De cultuurhistorische waarde van de literatuur

1970 ◽  
Vol 63 ◽  
pp. 163-183
Author(s):  
Lies Wesseling
Keyword(s):  
The Netherlands ◽  
Cultural History ◽  
Literary History ◽  
Literary Works ◽  
Gothic Novel ◽  
The Sixties ◽  
Post War ◽  
Literary System ◽  
Specific Expertise

This article probes the extent to which literary history and cultural history may mutuallyilluminate each other, without neglecting the poetic dimension of literary works. Thispoetic dimension is embedded within the genre repertoires that shape the production andreception of literary works. One should therefore take into close account that the literaryrepresentation of social conflict is always deflected by the prism of genre conventions.Focusing on the case study of the Dutch Gothic novel, I argue that Gothic tales provide aspecific take on the post-war modernization of the Netherlands. As such, they make avaluable contribution to historical debates about the periodization of the sixties andseventies, not in spite of, but because of their specific poetic properties. Thus, it is verywell possible to bring literary works to bear upon the discussion of historical issueswithout either infringing upon the relative autonomy of the literary system or neglectingthe specific expertise of literary studies as a discipline in its own rights.

Introduction

2017 ◽  
Author(s):  
Joseph Oldham
Keyword(s):  
Cold War ◽  
Cultural History ◽  
20Th Century ◽  
Consumer Society ◽  
Television Drama ◽  
Post War ◽  
Intelligence Service

This Introduction begins by exploring how key production personnel on both Tinker Tailor Soldier Spy (BBC 2, 1979) and Spooks (BBC 1, 2002-11) drew inspiration from the BBC itself when developing a fictionalised version of an intelligence service for the screen,. This is used to frame a brief overview of the histories of British intelligence, broadcasting and spy fiction through the early and mid-20th century, noting numerous intersections and parallels. In particular, it describes the expansion in all three areas in the post-war years, resulting from a complex blend of Cold War paranoia and the growth of an affluent, consumer society. Surveying the book’s methodology, it discusses how this account blends case study analyses with broader examinations of television institutions and British cultural history, in particular considering problems of 'realism' in relation to both the spy genre and British television drama. An overview of the main chapters is provided.

scholarly journals PROBLEMATIKA DUNIA KEPENGARANGAN SASTRA JAWA PERIODE 1980—1997: SEBUAH STUDI KASUS (Problems of Javanese Literary Authorship World in the Period of 1980—1997: A Case Study)

2016 ◽  
Vol 6 (2) ◽  
pp. 49
Author(s):  
Dhanu Priyo Prabowo
Keyword(s):  
Economic Condition ◽  
Literary Works ◽  
The World ◽  
Sociological Method ◽  
Literary Authorship ◽  
Literary System

Dunia kepengarangan sastra Jawa periode 1980—1997 ditopang oleh media berbahasa Jawa (koran dan majalah). Kehadiran institusi itu ternyata mampu memberikan kontribusi yang sangat luas terhadap sistem kesastraan Jawa. Kenyataan ini menunjukkan bahwa institusi-institusi itu telah mampu menggeser peranan penerbit buku. Di tengah situasi seperti itu, pengarang Jawa menggunakan nama samaran perempuan untuk memertahankan eksistensinya (ekonomis dan popularitas). Usaha tersebut ternyata dapat memperteguh sikap para pengarang sastra Jawa dalam memertahankan sastra Jawa, walaupun keadaan ekonomi para pengarang sastra Jawa sangat kecil jumlahnya jika dibandingkan dengan pengarang sastra Indonesia. Sastra Jawa sebagai sastra daerah di Indonesia tetap dapat dipertahankan ekistensi oleh para para pengarang baru dan pengarang lama. Penelitian ini menggunakan teori makro sastra dari Ronald Tanaka. Dengan teori itu, penelitian ini dapat mengungkapkan dunia kepengarangan sastra Jawa pada periode 1980—1997. Adapun metode sosiologis dalam penelitian dipergunakan untuk memahami secara komprehensif persoalan di dalam dunia sastra Jawa periode 1980—1997.Abstract:Javanese literary authorship world in the period of 1980-1997  supported by Javanese media (newspaper and magazine). The presence of the instituation was able to give a broader contribution to Javanese literary system. The fact showed that the institutions had been able to shift the role of book’s publisher. In the midst of such a situation, the Javanese authors wrote under pseudonyms to maintain their existence (economic and popularity). The effort  was able to rein- force the literary Javanese  authors’ attitude in preserving the Javanese literature despite the economic condition in this period that made their payment for their works very small when com- pared to Indonesian literary authors’ payment. The existence of Javanese literature as regional literary works  in Indonesia can still be maintained by new  and  old authors. The present study applies the  Ronald Tanaka’s literary macro theory. By using the theory, the research tries to  reveal the world of Javanese literary authorship  in the period of 1980—1997.  The sociological method of the research is used to understand problems comprehensively in Javanese literary world in the period of 1980—1997.

