Green Buildings - A Solution to India’s High Energy Consumption

This paper is to bring into knowledge, a proficiency, which would help us to fight against energy crises using new construction techniques. It discusses the needs and benefits of sustainable Green buildings. It focuses on coming up with new ideas to build green buildings with minimum Embodied Energy. High energy conservation in buildings can be achieved by insulating materials (powerful device for designing and building) and by improving the construction envelope heat safety, which then controls the building envelope's transmissivity. Since the orientation of buildings and their protection from the sun cannot be implemented freely in the urban environment where it is densely built, heat insulation and adoption of bioclimatic architectural principles becomes the need. Green buildings, at the decreased ranges of consumption of resource and energy, the design of green buildings will meet the needs of users. This is a wise approach to use India’s energy in this period of crisis. These buildings will replace most of our present building methodologies. “Energy can neither be created nor destroyed”, hence application of this paper is aimed at utilizing the irrelevant energy consumed in building processes and providing comfort at the cost of sustainability.

URBAN DEVELOPMENT OF LENINGRAD IN THE 1920S-1930S

The study of the urban planning features of the development of Leningrad in the pre-war decade can serve to determine the preservation of the visual identity of urban planning ensembles of the historical and cultural heritage of the fi rst half of the 20th century. General plans 1935-1937 gave direction to design activities and large-scale construction in Leningrad for two decades. The basis of a systematic approach to the formation of the structure of the new development of Leningrad was the creation of a complex of urban planning ensembles that united the peripheral districts and focused on the traditions of Petersburg architecture. Are detected the architectural, compositional and spatial features of the organization of residential areas on the peripheral territory of Leningrad are being studied. The boundaries of the protection of ensembles and complexes of the 1920- 1930s, aimed at preserving the volumetric-spatial structure, as well as visual connections of the dominants and accents of the period under consideration, have been determined. The architectural principles of the formation and means of organizing the ensembles of the 1920s-1930s are revealed, the boundaries of the protection territories of objects are determined in the context of visual relationships.

Delirious New Zealand

<p>Delirious New Zealand proposes an alternative parliament, one that uses walls and boundaries to navigate authority and architecture. Walls are complex, they can range from a simple form of protection against elemental conditions, through to the reinforcement of borders between two countries with emphasis and polarising effect. Whilst variable, each instance is committed to division, and both are boundaries facilitated by architecture in the form of walls. Through design led research, three phases of investigation are developed across successive scales. Presented as 'Installing Boundaries', 'Housing Politics' and 'Political Infrastructure', each design outcome forms a larger body of work referred to as the design. Shape, Threshold, and Montage are the architectural principles that determine a given walls significance investigated at each scale. These three speculative propositions are not final outcomes for what an alternative parliament should be. Instead, Delirious New Zealand explores architectural boundaries as the material interface between those who govern and those governed. Koolhaas’s observations of the Berlin Wall – pre-demise – and his publication ‘Delirious New York’ highlight the significance of the authority of an architect, and habitational authority in the realisation and reality of architecture. The significance of a given boundary wall must then consider two things. One, the architectural elements that make up the wall itself. Two, the context within which a wall operates - be that social, political, economic etc. This thesis not only examines the design outcomes as being ‘about architecture’ in the form of the design, but also uses this as a platform to discuss ‘concepts of architecture’ more broadly. Accordingly, the concept of authority and architecture is discussed throughout the production and presentation of the three scales of investigation. A final critique in the form of a design discussion concludes this thesis, at which point the final act of installing boundaries is undertaken. ‘Delirious New Zealand’ considers parliament as a programmatic and contextual provocation for the design of architectural boundaries. In doing so, the segregated inhabitants are defined as the politicians and the people. Although political in programme, this thesis is not politically motivated nor intent on acting politically.</p>

