The Decade of the Violin Concerto: New Music and the Performer in the 1930s

2021 ◽  
Vol 62 (1-2) ◽  
pp. 139-147
Keyword(s):  
Interwar Period ◽  
Music History ◽  
New Music ◽  
Violin Concerto ◽  
History Of ◽  
New Type ◽  
Firm Commitment ◽  
Younger Generation ◽  
Violin Concertos

Abstract The 1930s saw an unusually rich harvest of violin concertos. An examination of this group of works provides a singular and seldom-considered angle from which to view the music history of the interwar period. In spite of the widely divergent styles and personal approaches, the works are united by certain factors that result from the choice of genre, with an attendant set of historical and technical constraints. In addition, the violinists who commissioned and performed the concertos influenced the compositions to a greater extent than often realized; therefore, in order to understand the works, we must take into consideration the artistic personalities of the respective performers as well. Many of the concertos were written for a new type of soloist, mostly from the younger generation, who had made a firm commitment to new music – something that some superstar violinists were unwilling to do. The concertos offer good opportunities to study the relationships between composer and performer, still a somewhat neglected topic in musicological studies.

scholarly journals Musikalische Innovation im Umfeld der Moderne und historischen Avantgarde in Ungarn

2020 ◽  
Author(s):  
Andrea van der Smissen
Keyword(s):  
Interwar Period ◽  
Common Sense ◽  
Music History ◽  
Fine Art ◽  
New Music ◽  
Musical Language ◽  
Modern Music ◽  
History Of ◽  
The Common

In recent decades the interpretation of music history of the interwar period was determined by factors which allowed only national or folkloristic approaches to modern music in Hungary. However, the composers of the group ‘Modern Hungarian Musicians’, connected to the forums of the New Music like the ISCM or Cowell‘s NMS, were committed to a transcultural view of musical innovation. Through intermedial connections between literary and fine art, they received non-musical impulses by modern and avantgarde movements. This paper makes an approach on their heterogeneous conception of music with the common sense, to set a renewal of the musical language as its goal.

Perkembangan TIK, Globalisasi dan Peranan Guru Pendidikan Kewarganegaraan dalam Pengembangan Pendidikan Karakter

2018 ◽  
Vol 1 ◽  
Author(s):  
Zulpadli Zulpadli
Keyword(s):  
Character Education ◽  
Civic Education ◽  
Moral Values ◽  
Hard Work ◽  
Theoretical Studies ◽  
Paper Briefly ◽  
History Of ◽  
Younger Generation ◽  
The Impact

This paper briefly and through theoretical studies will discuss simply the problems formulated, the impact of globalization on Character education in Indonesia, as well as the paradigm of PKN learning and Character education challenges for the younger generation. It is on the ground by the declining awareness and moral values, as well as to increase the values of the characters seen in the young generations. Civic education in Indonesia has been running throughout the history of Indonesian independence, and has gone through various stages and arms, it certainly demands greater hard work of teachers to be able to increase the values of Pancasila and love of the homeland, and practice the character values which is based on the noble values of Indonesian culture into Indonesian youth.

KAZAKH MUSIC CULTURE ON THE GLOBALIZATION CROSSROADS: ETHNIC TRADITIONS VERSUS COMPOSER SCHOOL IN INTERCULTURAL INTERACTION

2020 ◽  
Vol 384 (2) ◽  
pp. 185-193
Author(s):  
A. Raimkulova
Keyword(s):  
20Th Century ◽  
Cultural Policy ◽  
Information Technologies ◽  
Cultural Landscapes ◽  
Social Institutions ◽  
Music Culture ◽  
Oral Transmission ◽  
Intercultural Interaction ◽  
History Of ◽  
New Type

