THE JUDICIAL WORK OF THE CAERNARFONSHIRE QUARTER SESSIONS DURING THE MID-NINETEENTH CENTURY

2021 ◽  
Vol 30 (4) ◽  
pp. 521-558
Author(s):  
Daniel Rhydderch-Dart

The article portrays elements of life in Caernarfonshire for the period 1855 to 1865 as reflected in the files and Order Books of the county's Quarter Sessions. The study is confined to one decade and this made possible a systematic analysis of all the cases and administrative duties of the Caernarfonshire Quarter Sessions during these years. The years chosen form part of an era described by Ieuan Gwynedd Jones as 'distinctive':2 years of progress, population movement and growing 'respectability'. He speaks of a society 'fractured and uneasy with itself'.3 Trends in convictions, causes and types of crime, perpetrators and the attitude of magistrates and the public all play their part in building a picture of a community.

Author(s):  
Cassandra L. Yacovazzi

Nuns in popular media today are a staple of kitsch culture, evident in the common appearance of bobble-head nuns, nun costumes, and nun caricatures on TV, movies, and the stage. Nun stereotypes include the sexy vixen, the naïve innocent, and the scary nun. These types were forged in nineteenth-century convent narratives. While people today may not recognize the name “Maria Monk,” her legacy lives on in the public imagination. There may be no demands to search convents, but nuns and monastic life are nevertheless generally not taken seriously. This epilogue traces opposition to nuns from the Civil War to the present, analyzing the various images of nuns in popular culture as they relate to the antebellum campaign against convents. It argues that the source of the misunderstanding about nuns is rooted in the inability to categorize these women either as traditional wives and mothers or as secular, career-driven singles.


2019 ◽  
Vol 43 (3) ◽  
pp. 581-597 ◽  
Author(s):  
James A. Jaffe

With relatively few exceptions, personal petitions from individuals have received much less attention from historians than those from groups in the public political sphere. In one sense, personal petitions adopted many of the same rhetorical strategies as those delivered by a group. However, they also offer unique insights into the quotidian relationship between the people and their rulers. This article examines surviving personal petitions to various administrators at different levels of government in western India during the decades surrounding the East India Company’s conquests. The analysis of these petitions helps to refine our understanding of the place of the new judicial system in the social world of early-nineteenth-century India, especially by illuminating the discourse of justice that petitioners brought to the presentation of their cases to their new governors. The conclusion of this article seeks to place the rhetoric of personal petitioning within the larger context of mass political petitioning in India during the early nineteenth century.


Author(s):  
Jean-François Fava-Verde

The paper examines the early development of the Victorian inland telegraph, and more precisely the telegraphic despatches, or telegrams, as they became widely known. The first telegram service in Britain was launched by the Electric Telegraph Company two decades before nationalization of the telegraphs in 1870. It is argued that this service was not as innovative as the electric telegraph technology that underpinned it. Attention is drawn to the parallels between the telegram and mail services. To this end, the evolution of postal communication is first explored, with a focus on the nineteenth century, when innovations such as mail-trains and prepayment by stamp considerably accelerated the mail and increased the volume of letters from 67 million in 1839 to a staggering 741 million in 1865. It was in this context that the telegram service was introduced to the public. The operating model adopted by the Electric Telegraph Company to deliver this service is deconstructed to show the similarities with the mail service and to demonstrate that a telegram was not always faster than letter post.


2010 ◽  
Vol 34 (3) ◽  
pp. 301-335 ◽  
Author(s):  
Craig Calhoun

In this article I ask (1) whether the ways in which the early bourgeois public sphere was structured—precisely by exclusion—are instructive for considering its later development, (2) how a consideration of the social foundations of public life calls into question abstract formulations of it as an escape from social determination into a realm of discursive reason, (3) to what extent “counterpublics” may offer useful accommodations to failures of larger public spheres without necessarily becoming completely attractive alternatives, and (4) to what extent considering the organization of the public sphere as a field might prove helpful in analyzing differentiated publics, rather than thinking of them simply as parallel but each based on discrete conditions. These considerations are informed by an account of the way that the public sphere developed as a concrete ideal and an object of struggle in late-eighteenth- and early-nineteenth-century Britain.


2019 ◽  
Vol 3 (2) ◽  
pp. 128-152
Author(s):  
Tessel X. Dekker

THREE-DIMENSIONAL NEWS The Amsterdam wax museum as a competitor of the illustrated newspaper, 1882-1919 The nineteenth-century wax museum can be viewed as a contemporary mass medium that showed people scenes from the news. The Nederlandsch Panopticum was the first of its kind in the Netherlands, located in Amsterdam between 1882 and 1919. As an informative visual medium, the Panopticum had to compete with other media, like the illustrated newspaper, for the attention of the public. At the same time, the wax museum also depended on photographs published in these same papers: wax models were often, and in the course of time almost exclusively, modelled after photos. This reciprocal relationship can be seen as an example of ‘intermediality’. In the end, the wax museum lost ground, foremost, to the new mass medium of the time, cinema, which took over both as an urban attraction and as a popular visual medium.


2019 ◽  
Author(s):  
Martin Weiss

Teylers Museum was founded in 1784 and soon thereafter became one of the most important centres of Dutch science. The Museum’s first director, Martinus van Marum, famously had the world’s largest electrostatic generator built and set up in Haarlem. This subsequently became the most prominent item in the Museum’s world-class, publicly accessible, and constantly growing collections. These comprised scientific instruments, mineralogical and palaeontological specimens, prints, drawings, paintings, and coins. Van Marum’s successors continued to uphold the institution’s prestige and use the collections for research purposes, while it was increasingly perceived as an art museum by the public. In the early twentieth century, the Nobel Prize laureate Hendrik Antoon Lorentz was appointed head of the scientific instrument collection and conducted experiments on the Museum’s premises. Showcasing Science: A History of Teylers Museum in the Nineteenth Century charts the history of Teylers Museum from its inception until Lorentz’ tenure. From the vantage point of the Museum’s scientific instrument collection, this book gives an analysis of the changing public role of Teylers Museum over the course of the nineteenth century.


Sign in / Sign up

Export Citation Format

Share Document