scholarly journals História e memória: a soldadura da imaginação

2006 ◽  
Vol 32 (1) ◽  
Author(s):  
Resemary Fritsch Brum
Keyword(s):  
Short Stories ◽  
Cognitive Science ◽  
Key Words ◽  
Oral History ◽  
Key Words Memory

Este artigo explora possibilidades em história oral, o desenvolvimento na contemporaneidade das ciências cognitivas e sua aproximação com histórias curtas. Essas direções podem ser fertilizadas pelo pesquisador nos estudos da memória, da narrativa e da oralidade. Abstract This article explores possibilities in oral history, the development of contemporary cognitive science and its proximity to short stories. These are directions to be taken by the researcher in the study of memory, narrative and orality. Palavras-chave: Memória. História. Ciência. Key words: Memory. History. Science.

scholarly journals Memória e identidade: um estudo das trabalhadoras do Banco do Estado do Rio Grande do Sul – 1943-1945

2006 ◽  
Vol 32 (1) ◽  
Author(s):  
Aurea Tomatis Petersen
Keyword(s):  
Key Words ◽  
Rio Grande ◽  
Rio Grande Do Sul ◽  
Key Words Memory

Este artigo discute brevemente a questão da memória e da identidade e detémse na exposição de pesquisa realizada no final da década de 1990 que utilizou história oral e apoiou-se na memória das primeiras trabalhadoras que ingressaram no Banco do Estado do Rio Grande do Sul entre 1943-45, procurando construir a identidade do grupo em estudo. Abstract This article briefly argues the question of the memory and the identity and is lingered in the exposition of research carried through in the end of the decade of 1990 using verbal history, and it was supported in the memory of the first workers who had entered the BANRISUL between 1943-45, looking for to construct their identity of the group in study. Palavras-chave: Memória. Identidade. Bancárias. Key words: Memory. Identity. Workers of banks.

scholarly journals O pão nosso de cada dia: memória imigrante e o pão das gerações curitibanas

2006 ◽  
Vol 32 (2) ◽  
Author(s):  
Juliana Cristina Reinhardt
Keyword(s):  
Key Words ◽  
Oral History ◽  
History Of

A Padaria América é a padaria mais antiga de Curitiba em atividade. O comprar e o fazer o pão foi repassado de pai para filho. Neste trabalho, buscamos entender essa tradição, buscando também seus significados, através da história oral. Entendemos que essa tradição foi construída ao longo dos anos e fortalecida nos momentos de tensão e ruptura e que os clientes buscam não um pão qualquer, mas, principalmente, memória e história. Abstract The Padaria América is the oldest one in Curitiba. The tradition of buying and making bread has passed from father to son. In this article I will try to understand this tradition and, I will look for its meanings trough the oral history. I understand that this tradition, which was built up along the years, was strengthened through moments of tension and rupture and the client’s search especially in the memory and history that those rye’s breads hide. Palavras-chave: História da alimentação. Memória. Tradição. Key words: History of food. Memory. Tradition.

scholarly journals Perbandingan Antologi Cerpen Batu-Batu Setan Karya M. Fudoli Zaini Dan Lukisan Kaligrafi Karya A. Mustofa Bisri

ATAVISME ◽  
2015 ◽  
Vol 18 (2) ◽  
pp. 143-157
Author(s):  
Mashuri Mashuri
Keyword(s):  
Short Stories ◽  
Comparative Literature ◽  
Key Words ◽  
Cultural Production ◽  
Production Environment ◽  
Binary Opposition ◽  
The World

