Exploring the Sacredness of Urban Spaces through Material Traces

2019 ◽  
Vol 14 (1) ◽  
pp. 85-98
Author(s):  
Mujde Bideci
Keyword(s):  
Urban Space ◽  
Urban Spaces ◽  
Religious Movements ◽  
New Religious Movements ◽  
Daily Lives ◽  
Multiple Modernities ◽  
Religious Buildings ◽  
Starting Point ◽  
Ancient Times ◽  
The City

From ancient times, some spaces have been understood to be more sacred than others. Even though many of these spaces have no specific religious meaning, there have been new religious movements which can easily be seen in daily life. In order to understand the current dynamics of religion, a focus on the material presence of religion (religious buildings, sites and artefacts in urban spaces) is a fruitful starting point. Thus, the objective of this study is to explore the potential meanings of the sacred in urban spaces, and the effects of these meanings or characterizations of the sacred have on places. Moreover, the focus is on analysing new manifestations of the religious and the sacred in urban space, as well as the ways in which material traces mediate diverse practices, discourses and effects in the various domains of the sacred. By investigating the alignments of these two fields, the city and the sacred, this study sheds new light on the metropolis of London, which manifests both religious diversity and multiple modernities via traces of the sacred in urban spaces. The results show that sacred traces in urban places have a prominent image that many residents and visitors fail to appreciate in their daily lives. The study concludes with a discussion of findings and implications.

THE FREEDOM OF THE AESTHETIC: MONTSERRAT ROIG’S USE OF THE CITY IN RAMONA, ADÉU

2007 ◽  
Vol 21 (1) ◽  
pp. 87-99
Author(s):  
Caragh Wells
Keyword(s):  
Literary Criticism ◽  
Urban Space ◽  
Critical Analysis ◽  
Urban Spaces ◽  
Female Characters ◽  
The Social ◽  
Catalan Literature ◽  
The Aesthetic ◽  
The City

This article suggests that over recent decades Catalan literary criticism has paid too little attention to the aesthetic attributes of Catalan literature and emphasised the social, political and cultural at the expense of discussions of narrative poetics. Through an analysis of Montserrat Roig’s metaphorical use of the city in her first novel Ramona, adéu, I put forward the view that the aesthetic features of Catalan literature need to be re-claimed. This article provides a critical analysis of the aesthetic importance of Roig’s representation of the city in her first novel and argues that she uses Barcelona as a critical tool through which to explore questions of both female emancipation and aesthetic freedom. Following a detailed discussion of Roig’s descriptions of how her female characters interact with particular urban spaces, I examine how Roig makes subtle shifts in her semantic register during these narrative accounts when her prose moves into the realm of the poetic. I conclude that this technique enables us to read her accounts of urban space as metaphors for aesthetic freedom and are inextricably linked to her wider concerns on the importance of liberating Catalan literature from the discourse of political nationalism.

scholarly journals Produção do espaço urbano pelos homens ordinários: antropologia de dois micro-espaços na cidade de Salvador

ILUMINURAS ◽  
2014 ◽  
Vol 15 (36) ◽  
Author(s):  
Urpi Montoya Uriarte
Keyword(s):  
Urban Space ◽  
Theoretical Background ◽  
Ethnographic Study ◽  
Urban Spaces ◽  
Recent Theory ◽  
Use Value ◽  
Henri Lefebvre ◽  
Production Of Space ◽  
Differential Spaces ◽  
The City

