Singapore 2001

2002 ◽  
Author(s):  
Brandon Wee
Keyword(s):  
Hong Kong ◽  
Golden Age ◽  
Status Quo ◽  
Film Festival ◽  
Film Culture ◽  
Problematic Use ◽  
The Past ◽  
Island State ◽  
Film Productions

SINGAPORE INTERNATIONAL FILM FESTIVAL 2001: CROUCHING TYRANTS, HIDDEN TALENTS For a young island-state that once saw a "golden age of cinema" in the 50s and 60s, it was bittersweet to witness, after a score of idle years, a rise in the number of local film productions in the 1990s. But where local movies of the past triumphed in forging an indigenous film culture, recent Singaporean films have all but ignored the significance of maintaining such an objective. History, in this instance, has indeed repeated itself. Just as the thriving industry that had once characterised the "golden age" succumbed to the escalating popularity of Hong Kong and Taiwanese films in the 60s and 70s, the haphazard accomplishments of Singaporean films this past decade look set to remain in subordination to a longer-standing nemesis: that of Hollywood's domination. The consequence of this status quo has only served to highlight the problematic use...

May Fourth and Postwar Hong Kong’s Leftist Cantonese Cinema

2019 ◽  
pp. 75-101
Author(s):  
Jing Jing Chang
Keyword(s):  
Hong Kong ◽  
Golden Age ◽  
Film Adaptations ◽  
Close Reading ◽  
May Fourth Movement ◽  
Fourth Movement ◽  
Ba Jin ◽  
May Fourth ◽  
Film Productions ◽  
The May Fourth Movement

Chapter 3 examines the legacy of the May Fourth Movement in the context of postwar Hong Kong’s golden age of cinema. It argues that the May Fourth project was an unfinished one and was carried forward by progressive Cantonese filmmakers who were the torchbearers of its ideology. This chapter focuses on the careers of left-leaning filmmakers such as Ng Cho-fan, one of the founders of the Union Film Enterprise Ltd., and their emergence as postwar Hong Kong’s new cultural elites. Through a close reading of Union’s film adaptations of the Ba Jin trilogy, Family (Jia, dir. Ng Wu, 1953), Spring (Chun, dir. Lee Sun-fung, 1953), and Autumn (Qiu, dir. Chun Kim, 1954), this chapter demonstrates the transformative nature of the moral message of postwar Hong Kong’s cultural elites. Not only did left-leaning film talent repurpose core tenets of May Fourth, they also sought to reinterpret the spirit of vernacular modernism for the colony’s audiences through their film productions. Although May Fourth precepts were brought to Hong Kong by China’s nanlai cultural elites and leftwing film talents, the May Fourth spirit underwent a creative translingual appropriation during the 1950s as local Hong Kong leftwing companies such as the Union and Xinlian emerged.

scholarly journals Tokyo 1999 and Beyond

1999 ◽  
Author(s):  
Hai Leong Toh
Keyword(s):  
New York ◽  
Hong Kong ◽  
Film Festival ◽  
Film Festivals ◽  
Joan Of Arc ◽  
Japanese Cinema ◽  
The Past ◽  
Opening Address

VIGOROUS JAPAN: TOKYO 1999 AND BEYOND This year, several new films by young and energetic Japanese directors stood out at the Tokyo Festival (30 October - 7 November 1999), an 11-day event attended by almost 120,000 festival-goers. In his opening address (graced by Luc Besson's Joan of Arc) the Tokyo Governor Shintaro Ishihara told the audience that "for the past few years, Japanese cinema has lost its vitality, but I hope this situation will be reversed from this film festival." Ishihara caused a stir when he veered from his prepared speech to suggest a change of festival location from outside the "hectic and crowded" Shibuya commercial district "to somewhere nicer, where there is more greenery and better facilities available." True enough but the reality is that most major film festivals, whether in Hong Kong, Pusan, Singapore, New York, or elsewhere, are held in large urban centres with the necessary...

The Many Pasts of Detective Fiction

2020 ◽  
Vol 1 (2) ◽  
pp. 157-172
Author(s):  
Thomas Leitch
Keyword(s):  
Detective Fiction ◽  
Golden Age ◽  
Public History ◽  
Detective Novel ◽  
Sherlock Holmes ◽  
Detective Story ◽  
The Past ◽  
Wide Range ◽  
Detective Novels ◽  
The Many

Building on Tzvetan Todorov's observation that the detective novel ‘contains not one but two stories: the story of the crime and the story of the investigation’, this essay argues that detective novels display a remarkably wide range of attitudes toward the several pasts they represent: the pasts of the crime, the community, the criminal, the detective, and public history. It traces a series of defining shifts in these attitudes through the evolution of five distinct subgenres of detective fiction: exploits of a Great Detective like Sherlock Holmes, Golden Age whodunits that pose as intellectual puzzles to be solved, hardboiled stories that invoke a distant past that the present both breaks with and echoes, police procedurals that unfold in an indefinitely extended present, and historical mysteries that nostalgically fetishize the past. It concludes with a brief consideration of genre readers’ own ambivalent phenomenological investment in the past, present, and future each detective story projects.