Tulisan ini mengkaji konstruksi dunia dan nalar santri dalam prosa karya kiai pesantren, yaitu Batu-Batu Setan karya M. Fudoli Zaini dan Lukisan Kaligrafi karya A. Mustofa Bisri. Teori yang digunakan adalah strukturalisme dan hermeneutik, dengan menggunakan metode bandingan. Dari kajian perbandingan didapatkan pola sistemik pada posisi pengarang sebagai agen dalam ranah produksi kultural. Pola-pola sistemik yang menggambarkan konstruksi dan nalar santri yang bersifat universal dan parsial dengan bersandar pada konsep oposisi biner: sintagmatik dan paradigmatik, dapat dirumuskan dari perbandingan kedua kumpulan cerpen tersebut. Dari kajian tentang karya dua kiai itu, biografi mereka, dan perbandingan antara keduanya terkonstruksikan dunia dan nalar santri. Nalar santri inilah yang menjadi pola berpikir dan cara melihat dari kalangan pesantren di dalam karya dan ‘kehidupan’‐nya. Abstract: This research aims to describe the construction of santri’s sense and the world in short stories written by two kiai, M. Fudoli Zaini’s Batu-Batu Setan and A. Mustofa Bisri’s Lukisan Kaligrafi. To analyze the comparativeness, structuralism and hermeneutics theory is used to describe the problem. We can see that there is a systemic pattern of the writers as an agent in a cultural production environment. Those systemic patterns show the universalities and partialities of santri’s construction and sense according to binary opposition concept, namely syntagmatic and paradigmatic. The differences among the two anthologies, seen from their short stories and biography are constructed by the world and sense of the santri. From their short stories and we can see how the santri think and see using their sense and the world. Key Words: construction of world; santri’s sense; comparative literature

scholarly journals Um encontro com as fontes em História Oral

2006 ◽  
Vol 32 (1) ◽  
Author(s):  
Marcos Fábio Freire Montysuma
Keyword(s):  
Key Words ◽  
Oral History ◽  
Field Work ◽  
The Individual ◽  
The Relationship

Neste trabalho refletimos sobre a produção e os usos das fontes e dos instrumentos metodológicos que orientam as ações na condução do trabalho do historiador que lida com o que se convencionou chamar História Oral. Buscamos discutir a singularidade do trabalho de campo, envolvendo a relação entre o pesquisador e as pessoas ouvidas, como condição de uma ciência que lida essencialmente com o indivíduo. Abstract In this article we reflect upon the production and uses of sources and methodological tools which guide the actions of the historian who deals with the field conventionally referred to as Oral History. We aim at discussing the singularity of field work, bringing into play the relationship between the researcher and people who are listened to – a vital condition for a science that essentially deals with the individual. Palavras-chave: Fontes. Metodologia. História Oral. Key words: Sources. Methodology. Oral History.

scholarly journals A história oral visita o cinema: Que bom te ver viva e Los Rubios

2016 ◽  
Vol 2 (1) ◽  
pp. 118
Author(s):  
Ana Maria Veiga
Keyword(s):  
Twentieth Century ◽  
Key Words ◽  
Oral History ◽  
Time History ◽  
Film Maker ◽  
Political Resources ◽  
Palabras Clave ◽  
Brazilian Film ◽  
Siglo Xx

ResumoEste artigo relaciona o cinema, como meio de comunicação, à história oral e seus entrelaçamentos com a história do tempo presente, atentando para os testemunhos, utilizados como recurso estético e político nos filmes Que bom te ver viva, da cineasta brasileira Lúcia Murat, e Los rubios, da argentina Albertina Carri. Podendo ser categorizadas como documentários-ficção, ambas as realizações lidam com os traumas resultantes da violência ditatorial em seus países de origem, na segunda metade do século XX. Em que medida servem estes filmes como fontes para estudos que se apoiam na história oral é o que pretendemos discutir neste artigo. Palavras-chave: Cinema; História oral; Que bom te ver viva; Los rubios AbstractThis article aims to treat cinema, as a way of communication, in its relationship with Oral History and its ties with Present Time History, attempting to testimonies used as aesthetic and political resources inside films like Que bom te ver viva, by the Brazilian film maker Lúcia Murat, and Los rubios, by the Argentine film maker Albertina Carri. Categorized as fictional documentaries, both films deal with the traumas that result of dictatorial violence in their countries of production, in the second half of the twentieth century. How can these films be used as sources of investigation by studies based on Oral History is a question to be answered in this article. Key-words: Cinema; Oral History; Que bom te ver viva; Los rubios ResumenEste artículo relaciona el cine, como medio de comunicación, a la historia oral y sus entrelazamientos con la historia del tiempo presente, al atentar para los testimonios utilizados como recurso estético y político en las películas Que bom te ver viva, de la realizadora brasileña Lúcia Murat, y Los rubios, de la argentina Albertina Carri. Categorizadas como documentales-ficciones, las dos películas se llevan con los traumas resultantes de la violencia dictatorial en sus países de origen, en la segunda mitad del siglo XX. En que medida sirven estas películas como fuentes para los estudios basados en la historia oral es lo que pretendemos discutir en este artículo. Palabras-clave: Cine; Historia oral; Que bom te ver viva; Los rubios. Disponível em:Url:http://opendepot.org/2773/Abrir em (para melhor visualização em dispositivos móveis - Formato Flipbooks):Issuu / Calameo