Este trabalho se insere no que se chama hoje de antropologia da cidade, que se preocupa com a forma como os citadinos – em sua condição alternada de usuários, moradores, transeuntes ou consumidores – fazem a cidade (Agier, 2011). Nossa compreensão de cidade está marcada pela recente teoria do espaço no interior da Geografia (Massey, 2012) e nossa compreensão da produção do espaço se baseia na teoria de Henri Lefebvre, especialmente em seu La production de l´espace (1974). Com esta bagagem teórica, propomos uma antropologia dos espaços urbanos preocupada com a forma como os espaços na cidade são produzidos por pessoas comuns ou homens ordinários. Os dados empíricos analisados provêm de uma etnografia de dois micro-espaços na cidade de Salvador. As leituras teóricas destes micro-espaços nos levam a afirmar a atualidade e força dos espaços diferenciais que emergem no espaço abstrato, a significação política dos espaços apropriados e a vigência do valor de uso e as relações costumeiras na cidade contemporânea.Palavras-chave: Espaços urbanos. Produção do espaço. Espaços diferenciais. Apropriação de espaços. Valor de uso.Production of urban space by ordinary men: anthropology of two micro-spaces in the city of SalvadorAbstractThis work is part of what is today called anthropology of the city, that is concerned with how the townspeople – in their alternating condition of users, residents, bystanders or consumers – make the city (Agier, 2011). Our understanding of the city is marked by the recent theory of space inside the geography (Massey, 2012) and our understanding of the production of space is based on the theory of Henri Lefebvre, especially in its The production of the space (1974). With this theoretical background, we propose an anthropology of urban spaces concerned with how the spaces in the city are made by ordinary people or ordinary men . The data analyzed come from an ethnographic study of two micro-spaces in the city of Salvador. The theoretical interpretations of these micro-spaces lead us to affirm the relevance and strength of differential spaces that emerge in the abstract space, the political significance of the appropriate spaces and the duration of use value and customary relations in the contemporary city.Keywords: Urban spaces. Production of space. Differential spaces. Appropriation of spaces. Use value.  

scholarly journals »Reclaiming« the City: A Collective Endeavor

Dimensions ◽  
2021 ◽  
Vol 2 (1) ◽  
pp. 183-202
Author(s):  
Sergiy Ilchenko
Keyword(s):  
Urban Space ◽  
Local Community ◽  
Public Spaces ◽  
Urban Spaces ◽  
Collective Actions ◽  
Way Of Life ◽  
Urban Renaissance ◽  
The Impact ◽  
The City ◽  
Being Moved

Abstract This contribution elaborates upon the appropriation of urban space in spatiotemporal and procedural interventions in the example of the city of Kharkiv, as well as the impact of urban space on the process of how various groups rediscover and use various parts of the city. Being moved during collective actions - in the sense of feeling urged to move along - goes beyond routine practices by influencing the city and its perception. It seems that these general processions, celebrations, and festive activities of the residents are their contributions to the process of »urban renaissance« - the rebirth of interest in the urban way of life. Since public spaces reflect the historical inheritance of local communities, joint transformative actions such as, »appropriation «, »production«, and »governance« of urban spaces are considered. This article advocates for the practice of domestication of urban space by the local community, as well as the need for the existence of »urban lagoons« - free (unregulated) areas of the city used as resources for urban development and interaction of citizens.

scholarly journals Exploring Successful Small Urban Spaces’ Criteria with Emphasis on Cultural Context

2021 ◽  
Vol 15 (4) ◽  
pp. 475-482
Author(s):  
Parvin Partovi ◽  
Kebria Sedaghat Rostami ◽  
Amir Shakibamanesh
Keyword(s):  
Conceptual Model ◽  
Public Space ◽  
Urban Space ◽  
Cultural Context ◽  
Public Spaces ◽  
Urban Spaces ◽  
Cultural Issues ◽  
Human Needs ◽  
Short Time ◽  
The City