Google Hangout with Annie Baker, Playwright 1/25/16, 2:33 PM

2016 ◽  
Vol 69 (4) ◽  
pp. 57-64
Author(s):  
Genevieve Yue
Keyword(s):  
New York ◽  
New England ◽  
Selection Process ◽  
Pulitzer Prize ◽  
Film Festival ◽  
The Past

Genevieve Yue interviews playwright Annie Baker, whose Pulitzer Prize–winning play The Flick focuses on the young employees of a single-screen New England movie house. Baker is one of the most critically lauded playwrights to emerge on the New York theater scene in the past ten years, in part due to her uncompromising commitment to experimentation and disruption. Baker intrinsically understands that arriving at something meaningful means taking a new way. Accordingly, Baker did not want to conduct a traditional interview for Film Quarterly. After running into each other at a New York Film Festival screening of Chantal Akerman's No Home Movie (2015)—both overwhelmed by the film—Yue and Baker agreed to begin their conversation by choosing a film neither of them had seen before and watching it together. The selection process itself led to a long discussion, which led to another, and then finally, to the Gmail hangout that forms the basis of the interview.

Re-centering the Cinema Experience in a Multi-Platform, Digital Age

2015 ◽  
Vol 8 (5) ◽  
Author(s):  
E. W. Nikdel
Keyword(s):  
Physical Environment ◽  
Cultural Memory ◽  
Emotional Response ◽  
Physical Space ◽  
Film History ◽  
Cultural Activity ◽  
Film Culture ◽  
The Past ◽  
Imminent Death ◽  
Multiple Media

With the advent of online distribution and the rise of multiple media devices, claims of the cinema’s imminent death have surfaced with greater intensity than ever before. Of course, with an ever-widening array of platforms these accounts have placed a newfound emphasis on the cinema as a distinctive physical space, one that plays host to a very particular and much cherished cultural activity. This article considers the substance of these claims by tracing a very particular historical route. Firstly, be revisiting Baudry’s notion of the dispositif, this article detects the importance of the physical environment in the process of film consumption. Secondly, I relate this emphasis on the physical to the traditional notion of the cinephile, a practice that ritualises the cinema experience. Many accounts across the spectrum of film history will attest to the profound ways in which the physical experience of the cinema summons a rich emotional response. Lastly, I consider how the cinema and the collective nature of film consumption provides an authentic trace to the past and a very certain time and place in history. In turn, despite competition from cheaper and more convenient platforms, this article will endeavour to show how the cinema retains its place at the centre of contemporary film culture. KEYWORDS Cinema, dispositif, cinephilia, cultural memory.

Statehood and the State-Like in International Law

2019 ◽  
Author(s):  
Rowan Nicholson
Keyword(s):  
Hong Kong ◽  
International Law ◽  
The State ◽  
Alternative Methods ◽  
Important Conclusion ◽  
Territorial Integrity ◽  
The Past ◽  
Imperial China ◽  
Peremptory Norms ◽  
Legal Sense

If the term were given its literal meaning, international law would be law between ‘nations’. It is often described instead as being primarily between states. But this conceals the diversity of the nations or state-like entities that have personality in international law or that have had it historically. This book reconceptualizes statehood by positioning it within that wider family of state-like entities. An important conclusion of the book is that states themselves have diverse legal underpinnings. Practice in cases such as Somalia and broader principles indicate that international law provides not one but two alternative methods of qualifying as a state: subject to exceptions connected with territorial integrity and peremptory norms, an entity can be a state either on the ground that it meets criteria of effectiveness or on the ground that it is recognized by all other states. Another conclusion is that states, in the strict legal sense in which the word is used today, have never been the only state-like entities with personality in international law. Others from the past and present include imperial China in the period when it was unreceptive to Western norms; pre-colonial African chiefdoms; ‘states-in-context’, an example of which may be Palestine, which have the attributes of statehood relative to states that recognize them; and entities such as Hong Kong.

Four decades of ELT development in Hong Kong: Impact of global theories on the changing curricula and textbooks

2019 ◽  
pp. 136216881986556
Author(s):  
Jim Yee Him Chan
Keyword(s):  
Hong Kong ◽  
Language Learning ◽  
Language Teaching ◽  
Future Research ◽  
Oxford University ◽  
The Past ◽  
Framework Approach ◽  
Language Needs ◽  
Recent Debate ◽  
Textbook Design

