Finding Work: James Agee in the Office

PMLA ◽  
2012 ◽  
Vol 127 (4) ◽  
pp. 766-781
Author(s):  
Donal Harris

James Agee and Walker Evans's Let Us Now Praise Famous Men (1941) might be the best-known literary product of Agee's uneven career and of Time Inc.‘s golden days at the top of periodical culture. This convergence of author, institution, and text presents a case study for two undertheorized aspects of mid-century American literary history: how the rise of American media corporations, of which Time Inc. is the most successful, provides economic patronage and massive readerships for a generation of writers raised on the tenets of literary modernism and how the “corporate voice” and collective editorial model at these institutions alter conceptions of authorial production. This essay tracks how competing definitions of writing as work—either “for oneself” or “on the clock”—emerge from the context of institutional affiliation. It then shows how the epistemological question of writing as work can be read into the “mental discipline” of Time Inc. magazines’ corporate style (referred to as Time style) and into the recursive elision of authorial control in Famous Men.

Author(s):  
Gregory S. Jay

White liberal race fiction has been an enduringly popular genre in American literary history. It includes widely read and taught works such as Huckleberry Finn and To Kill a Mockingbird along with period bestsellers now sometimes forgotten. Hollywood regularly adapted them into blockbusters, reinforcing their cultural influence. These novels and films protest slavery, confront stereotypes, dramatize social and legal injustices, engage the political controversies of their time, and try to move readers emotionally toward taking action. The literary forms and arguments of these books derive from the cultural work they intend to do in educating the minds and hearts, and propelling the actions, of those who think they are white—indeed, in making the social construction of that whiteness readable and thus more susceptible of reform. The white writers of these fictions struggle with their own place in systems of oppression and privilege while asking their readers to do the same. The predominance of women among this tradition’s authors leads to exploring how their critiques of gender and race norms often reinforced each other. Each chapter provides a case study combining biography, historical analysis, close reading, and literary theory to map the significance of this genre and its ongoing relevance. This tradition remains vital because every generation must relearn the lessons of antiracism and formulate effective cultural narratives for passing on the intellectual and emotional tools useful in fighting injustice.


Author(s):  
Jennifer J. Smith

The introduction argues that the short story cycle is the preeminent genre for articulating the uncertainty that characterizes literary responses to modernity. The introduction outlines two vital contributions of the cycle to American literary history: 1. the absence of textual harmony in the cycle initiated new, pervasive narrative techniques of proliferating perspectives and disrupting chronology that inflect modern and contemporary fiction and 2. the form of the cycle enables the expression of subjectivity without fixity. Contingency and multiplicity are so central to our social-media infused culture that provisionality is its defining characteristic, but this book shows that the seeds for this go back almost to the nation’s founding.


Author(s):  
Seeni Mohamed Aliff

This paper will examine the impact of PR electoral systems in a divided society. This research will explore the strength and weakness of the current electoral system and institutional design of Sri Lanka and will recommend changes to decrease the risk of minority exclusion in decision making and ethnic violence. The objectives of this research are to examine the character of the merits and demerits of the PR, and to investigate and assess the impacts of the PR in the multi ethnic societies of Sri Lanka. The study is a qualitative case study, and primary and secondary data sources have been employed to gather relevant data. The My Fieldwork was conducted in Sri Lanka, with the intention of gaining a better and more thorough understanding of the current situation. The interviews conducted were as such not structured or semi-structured, due to the interviewees’ varying professional background and institutional affiliation. Accordingly, unstructured interviews, as well as informal conversations and meetings, were conducted throughout Sri Lanka.


Author(s):  
John Levi Barnard

This chapter situates Chesnutt’s writing within a tradition of black classicism as political engagement and historical critique extending from the antebellum period to the twentieth century and beyond. Reading Chesnutt as a figure at the crossroads of multiple historical times and cultural forms, the chapter examines his manipulation of multiple mythic traditions into a cohesive and unsettling vision of history as unfinished business. In the novel The Marrow of Tradition and the late short story “The Marked Tree,” Chesnutt echoes a nineteenth-century tradition that included David Walker, Henry Highland Garnet, and writers and editors for antebellum black newspapers, while at the same time anticipating a later anti-imperial discourse generated by writers such as Richard Wright and Toni Morrison. Chesnutt provides a fulcrum for a collective African American literary history that has emerged as a prophetic counterpoint to the prevailing historical consciousness in America.


Author(s):  
June Howard

The Center of the World: Regional Writing and the Puzzles of Place-Time is a study of literary regionalism. It focuses on but is not limited to fiction in the United States, also considering the place of the genre in world literature. It argues that regional writing shapes ways of imagining not only the neighborhood, the province, and nation, but also the world. It argues that thinking about place always entails imagining time. It demonstrates the importance of the figure of the schoolteacher and the one-room schoolhouse in local color writing and subsequent place-focused writing. These representations embody the contested relation between localities and the knowledge they produce, and books that carry metropolitan and cosmopolitan learning, in modernity. The book undertakes analysis of how concepts work across disciplines and in everyday discourse, coordinating that work with proposals for revising American literary history and close readings of particular authors’ work. Works from the nineteenth, twentieth, and twenty-first centuries are discussed, and the book’s analysis of the form is extended into multiple media.


Author(s):  
Lies Wesseling

This article probes the extent to which literary history and cultural history may mutuallyilluminate each other, without neglecting the poetic dimension of literary works. Thispoetic dimension is embedded within the genre repertoires that shape the production andreception of literary works. One should therefore take into close account that the literaryrepresentation of social conflict is always deflected by the prism of genre conventions.Focusing on the case study of the Dutch Gothic novel, I argue that Gothic tales provide aspecific take on the post-war modernization of the Netherlands. As such, they make avaluable contribution to historical debates about the periodization of the sixties andseventies, not in spite of, but because of their specific poetic properties. Thus, it is verywell possible to bring literary works to bear upon the discussion of historical issueswithout either infringing upon the relative autonomy of the literary system or neglectingthe specific expertise of literary studies as a discipline in its own rights.


2021 ◽  
Author(s):  
Rieke Jordan

This special issue of New American Studies Journal: A Forum looks at nineteenth-century American literature and culture through the analytical lens of free time and leisure. This analytical framework affords a novel access point to American literary history—free time, as this special issue will explore, is a highly contested and politicized concept and resource of the nineteenth century, one that restructures temporalities and spaces. Nineteenth-century American culture and literature can be understood as an archive to explore free time as a significant social and economic innovation into the texture of individual life. The contributions to this special issue explore the rise of free time in the nineteenth century with particular attention toward temporal and spatial reconfigurations that free time afforded. Furthermore they explore the societal and cultural aspects of free time that grew around the logics and logistics of nineteenth-century capitalism—a social formation that made leisure, time off work, not merely possible, but that created entire industries and spaces for leisure and repose.


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