Delirious New Zealand

<p>Delirious New Zealand proposes an alternative parliament, one that uses walls and boundaries to navigate authority and architecture. Walls are complex, they can range from a simple form of protection against elemental conditions, through to the reinforcement of borders between two countries with emphasis and polarising effect. Whilst variable, each instance is committed to division, and both are boundaries facilitated by architecture in the form of walls. Through design led research, three phases of investigation are developed across successive scales. Presented as 'Installing Boundaries', 'Housing Politics' and 'Political Infrastructure', each design outcome forms a larger body of work referred to as the design. Shape, Threshold, and Montage are the architectural principles that determine a given walls significance investigated at each scale. These three speculative propositions are not final outcomes for what an alternative parliament should be. Instead, Delirious New Zealand explores architectural boundaries as the material interface between those who govern and those governed. Koolhaas’s observations of the Berlin Wall – pre-demise – and his publication ‘Delirious New York’ highlight the significance of the authority of an architect, and habitational authority in the realisation and reality of architecture. The significance of a given boundary wall must then consider two things. One, the architectural elements that make up the wall itself. Two, the context within which a wall operates - be that social, political, economic etc. This thesis not only examines the design outcomes as being ‘about architecture’ in the form of the design, but also uses this as a platform to discuss ‘concepts of architecture’ more broadly. Accordingly, the concept of authority and architecture is discussed throughout the production and presentation of the three scales of investigation. A final critique in the form of a design discussion concludes this thesis, at which point the final act of installing boundaries is undertaken. ‘Delirious New Zealand’ considers parliament as a programmatic and contextual provocation for the design of architectural boundaries. In doing so, the segregated inhabitants are defined as the politicians and the people. Although political in programme, this thesis is not politically motivated nor intent on acting politically.</p>

Perceptual Architecture

<p>In this thesis, perceived space is investigated in a high density architectural context. Understanding how to optimize the subjective space is an opportunity to provide perceptually informed high density architecture. The aims of this thesis are to (1) develop an understanding of the perceived space by establishing optimizable parameters of a volume, (2) form a research through design methodology utilizing virtual reality experimentation, and (3) to apply the research to provide perceptually informed architecture which increases the perceived spaciousness and size of a dwelling. Virtual Reality (VR) improves an understanding of the perceived space compared to conventional design technologies. Firstly, a virtual experiment defined the optimum high-density apartment parameters with the key variables of perceived spaciousness, liveability, and size. During the VR experiments it was discovered that ceiling height and average room width determined separate responses to the perceived space. These were, ceiling height altering the perceived size and average room width altering the perceived spaciousness. Secondly, a VR methodology was utilized to test and resolve the complex issue of perceived space which requires implementation of architectural principles. The defined optimum parameters of room height and width alongside the literature provided the architectural principles to produce optimum perceived spaciousness, size and liveability. The principles include, perceptual overlap, extending line of sight, and primary and secondary zones. Thirdly, design evaluation explored architectural interventions using VR to illustrate the subjective space. I draw on research in design, virtual reality and psychology to develop a methodology that can sufficiently resolve the issues presented by this thesis. The paper argues that to design high-density housing for occupants, architects must have an understanding of perceived space. This has the potential to be achieved with the adoption of my thesis methodology.</p>

Perceptual Architecture

<p>In this thesis, perceived space is investigated in a high density architectural context. Understanding how to optimize the subjective space is an opportunity to provide perceptually informed high density architecture. The aims of this thesis are to (1) develop an understanding of the perceived space by establishing optimizable parameters of a volume, (2) form a research through design methodology utilizing virtual reality experimentation, and (3) to apply the research to provide perceptually informed architecture which increases the perceived spaciousness and size of a dwelling. Virtual Reality (VR) improves an understanding of the perceived space compared to conventional design technologies. Firstly, a virtual experiment defined the optimum high-density apartment parameters with the key variables of perceived spaciousness, liveability, and size. During the VR experiments it was discovered that ceiling height and average room width determined separate responses to the perceived space. These were, ceiling height altering the perceived size and average room width altering the perceived spaciousness. Secondly, a VR methodology was utilized to test and resolve the complex issue of perceived space which requires implementation of architectural principles. The defined optimum parameters of room height and width alongside the literature provided the architectural principles to produce optimum perceived spaciousness, size and liveability. The principles include, perceptual overlap, extending line of sight, and primary and secondary zones. Thirdly, design evaluation explored architectural interventions using VR to illustrate the subjective space. I draw on research in design, virtual reality and psychology to develop a methodology that can sufficiently resolve the issues presented by this thesis. The paper argues that to design high-density housing for occupants, architects must have an understanding of perceived space. This has the potential to be achieved with the adoption of my thesis methodology.</p>