scholarly journals “WOMEN’ WRITING” AS AN AREA OF DISCOURSIVE, GENRE AND NARRATIVE CONFLICTS (A CASE STUDY OF GERMAN-LANGUAGE FEMALE PROSE OF THE LATE XIX – EARLY XX CENTURY)

2020 ◽  
Vol 5 (2) ◽  
pp. 17-47
Author(s):  
Aleksandra V. Eliseeva
Keyword(s):  
Women's Writing ◽  
German Language ◽  
Narrative Strategies ◽  
Literary Works ◽  
The Third ◽  
Literary Forms ◽  
Literary System ◽  
Women’S Writing ◽  
Structural Cracks

The paper focuses on the phenomenon of “women’s writing”, a discussion about which began in the 1970s. Based on Elaine Showalter’s concept of “doubled-voiced discourse” as well as on Franco Moretti’s theory of literary forms development from the center to the periphery, which generates unstable compromises in the structure, its “cracks” and gaps, the article offers an interpretation of “women’s writing” as an area of increased conflict. The case study of three literary works of the late XIX – early XX century written in German language – Elsa Asenijeff’ essay “Women’s Riot and the Third Sex” (1898), Lou Andreas-Salomé’s novella “Fenitchka” (1898) and Minna Wettstein-Adelt’s novel “Are These Women? A Novel about the Third Sex” (1901) – demonstrates conflicts of discourses, genres and narrative strategies unfolding in these texts. The paper suggests the idea that such structural “cracks” and contradictions mark the departure from the boundaries and limits of contemporary patriarchal discourses and the dominant literary system.

“Less Art and More Machine”: The California Crucible

Damaged ◽  
2020 ◽  
pp. 171-204
Author(s):  
Evan Rapport
Keyword(s):  
Los Angeles ◽  
San Francisco ◽  
Generation X ◽  
Mexican American ◽  
Musical Life ◽  
Early American ◽  
The Sixties ◽  
Post War ◽  
Sixties Generation

Early American punk had its most explicit identity crisis in Los Angeles during the late 1970s, and the sounds created in California during this time, including San Francisco, effectively defined American punk moving forward. Punk in Los Angeles in particular reflected some of the most extreme changes of the post-war era, with substantial migration, new development, and geographic segregation. California became the major site for debates over the meaning of punk styles, with growing tensions between older punks in the downtown or “Hollywood” scene, such as X and the Screamers, and the younger punks in suburban and beach areas, such as Circle Jerks and Black Flag, and ultimately, the style of suburban hardcore punk that was forged in California came to define punk for American listeners. It was in California where punk morphed from an expression of the sixties generation into a voice for Generation X heading into the 1980s. This chapter also takes a close look at punk’s relationship to violence, especially with respect to the confrontations between punks and the LAPD. The musical life of Latinx punks (and Chicano or Mexican American punks specifically) serves as a case study for further investigations of social and musical complexities in Los Angeles.