At the present stage, Kazakh musical culture is heterogeneous. It represents traditions coexisting at the same time and interacting with each other: Kazakh ethnic and newly established composer school (tradition). Examining changes in cultural landscapes of the 20th century I reveal the peculiarities of interaction and dialogue between two kinds of culture: ethnic and global (endogenous and exogenous). The procedures include the complex study of the history of Kazakh culture in the 20th century, stylistic analysis of traditional and composer’s music, semiotic approach to intercultural interaction, as far as a comparative analysis of oral and written music of 19th and 20th centuries. On one hand, dramatic changes in the structure of music culture were caused by external objective reasons: new industrial and postindustrial civilization phases (urbanization and information technologies); intensification of interaction with western (mainly Russian) cultures, etc. On the other hand, some changes were inspired by inner factors: diverse development of local song and kui (dombyra piece) traditions; Soviet cultural policy. As a result new type (or layer) of national culture – Kazakh composers’ music – appeared. It was connected with the formation of a national style based on transcriptions and borrowing. Traditional music was influenced by new social institutions (philharmonic halls, theatres, radio, conservatoire) that caused changes in the creative process (decrease of oral transmission, lack of traditional social context) as well as in the style (virtuoso performance, new genres of songs).

Cyriel Verschaeve aan zuster Gabriël. Zeven brieven, op het nippertje gered van de vernietiging...

2006 ◽  
Vol 65 (4) ◽  
pp. 301-325
Author(s):  
Luc Vandeweyer
Keyword(s):  
Women Students ◽  
Interwar Period ◽  
Historical Documents ◽  
Emotional Life ◽  
Religious Worldview ◽  
History Of

Deze publicatie door Luc Vandeweyer van de briefwisseling van de Alveringemse kapelaan en Vlaams voorman Cyriel Verschaeve met de uitgesproken Vlaamsgezinde zuster Gabriëlle Van Caeneghem, medegrondlegster van de katholieke Vlaamse Meisjesbeweging en van de vrouwelijke studentenbeweging, bezorgt ons een inzicht in de gevoelswereld van Verschaeve en zijn literaire en mystieke opvattingen. Tegelijk zijn de brieven illustratief voor de sfeer van het mystiek-spirituele wereldbeeld waarin een (kwantitatief en kwalitatief) belangrijk deel van de Vlaamse beweging tijdens het interbellum baadde. Daarenboven blijkt er de verbondenheid uit van beide respondenten met de religieus-socialistisch bewogen geschriften van de Nederlandse dichteres en communiste Henriette Roland Holst-Van der Schalck. Tenslotte wordt in de bijdrage de geschiedenis van deze archiefdocumenten verhaald, als frappante casus hoe archivarissen en/of historiografen soms een ware klopjacht moeten organiseren om belangrijke historische documenten van vernietiging te redden. ________Cyriel Verschaeve to sister Gabriël. Seven letters, saved from destruction at the eleventh hour…Luc Vandeweyer's publication of the correspondence of Cyriel Verschaeve, curate of Alveringem and Flemish-nationalist leader, with the outspoken pro-Flemish sister Gabriël van Caeneghem, co-founder of the Catholic Flemish girls' movement and the movement of women students, provides us with an understanding of the emotional life of Verschaeve and his literary and mystical beliefs. The letters also illustrate the atmosphere of the mystico-religious worldview indulged in by a (quantitatively and qualitatively) large part of the Flemish movement during the Interwar period. It also demonstrates the solidarity of both correspondents with the religio-socialist inspired writings of the Dutch poet and communist Henriette Roland Holst-Van der Schalck. Finally the contribution also describes the history of these archival records, as a striking example of how archivists and/or historiographers sometimes are obliged to organise an actual round up in order to save important historical documents from destruction.

Nashville Cats

2020 ◽  
Author(s):  
Travis D. Stimeling
Keyword(s):  
Music History ◽  
Country Music ◽  
Primary Sources ◽  
Recording Industry ◽  
Global View ◽  
Production And Distribution ◽  
History Of ◽  
The 1950S ◽  
Hall Of Fame ◽  
The City

Nashville Cats: Record Production in Music City, 1945–1975 is the first history of record production during country music’s so-called Nashville Sound era. This period of country music history produced some of the genre’s most celebrated recording artists, including Country Music Hall of Fame inductees Patsy Cline, Jim Reeves, and Floyd Cramer, and marked the establishment of a recording industry that has come to define Nashville in the national and international consciousness. Yet, despite country music’s overwhelming popularity during this period and the continued legacy of the studios that were built in Nashville during the 1950s and 1960s, little attention has been given to the ways in which recording engineers, session musicians, and record producers shaped the sounds of country music during the time. Drawing upon a rich array of previously unexplored primary sources, Nashville Cats: Record Production in Music City, 1945–1975 is the first book to take a global view of record production in Nashville during the three decades that the city’s musicians established the city as the leading center for the production and distribution of country music.

