Links of Science & Technology

MRS Bulletin ◽  
1998 ◽  
Vol 23 (5) ◽  
pp. 50-56 ◽  
Author(s):  
Nicholas DeCristofaro

On April 13, 1982, the Duke Power Company energized an experimental pad-mount distribution transformer in Hickory, North Carolina. The transformer, manufactured by General Electric, provided electric power to a local residence. That same month, the Georgia Power Company installed a similar transformer, made by Westinghouse Electric, atop a utility pole in Athens, Georgia. It supplied electricity for the exterior lights at the Westinghouse Newton Bridge Road plant. These devices shown in Figure 1 were unique among the nearly 40 million distribution transformers in service in the United States because their magnetic cores were made from an Fe–B–Si amorphous-metal alloy. This new material, produced by Allied-Signal (formerly Allied Chemical), was capable of magnetizing more efficiently than any electrical steel. By replacing grain-oriented silicon steel in the transformer cores, the amorphous metal reduced the core losses of the transformers by 75%.Although distribution transformers are relatively efficient devices, often operating at efficiencies as high as 99% at full load, they lose a significant amount of energy in their use. Because of the number of units in service, coupled with the fact that the core material is continuously magnetized and demagnetized at line frequency, transformers account for the largest portion of the energy losses on electric power distribution systems. It is estimated that over 50 × 109 kWh are dissipated annually in the United States in the form of distribution transformer core losses. At today's average electricity generating cost of $0.035/kWh, that energy is worth over $1,500 million.

2021 ◽  
Vol 63 (10) ◽  
pp. 604-609
Author(s):  
Yanxing Xing ◽  
Shaoxiong Zhou ◽  
Wenzhi Chen ◽  
Bangshao Dong ◽  
Yaqiang Dong ◽  
...  

Fe-based amorphous strip (AM strip) is a core material for high-efficiency distribution transformers and contributes to saving energy loss in electricity distribution. The core loss and apparent power for 2605SA1 amorphous strips at power frequency are studied using the Epstein frame method. Longitudinal magnetic field annealing and the influence of measuring modes on test results are investigated in detail. Improved test efficiency and higher accuracy in test results for amorphous ribbons are demonstrated and it is found that the number of strips and the lap joint methods affect the test results greatly. The waveform of the secondary induction voltage becomes sinusoidal with the increase of strip number. The values of core loss and apparent power become stable once the total number of strips is larger than 20. The coefficient of eddy current loss (e) also affects the correction of testing core losses. The test results could be improved at a smaller value of e when the waveform of the secondary induction voltage becomes deformed from sinusoidal due to a lower number of strips (below 20). The measured results were found to be reproducible when the strip number of each layer was one or two. However, the core loss and the apparent power increased along with the increase in the number of strips in each layer. Moreover, demagnetisation showed no effects on the test results when using the Epstein frame method.


Author(s):  
Andrea Harris

The introduction presents the core historiographical problem that Making BalletAmerican aims to correct: the idea that George Balanchine’s neoclassical choreography represents the first successful manifestation of an “American” ballet. While this idea is pervasive in dance history, little scholarly attention has been paid to its construction. The introduction brings to light an alternative, more complex historical context for American neoclassical ballet than has been previously considered. It places Lincoln Kirstein’s 1933 trip to Paris, famous for bringing Balanchine to the United States, within a transnational and interdisciplinary backdrop of modernism, during a time when the global art world was shifting significantly in response to the international rise of fascism. This context reverberates throughout to the book’s examination of American ballet as a form that was embedded in and responsive to a changing set of social, cultural, and political conditions over the period covered, 1933–1963.


Author(s):  
Norman Schofield

A key concept of social choice is the idea of the Condorcet point or core. For example, consider a voting game with four participants so any three will win. If voters have Euclidean preferences, then the point at the center will be unbeaten. Earlier spatial models of social choice focused on deterministic voter choice. However, it is clear that voter choice is intrinsically stochastic. This chapter employs a stochastic model based on multinomial logit to examine whether parties in electoral competition tend to converge toward the electoral center or respond to activist pressure to adopt more polarized policies. The chapter discusses experimental results of the idea of the core explores empirical analyses of elections in Israel and the United States.


2021 ◽  
Vol 4 (1) ◽  
pp. 3-27
Author(s):  
Irus Braverman

Our special issue provides a first-of-its kind attempt to examine environmental injustices in the occupied West Bank through interdisciplinary perspectives, pointing to the broader settler colonial and neoliberal contexts within which they occur and to their more-than-human implications. Specifically, we seek to understand what environmental justice—a movement originating from, and rooted in, the United States—means in the context of Palestine/Israel. Moving beyond the settler-native dialectic, we draw attention to the more-than-human flows that occur in the region—which include water, air, waste, cement, trees, donkeys, watermelons, and insects—to consider the dynamic, and often gradational, meanings of frontier, enclosure, and Indigeneity in the West Bank, challenging the all-too-binary assumptions at the core of settler colonialism. Against the backdrop of the settler colonial project of territorial dispossession and elimination, we illuminate the infrastructural connections and disruptions among lives and matter in the West Bank, interpreting these through the lens of environmental justice. We finally ask what forms of ecological decolonization might emerge from this landscape of accumulating waste, concrete, and ruin. Such alternative visions that move beyond the single axis of settler-native enable the emergence of more nuanced, and even hopeful, ecological imaginaries that focus on sumud, dignity, and recognition.


Societies ◽  
2018 ◽  
Vol 8 (3) ◽  
pp. 75
Author(s):  
Zeynep Correia

Airports are located at the core of the production process, but can they also be where the “revolutionary subject” is hidden? We know what airports stand for nowadays, but have we pushed for what they could possibly stand for? Can airports, as a form of urban technology, be reimagined beyond their current roles of a “space technology nexus” driving capital movement? Can we imagine, idealize, and locate them somewhere else in a period dominated by the economy of time, where speed and accessibility matter the most? In this framework, this provocative essay aims to frame airports as a protest and public expression venue. Drawing inspiration from recent examples, such as the Stansted Airport protests in the UK, the Occupy Airports protests that occurred all around the United States, and touching upon the divergent example of Turkey’s 15th of July night protests in 2016, I provide a glimpse of an alternative prospect for this key urban infrastructure.


PMLA ◽  
2010 ◽  
Vol 125 (1) ◽  
pp. 29-47
Author(s):  
Mike Chasar

This essay uses the example of the long‐lived and popular Burma‐Shave advertising campaign to argue that literary critics should extend their attention to the vast amounts of poetry written for advertising purposes in the nineteenth and twentieth centuries. The Burma‐Shave campaign—which featured sequences of rhyming billboards erected along highways in the United States from 1926 to 1963—not only cultivated characteristics of literary and even avantgarde writing but effectively pressured that literariness into serving the commercial marketplace. At the same time, as the campaign's reception history shows, the spirit of linguistic play and innovation at the core of Burma‐Shave's poetry unintentionally distracted consumers' attention away from the commercial message and toward the creative forces of reading and writing poetry. A striking example of popular reading practices at work, this history shows how poetry created even in the most commercial contexts might resist the commodification that many twentieth‐century poets and critics feared. (MC)


Author(s):  
Eliyahu Stern

The idea of a Jewish body provides the background to understand the major Jewish migrations, the core features of modern Jewish politics, the transformation of Judaism as a religion and the role played by Jews in the Minority Rights Movement. Eastern European Jews’ immigration to the United States or Palestine as two sides of the same coin.


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