Reimagining the Literature of the Modern Republic

PMLA ◽  
2016 ◽  
Vol 131 (3) ◽  
pp. 752-758
Author(s):  
Sandra M. Gustafson
Keyword(s):  
Adam Smith ◽  
Roman Catholic ◽  
Thomas Aquinas ◽  
Spanish America ◽  
Early Nineteenth Century ◽  
Late Eighteenth ◽  
Liberal Philosophy ◽  
School Of Salamanca ◽  
The Individual ◽  
Usable Past

Raúl Coronado'S Ambitious and Beautifully Realized Book About The Literature Of Failed Republican Revolution in Late-eighteenth- and early-nineteenth-century Texas is a major contribution to the expanding field of scholarship that recovers, contextualizes, and interprets Tatino/a writing. This wide-ranging study traces the influence of scholastic thought in Spain and Spanish America, culminating in a discussion of the resonances of that intellectual tradition after 1848, as newly conquered Tejanos faced expropriation and violence by United States Americans. Coronado shows how the ideas of Thomas Aquinas and his Spanish interpreters—notably Francisco Suárez (1548-1617), a Jesuit and the leading member of the Thomist School of Salamanca, whose ideas were broadly influential in the Hispanic world—presented a durable alternative to the liberal philosophy of John Tocke and Adam Smith. In part through Suárez's influence, the Roman Catholic concept of the corpus mysticum fed into a distinctive vision of the modern republic that elevated the pueblo over the individual. That this alternative tradition failed initially to gain political and cultural ground explains the melancholy title of Coronado's study, while the possibility of recuperating this history as a usable past animates the project as a whole.

Suffering in Art

2017 ◽  
Author(s):  
Ritchie Robertson
Keyword(s):  
Nineteenth Century ◽  
Early Nineteenth Century ◽  
Late Eighteenth ◽  
Words And Images ◽  
The Relationship

Ritchie Robertson situates Lessing’s text within debates over the proper depiction of extreme suffering in art, focusing on Goethe’s essay on the Laocoon group (1798), as well as other late eighteenth- and early nineteenth-century works on the representation of pain. The issue of suffering in art was of utmost significance to Goethe’s ideology of the classical, Robertson explains; more than that, the themes introduced in Lessing’s essay—above all, its concerns with how suffering can be depicted in words and images—proved pivotal within Goethe’s prescriptions about the relationship between idealism and individuality (or ‘the characteristic’) in art. As part of a larger campaign against what he called ‘naturalism’ in art, Goethe argued that the ancients did not share the false notion that art must imitate nature. For Goethe, responding to Lessing, the power of the Laocoon group lay precisely in its depiction of bodily suffering as something not just beautiful, but also anmutig (‘sensuously pleasing’).

The Politics of Chiefs and Commoners before the 1830s

2020 ◽  
Author(s):  
Raevin Jimenez
Keyword(s):  
Nineteenth Century ◽  
South African ◽  
State Level ◽  
Temporal Context ◽  
Political Elites ◽  
African History ◽  
New Wave ◽  
Early Nineteenth Century ◽  
Late Eighteenth ◽  
Level Analysis

The field of pre-1830 South African history has been subject to periodic interrogations into conventional narratives, sources, and methods. The so-called mfecane debates of the 1980s and 1990s marked a radical departure from characterizations of warfare in the interior, generally regarded in earlier decades as stemming solely or mostly from the Zulu king Shaka. Efforts to reframe violence led to more thorough considerations of political elites and statecraft from the late eighteenth to the early nineteenth century but also contributed to new approaches to ethnicity, dependency, and to some extent gender. A new wave of historiographical critique in the 2010s shows the work of revision to be ongoing. The article considers the debates around the wars of the late precolonial period, including unresolved strands of inquiry, and argues for a move away from state-level analysis toward social histories of women and non-elites. Though it focuses on the 1760s through the 1830s, the article also presents examples highlighting the importance of recovering deeper temporal context for the South African interior.