Popularizing History: the Case of Gustav Preller

1988 ◽  
Vol 29 (3) ◽  
pp. 521-535 ◽  
Author(s):  
Isabel Hofmeyr
Keyword(s):  
Short Stories ◽  
Social Movement ◽  
Oral History ◽  
South African ◽  
Cultural Resources ◽  
Detailed Consideration ◽  
The Past ◽  
Frequent Use ◽  
Visual Skills ◽  
The Subject

Gustav Preller (1875–1943), a prolific and popular South African historian, is the man largely responsible for shaping many of the key myths of Afrikaner nationalism. One of these is the concept of the Great Trek, an interpretation of the nineteenth-century movement of Boers into the interior. It is Preller's written and visual version of this social movement that has been the dominant one for the last seven decades. Preller worked with a variety of media including books, newspapers, magazines, drama and film, and always produced works that sold in significant numbers. Yet despite his obvious impact and importance, Preller has been the subject of little research. This article attempts to assess Preller's work in relation to questions concerning the cultural fabrication of nationalisms. It asks how Preller did his popularizing work: what techniques, conventions, narrative formulas and social languages did he deploy in his work and whence did he derive these cultural resources? For Preller, one of the most crucial themes in his work had to do with how people recalled the past and more importantly how one could get them to ‘enact’ this memory in their own lives. Much of his work can be read as a search to find strategies of storing the past in forms which would make popular sense. He relied heavily on oral history and he also familiarized himself with popular forms of both oral and written storytelling which in turn inform his work. In 1916 he became involved in filming De Voortrekkers and these visual skills became a key ingredient in all of his ventures. His interest in the visual also informed his frequent use of the physical objects of the past as vehicles for popularizing his views. Another tactic that Preller followed was to explore and ‘colonize’ the institutions of popular leisure which he then remoulded in his nationalist enterprises. The article concludes with a detailed consideration of one of Preller's historical short stories.

scholarly journals DRAMATIC EFFECTS IN THE SHORT STORIES OF K. RAKHMANOV

2020 ◽  
pp. 30-33
Author(s):  
Seytbekov Adilbay Batirbekovich
Keyword(s):  
Short Stories ◽  
Key Words ◽  
World Literature ◽  
Original Work ◽  
Close Interaction ◽  
Huge Impact ◽  
Mixed Genre ◽  
Inside Out

For Karakalpak literature XX-century was the century of close interaction with world literature. This process had a huge impact on the expansion of the genre diversity of Karakalpak literature. In literature appeared a great number of new genre kinds: drama, tragedy, comedy, story, novel, ballad, tale, poem and etc. One of new genre varieties in Karakalpak literature is origin of mixed genre-forming. i.e Works, including in it features of lyrics and drama, lyrics and epos, comedy and tragedy, lyrics and prose and etc. and Karakalpak poets, writers became successfully in using new genres. The signs of the drama in this or that measure can be presented in epos works, but signs of the epos are not alien to the drama. Their lyrics penetration is much more productive than lyrics penetration into these genres and inside out. This is evidenced by the fact in the Karakalpak literature today there is often processing of the epic works in drama. But it should be recognized that there is little success, because any original work is unique, especially dramatic. Based on this concept, we tried to consider the problem of the synthesis of genres by the example of works by K.Rakhmanov where interpretation of tragedy, comedy, epic is evident. KEY WORDS: genre; drama; epos; synthesis; tragicomedy; novel; plot; composition; conflict.

