scholarly journals Critica et bibliographiaЗОЛТАН Андраш:Interslavica. Исследования по межславянским языковым и культурным контактам [Studien zu den interslawischen kulturellen und Sprachkontakten].(Slavia Christiana.) Москва: «Индрик», 2014. 222 с.DukkonÁgnes:Az Aranykortól az Ezüstkorig. Fejezetek az orosz irodalom-kritika és irodalomtudomány történetéből [From the Golden Age to the Silver Age. Chapters from the History of Russian Criticism and Literary Science]. Budapest: Protea, 2014. 282 p.PospíšilIvo (red.):Střední Evropa včera a dnes: proměny koncepcí [Central Europe, Past and Present: Changing Concepts]. Brno: Středoevropské centrum slovanských studií při Filozofické fakultě Masarykovy univerzity v Brně — nakladatelství Galium, 2015. 618 p.

2016 ◽  
Vol 61 (1) ◽  
pp. 233-238
Author(s):  
Péter Pátrovics ◽  
György Zoltán Józsa ◽  
Miloš Zelenka
2017 ◽  
pp. 83-88
Author(s):  
Ekaterina S. Syshchikova

XVI- XVII centuries were the «golden age» in the history of Spanish culture, which was largely due to the translation. Through translation into Spanish literature, the motifs and forms of lyrical and epic poetry, the themes of ancient and Italian plays, the knightly and pastoral novel, the novel genre have penetrated. The translation allowed the Spaniards to get acquainted with the ideas of humanists from di erent countries of Western and Central Europe. The translation contributed to the enrichment of the Spanish language.


2020 ◽  
Vol 2020 (10-4) ◽  
pp. 4-14
Author(s):  
Vladimir Kalinovsky ◽  
Alexander Puchenkov

This article is devoted to the development of science and culture in the short period of the Wrangel Crimea - 1920. At this time, the brightest figures of Russian culture of that time worked on the territory of the small Peninsula: O. E. Mandelstam, M. A. Voloshin, B.D. Grekov, G.V. Vernadsky, V.I. Vernadsky and others. The article provides an overview of the life and activities of the Russian intelligentsia in 1920 in the Crimea, based on materials of periodicals as the most important source for studying the history of the Civil war in the South of Russia whose value is to be fully evaluated.


2021 ◽  
Vol 66 (05) ◽  
pp. 149-153
Author(s):  
Nigar Səfxan qızı Məhərrəmova ◽  

The article provides information about the historical review of Azerbaijani carpets and examines its stages. The 16th century is characterized as the Golden Age of Azerbaijani history and culture. The carpet weaving of that time combined the subtlety and wonder of miniature painting, the decorative-plan solution of traditional motifs, a magnificent color palette reflecting all the colors and diversity of nature. Key words: carpet, pattern, color, Islam, miniature painting, sufism, seljuk, component


2020 ◽  
Vol 1 (3) ◽  
pp. 104-114
Author(s):  
O. A. Krasnogorova ◽  

The main objective of the article is to investigate the problems of performing compositions by English composers of the XVIth – XVIIth centuries and the history of their sound incarnation. The author analyzes the appeal to the musical art of the "Golden Age" by A. G. Rubinstein, who included in the piano "Historical Concerts" and lectures works by W. Byrd, O. Gibbons, H. Purcell. Considering the specifics of the clavier texture, different types of variations and their influence on the development of instrumental techniques are distinguished. Based on the comparison of the pavane, the article draws conclusions about the stylistic features of various composers. As one of the key problems in creating an interpretation, the author notes the solution to the question of choosing a musical instrument (both between harpsichord and piano and between historical instruments), which has a decisive influence on sound quality. The article examines the experience of A. B. Lyubimov in performing works by English virginalists. Interpreted by G. Gould, the pianist emphasizes the new contemporary hearing of compositions by W. Byrd and O. Gibbons, performed in the same program with the works of A. Schoenberg, A. Webern, A. Berg, which reveals the dialogue of eras.


Author(s):  
Marcos Nadal ◽  
Esther Ureña

This article reviews the history of empirical aesthetics since its foundation by Fechner in 1876 to Berlyne’s new empirical aesthetics in the 1970s. The authors explain why and how Fechner founded the field, and how Wundt and Müller’s students continued his work in the early 20th century. In the United States, empirical aesthetics flourished as part of American functional psychology at first, and later as part of behaviorists’ interest in reward value. The heyday of behaviorism was also a golden age for the development of all sorts of tests for artistic and aesthetic aptitudes. The authors end the article by covering the contributions of Gestalt psychology and Berlyne’s motivational theory to empirical aesthetics.


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