Studying “useful plants” from Maria Theresa to Napoleon: Continuity and invisibility in agricultural science, northern Italy, the late eighteenth to early nineteenth century

2021 ◽  
pp. 007327532199291
Author(s):  
Martino Lorenzo Fagnani
Keyword(s):  
Scientific Work ◽  
Northern Italy ◽  
Agricultural Science ◽  
Old Regime ◽  
Early Nineteenth Century ◽  
Honey Production ◽  
Food Research ◽  
Late Eighteenth ◽  
Napoleonic Era ◽  
Insight Into

This article analyzes Italian research and experimentation on the economic potential of certain plant species in the late eighteenth and early nineteenth centuries, also providing insight into beekeeping and honey production. It focuses on continuity of method and progress across regimes and on the invisibility of many of the actors involved in the development of agricultural science and food research. Specifically, “continuity” refers to the continuation of certain threads of Old-Regime experimentation by the scientific apparatus put in place during the Napoleonic era. These threads were reworked and strengthened with the new means available to Frenchified Europe. The concept of “invisibility” derives from an expression by Steven Shapin and refers to actors who contributed to the development of agricultural science while remaining in the shadows. These include various types of technicians and members of rural society who supported the scientific work of scholars without receiving overt recognition. Continuity and invisibility were therefore two fundamental components both in the epistemological development of agricultural science and in the improvement of food research. The article analyzes case studies mainly from northern Italy – or rather, the various geopolitical entities existing in this geographical region – during the late Old Regime and the Napoleonic era, comparing them with examples from all over Europe.

scholarly journals The Public Sphere in the Field of Power

2010 ◽  
Vol 34 (3) ◽  
pp. 301-335 ◽  
Author(s):  
Craig Calhoun
Keyword(s):  
Nineteenth Century ◽  
Public Sphere ◽  
Public Life ◽  
Early Nineteenth Century ◽  
Public Spheres ◽  
Social Foundations ◽  
The Public ◽  
The Social ◽  
Late Eighteenth ◽  
The Public Sphere

In this article I ask (1) whether the ways in which the early bourgeois public sphere was structured—precisely by exclusion—are instructive for considering its later development, (2) how a consideration of the social foundations of public life calls into question abstract formulations of it as an escape from social determination into a realm of discursive reason, (3) to what extent “counterpublics” may offer useful accommodations to failures of larger public spheres without necessarily becoming completely attractive alternatives, and (4) to what extent considering the organization of the public sphere as a field might prove helpful in analyzing differentiated publics, rather than thinking of them simply as parallel but each based on discrete conditions. These considerations are informed by an account of the way that the public sphere developed as a concrete ideal and an object of struggle in late-eighteenth- and early-nineteenth-century Britain.

THE “HARD FORM” OF SCULPTURE: MARBLE, MATTER AND SPIRIT IN EUROPEAN SCULPTURE FROM THE ENLIGHTENMENT THROUGH ROMANTICISM

2008 ◽  
Vol 5 (3) ◽  
pp. 455-486 ◽  
Author(s):  
LINDA WALSH
Keyword(s):  
Eighteenth Century ◽  
Theory And Practice ◽  
Early Nineteenth Century ◽  
External Appearance ◽  
The Enlightenment ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
Familiar World ◽  
A Site ◽  
Aesthetic Values

The apparently distinct aesthetic values of naturalism (a fidelity to external appearance) and neoclassicism (with its focus on idealization and intangible essence) came together in creative tension and fusion in much late eighteenth-century and early nineteenth-century sculptural theory and practice. The hybrid styles that resulted suited the requirements of the European sculpture-buying public. Both aesthetics, however, created difficulties for the German Idealists who represented a particularly uncompromising strain of Romantic theory. In their view, naturalism was too closely bound to the observable, familiar world, while neoclassicism was too wedded to notions of clearly defined forms. This article explores sculptural practice and theory at this time as a site of complex debates around the medium's potential for specific concrete representation in a context of competing Romantic visions (ethereal, social and commercial) of modernity.

scholarly journals Smoking Clubs in Graphic Satire and the Anglicizing of Tobacco in Eighteenth-Century Britain