scholarly journals Nas entrelinhas da narrativa: vozes de mulheres imigrantes

2006 ◽  
Vol 32 (1) ◽  
Author(s):  
Núncia Santoro de Constantino
Keyword(s):  
Key Words ◽  
Oral History ◽  
Immigrant Women ◽  
Porto Alegre ◽  
Historical Processes ◽  
The City ◽  
With Memory ◽  
Present Text

O presente texto propõe reflexão sobre História Oral e sobre mulheres imigrantes na cidade de Porto Alegre. Pretendo continuar tal reflexão, dialogando com personagens das pesquisas que desenvolvo, pessoas que colaboram à reconstrução de processos históricos, com seus depoimentos. As reflexões que pretendo desenvolver dizem respeito, sobretudo, à memória e à subjetividade e faz-se necessário retomar algumas questões teóricas fundamentais. Abstract The present text proposes a reflection about Oral History and about immigrant women in the city of Porto Alegre. I intend to continue this reflection, dialoguing with the “characters” of the research I develop − people who collaborate to the reconstruction of historical processes with their testimony. These reflections have to do, mainly, with memory and subjectivity, and it is necessary to retake some theoretical basic questions. Palavras-chave: História Oral. Narrativa. Imigração. Key words: Oral history. Narrative. Immigration.

Tradisi dan Pembaruan dalam Antologi Lengkap Cerpen A.A. Navis: Kajian Sosiologi Sastra

2012 ◽  
Vol 11 (1) ◽  
Author(s):  
Irdawati Irdawati
Keyword(s):  
Short Stories ◽  
Key Words ◽  
Human Nature ◽  
Sociology Of Literature ◽  
Complete Collection ◽  
Sociological Literature ◽  
Rational Thought ◽  
The Times ◽  
Descriptive Method

The Complete Anthology of short stories written by AA Navis is the most complete collection of all short stories that have been written by Navis for fifty years of work. Based on a description and interpretation of data, theoretically, this study aims to (1) reveal the author's ideas and re-attempt the update against the ideologies of traditional Minangkabau society in ALCN which includes a description of Minangkabau culture, AA Navis with the process of creativity, as well as tradition and renewal, (2) develop and accumulate the research on the sociology of literature. Practically, this study aims to (1) provide advice and offers to the reader to constantly adapt and socialize to the demands and needs of the time by relying on rationality and morality, (2) provide an understanding of the short stories contained in ALCN. The research used the descriptive method of description of the facts followed by analysis of activities that include (1) forms the natural understanding of Minangkabau culture, AA Navis and authorship, (2) disclosure of Navis’ thoughts through theory and methods of sociological literature proposed by Swingewood Alan and Diana Laurenson, and (3) tradition and renewal efforts against traditional notions of ALCN. The results showed that the various ideas of Navis in ALCN are reflections of society psychological level and lead to a contradictive dialectical. Various complexity of community problems root on two things: (1) human nature is no longer guided by the nature, (2) the policy was decided without considering the principle of K4 (appropriateness and usefulness of togetherness and equality). Some thought the updates offered in ALCN are (1) awareness of human self to always adapt to the demands of the times, (2) implementation of worship should be interpreted rationally by humanitarian considerations, (3) renewal is a change in attitude towards a more humane and civilized; (4) acceptance of outside elements should be based on the principle of benefit and suitability, (5) philosophy stems renewal in humans and humanity, of nature as the basis for the interpretation and reasoning and rational thought. Key words: Nature, dialectical, religion, dan humanity

American Reality in Washington Irving's “The Legend of the Sleepy Hollow” and “Rip

2021 ◽  
Vol 65 (04) ◽  
pp. 95-100
Author(s):  
Ülviyyə Çingiz qızı Əliyeva ◽  
◽  
Leyla Pərviz qızı Kazımzadə ◽  
Keyword(s):  
Short Stories ◽  
American Literature ◽  
Key Words ◽  
Revolutionary War ◽  
Main Issue ◽  
Rip Van Winkle

This article analyzes Washington Irving's two most popular novels in American literature, "Sleepy Hollow" and "Rip Van Winkle." The main issue is the issue of identity in this period of history. The author of these short stories answers everyone who asks about the American people's quest for freedom and what it means to be an American. These novels are a source of inspiration for Americans to build their own culture. Key words: novella, Revolutionary war, colonialism, spirit, personality

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