ARCHITECTURAL SPACE IN DANCE AS AN ARTISTIC AND FIGURATIVE SYSTEM

The study examines the expressive means of dance and architecture, establishes common and specific areas in the nature of their artistic language, identifies the extent of interaction between architectural principles with dance dramaturgy and choreographic composition, and analyzes examples of interpretation of dance production solutions in the architectural space. Through a simultaneous review, the author examines the expressive means of dance and architecture, establishing the common and the specific in the expressive and pictorial nature of their artistic language. The focus is on identifying the degree of influence of architectural principles on the dance drama, choreographic composition, and the reverse impact. The analysis provides examples of the interpretation of dance staging solutions in the architectural space, including innovative modern practices of the 20th‑21st centuries. The artistic and imaginative metamorphoses of staged choreographic solutions occurring in different kinds of architectural spaces are considered. Starting with the perspectivism of the scenery on the stage and the light architecture of the 18th century, the author moves on to the monumental construction of the large stage performance of the 19th century and concludes with the choreographic experiments of the early 20th century. The article points out that modern times offer the most curious design solutions. There are examples of bold, original methods of interaction between choreography and architecture: dances are staged directly in the interiors of buildings, bypassing the traditional stage platform. The implied idea of human movement in space, encompassing the viewer, appears here because of successively changing impressions. Finally, the author explores the directorial approach, where the choreography itself masters and constructs the architecture, helping the viewer to perceive themselves as if within its own spatial structure. This peculiar artistic and visual synthesis appears in the dynamics of genre and style of the author’s stage context. The study of the specifics of ballet as a dramatic phenomenon seems to be a fundamental research task, because, more than any other theatrics genre, it is the ballet that provided extremely diversified artistic samples of space and stage creativity in the heritage of the 20th century, and probably, will continue to do so in the 21st. The question of dance interpretation in the architectural space is a significant independent subject of research in connection with the structure and evolution of the artistic image in contemporary choreographic art. Against the background of postmodernist modern style trends as a global creative principle of post-culture, this topic includes broad general aesthetic associations. It is vital to the understanding of the artistic process in contemporary art in general.

Rethinking the Proportional Design Principles of Timber-Framed Buddhist Buildings in the Goryeo Era

This study examines how the wooden architecture of the Goryeo Dynasty in Korea evolved in an original way while incorporating Chinese architectural principles. For the Goryeo Era’s timber-framed buildings, eave purlin height was determined according to √2H times the eave column height (H), while the eave column height influenced the proportional location of each purlin, determined by the √2H times decrease rate in the cross-section. Thus, eave column height was proportionately connected to a geometric sequence with a common ratio of √2H. This technical approach, achieved using an L-square ruler and a drawing compass, contributed to determining eave purlin and ridge post placement, bracket system height, and outermost bay width. This study notes that the practical works were consistently preserved in East Asian Buddhist architecture, in that a universal rule of proportion was applied to buildings constructed during the Tang–Song and the Goryeo Dynasties, surmounting differences in local construction methods. These design principles were a vestige of socio-cultural exchange on the East Asian continent and a minimal step toward the establishment of structurally safe framed buildings.

AnFiSA: An open-source computational platform for the analysis of sequencing data for rare genetic disease

Despite genomic sequencing rapidly transforming from being a bench-side tool to a routine procedure in a hospital, there is a noticeable lack of genomic analysis software that supports both clinical and research workflows as well as crowdsourcing. Furthermore, most existing software packages are not forward-compatible in regards to supporting ever-changing diagnostic rules adopted by the genetics community. Regular updates of genomics databases make reproducible and traceable automated genetic diagnostics to be a challenge. Lastly, most of the software tools score low on explainability amongst clinicians. We have created a fully open-source variant curation tool, AnFiSA, with the intention to invite and accept contributions from clinicians, researchers and professional software developers. The design of AnFiSA addresses the aforementioned issues with current genomics software via the following architectural principles: using a multidimensional database management system (DBMS) for genomic data to address reproducibility, curated decision trees adaptable to changing clinical rules, and a crowdsourcing-friendly interface to address difficult-to-diagnose cases. We discuss how we have chosen our technology stack and describe the design and implementation of the software. Finally, we show in detail how selected workflows can be implemented using the current version of AnFiSA by a medical geneticist.

A TYPOLOGICAL INVESTIGATION OF THE Y.B. MANGUNWIJAYA’S URBAN CHURCH

As the iconic buildings in Yogyakarta, the Mangunwijaya’s churches contribute a great influence on the city. His wisdom is not only written in his books, but also has been implemented through his architectural projects, revealing a specific composition of a spiritual language. A qualitative study is used to reveal Mangunwijaya’s architectural principles, by using the tracing method to highlight the structural elements of his urban churches. A typological investigation is accompanied by retracing Mangunwijaya’s drawing, where its spatial composition and form are emphasized through points and lines. Hence, by eliminating decorative elements, the most fundamental components of the churches can be raised, consisting: 1) The roof as the most dominant element, a volume that suggests the openness of the building; 2) Landscape defines a mutual symbiosis between indoor and outdoor, stimulating communication and gesture; 3) A typological composition that respects a Roman-Catholic church’s principles while revealing a local identity.