Screening the Twenty-First-Century South

PMLA ◽  
2016 ◽  
Vol 131 (1) ◽  
pp. 187-190
Author(s):  
Erich Nunn

Our understandings of early moments of southern literature and culture share some common frameworks. Representations (including self-representations) of the South in the nineteenth century, for example, revolve largely around plantation slavery, the Civil War, and Reconstruction. Similarly, we might think about the twentieth-century South as defined by Jim Crow segregation, the out-migration of blacks and working-class whites, and the civil rights movement and its aftermath. What are the issues, then, that structure the twenty-first-century southern imaginary? To what extent does it make sense to talk about “the South” as a unified conceptual, ideological, or geographic place? What does it mean to read, watch, listen to, study, and teach southern literature and culture in the twenty-first century? What do we mean by the terms southern and literature? What cultural forms and media are central to understanding twenty-first-century southern culture? What is the utility of the literary? How do southern literature and culture relate to the nation as a whole?

2021 ◽  

The book is devoted to the works of James Baldwin, one of the most compelling writers of the twentieth century. The authors examine his most important contributions – including novels, essays, short stories, poetry, and media appearances – in the wider context of American history. They demonstrate the lasting importance of his oeuvre, which was central to the Civil Rights Movement and continues to be relevant at the dawn of the twenty-first century and the Black Lives Matter era.


Author(s):  
Scott L. Matthews

The introduction explores why the South became known as America’s “most documented” region beginning in the 1940s and into the twenty-first century. It argues that documentarians saw the region as a fertile place to do fieldwork for two main reasons. First, the region possessed unique and seemingly fragile folk cultures in need of preservation before modern influences erased them. Second, the region possessed seemingly endemic problems associated with its racial caste system and agricultural economies that needed documentation, study, and reform. The introduction also provides an overview of how historians and theorists defined “documentary” throughout the twentieth century and how and why some black and white southerners resisted the intrusion of documentarians into their lives. Additionally, it traces the history of documentary fieldwork in the South from the eighteenth through the nineteenth century and demonstrates how the tradition’s dominant themes developed during this time, particularly in the travel writings and sketches of Basil Hall, Frederick Law Olmsted, Jonathan Baxter Harrison and others. Finally, it highlights the distinguishing features of twentieth-century documentary by emphasizing the role of Progressive and New Deal reform impulses, the Folk Revival and Civil Rights Movement, and the development of portable recording technologies.


Author(s):  
Jordan J. Dominy

The formalized study of southern literature in the mid-twentieth century is an example of scholars formalizing the study of modernist aesthetics in order to suppress leftist politics and sentiments in literature and art. This formalized, institutional study was initiated in a climate in which intellectuals were under societal pressure, created by the Cold War, to praise literary and artistic production representative of American values. This even in southern literary studies occurred roughly at the same time that the United States sought to extoll the virtues of America’s free, democratic society abroad. In this manner, southern studies and American studies become two sides of the same coin. Intellectuals and writers that promoted American exceptionalism dealt with the rising Civil Rights Movement and the nation’s complicated history with race and poverty by casting the issues as moral rather than political problems that were distinctly southern and could therefore be corrected by drawing on “exceptional” southern values, such as tradition and honor. The result of such maneuvering is that over the course of the twentieth century, “south” becomes more than a geographical identity. Ultimately, “south” becomes a socio-political and cultural identity associated with modern conservatism with no geographical boundaries. Rather than a country divided into south and north, the United States is divided in the twenty-first century into red and blue states. The result of using southern literature to present southern values as appropriate, moderate values for the whole nation during the Cold War is to associate these values with nationalism and conservatism today.


2012 ◽  
Vol 11 (1) ◽  
pp. 192-210 ◽  
Author(s):  
Teresa Pac

AbstractIn this article, I examine the English-only movement in the United States and other countries in the first decade of the twenty-first century. Elaborating on research on the hegemony of English, this examination demonstrates English-only ideology, both linguistic and visual, as a primary means of restricting language and ethnic minorities’ access not only in the US, but also globally. First, I will present English as a social construction of the Anglo-Saxon elites in the process of the subordination of other language groups throughout American history up to the Civil Rights Movement of the 1960s and 1970s. Second, I will briefly introduce the legislation of the Civil Rights Movement to show that language access increased the political presence of language minorities. Third, I will discuss the reemergence of the English-only movement appealing to nationalist sentiments in order to diminish language and ethnic minorities’ rising political presence in the US in the twenty-first century. Fourth, I will examine the spread of English-only ideology within the context of global capitalism, led by the US, in order to show forced compliance to the superiority of English by various diverse social groups on the global level.


