Seamless Continuity versus the Nature of Materials

2012 ◽  
Vol 71 (1) ◽  
pp. 78-108
Author(s):  
Joseph M. Siry

Gunite, or concrete shot through a hose, helped to shape twentieth-century modernist architecture, yet its history is largely unwritten. In 1927–29 Richard Neutra pioneered the architectural use of Gunite in the Lovell House in Los Angeles. Frank Lloyd Wright praised Neutra's house, and he later used Gunite with a light steel frame in his Community Church in Kansas City, Missouri (1939–42). In Wright's next public commission, the Solomon R. Guggenheim Museum (1943–59) in New York City, he proposed that the great spiral gallery be wholly of Gunite set on a pre-stressed steel frame, in order to achieve his ideal of plasticity and continuity; the material was used to form the Guggenheim's exterior walls as built. In Seamless Continuity versus the Nature of Materials: Gunite and Frank Lloyd Wright's Guggenheim Museum, Joseph M. Siry narrates the manner in which the design of the Guggenheim's wood formwork, its joints, and the choice of its exterior coating challenged Wright and his collaborators to achieve a form for the spiral that was consistent with his aesthetic ideal.

Author(s):  
Bart Bryant-Mole

While the American architect John Lautner may not have considered himself a modernist, he nevertheless made a significant contribution to the branch of modernist architecture that emerged in Southern California during the mid-twentieth century, pioneered by architects such as Rudolph Schindler, Richard Neutra, and Frank Lloyd Wright. Though he was wary of being seen as an imitator of Wright, under whom he had worked as an apprentice for six years, Lautner’s work does reflect several of his mentor’s architectural principles, such as flowing space, harmony with nature, and site-specific designs. Lautner’s visually arresting buildings, however, took these ideas further than ever before. His ambitious projects, as well as being architecturally innovative, were feats of modern engineering. These daring structures stood in stark contrast to the minimal, machine-influenced International Style buildings that had dominated modernist architecture since the 1930s. Lautner’s residential projects, in particular, gained widespread attention through the photography of Julius Shulman, their appearance in Hollywood films, and their endorsement by the rich and famous of Los Angeles. While contemporaneous critics were divided in their opinions of Lautner’s work, he later achieved international acknowledgment and respect, and is now considered an important figure within the Mid-Century Modern design movement.


1969 ◽  
Vol 50 (4) ◽  
pp. 199-207 ◽  
Author(s):  
Vincent J. Schaefer

There has been a very noticeable increase in air pollution during the past ten years over and downwind of the several large metropolitan areas of the United States such as the Northwest—Vancouver-Seattle-Tacoma-Portland; the West Coast from San Francisco-Sacramento-Fresno-Los Angeles; the Front Range of the Rockies from Boulder-Denver-Colorado Springs-Pueblo; the Midwest—Omaha-Kansas City-St. Louis-Memphis; the Great Lakes area of Chicago-Detroit-Cleveland-Buffalo; and the Northeast—Washington-Philadelphia-New York-Boston. The worst accumulation of particulate matter occurs at the top of the inversion which commonly intensifies at night at levels ranging from 1000 to 4000 ft or so above the ground. This dense concentration of air-suspended particles is most apparent to air travelers. Thus, it has not as yet disturbed the general public except during periods of stagnant weather systems when the concentration of heavily polluted air extends downward and engulfs them on the highways, at their homes and in their working areas.


2021 ◽  

Frank Lloyd Wright (b. 1867–d. 1959) was perhaps the most well-known American architect, and one of the most important figures in modern architecture of the 20th century. After apprenticing in Chicago, importantly with Louis Sullivan in the firm of Adler and Sullivan, Wright began his independent practice in 1893 in the suburb of Oak Park. There, to 1909, Wright developed the spatially expansive and stylistically innovative type of the Prairie House. In this period Wright also designed his first major larger works, the Larkin Co. Administration Building, Buffalo, New York (1902–1906), and Unity Temple, Oak Park (1905–1909). Wright created a home and studio, Taliesin (1911–1913), amid the farmlands of his maternal family in southern Wisconsin. He also designed the Midway Gardens (1913–1914) in Chicago. Wright spent much of the next eight years in Tokyo working on the Imperial Hotel there, which survived the Great Kanto Earthquake in 1923. He also designed Hollyhock House (1919–1921) in Los Angeles for Aline Barnsdall, and in 1923–1925, living in Los Angeles, Wright built four “textile block houses.” Based at Taliesin, rebuilt after a second fire in 1925, and in winters from 1937 at Taliesin West near Scottsdale, Arizona, Wright worked with apprentices who formed the Taliesin Fellowship, to create such key works as Fallingwater (1934–1937), at Bear Run in southwestern Pennsylvania, and the S. C. Johnson Company Administration Building (1936–1939) in Racine, Wisconsin. Wright also wrote on new ideas for urbanism, especially his Broadacre City, first exhibited in New York City in 1935. The following year Wright built the first of many Usonian houses designed for clients with modest incomes and featuring many dimensional and material economies while maintaining a sense of spaciousness. In the last phase of his career following World War II, Wright and his apprentices continued to build houses for a national clientele, and such larger works as the S. C. Johnson Company Research Tower (1943–1950) in Racine, the H. C. Price Company Tower (1952–1956) in Bartlesville, Oklahoma, the Marin County Civic Center (1957–1970) in California, and his most influential late work, the Solomon R. Guggenheim Museum (1943–1959) in New York City. Wright’s later public buildings also included a series of religious structures, perhaps most notably Beth Sholom Synagogue, Elkins Park, near Philadelphia, Pennsylvania (1954–1959), and Annunciation Greek Orthodox Church, Wauwatosa, near Milwaukee, Wisconsin (1956–1963). Oxford University Press online bibliographies usually have 50–150 citations. This bibliography of scholarly literature on Frank Lloyd Wright is limited to about four hundred citations, which is a small percentage of the thousands of publications on Wright from his earliest years through his death in 1959 and continuing through 2020. For publications on Wright through 2002, see Donald Langmead, Frank Lloyd Wright: A Bio-Bibliography (Langmead 2003, cited under Research and Reference Guides), with its over 3,500 entries. For a complete list of references on Wright since 2002, the reader may profitably consult several relevant online scholarly databases such as the Avery Index to Architecture Periodicals, Bibliography of the History of Art, America: History and Life, and Applied Science and Engineering. In this Oxford Bibliography article, publications contemporaneous with the completion of Wright’s works have largely been omitted in favor of later historical accounts of them. For scholarly writing, if an author’s article or book chapter was substantially incorporated into a later book by that same author, references to such earlier articles or chapters have been omitted. Also, the large literature on Wright which is almost exclusively photographic or popular has been mostly omitted, with the exception of local and comprehensive guidebooks to Wright’s architecture. Photographic volumes with substantive essays have been included. Unpublished dissertations and theses have not been included. These can be searched through such databases as Dissertations & Theses Global.