scholarly journals Trouw aan Buitenlandse Zaken

2021 ◽  
Vol 134 (3) ◽  
pp. 361-384
Author(s):  
Susanna Erlandsson ◽  
Rimko van der Maar
Keyword(s):  
Twentieth Century ◽  
The Netherlands ◽  
Foreign Relations ◽  
Foreign Affairs ◽  
Informal Work ◽  
Content Type ◽  
Post War ◽  
Women's Networks

Abstract Faithful to Foreign Affairs. Margaret van Kleffens, Anne van Roijen, the Embassy in Washington, and the Significance of the Diplomatic Partnership for Post-War Dutch Foreign Relations This article argues that more attention for the role of diplomats’ partners, who in the studied period were almost exclusively female, offers new insights into the daily practices of Dutch twentieth-century diplomacy. It begins with a short overview of research on diplomats’ wives from other countries. The authors then examine the state of our knowledge about Dutch diplomats’ wives, discussing why there is so little attention for this subject in the Netherlands. Finally, a case study highlights the activities of the wives of two central figures in Dutch diplomacy at the Washington embassy in 1947-1964: Margaret van Kleffens-Horstmann and Anne van Roijen-Snouck Hurgronje. The study shows that daily diplomatic work was in practice a job for two people, with tasks divided along gendered lines. Wives made women’s networks available to male diplomats and did representative, social, and informal work that was considered crucial to diplomatic success.

Społeczeństwo holenderskie i los Żydów: skomplikowana historia

2016 ◽  
pp. 425-434
Author(s):  
Dan Michman
Keyword(s):  
The Netherlands ◽  
Southern Europe ◽  
Dutch Society ◽  
Nazi Occupation ◽  
The Holocaust ◽  
Western European ◽  
Post War ◽  
Of Greece

The percentage of victimization of Dutch Jewry during the Shoah is the highest of Western, Central and Southern Europe (except, perhaps of Greece), and close to the Polish one: 75%, more than 104.000 souls. The question of disproportion between the apparent favorable status of the Jews in society – they had acquired emancipation in 1796 - and the disastrous outcome of the Nazi occupation as compared to other countries in general and Western European in particular has haunted Dutch historiography of the Shoah. Who should be blamed for that outcome: the perpetrators, i.e. the Germans, the bystanders, i.e. the Dutch or the victims, i.e. the Dutch Jews? The article first surveys the answers given to this question since the beginnings of Dutch Holocaust historiography in the immediate post-war period until the debates of today and the factors that influenced the shaping of some basic perceptions on “Dutch society and the Jews”. It then proceeds to detailing several facts from the Holocaust period that are essential for an evaluation of gentile attitudes. The article concludes with the observation that – in spite of ongoing debates – the overall picture which has accumulated after decades of research will not essentially being altered. Although the Holocaust was initiated, planned and carried out from Berlin, and although a considerable number of Dutchmen helped and hid Jews and the majority definitely despised the Germans, considerable parts of Dutch society contributed to the disastrous outcome of the Jewish lot in the Netherlands – through a high amount of servility towards the German authorities, through indifference when Jewish fellow-citizens were persecuted, through economically benefiting from the persecution and from the disappearance of Jewish neighbors, and through actual collaboration (stemming from a variety of reasons). Consequently, the picture of the Holocaust in the Netherlands is multi-dimensional, but altogether puzzling and not favorable.

