scholarly journals THE HERO IN THE BACKGROUND IN LITERATURE AND HIS ARTISTIC FUNCTION.

2020 ◽  
Vol 90 (10) ◽  
pp. 15-17
Author(s):  
R.Sh. Madrahimova ◽  
Keyword(s):  
Artistic Function

Antithesis and the One/Many in Aeschylus’ Septem

Mnemosyne ◽  
2013 ◽  
Vol 66 (4-5) ◽  
pp. 566-592
Author(s):  
June W. Allison
Keyword(s):  
The One ◽  
Artistic Function

Abstract Septem exhibits several types of antithesis. The artistic function of the antithetical modes seems to be to maintain the tension between contraries, such as Thebans/Argives, interior/exterior, public/personal, words/symbols, and one/many. The dramatic function is to project conflict, particularly, to allow the verbal duels created by Eteocles and his scout to represent for the audience the duels that take place at the gates. Although antithesis is a common feature of archaic style, Aeschylean antithesis shows arresting similarities with Empedoclean usage where contraries are unified in the process of creating and preserving the cosmos/Thebes. Like neikos and philia, Eteocles and Polynices, hostile by nature, are in the end shown to be one.

The structure and meaning of the “estate topos” in the A.N. Tolstoy’s story “Nikita’s Childhood”

2020 ◽  
pp. 252-261
Author(s):  
Mikhail A. Perepelkin ◽  
Keyword(s):  
Real Estate ◽  
Real Property ◽  
The Real ◽  
The Future ◽  
The Village ◽  
Artistic Function

The article investigates the structure and artistic function of the “estate topos” in the story of A. Tolstoy “Nikita’s Childhood”. First of all, is considered “The Case of the Samara provincial Council by the insurance Department on the adoption of the fear of the real property owned by the landowner Yakov Mironov and located near the village of Pavlovka (Sosnovka also), Vozdvyzhensky parish of the Nikolaev district of the Samara province” on the basis of which the con- clusion that was sold by the stepfather of the future writer A. Bostrom land owner J. Mironov real estate “near the village of Pavlovka (Sosnovka also)”, depicted by A. Tolstoy in the story “Nikita’s Childhood”. Further, the structure of the estate space in the story is studied and it is concluded that all the components of the estate topos — garden, ponds, cellars, barns, etc. — are in the process of non-stop metamorphoses that set in motion the entire estate as a whole; these metamorphoses constitute the real plot of the story. In conclusion, a fantastic hypothesis of the organization of the “estate topos” in “Nikita’s Childhood” is proposed, which brings this story closer to the works of A. Tolstoy in the genre of fiction and, above all, to the story “Aelita”.

Code switching and style shifting as markers of liminality in literature

1996 ◽  
Vol 5 (1) ◽  
pp. 5-18 ◽  
Author(s):  
Natalie Hess
Keyword(s):  
Charlotte Bronte ◽  
The State ◽  
Code Switching ◽  
Central Core ◽  
John Steinbeck ◽  
Style Shifting ◽  
Harper Lee ◽  
Artistic Function

This article focuses on the artistic function of code switching in literature. In particular, it showcases code switching as a marker of liminality - the state of creative in-betweenness which serves as an underpinning for unconscious literary designs. Particular examples of liminality in literature are illustrated through the works of John Steinbeck, Harper Lee, and Charlotte Bronte. The states of transition that form the central core of the works analysed are bolstered through the use of code switching, which.underscores the love/hate alliances, gender placements, and cultural dissonances of literary craft.

scholarly journals Binding logics in art

2017 ◽  
Vol 31 ◽  
pp. 271-286
Author(s):  
Sílvia Pinto ◽  
Moisés de Lemos Martins
Keyword(s):  
Historical Perspective ◽  
Walter Benjamin ◽  
Media Images ◽  
Work Of Art ◽  
Media Image ◽  
Multiple Realities ◽  
Art Objects ◽  
The Future ◽  
Present Context ◽  
Artistic Function

The work of art produced in its origins was only much later recognized as such. Similarly, the artistic function of current art objects in the future may become accidental again. In fact, at no time has art ever answered exclusively to aesthetic demands. From these assumptions by Walter Benjamin (1936-1939/1992), we will attempt to apply to art the concepts of “binding” (original of ethology) and of “linking networks” (used in neuroscience) to explain distinctive aspects of image metaphysics, shared by art and religion. From a historical perspective, we will attempt to show the evolution of art in three main binding logics: art as a magical activity (also in relation to index logic); art as mimesis; and art as language. The image, or rather the multiple realities we call “image”, takes each one of these links, in an exchanging or simultaneous way, since image is their heiress. Taking into account the present context of media images hypervisibility, we aim, with this study, to show the importance of art and its mythical-religious ascendance in what concerns media image redefinition.

