scholarly journals Notas para un librillo de memoria cervantino

Edad de Oro ◽  
2021 ◽  
Vol 40 ◽  
pp. 373-386
Author(s):  
Rosa Navarro Durán
Keyword(s):  
Miguel De Cervantes

El Coloquio de las damas (traducción de Fernán Juárez de la 3.ª jornada del Ragionamento de Aretino, 1547), el Honesto y agradable entretenimiento de damas y galanes de Giovan Francesco Straparola, traducido por Francisco Truchado (1.ª parte 1578, 2.ª 1581), la Primera parte de las cien novelas de Giraldo Cinthio, traducida por Luis Gaytán de Vozmediano (1590) y las Noches de invierno de Antonio Eslava (1609) ofrecen motivos literarios, mínimos detalles, que son pruebas de la lectura de esas obras por Miguel de Cervantes porque él les dio nueva vida en las suyas. Están reunidos en este librillo de memoria imaginario junto a la recreación cervantina.

Humor in der Therapie. Lachend auf Distanz gehen, Ängste lachend besiegen

2003 ◽  
Vol 14 (3) ◽  
pp. 139-157
Author(s):  
Gudrun Hofmann
Keyword(s):  
Don Quixote ◽  
Miguel De Cervantes ◽  
Don Quijote ◽  
Richard Strauss ◽  
Sancho Panza

Zusammenfassung. Don Quijote und Sancho Panza, von Miguel de Cervantes Saavedras 1605/1612 geschaffene Romanhelden, erfreuen sich auch im Jahre 2003 eines großen Bekanntheitsgrades und sind als komisches Paar berühmt geworden. Beide verstricken sich in Abenteuer, die einzig ihrer Fantasie erwachsen. Im folgenden steht das Komische - aus nicht der Norm entsprechendem Verhalten oder aus wahnhaften Imaginationen erwachsend - in der literarischen Vorgabe wie auch in dem sinfonischen Tongedicht “Don Quixote“ von Richard Strauss im Mittelpunkt. Daran schließen sich Überlegungen zu einer tänzerischen Umsetzung im Rahmen eines therapeutischen Settings an. Es wird analysiert, wie sich Menschen mit unterschiedlichen Persönlichkeitszügen (resp. -störungen) darin wiederfinden können und wie die Charaktere von Don Quijote und Sancho Panza im Sinne einer eigenen Interpretation weiterentwickelt werden können. Aspekte der von Helmut Plessner vertretenen anthropologischen Betrachtungsweise des Lachens beleuchten die nur dem Menschen eigene Fähigkeit komisch zu sein und Komisches wahrzunehmen.

Adrián J. Sáez (ed.), Miguel de Cervantes. Información de Argel

2020 ◽  
Vol 40 ◽  
pp. 409-410
Author(s):  
Silvia Maria Fernandes Alves da Silva
Keyword(s):  
Miguel De Cervantes

Reseña de Adrián J. Sáez (ed.), Miguel de Cervantes. Información de Argel.

Miguel de Cervantes, La Galatea

1989 ◽  
Vol 57 (3) ◽  
pp. 380
Author(s):  
Peter N. Dunn ◽  
Juan Bautista Avalle-Arce ◽  
Miguel de Cervantes
Keyword(s):  
Miguel De Cervantes

Cervantes on Screen

2021 ◽  
pp. 599-624
Author(s):  
Duncan Wheeler
Keyword(s):  
William Shakespeare ◽  
Film Adaptations ◽  
Miguel De Cervantes ◽  
Relative Lack ◽  
Hundredth Anniversary ◽  
National Heritage ◽  
At Home

April 2016 marked the four-hundredth anniversary of the deaths of both Miguel de Cervantes and William Shakespeare, with a noticeable lack of attention paid to the former in relation to the latter, even in Spain. A relative lack of film adaptations of Cervantes’s works has been construed as a symptom and cause of the Spaniard’s lack of visibility at home and abroad. This chapter probes this assertion and explores the dialectic between commemorative culture and Spanish screen fictions based on the life and works of Cervantes. Included are discussions of Francoist appropriations of the symbolism of Cervantes in Spanish national heritage, and the attempts to reappropriate those same images in the democratic era through film.

The Oxford Handbook of Cervantes

2021 ◽  
Keyword(s):  
Miguel De Cervantes Saavedra ◽  
The United States ◽  
Don Quixote ◽  
Modern World ◽  
Comprehensive Overview ◽  
Miguel De Cervantes ◽  
The United Kingdom ◽  
La Mancha ◽  
A Minor ◽  
Multiple Languages

Although best known the world over for his masterpiece novel, Don Quixote de la Mancha, published in two parts in 1605 and 1615, the antics of the would-be knight-errant and his simple squire only represent a fraction of the trials and tribulations, both in the literary world and in society at large, of this complex man. Poet, playwright, soldier, slave, satirist, novelist, political commentator, and literary outsider, Cervantes achieved a minor miracle by becoming one of the rarest of things in the early modern world of letters: an international best-seller during his lifetime, with his great novel being translated into multiple languages before his death in 1616. The principal objective of the Oxford Handbook of Cervantes is to create a resource in English that provides a fully comprehensive overview of the life, works, and influences of Miguel de Cervantes Saavedra (1547–1616). This volume contains seven sections, exploring in depth Cervantes’s life and how the trials, tribulations, and hardships endured influenced his writing. Cervantistas from numerous countries, including the United Kingdom, Spain, Ireland, the United States, Canada, and France offer their expertise with the most up-to-date research and interpretations to complete this wide-ranging, but detailed, compendium of a writer not known for much other than his famous novel outside of the Spanish-speaking world. This handbook explores his famous novel Don Quixote, his other prose works, his theatrical output, his poetry, his sources, influences, and contemporaries, and finally reception of his works over the last four hundred years.

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