In the crowded cities of the present age, public spaces can provide a quiet area away from the hustle and bustle of the city that citizens can interact with by incorporating utility features and meeting human needs and Relax there. Small urban spaces are among the most important and effective urban spaces to achieve this goal. Because these spaces due to their small size and lower costs (compared to larger spaces) for construction can be created in large numbers and distributed throughout the city. In this way, citizens will be able to reach a public urban space on foot in a short time. If these spaces are well designed, they can encourage people to stay in and interact with each other. It is not difficult to identify and experience high-quality successful places, but identifying the reasons for their success is difficult and even more difficult, understanding if similar spaces in other places can be considered successful. This question is important because public space with deep social content is considered a cultural product. Public space is the product of the historical and socio-cultural forces of society. Therefore, one of the most important issues that should be considered in the study of public spaces and the reasons for their success is the cultural context. In Iranian cities that have been influenced by the values and principles of Islam,recognizing Islamic principles and their role in shaping public spaces can lead us to desirable results. The purpose of this article is to develop a conceptual model of successful small urban spaces with an emphasis on cultural issues, especially in Iranian-Islamic cities. In this regard, the effective criteria for the success of urban spaces in general and small urban spaces in particular in the two categories of Western countries and Iranian Islamic cities were examined and then, taking into account the criteria derived from cultural theorists, the conceptual model of research with 38 subcriteria is provided.

scholarly journals Street Cries and the urban ritornelle

2012 ◽  
Vol 2 (1) ◽  
pp. 61-80
Author(s):  
Jacob Kreutzfeldt
Keyword(s):  
Urban Space ◽  
Urban Environments ◽  
Sound Studies ◽  
Urban Spaces ◽  
Felix Guattari ◽  
Northern European ◽  
The Social ◽  
Environmental Relations ◽  
The City ◽  
Fertile Area

Street cries, though rarely heard in Northern European cities today, testify to ways in which audible practices shape and structure urban spaces. Paradigmatic for what Gilles Deleuze and Felix Guattari call ‘the refrain’, the ritualised and stylised practice of street cries may point at the dynamics of space-making, through which the social and territorial construction of urban space is performed. The article draws on historical material, documenting and describing street cries, particularly in Copenhagen in the years 1929 to 1935. Most notably, the composer Vang Holmboe and the architect Steen Eiler Rasmussen have investigated Danish street cries as a musical and a spatial phenomenon, respectably. Such studies – from their individual perspectives – can be said to explore the aesthetics of urban environments, since street calls are developed and heard specifically in the context of the city. Investigating the different methods employed in the two studies and presenting Deleuze and Guattari’s theory of the refrain as a framework for further studies in the field, this article seeks to outline a fertile area of study for sound studies: the investigation of everyday refrains and the environmental relations they express and perform. Today changed sensibilities and technologies have rendered street crying obsolete in Northern Europe, but new urban ritornells may have taken their place.

scholarly journals HETERO-TEXTUALITY AND CO-SPATIALITY: FROM THE SEMIOTICS OF THE CITY TO THE TRANS-SEMIOTICS OF THE POST-CITY

2021 ◽  
Vol 70 (1) ◽  
pp. 70-79
Author(s):  
Dmitry N. Zamyatin ◽  
◽  
Keyword(s):  
Urban Space ◽  
Urban Spaces ◽  
Literary Texts ◽  
General Context ◽  
Research Material ◽  
Single Text ◽  
Urban Narratives ◽  
Key Features ◽  
The Creation ◽  
The City

Literary texts can be considered as the most attractive research material for analyzing the key features of both the semiotics of the city as a whole and the semiotics of individual cities, to which many works of art are devoted. The urban space of Modernity as a result of the processes of powerful semiotization can be considered as both textual and intertextual. The intertextuality of Modern urban spaces presupposes sets of “floating” topological signifiers corresponding to similar sets of “floating” topological signs. In the traditional semiotics of the city, the existence of two realities is assumed — the “real” reality and the “semiotic” reality, between which clear logical correspondences and/or relations can be observed and analyzed. The appearance of non-classical/post-classical urban narratives focused on the problems of dis-communication at the beginning of the 20th century became one of the important signs of the primary formation of the post-city and post-urbanism phenomena. The post-city is not a text and can not be regarded as a text; at the same time, it can generate separate texts that are not related to each other in any way. Post-urban texts, which are the communicative results of specific co-spatialities, remain local “flashes” that do not form a single text or meta-text (super-text). Hetero-textuality is a phenomenon of post-urban reality, which is characterized by the coexistence, as a rule, of texts that do not correlate with each other, relating to certain stable urban loci. Trans-semiotics in general context is understood as the study of any texts that involve the creation of sign-symbolic breaks or “gaps” with any other potentially possible correlating texts in the process of signification. Trans-semiotics of post-cities are studies of (literary) texts that involve the creation of sign-symbolic breaks or “gaps” with any other potentially possible correlating texts related to a particular urban locus in the process of signifying any urban loci. The post-city heterostructuality can be considered as the co-spatiality of mutually exclusive texts corresponding to “non-seeing” post-city loci. Post-urban trans-semiotics in the course of their development form a kind of “dark zones” that reject or neutralize any attempt at any semiotic interpretation.

