How the Pandemic Made Sensory Power Visible

2022 ◽  
Vol 121 (831) ◽  
pp. 10-16
Author(s):  
Engin Isin

During the COVID-19 pandemic, three long-established forms of power—sovereign, disciplinary, and regulatory—have been conspicuously deployed around the world, as seen in lockdowns, quarantines, and behavioral rules. The pandemic has also revealed a fourth form of power: sensory power, which emerged with the rapid evolution of sensing and surveillance technologies. The data collected by tracking and tracing constitutes a planetary ecosystem for governing people. Whether this leads to digital dictatorships or digital democracies, the growth of sensory power will change the relationship between states and citizens in the twenty-first century.

Author(s):  
Robert B. Perks

For decades, oral historians and their tape recorders have been inseparable, but it has also been an uneasy marriage of convenience. The recorder is both our “tool of trade” and also that part of the interview with which historians are least comfortable. Oral historians' relationship with archivists has been an uneasy one. From the very beginnings of the modern oral history movement in the 1940s, archivists have played an important role. The arrival of “artifact-free” digital audio recorders and mass access via the Internet has transformed the relationship between the historian and the source. Accomplished twenty-first-century oral history practitioners are now expected to acquire advanced technological skills to capture, preserve, analyze, edit, and present their data to ever larger audiences. The development of oral history in many parts of the world was influenced by the involvement of sound archivists and librarians. Digital revolution in the present century continues to influence oral history.


Author(s):  
David Scott Diffrient ◽  
Carl R. Burgchardt

Millions of movie lovers around the world have experienced a range of emotions upon viewing Albert Lamorrise’s 1956 French classic Le Ballon Rouge (The Red Balloon). Many adulatory responses have been triggered but perhaps none other more clearly than Hou Hsiao-hsien’s Le Voyage du Ballon Rouge (Flight of the Red Balloon, France-Taiwan, 2007). Although lacking the fantastical interludes of the earlier film and filled with fewer flaneurial excursions through the alleyways of Paris, Hou’s feature-length work is no less compelling as a series of quotidian scenes concerning the interwoven themes of companionship, loneliness, memory, nostalgia, and the restorative power of art. Drawing upon phenomenological and memory-based studies of intercultural cinema, this chapter explores the relationship between recollections, references, and transnational film remakes, ultimately aiming to transnationalise (or “uproot”) nostalgia and show how twenty-first century cinephilia performs a similar cultural function to the remaking process.


2019 ◽  
Vol 116 (1) ◽  
pp. 38-41
Author(s):  
Matthew Vandagriff

The story of Naboth’s vineyard is a simple story to conceptualize for most readers. A king sees something he desires, and he devises a way to take it. In the case of Naboth, the king had him murdered. In the twenty-first century, imagining a king or other leader who wields this type of authority and influence can be difficult. This article outlines a different understanding for the story (1 Kgs 21:1–16), in which economic forces, not a singular person, drive the procurement of land through the use of fair and legal means. After a brief contextualization of the passage, the article moves to outline the relationship between Kirkwood, MO and the area of Meacham Park. The purpose of this article is help readers understand how fair and legal means can wield the same power as a monarchy, and that Christians must see the world through a lens other than economic issues.


2019 ◽  
Vol 25 (2) ◽  
pp. 101-112
Author(s):  
Archana Parashar ◽  
Mukesh Kumar

The objective of this article is to study the relationship between men, women and nature in Sarah Orne Jewett’s ‘A White Heron’ by using ecofeminist perspectives. The cultural and moral vision of Jewett is imperative to the scope of American regionalist writing and her work characterizes the extreme concern to representing the region from which the author comes. The setting of the story holds its relevance even in the twenty-first century when the world is facing a deep ecological crisis. In ‘A White Heron’, Sarah Orne Jewett narrates the story of a 9-year-old girl Sylvia, exploring the grounds around her home in search of a prized white heron. Therefore, I suggest, it is through this relationship that the author demonstrates regional sustainability through clearly defined repressive gender roles, feminizing the concept of submissiveness while masculinizing attitudes of dominance over nature and competence in dealing with the challenges that nature presents.


2021 ◽  
pp. 175069802110543
Author(s):  
Jordi Serrano-Muñoz

In this piece, I approach the relationship between the paradigm of imbricated crises pertaining to the second decade of the twenty-first century and its contemporaneous dystopian literature. I focus particularly on how dystopian literature forges a sense of closure that attempts to give meaning through the construction of imaginary memories of how crises came and went, or came and stayed. Dystopian tales provide the troubled reader of its time with a sense of narrative continuation and a substitute for closure. For my analysis, I draw on a corpus of literary works from around the world, which includes The Queue, by Basma Abdel Aziz; Station Eleven, by Emily St John Mandel; The Emissary, by Tawada Yōko; Severance: A Novel, by Ling Ma; China Dream, by Ma Jian; Ansibles, Profilers and Other Machines of Wonder, by Andrea Chapela; and The Ministry for the Future, by Kim Stanley Robinson.