The past 40 years have witnessed significant developments in ELT research, reflecting the changes in learners’ language needs and the extensive development of various language learning/teaching methods in different times and places. The aim of this study is to provide a systematic and comprehensive account of changing ELT methods (oral-structural approach, communicative language teaching and task-based language teaching) in Hong Kong’s secondary education between 1975 and the present. By adopting Richards and Rodgers’s (2014) framework (approach, design and procedure), it examined how ELT theories have been transformed into local curricula (1975, 1983, 1999 and 2002/07) and commercial textbooks (Longman, Oxford University Press) via detailed content analysis. The findings suggest that research into ELT methods in Hong Kong over the past decades has generally directed the designs of the language curricula. Changes in the textbooks, however, have been relatively limited, although considerable attempts have been made to align textbook design with ELT trends. By considering various constraints in the theory-to-practice process, this study offers suggestions for future research and language teaching, particularly regarding the recent debate over the choice between the ‘weak’ and ‘strong’ versions of task-based language teaching in EFL contexts, and the post-methods perspective in language teaching.

scholarly journals Research on the Literature of Green Building Based on the Web of Science: A Scientometric Analysis in CiteSpace (2002–2018)

2019 ◽  
Vol 11 (13) ◽  
pp. 3716 ◽  
Author(s):  
Yingling Shi ◽  
Xinping Liu
Keyword(s):  
Web Of Science ◽  
Green Building ◽  
Development Trend ◽  
Status Quo ◽  
Future Research ◽  
Building Industry ◽  
Scientometric Analysis ◽  
The Past ◽  
Evolution Pattern ◽  
The Status

Since the 21st century, the concept of green building has been gradually popularized and implemented in more countries, which has become a popular direction in the area of sustainability in the building industry. Over the past few decades, many scholars and experts have done extensive research on green building. The purpose of this paper is to systematically analyze and visualize the status quo of green building. Therefore, based on Web of Science (WoS), this paper analyzed the existing knowledge system of green building using CiteSpace, identified keywords related to green building and their frequency of occurrence using the function of keyword co-occurrence analysis, recognized five clusters using the function of cluster analysis, and explored the knowledge evolution pattern of green building using citation bursts analysis in order to reveal how research related to green building has evolved over time. On the basis of aforementioned keywords, clusters, and citation bursts analysis, this paper has built a knowledge graph for green building. This paper can help readers to better understand the status quo and development trend of green building and to easier recognize the shortcomings in the development of green building, so as to provide a promising direction for future research.

The Flight of Pudicitia: Juvenal’s Vision of the Past and the Programmatic Function of the Prologue in the Sixth Satire

Mnemosyne ◽  
2012 ◽  
Vol 65 (1) ◽  
pp. 62-79
Author(s):  
Patricia Watson
Keyword(s):  
Golden Age ◽  
The Past

Abstract In the prologue to Satire 6, Juvenal depicts the primitive woman of the Golden Age as an ideal matrona, only to undercut humorously the paradigmatic value of this picture. The poet’s intentions in so doing have been variously explained; this article views the parodic tone of the passage in terms of its programmatic function. A detailed discussion is offered of Juvenal’s depiction of the cavewife and it is demonstrated how this foreshadows the speaker’s unfavourable treatment of all women, even paradigms such as Cornelia. In short, the prologue establishes the speaker of Satire 6 as a misogynist whose views are so extreme that they cannot be taken seriously.

scholarly journals Ecosystem Services Changes on Farmland in Response to Urbanization in the Guangdong–Hong Kong–Macao Greater Bay Area of China

Land ◽  
2021 ◽  
Vol 10 (5) ◽  
pp. 501
Author(s):  
Xuege Wang ◽  
Fengqin Yan ◽  
Yinwei Zeng ◽  
Ming Chen ◽  
Bin He ◽  
...  
Keyword(s):  
Land Use ◽  
Hong Kong ◽  
Ecosystem Services ◽  
Ecosystem Service ◽  
Food Production ◽  
Great Loss ◽  
The Past ◽  
Bay Area ◽  
Farmland Loss ◽  
The World

Extensive urbanization around the world has caused a great loss of farmland, which significantly impacts the ecosystem services provided by farmland. This study investigated the farmland loss due to urbanization in the Guangdong–Hong Kong–Macao Greater Bay Area (GBA) of China from 1980 to 2018 based on multiperiod datasets from the Land Use and Land Cover of China databases. Then, we calculated ecosystem service values (ESVs) of farmland using valuation methods to estimate the ecosystem service variations caused by urbanization in the study area. The results showed that 3711.3 km2 of farmland disappeared because of urbanization, and paddy fields suffered much higher losses than dry farmland. Most of the farmland was converted to urban residential land from 1980 to 2018. In the past 38 years, the ESV of farmland decreased by 5036.7 million yuan due to urbanization, with the highest loss of 2177.5 million yuan from 2000–2010. The hydrological regulation, food production and gas regulation of farmland decreased the most due to urbanization. The top five cities that had the largest total ESV loss of farmland caused by urbanization were Guangzhou, Dongguan, Foshan, Shenzhen and Huizhou. This study revealed that urbanization has increasingly become the dominant reason for farmland loss in the GBA. Our study suggests that governments should increase the construction of ecological cities and attractive countryside to protect farmland and improve the regional ESV.

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