scholarly journals ARTISTIC FUNCTION OF MYTH IS IN KAZAKH PROSE

2020 ◽  
Vol 72 (2) ◽  
pp. 368-373
Author(s):  
A. Tanzharikova ◽  
◽  
D. Satemirova ◽  
B. Kelgembayeva ◽  
◽  
...  
Keyword(s):  
20Th Century ◽  
Real Life ◽  
Scientific Article ◽  
Time And Space ◽  
Perception Of Time ◽  
Relationship Of ◽  
The Relationship ◽  
Artistic Function

The use of the myth in modern Kazakh prose in different senses is of interest to the reader. This allows us to determine how the authors' attitudes towards different literary trends are conveyed in the choice of basic myths to reflect the ideas presented in the myth. Using myths, the author enters into a dialogue with several traditions, and secondly, reinterprets a well-known mythological plot, creates his own image, as a result of which the narrative becomes a myth. The protagonist's mythological worldview is characterized by a special perception of time and space. This scientific article analyzes the features of the use of folk myths in Kazakh prose and identifies their artistic function.The prerequisites for renewed interest in myth in Kazakh prose at the end of the 20th century are being clarified. The relationship of mythological traditions and new literary trends in Kazakh prose is considered. The artistic function of myth is determined in the image of real life through mythological models and images.

Discussion on the Modeling Design of New Times Table Lamp

2011 ◽  
Vol 295-297 ◽  
pp. 2581-2584
Author(s):  
Xiao Wei Jiang
Keyword(s):  
Design Problems ◽  
Long Time ◽  
Texture Effect ◽  
Artistic Function

Since the modeling design of table lamp is ignored for a long time, this paper analyzes the significance of modeling design of table lamp. In view of the existing design problems of traditional table lamp, this paper states the function of modeling design of table lamp, the color of table lamp, the shape and texture effect of table lamp, among them the function mainly expounds its using function and artistic function, the color emphasizes the harmonization, and the shape and texture effect indicates that it should be different according to the different target people. Furthermore, the Era characteristics of modeling design of table lamp are analyzed. At last, the corresponding summary is made.

scholarly journals Reflections on Metafora and its Artistic Function in a Work of Art

2021 ◽  
Vol 04 (02) ◽  
Author(s):  
Hoshimjon Ahmedov ◽  
Keyword(s):  
Comparative Analysis ◽  
Work Of Art ◽  
Independent Observations ◽  
Artistic Function

This article discusses the artistic aspects of using a detail in a work of art as a metaphor. Independent observations have been made of the purpose of the art of the "stone" detail used in folklore and written literature. Mainly the comparative analysis of the story "Stone" by the writer Askad Mukhtor and the poem "Blooming Stone" by the poet Shavkat Rahmon is made. Appropriate conclusions are drawn.

scholarly journals Axiological Aspect of the Novel by N. Musin “There are the Remains of a Batyr”

2021 ◽  
Vol 2021 (2) ◽  
pp. 156-165
Author(s):  
Gulnur M. Nabiullina
Keyword(s):  
Historical Novel ◽  
The Novel ◽  
The People ◽  
Islamic Religion ◽  
Important Object ◽  
Opening Up ◽  
Artistic Function ◽  
Comprehensive Study

A comprehensive study of the historical novel by the Bashkir prose writer Nuguman Musin revealed the axiological aspect of the work. The author uses the motifs of the folklore heritage, introducing truly folk features into his work, developing the traditions of national artistic prose, enriching it with new spiritual content based on the Islamic religion. The compositional center of the novel is the image of Aldar Batyr, who embodies the strength of the heroic spirit of the people, inherited from their ancestors. The religiosity of the characters determines their humane attitude to nature, where the forest is designated as a spiritual principle and consolidates moral forces, thus, nature becomes the most important object of testing a person for morality, performing the role of «spiritual substance». Religious relations in the novel are transformed and acquire a new artistic function, opening up the possibility of a long-term vision of the traditions of Islam in an axiological perspective.

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