Somethin’ about Scandinavia: Danish Shorts on the Post-war International Scene

2018 ◽  
Author(s):  
C. Claire Thomson
Keyword(s):  
United Nations ◽  
International Collaboration ◽  
Marshall Plan ◽  
The Third ◽  
Animated Film ◽  
International Audience ◽  
Post War ◽  
Nordic Cooperation

Building on the picture of post-war Anglo-Danish documentary collaboration established in the previous chapter, this chapter examines three cases of international collaboration in which Dansk Kulturfilm and Ministeriernes Filmudvalg were involved in the late 1940s and 1950s. They Guide You Across (Ingolf Boisen, 1949) was commissioned to showcase Scandinavian cooperation in the realm of aviation (SAS) and was adopted by the newly-established United Nations Film Board. The complexities of this film’s production, funding and distribution are illustrative of the activities of the UN Film Board in its first years of operation. The second case study considers Alle mine Skibe (All My Ships, Theodor Christensen, 1951) as an example of a film commissioned and funded under the auspices of the Marshall Plan. This US initiative sponsored informational films across Europe, emphasising national solutions to post-war reconstruction. The third case study, Bent Barfod’s animated film Noget om Norden (Somethin’ about Scandinavia, 1956) explains Nordic cooperation for an international audience, but ironically exposed some gaps in inter-Nordic collaboration in the realm of film.

Digital Curation, AustLit, and Australian Children's Literature

2019 ◽  
Vol 12 (1) ◽  
pp. 1-17
Author(s):  
Amy Cross ◽  
Cherie Allan ◽  
Kerry Kilner
Keyword(s):  
Children's Literature ◽  
Cultural History ◽  
Literary History ◽  
Children’S Literature ◽  
Distant Reading ◽  
Critical Spaces ◽  
Reading Methods ◽  
Digital Curation ◽  
Definition Of ◽  
Significant Attention

This paper examines the effects of curatorial processes used to develop children's literature digital research projects in the bibliographic database AustLit. Through AustLit's emphasis on contextualising individual works within cultural, biographical, and critical spaces, Australia's literary history is comprehensively represented in a unique digital humanities space. Within AustLit is BlackWords, a project dedicated to recording Australia's Aboriginal and Torres Strait Islander storytelling, publishing, and literary cultural history, including children's and young adult texts. Children's literature has received significant attention in AustLit (and BlackWords) over the last decade through three projects that are documented in this paper. The curation of this data highlights the challenges in presenting ‘national’ literatures in countries where minority voices were (and perhaps continue to be) repressed and unseen. This paper employs a ‘resourceful reading’ approach – both close and distant reading methods – to trace the complex and ever-evolving definition of ‘Australian children's literature’.

Lord Dacre and the Politics of the Scottish Enlightenment

2005 ◽  
Vol 84 (2) ◽  
pp. 202-220 ◽  
Author(s):  
Colin Kidd
Keyword(s):  
Political Economy ◽  
Eighteenth Century ◽  
Cultural History ◽  
Economic Transformation ◽  
Scottish Enlightenment ◽  
North East ◽  
The Social ◽  
Romantic Movement ◽  
Scottish History

Hugh Trevor-Roper (Lord Dacre) made several iconoclastic interventions in the field of Scottish history. These earned him a notoriety in Scottish circles which, while not undeserved, has led to the reductive dismissal of Trevor-Roper's ideas, particularly his controversial interpretation of the Scottish Enlightenment, as the product of Scotophobia. In their indignation Scottish historians have missed the wider issues which prompted Trevor-Roper's investigation of the Scottish Enlightenment as a fascinating case study in European cultural history. Notably, Trevor-Roper used the example of Scotland to challenge Weberian-inspired notions of Puritan progressivism, arguing instead that the Arminian culture of north-east Scotland had played a disproportionate role in the rise of the Scottish Enlightenment. Indeed, working on the assumption that the essence of Enlightenment was its assault on clerical bigotry, Trevor-Roper sought the roots of the Scottish Enlightenment in Jacobitism, the counter-cultural alternative to post-1690 Scotland's Calvinist Kirk establishment. Though easily misconstrued as a dogmatic conservative, Trevor-Roper flirted with Marxisant sociology, not least in his account of the social underpinnings of the Scottish Enlightenment. Trevor-Roper argued that it was the rapidity of eighteenth-century Scotland's social and economic transformation which had produced in one generation a remarkable body of political economy conceptualising social change, and in the next a romantic movement whose powers of nostalgic enchantment were felt across the breadth of Europe.

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