2020 ◽  
Vol 20 (2) ◽  
pp. 45-54
Author(s):  
Samuel H. Yamashita

In the 1970s, Japanese cooks began to appear in the kitchens of nouvelle cuisine chefs in France for further training, with scores more arriving in the next decades. Paul Bocuse, Alain Chapel, Joël Robuchon, and other leading French chefs started visiting Japan to teach, cook, and sample Japanese cuisine, and ten of them eventually opened restaurants there. In the 1980s and 1990s, these chefs' frequent visits to Japan and the steady flow of Japanese stagiaires to French restaurants in Europe and the United States encouraged a series of changes that I am calling the “Japanese turn,” which found chefs at fine-dining establishments in Los Angeles, New York City, and later the San Francisco Bay Area using an ever-widening array of Japanese ingredients, employing Japanese culinary techniques, and adding Japanese dishes to their menus. By the second decade of the twenty-first century, the wide acceptance of not only Japanese ingredients and techniques but also concepts like umami (savory tastiness) and shun (seasonality) suggest that Japanese cuisine is now well known to many American chefs.


2003 ◽  
Vol 21 (3) ◽  
pp. 130-146

Clarence Lusane, Hitler’s Black Victims: The Historical Experiences of Afro-Germans, European Blacks, Africans, and African Americans in the Nazi Era (New York and London: Routledge 2002)Review by Kader KonukHelmut Lethen, Cool Conduct: The Culture of Distance in Weimar Germany, trans. Don Reneau (Berkeley, Los Angeles, London: University of California Press, 2002)Review by Daniel MoratJulia Sneeringer, Winning Women’s Votes: Propaganda and Politics in Weimar Germany (Chapel Hill: University of North Carolina Press, 2002)Review by Diane J. GuidoS. Jonathan Wiesen, West German Industry and the Challenge of the Nazi Past, 1945-1955 (Chapel Hill: University of North Carolina Press, 2001)Review by Simon Reich


1995 ◽  
Vol 22 (1) ◽  
pp. 69-87
Author(s):  
John R. Logan ◽  
Richard D. Alba ◽  
Thomas L. McNulty
Keyword(s):  
New York ◽  

2012 ◽  
Vol 10 (2) ◽  
pp. 99-117 ◽  
Author(s):  
Benji Chang ◽  
Juhyung Lee

This article examines the experiences of children, parents, and teachers in the New York and Los Angeles Chinatown public schools, as observed by two classroom educators, one based in each city. The authors document trends among the transnational East and Southeast Asian families that comprise the majority in the local Chinatown schools and discuss some of the key intersections of communities and identities within those schools, as well as the pedagogies that try to build upon these intersections in the name of student empowerment and a more holistic vision of student achievement. Ultimately, this article seeks to bring forth the unique perspectives of Chinatown community members and explore how students, families, teachers, school staff and administrators, and community organizers can collaborate to actualize a more transformative public education experience.


2012 ◽  
Vol 10 (2) ◽  
pp. 55-75 ◽  
Author(s):  
C. N. Le

This article uses census data from the 2006–08 American Community Survey to illustrate the range of Asian American entrepreneurial activities in the Los Angeles and the New York City areas and finds that Los Angeles self-employment is characterized by emerging high-skill “professional service” industries while New York continues to be dominated by low-skill traditional “enclave-associated” niches. Within these patterns, there are also notable interethnic and generational differences. I discuss their socioeconomic implications and policy recommendations to facilitate a gradual shift of Asian American entrepreneurship toward more professional service activities that reflect the demographic evolution of the Asian American community and the ongoing dynamics of globalization.


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