Author(s):  
Heather Andrea Williams

Despite the abolition of slavery with the Thirteenth Amendment to the Constitution, notions of black inferiority and white supremacy still persisted in both the North and the South. The ‘Epilogue’ outlines the profound struggles by African Americans to make their freedom meaningful. In 1868, the Fourteenth Amendment granted citizenship to African Americans and promised equal protection under the law and, in 1870, the Fifteenth Amendment gave black men the right to vote. The modern civil rights movement of the 1940s, 1950s, and 1960s began to impact on the discriminatory Jim Crow laws and practices, but for many African Americans, struggles for equality, justice, and fairness continue into the twenty-first century.


Author(s):  
Jennifer Ritterhouse

This chapter shows how race-baiting, red-baiting, and white southern liberals' own ambivalence made it impossible for a broad-based coalition to lead an ongoing fight for democratic social change, despite the large number of people who had come together at the Southern Conference for Human Welfare (SCHW) in 1938. Activists like Virginia Durr lobbied for anti-poll tax bills in the early 1940s without success. Meanwhile, New Deal policies gave way to mobilization for World War II, which favoured the South with defense-related and infrastructure spending but did not challenge the Jim Crow system. Black civil rights activists like A. Philip Randolph and the lawyers of the National Association for the Advancement of Colored People (NAACP) took the lead in a Long Civil Rights Movement that earlier efforts to bring change to the South had helped to make possible. Jonathan Daniels was never an activist but became increasingly supportive of civil rights initiatives after working as an aide to Franklin Roosevelt from 1943-1945. The chapter describes his wartime work and briefly traces the remainder of his career, including the reissue of A Southerner Discovers the South in 1970 and his death in 1981.


Author(s):  
Abasi Sarmadi Mehdi ◽  
Reza Asadi Khomami

After Second World War by establishment United Nation, to support of right of life, survives and peace for human, Universal Declaration of Human Rights was issued. In later years, second and third generations of human rights were established which respect for human rights is obligatory for member states.Environmental destruction as outcome of Progression of industry and technology, is another important problem which is outshining human life. In the second half of the twentieth century, several international conventions were formed in order to protecting the environment and preventing its destruction. On the other hand, in the United States, The civil rights movement in the 60s was the source of another movement called environmental justice. At the international level, In the 90s of the twentieth century coincided with the UN plan for sustainable development, the environmental justice movement arose. With the start of the twenty first century, environmental activists and followers of the environmental justice movement found out the common points of environmental justice and issues raised in the generations of human rights and attempts to link these two movements and beginning to find their common points. In the second half of twenty century. With increasing of activity of United Nation many conventions were ratified by countries that guarantee some rights of people but conventions about human rights and environment were separated. This article examines positive and negative characteristics governing environmental justice in comparison with the international documents.


Author(s):  
Robert Jackson

Fade In, Crossroads is a history of the relations between southerners and motion pictures from the silent era to midcentury. In providing a narrative of the South’s contributions to the film medium from the late nineteenth century through the golden age of Hollywood, it considers the many southerners who worked as inventors, executives, filmmakers, screenwriters, performers, and critics during this period. It explores early production centers within the South as well as the effects of the migration of millions of black and white southerners beyond the region to such destinations as Los Angeles, where they made inroads in the growing film industry. It is also the story of how the rise and fall of the American film industry coincided with the rise and fall of the South’s most important modern product and export—Jim Crow segregation. This work looks at important southern historical legacies on film: the Civil War film tradition (which includes the two most successful films of all time, The Birth of a Nation and Gone with the Wind); the notorious tradition of lynching films during an era of prolific lynching in the South; and the remarkable race film industry, whose independent African American filmmakers forged an important cinematic tradition in response to the racial limitations of both the South and Hollywood. It also examines the activities of southern censorship officials, who utilized the medium in the service of Jim Crow, and traces the influence of film on future Civil Rights Movement figures.


Author(s):  
Kenneth Prewitt

This chapter argues that the center of gravity is shifting because of an intricate interplay between America's color line and its nativity line. It uses the color line concept to ask whether America has the right policy tools to fully erase the line that separated whites and racial minorities throughout America's history. If they merge—if immigrants are racialized—the future sadly repeats America's past. If, instead, America's population becomes so diverse and multiracial that the color line disappears, an altogether different future is in store, perhaps the promised postracial society. However, it is not certain whether this social process will strengthen or weaken a color line inherited from the eighteenth century, strengthened across the next century and a half, and then challenged but not fully erased by the civil rights movement of the mid-twentieth century.


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