  
Columbia University ◽  
Architectural Theory ◽  
Avant Garde ◽  
American Architecture ◽  
The 1960S ◽  
The City ◽  
The Temple

AbstractAureli advances a fresh, spirited and combative account of the idea of ‘autonomy’, connecting Italian architectural debates from the 1960s with the politics of class-autonomy that was being developed and advanced by workerist theorists such as Raniero Panzieri, Mario Tronti and Toni Negri. Aureli’s account focuses on Aldo Rossi’s architectural ideas (his Tendenza and his book The Architecture of the City) and the project of the No-Stop City proposed by the young avant-garde group Archizoom. The Project of Autonomy is not simply envisaged as an historical exploration of the 1960s; primarily, it is conceived as an intervention in current architectural theory (and cultural politics), drawing on the author’s interest in Tronti’s politics to challenge the contemporary popularity of a broadly post-Negrian ‘autonomism’. This review questions aspects of Aureli’s reading of Rossi and Manfredo Tafuri. Furthermore, although Aureli’s discussion of Red Vienna opens up onto vital questions of strategies for social change, which remain pertinent to contemporary arguments over ‘enclaves’ or ‘zones’ of resistance, his antagonism towards Tafuri prevents his argument from either exploring or advancing the debate which he has initiated.

Like the Sound of a Drum: Aboriginal Cultural Politics in Denendeh and Nunavut

2007 ◽  
Vol 40 (3) ◽  
pp. 783-784
Author(s):  
Gary N. Wilson
Keyword(s):  
Social Change ◽  
Northwest Territories ◽  
Cultural Politics ◽  
Local Politics ◽  
Community Politics ◽  
Territorial Politics ◽  
University Of Manitoba ◽  
Political Economic

Like the Sound of a Drum: Aboriginal Cultural Politics in Denendeh and Nunavut, Peter Kulchyski, Winnipeg: University of Manitoba Press, 2005, pp. xi, 305.Much of the existing literature on politics in the Northwest Territories (Denendeh) and Nunavut focuses on the dynamics of political, economic and social change at the territorial level of government. This is especially true if one considers the case of Nunavut. In recent years, a number of books and articles have deepened our understanding of territorial politics and the evolving relationship between the territories and other levels of government in Canada. Very few studies, however, have examined political developments in the territories from the perspective of community politics. Like the Sound of a Drum: Aboriginal Cultural Politics in Denendeh and Nunavut, by Peter Kulchyski, makes an important contribution to this growing literature by exploring grassroots local politics in several communities in the Northwest Territories and Nunavut.

Everyday Crafting of the Bolivarian State

2016 ◽  
Vol 44 (1) ◽  
pp. 159-179 ◽  
Author(s):  
Iselin Åsedotter Strønen
Keyword(s):  
Social Change ◽  
Cultural Politics ◽  
State Policies ◽  
The State ◽  
Popular Participation ◽  
Community Politics ◽  
Everyday Work ◽  
State Employees ◽  
Poor Communities

Venezuela’s communal councils are legally sanctioned organs for popular participation implemented mostly in poor communities since 2006. The promotores integrales, lower-level state employees who assist the communal councils in their everyday work, serve as mediators between state policies and community politics, and study of their roles and perspectives provides important insights into the complexities of implementing policies of popular participation and transforming state practices in the context of radical social change. While the cultural politics and knowledges of the popular sectors have become imprinted on the Venezuelan state, attempts to change the state in accordance with Bolivarian ideology are subject to intense contestation and struggle. Los consejos comunales de Venezuela son órganos para la participación popular establecidos legalmente y puestos en práctica mayormente en comunidades pobres desde 2006. Los promotores integrales –empleados estatales de menor rango que ayudan a los consejos comunales en su trabajo diario –sirven como mediadores entre las políticas del estado y la política comunitaria. El estudio de sus roles y perspectivas nos ofrece importantes claves para comprender la complejidad de implementar políticas de participación popular y transformar las prácticas del estado en el contexto de un cambio social radical. Mientras que las políticas culturales y los saberes de los sectores populares han quedado grabados en el estado venezolano, los esfuerzos para cambiar al estado de acuerdo con la ideología bolivariana están sujetos a una intensa impugnación y luchas constantes.

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