3. Intervening with Agriculture: A Case Study of Guerrilla Gardening in Kingston, Ontario

2018 ◽  
Author(s):  
Annie Crane
Keyword(s):  
Content Analysis ◽  
Urban Space ◽  
Urban Agriculture ◽  
Social Relations ◽  
Community Gardening ◽  
Spatial Justice ◽  
Starting Point ◽  
The Right ◽  
The City

The purpose of this study was to analyze guerrilla gardening’s relationship to urban space and contemporary notions of sustainability. To achieve this two case studies of urban agriculture, one of guerrilla gardening and one of community gardening were developed. Through this comparison, guerrilla gardening was framed as a method of spatial intervention, drawing in notions of spatial justice and the right to the city as initially theorized by Henri Lefebvre. The guerrilla gardening case study focuses on Dig Kingston, a project started by the researcher in June of 2010, and the community gardening case study will use the Oak Street Garden, the longest standing community garden in Kingston. The community gardening case study used content analysis and semi-structured long format interviews with relevant actors. The guerrilla gardening case study consisted primarily of action based research as well as content analysis and semi-structured long format interviews. By contributing to the small, but growing, number of accounts and research on guerrilla gardening this study can be used as a starting point to look into other forms of spatial intervention and how they relate to urban space and social relations. Furthermore, through the discussion of guerrilla gardening in an academic manner more legitimacy and weight will be given to it as a method of urban agriculture and interventionist tactic. On a wider scale, perhaps it could even contribute to answering the question of how we (as a society) can transform our cities and reengage in urban space.

Reframing Gentrification: How Tenant Shopkeepers’ Activism in Seoul Radically Reframed Gentrification

2019 ◽  
Vol 46 (6) ◽  
pp. 819-834
Author(s):  
Yewon Andrea Lee
Keyword(s):  
Working Class ◽  
Urban Space ◽  
Urban Spaces ◽  
New Agents ◽  
Critical Scholarship ◽  
The Social ◽  
Property Owners ◽  
New Locations ◽  
The City ◽  
Radical Shift

Critical scholarship on gentrification has contributed significantly to bolstering the rights of working-class residents against the forces that price them out of the city. However, working-class residents are not the only ones who suffer from dispossession and displacement with rampant hyper-commodification of urban space. Based on the case of Seoul, I examine how new agents—tenant shopkeepers—emerged at the forefront of challenging gentrification and successfully reframed the problem of gentrification. Within the new frame, the shopkeepers who make their livelihoods by using urban spaces are pitted against the property owners who attempt to profit at the expense of their tenants. Through this case, I ask ‘How can radical shifts occur in the ways that the problem of gentrification is constructed?’ My answer draws upon the framing theory in the social movement literature which identifies conditions under which a radical departure from institutionalized ways and social norms can transpire even when the radical shift means challenging the entrenched power structure—in my case, the property-ownership-based rights regime. I highlight the importance of further developing a gentrification scholarship on social change that unravels the rise of new locations of resistance, particularly at a time when the advance of gentrification seems inevitable.