2011 ◽  
Vol 47 (1) ◽  
Author(s):  
RUTH BEHAR

Tango artist Astor Piazzolla’s composition, ‘La muerte del ángel’, serves as inspiration for a few reflections on the relationship between enlightenment and enchantment in the 21st century. Piazzolla wrote the fugue as accompaniment to a play, ‘Tango del angel’, about an angel who tries to heal broken human spirits in Buenos Aires and ends up dying in a knife fight. Drawing on tango’s melancholy, longing, and hesitant hoping, I share stories from my travels where I engage with the struggle to sustain an ethnographic art that brings heart to the process of knowing the world.


2019 ◽  
Vol 41 (1) ◽  
pp. 40-50
Author(s):  
Claire Colebrook

There is something more catastrophic than the end of the world, especially when ‘world’ is understood as the horizon of meaning and expectation that has composed the West. If the Anthropocene is the geological period marking the point at which the earth as a living system has been altered by ‘anthropos,’ the Trumpocene marks the twenty-first-century recognition that the destruction of the planet has occurred by way of racial violence, slavery and annihilation. Rather than saving the world, recognizing the Trumpocene demands that we think about destroying the barbarism that has marked the earth.


Author(s):  
Berthold Schoene

This chapter looks at how the contemporary British and Irish novel is becoming part of a new globalized world literature, which imagines the world as it manifests itself both within (‘glocally’) and outside nationalist demarcations. At its weakest, often against its own best intentions, this new cosmopolitan writing cannot but simply reinscribe the old imperial power relations. Or, it provides an essential component of the West’s ideological superstructure for globalization’s neoliberal business of rampant upward wealth accumulation. At its best, however, this newly emergent genre promotes a cosmopolitan ethics of justice, resistance. It also promotes dissent while working hard to expose and deconstruct the extant hegemonies and engaging in a radical imaginative recasting of global relations.


The world faces significant and interrelated challenges in the twenty-first century which threaten human rights in a number of ways. This book examines the relationship between human rights and three of the largest challenges of the twenty-first century: conflict and security, environment, and poverty. Technological advances in fighting wars have led to the introduction of new weapons which threaten to transform the very nature of conflict. In addition, states confront threats to security which arise from a new set of international actors not clearly defined and which operate globally. Climate change, with its potentially catastrophic impacts, features a combination of characteristics which are novel for humanity. The problem is caused by the sum of innumerable individual actions across the globe and over time, and similarly involves risks that are geographically and temporally diffuse. In recent decades, the challenges involved in addressing global and national poverty have also changed. For example, the relative share of the poor in the world population has decreased significantly while the relative share of the poor who live in countries with significant domestic capacity has increased strongly. Overcoming these global and interlocking threats constitutes this century’s core political and moral task. This book examines how these challenges may be addressed using a human rights framework. It considers how these challenges threaten human rights and seeks to reassess our understanding of human rights in the light of these challenges. The analysis considers both foundational and applied questions. The approach is multidisciplinary and contributors include some of the most prominent lawyers, philosophers, and political theorists in the debate. The authors not only include leading academics but also those who have played important roles in shaping the policy debates on these questions. Each Part includes contributions by those who have served as Special Rapporteurs within the United Nations human rights system on the challenges under consideration.


Author(s):  
Jon Stewart

In his Lectures on the Philosophy of Religion, Hegel treats the religions of the world under the rubric “the determinate religion.” This is a part of his corpus that has traditionally been neglected, since scholars have struggled to understand what philosophical work it is supposed to do. The present study argues that Hegel’s rich analyses of Buddhism, Hinduism, Zoroastrianism, Judaism, Egyptian and Greek polytheism, and the Roman religion are not simply irrelevant historical material, as is often thought. Instead, they play a central role in Hegel’s argument for what he regards as the truth of Christianity. Hegel believes that the different conceptions of the gods in the world religions are reflections of individual peoples at specific periods in history. These conceptions might at first glance appear random and chaotic, but there is, Hegel claims, a discernible logic in them. Simultaneously a theory of mythology, history, and philosophical anthropology, Hegel’s account of the world religions goes far beyond the field of philosophy of religion. The controversial issues surrounding his treatment of the non-European religions are still very much with us today and make his account of religion an issue of continued topicality in the academic landscape of the twenty-first century.


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