2021 ◽  
pp. 1-19
Author(s):  
Cynthia Roman
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Social Knowledge ◽  
Early Nineteenth Century ◽  
Associational Life ◽  
Graphic Satire ◽  
Late Eighteenth ◽  
Eighteenth Century Britain ◽  
Cultural Connotations

Abstract Focusing on A smoking club (1793/7) by James Gillray, this essay presents satiric representations of smoking clubs in late eighteenth- and early nineteenth-century British prints, arguing that they reflect and mediate contemporary understandings of tobacco as an intoxicant in British associational life. The breadth of potential cultural connotations – from political and social parody to light-hearted humour – is traced through the content and imagery of selected prints. These prints rely on the familiarity of contemporary audiences with political and social knowledge, as well as a visual iconography iconically realized in William Hogarth's A midnight modern conversation (1732).

scholarly journals In the Theater of Counterrevolution: Loyalist Association and Conservative Opinion in the 1790s

2002 ◽  
Vol 41 (3) ◽  
pp. 291-328 ◽  
Author(s):  
Kevin Gilmartin
Keyword(s):  
Nineteenth Century ◽  
French Revolution ◽  
Free Expression ◽  
Political Repression ◽  
Early Nineteenth Century ◽  
Political Expression ◽  
Civic Activism ◽  
Late Eighteenth ◽  
History Of ◽  
Negative Role

Conservative movements have generally played a negative role in accounts of the history of political expression in Britain during the period of the French Revolution. Where E. P. Thompson and others on the Left tended to identify radicalism with the disenfranchised and with a struggle for the rights of free expression and public assembly, conservative activists have been associated with state campaigns of political repression and legal interference. Indeed, conservatism in this period is typically conceived in negative terms, as antiradicalism or counterrevolution. If this has been the view of hostile commentators, it is consistent with a more sympathetic mythology that sees nothing novel about the conservative principles that emerged in late eighteenth- and early nineteenth-century Britain. They represent an establishment response to alien challenges. Even where conservatives set about mobilizing the resources of print, opinion, and assembly in a constructive fashion, the reputation for interference has endured. John Reeves's Association for Preserving Liberty and Property against Republicans and Levellers is a useful case in point, since it managed in its brief but enterprising history to combine fierce anti-Jacobinism with the later eighteenth century's rising tide of voluntary civic activism. The association came together at the Crown and Anchor Tavern when a group of self-professed “private men” decided “to form ourselves into an Association” and announced their intentions through the major London newspapers in November and December of 1792. The original committee then called on others “to make similar exertions in their respective neighbourhoods,” forming energetic local associations that would be linked by regular correspondence with the central London committee. In this way, the loyalist movement grew with astonishing speed.

Imperial Policy and Church Income: The Sixteenth Century Mexican Church

1986 ◽  
Vol 43 (1) ◽  
pp. 87-103 ◽  
Author(s):  
Victoria Hennessey Cummins
Keyword(s):  
Sixteenth Century ◽  
Catholic Church ◽  
Roman Catholic ◽  
Spanish America ◽  
Internal Conflict ◽  
Roman Catholic Church ◽  
Church Finance ◽  
Church Hierarchy ◽  
Counter Reformation ◽  
New Research

The long-traditional view of the Roman Catholic Church in Spanish America as a monolithic, wealthy, and all powerful institution has been gradually modified by successive studies over the last thirty years. From these examinations emerges the picture of a complex institution characterized by diversity, and internal conflict. New research continues to enlarge and clarify understanding of the Church's role as an institution of the Spanish empire.What follows will, in highlighting the colonial Church's relationship to the Spanish crown, add to this view of it as a complex and diverse institution. An examination of crown policy with regard to Church finance in the sixteenth century shows that the episcopal hierarchy of the Mexican colonial Church had a subordinate relationship to the crown in the era of the Counter Reformation. Rather than a strong Church influencing the crown, what emerges is the portrait of a relatively weak, dependent institution, supported by the king. The secular church hierarchy had only enough power to carry out its function and serve as a counterpoint to the religious orders, not enough to achieve financial independence on its own. The basis for this relationship lies in the patrimonial nature of Castilian government and its dominant position over the Church hierarchy because of the Patronato Real.

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