Performing (In)Attention

2020 ◽  
Vol 152 (1) ◽  
pp. 1-24
Author(s):  
Erica Weaver

The central regulatory document of the tenth-century English Benedictine Reform, Æthelwold of Winchester’s Regularis concordia, contains an important performance piece: the Visitatio sepulchri, which standard theater histories understand as an anomalous originary text that marks the reemergence of drama in the European Middle Ages. This article resituates it alongside the schoolroom colloquies of Æthelwold’s student Ælfric of Eynsham and his student and editor Ælfric Bata to argue that these texts together cultivated monastic self-possession by means of self-conscious performances of its absence. By staging (in)attention, they thereby modeled extended engagement in moments and spaces that could otherwise seem too quiet or empty to hold concentration for long, from the classroom to the sepulcher to the page, while also exposing the limits of “distraction” and “attention” as analytical terms.

Traditio ◽  
1965 ◽  
Vol 21 ◽  
pp. 117-165 ◽  
Author(s):  
Milton McC. Gatch

The vernacular homilies of pre-conquest England fall into two clear groups: homilies whose authorship is unknown and which are generally considered to have been written by the middle of the tenth century and the sermon collections of Abbot Ælfric of Eynsham and Archbishop Wulfstan II of York which were written,ca.990–1020, under the influence of the Benedictine reform.


2017 ◽  
Vol 35 (2) ◽  
pp. 161-188
Author(s):  
Brandon Katzir

This article explores the rhetoric of medieval rabbi and philosopher Saadya Gaon, arguing that Saadya typifies what LuMing Mao calls the “interconnectivity” of rhetorical cultures (Mao 46). Suggesting that Saadya makes use of argumentative techniques from Greek-inspired, rationalist Islamic theologians, I show how his rhetoric challenges dominant works of rhetorical historiography by participating in three interconnected cultures: Greek, Jewish, and Islamic. Taking into account recent scholarship on Jewish rhetoric, I argue that Saadya's amalgamation of Jewish rhetorical genres alongside Greco-Islamic genres demonstrates how Jewish and Islamic rhetoric were closely connected in the Middle Ages. Specifically, the article analyzes the rhetorical significance of Saadya's most famous treatise on Jewish philosophy, The Book of Doctrines and Beliefs, which I argue utilizes Greco-Islamic rhetorical strategies in a polemical defense of rabbinical authority. As a tenth-century writer who worked across multiple rhetorical traditions and genres, Saadya challenges the monocultural, Latin-language histories of medieval rhetoric, demonstrating the importance of investigating Arabic-language and Jewish rhetorics of the Middle Ages.


Author(s):  
Alessandra Molinari

Chris Wickham has recently turned his attention to the economic and social transformations of the central Middle Ages. In the same period relations between the Christian and Muslim worlds have been presented primarily in terms of holy war or raids, and hardly ever framed in economic terms. Archaeology can help to answer questions about exchange routes, systems of production and settlement patterns, and pottery provides a key element in reconstructing the complexity of pre-modern economic networks. In this paper I want to compare two case studies. I will first examine the role of Palermo in the internal economy of Sicily and beyond. Recent excavations have provided much new information on the Muslim and Christian periods in its history, and particularly on the city’s planned growth and development as a centre of pottery production and export in the tenth century. I will then turn to the archaeological evidence for Rome, which Chris has described as the most complex city between the tenth and twelfth centuries, both economically and socially, in the whole Italian peninsula. In fact, based on the material evidence, Rome was far less complex than Palermo, and unlike Milan, it failed to take off economically in the thirteenth century. Chris has suggested that the success of the latter city was due to its specialized products, local exchange system and connections with a hierarchy of smaller settlements in the locality. Whilst the archaeological evidence for Milan is much scarcer, these features can usefully be tested as a model against which to compare other cities. Comparing Rome and Palermo it is the Sicilian city that can be said to have had the more vibrant economy, with its exports to multiple rural centres some distance away. Whilst a recent conference has underlined the existence of specialized artisans serving Rome’s elite and its numerous pilgrims, unlike Palermo it did not base its economy on production and mercantile activities.


2003 ◽  
Vol 32 ◽  
pp. 147-187 ◽  
Author(s):  
Rohini Jayatilaka

The Regula S. Benedicti was known and used in early Anglo-Saxon England, but it was not until the mid-tenth-century Benedictine reform that the RSB became established as the supreme and exclusive rule governing the monasteries of England. The tenth-century monastic reform movement, undertaken by Dunstan, Æthelwold and Oswald during the reign of Edgar (959–75), sought to revitalize monasticism in England which, according to the standards of these reformers, had ceased to exist during the ninth century. They took as a basis for restoring monastic life the RSB, which was regarded by them as the main embodiment of the essential principles of western monasticism, and in this capacity it was established as the primary document governing English monastic life. By elevating the status of the RSB as the central text of monastic practice in England and the basis of a uniform way of life the reformers raised for themselves the problem of ensuring that the RSB would be understood in detail by all monks, nuns and novices, whatever their background. Evidence of various attempts to make the text accessible, both at the linguistic level and at the level of substance, survives in manuscripts dating from the mid-tenth and eleventh centuries; the most important of these attempts is a vernacular translation of the RSB.