scholarly journals O urbanismo e o seu outro: raça, cultura e cidade no Brasil (1920-1945)

1999 ◽  
pp. 47
Author(s):  
José Tavares Correia de Lira
Keyword(s):  
Urban Space ◽  
Social Thought ◽  
Urban Spaces ◽  
Cultural Identification ◽  
Cultural Relations ◽  
Social Segregation ◽  
The Social ◽  
Urban Renovation ◽  
The City ◽  
Racial Ethnic

Este trabalho explora algumas matrizes do pensamento social brasileiro em sua abordagem da formação do espaço urbano no país, em particular no que concerne às relações raciais, étnicas e culturais nas cidades. Parte da hipótese de que, a partir dos anos 20, o discurso urbanístico encontra na eugenia e no regionalismo bases confiáveis ao realinhamento nacionalista de sua intervenção técnica no espaço e na cultura de cidades complexamente divididas. Tendo em vista a problemática contemporânea das renovações urbanas, examina as questões de segregação social, distribuição no espaço e identificação cultural de grupos étnicos, nacionais e regionais em estudos e trechos de estudos sobre cidades de Oliveira Vianna, Gilberto Freyre, José Mariano Filho, Donald Pierson e Samuel Lowrie. Palavras-chave: urbanismo; cidade; nação; pensamento social brasileiro; relações raciais; etnicidade; eugenia; culturalismo; regionalismo. "Urbanism and its alter: race, culture and the city in Brazil (1920-1945)" Abstract: This paper deals with some important sources of the social thought in Brazil as they refer to the formation of the urban space in the country, particularly in respect to racial, ethnic, and cultural relations in the city. It raises the hypothesis that the urbanistic discourse, from the 1920s onwards, finds in eugenics and regionalism some reliable basis for the nationalistic realignment of its technical intervention in complexly divided urban spaces and cultures. Having in mind the contemporary question of urban renovation, it specially examines matters of social segregation, spatial distribution and cultural identification of ethnic, national and regional groups in some writings of Oliveira Vianna, Gilberto Freyre, José Mariano Filho, Donald Pierson and Samuel Lowrie. Keywords: urbanism; city; nation; Brazilian social thought; racial relationships; ethnicity; eugenics; culturalism; regionalism.

scholarly journals The Contested Gallery: street art, ethnography and the search for urban understandings

AmeriQuests ◽  
2006 ◽  
Vol 2 (1) ◽  
Author(s):  
Justin Armstrong
Keyword(s):  
Visual Culture ◽  
Urban Environment ◽  
Public Space ◽  
Urban Space ◽  
Urban Spaces ◽  
Cultural Value ◽  
Street Art ◽  
Cultural Characteristics ◽  
The Road ◽  
The City

This is a paper on street art and its role as a form of artistic insurrection that challenges popular understandings of public space and urban visual culture. I would like to think of it as a field guide to urban seeing, a means of revising the way in which we view the cityscape and its imagery. It is a way of imagining the city as a canvas onto which ideas may be inscribed and reinterpreted, where resistance percolates up to those who look for it. It is here, in what Kathleen Stewart has called a “place by the side of the road” that the work of the street artist exists, slowly gurgling up through the cracks in the sidewalk and briefly illuminated by the yellow-white glow of the street lights. Street art most often takes the form of adhesive stickers, spray-painted stencils, and wheat-pasted posters, and while it shares many similar aesthetic and cultural characteristics with graffiti, street art embodies a unique ideology. Graffiti represents a territorialization of space (‘tagging’, or reclaiming urban spaces through the use of pseudonyms as territorial markings); street art represents a reterritorialization of space. Rather than taking space, street art attempts to re-purpose the existing urban environment. This paper seeks to reflect the changing dynamic of urban space through an analysis of the practice of street art. By examining the roles that street artists play in disrupting the flow of visual noise in the city, I will illuminate the cultural value and significance of this form of urban artistic resistance.

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