The Tumshuq Karmavācanā

1950 ◽  
Vol 13 (3) ◽  
pp. 649-670 ◽  
Author(s):  
H. W. Bailey
Keyword(s):  
Late Professor ◽  
History Of ◽  
New Type ◽  
New Treatment ◽  
Notable Addition

In the Journal Asiatique for 1941–2 my friend the late Professor Sten Konow published an article entitled Une nouvelle forme aberrante de khotanais. This new type of Iranian is contained in the document P 410 brought back by the late Paul Pelliot from Tumšq, a ruined site near the modern Maralbashi.For the study of the history of this region all the materials, unfortunately often fragmentary, which the various expeditions have recovered for us have proved and are still proving of great importance. The present Tumšuq fragment is a notable addition to this material.Sten Konow gave with his study a facsimile of the MS. fragment, a transliteration (in which he had enjoyed the assistance of J. Filliozat) and a tentative translation, together with a glossary of the words according to his readings. Six years later he turned again to the document and in the Norsk Tidsskrift for Sprogvidenskap 14 (1947), pp. 156 ff., he published a second study of the document. It is a pleasure to recognize the merit of these pioneer studies, but neither could be considered as providing a clear interpretation. In one point, the reading of ai, the incorrect at is kept in the second study, although in the glossary to the first study J. Filliozat had pointed out that the sign was properly au.The document is vitally important for Iranian dialectical studies. Hence a new treatment is well justified. The recognition that the document contains a type of Buddhist ordination service changed the whole problem of its interpretation.

scholarly journals Errata

1962 ◽  
Vol 3 (1) ◽  
pp. 139-139
Keyword(s):  
East Asia ◽  
South East Asia ◽  
History Of ◽  
New Type ◽  
Image Position ◽  
Printing Machine

Readers of this Journal will recall the provocative article in Vol. 2, No. 2 by John Smail entitled An Autonomous History of South-East Asia. This article has aroused considerable comment. It is all-the-more unfortunate then that it was marred by fifty or more misprints and omissions. With this issue of the Journal we have changed to a new type and printing machine, and we hope such errors as committed before will remain merely the follies of our youth. We attach a list of the more important of the misprints in Mr. Smail's article.

The Diaspora of the Novel

1992 ◽  
Vol 2 (1) ◽  
pp. 131-146
Author(s):  
Artemis Leontis
Keyword(s):  
Uneven Development ◽  
Literary Genre ◽  
The Novel ◽  
History Of The Novel ◽  
The West ◽  
The Past ◽  
The Social ◽  
Economic Transformations ◽  
History Of ◽  
New Type

Reflection on the history of the novel usually begins with consideration of the social, political, and economic transformations within society that favored the “rise” of a new type of narrative. This remains true even with the numerous and important studies appearing during the past ten years, which relate the novel to an everbroadening spectrum of ideological issues—gender, class, race, and, most recently, nationalism. Yet a history of the genre might reflect not just on the novel’s national, but also its transnational, trajectory, its spread across the globe, away from its original points of emergence. Such a history would take into account the expansion of western markets—the growing exportation of goods and ideas, as well as of social, political, and cultural forms from the West—that promoted the novel’s importation by nonwestern societies. Furthermore, it could lead one to examine the very interesting inverse relationship between two kinds of migration, both of which are tied to the First World’s uneven “development” of the Third. In a world system that draws out natural resources in exchange for technologically mediated goods, the emigration of laborers and intellectuals from peripheral societies to the centers of power of the West and the immigration of a western literary genre into these same societies must be viewed as related phenomena.

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