2018 ◽  
Author(s):  
Antoni Grabowski

German historians long assumed that the German Kingdom was created with Henry the Fowler's coronation in 919. The reigns of both Henry the Fowler, and his son Otto the Great, were studied and researched mainly through Widukind of Corvey's chronicle Res Gestae Saxonicae. There was one source on Ottonian times that was curiously absent from most of the serious research: Liudprand of Cremona's Antapodosis. The study of this chronicle leads to a reappraisal of the tenth century in Western Europe showing how mythology of the dynasty was constructed. By looking at the later reception (through later Middle Ages and then on 19th and 20th century historiography) the author showcases the longevity of Ottonian myths and the ideological expressions of the tenth century storytellers.


1972 ◽  
Vol 8 ◽  
pp. 41-53
Author(s):  
Derek Baker

As recent anniversary studies have emphasised, the vir Dei, the man of God, has been a christian type since the time of St Antony, and whatever pre-christian elements were embodied in the Athanasian picture the Vita Antonii possessed a christian coherence and completeness which made of it the proto-type for a whole range of literature in late antiquity and the Middle Ages. In hagiography the Antonine sequence of early life, crisis and conversion, probation and temptation, privation and renunciation, miraculous power, knowledge and authority, is, in its essentials, repeated ad nauseam. Martin, Guthlac, Odo, Dunstan, Bernard are all, whatever their individual differences, forced into the same procrustean biographical mould: each is clearly qualified, and named, as vir Dei, and each exemplifies the same - and at times the pre-eminent – christian vocation. Yet if the insight provided by such literature into the mind of medieval man is instructive about his society and social organisation, and illuminating about his ideal aspirations, the literary convention itself is always limiting, and frequently misleading. As Professor Momigliano has said, ‘biography was never quite a part of historiography’, and one might add that hagiography is not quite biography.


X ◽  
2020 ◽  
Author(s):  
Pedro Gurriarán Daza

Building techniques in the medieval walls of AlmeríaAlmería was one of the most important cities in al-Andalus, a circumstance that was possible thanks to the strength of its port. Its foundation as an urban entity during the Caliphate of Córdoba originated a typical scheme of an Islamic city organized by a medina and a citadel, both walled. Subsequent city’s growths, due to the creation of two large suburbs commencing in the eleventh century, also received defensive works, creating a system of fortifications that was destined to defend the place during the rest of the Middle Ages. In this work we will analyse the construction techniques used in these military works, which cover a wide period from the beginning of the tenth century until the end of the fifteenth century. Although ashlar stone was used in the Caliphate fortification, in most of these constructions bricklayer techniques were used, more modest but very useful. In this way, the masonry and rammed earth technique were predominant, giving rise to innumerable constructive phases that in recent times are being studied with archaeological methodology, thus to know better their evolution and main characteristics. 


PMLA ◽  
1916 ◽  
Vol 31 (4) ◽  
pp. 664-712
Author(s):  
John K. Bonnell

By the term ‘sepulehrum’ is designated that device or structure employed in churches—especially in the middle ages—to symbolize, or in more complete manner to represent, the tomb of Christ. This sepulchrum, so named in the liturgy, first appears in connection with the ancient office of the Depositio Crucis, or burial of the cross, which after mass on Good Friday typified the burial of Christ. Complementing and completing the Depositio was another office, privately celebrated by the priest and clergy before matins on Easter Sunday, typifying the resurrection, and called the Elevatio Crucis. When, after the tenth century, troping of the Introit for Easter morning—the famous Quem Quaeritis—developed into a little liturgical play with the impersonation of the angel or angels, and of the three Maries coming to anoint the body of the Lord, there was naturally a development of the heretofore symbolic sepulchrum in the altar, into what resulted finally in a separate structure.


Author(s):  
Mark Gardiner

Transport by water was the quickest and cheapest method to move goods in the Middle Ages, and linked together people even in distant parts of England. Trading places could arise in almost any place where boats could be hauled ashore, on either rivers or coastal estuaries. These were all potential places where people on land could come together to trade with those arriving by boat and ship. It is no coincidence that the rise in both inland and coastal transport dates to the tenth century, the period from which England became increasingly commercialized.The discussion of water transport is not limited to indirect evidence. Archaeological work has identified canals dug to allow the movement of boats up rivers and in marshland, and landing places where boats could be brought to the banks of rivers and the shore. The development of water-transport led to the development of a ‘marine culture’, a change in attitudes to the sea and ships.


2018 ◽  
pp. 235-251
Author(s):  
Michelle P. Brown

Like the previous chapter, Michelle Brown’s contribution represents an instance of the integration of Christian and pre-Christian Germanic knowledge in the early Middle Ages. Brown explores the context and meaning of the distinctive late-tenth-century rune-stone carved at the royal burial ground of Jellinge in Denmark, viewing the monument as a book in stone and a symbol of conversion and of changing political agendas in Scandinavia in the tenth century. Ranging widely across early medieval art, Brown explains that the stone (like the Auzon/Franks Casket, to which she also alludes) draws upon both Christian and pagan Norse traditions ‘to form a new, integrated iconography that formed a distinctive expression of the Scandinavian experience of cultural synthesis and conversion’.


Sign in / Sign up

Export Citation Format

Share Document