scholarly journals I AM (VR) : Wu-wei (無為), Tenuous Self (虛我) and the Liminal Body in Virtual Reality

2022 ◽  
Author(s):  
Yiou Penelope Peng
Keyword(s):  
Virtual Reality ◽  
Tacit Knowledge ◽  
Conscious State ◽  
The Body ◽  
Early China ◽  
Font Size ◽  
Departure Point ◽  
Wu Wei ◽  
Physical Form ◽  
State Of Mind

無為),effortless action, is one of the crucial tacit knowledge from pre-Qin Chinesethinkers. Edward Slingerland articulates in Effortless action: wu-wei asconceptual metaphor and spiritual ideal in early China, “wu-wei, in the absence ofdoing exertion, literally means ‘in the absence of/without doing exertion,’ Itis important to realise, however, that wu-wei properly refers not to what isactually happening (or not happening) in the realm of observable action butrather to the state of mind of the actor. That is, it refers not to what is oris not being done but to the phenomenological state of the doer.” (Slingerland2003: 7)Seeminglyeffortless, wu-wei can be understood as a dynamic, un-self-conscious state ofmind of an agency that is optimally active and effective. This effortless flowaccurately resonates with what I have experienced throughout my journey in IAM (VR), created by Susanne Kennedy, Markus Selg, Rodrik Biersteker andRichard Janssen in 2021. During this experience, the vivid bewilderment of‘being here but not here’ reflects an uncanny sublimation of the body incyberspace. As my vision travels deeply inside, my physical body, “in theabsence of doing exertion”, remains situated in an enclosed cubic space in thegallery where the journey takes place. Such attentiveness of consciousnesstraveling through the virtual reality within the stillness of one’s body evokesa pertinent embodiment of Wu-Wei. Positioned itself in the stance ofcritical posthumanism, this essay asks how do we consider the physical form of the human body,assembled in reality-reality within the immersive sharing and exchangingprocess of virtual-reality? What kind of transformation that the human bodymight experience when it immerses into that otherworldly reality? I Am (VR),as an embodied performative happening of both artistic research andpractice of virtual reality, provides insightful perspective in searching forpossible answers. Taking this analysis as a departure point, this essay furtherinvestigates the possible entanglements between the ‘I’ and the ‘VirtualReality. @font-face{font-family:"Cambria Math";panose-1:2 4 5 3 5 4 6 3 2 4;mso-font-charset:0;mso-generic-font-family:roman;mso-font-pitch:variable;mso-font-signature:-536870145 1107305727 0 0 415 0;}@font-face{font-family:"Arial Unicode MS";panose-1:2 11 6 4 2 2 2 2 2 4;mso-font-charset:128;mso-generic-font-family:swiss;mso-font-pitch:variable;mso-font-signature:-134238209 -371195905 63 0 4129279 0;}@font-face{font-family:"\@Arial Unicode MS";panose-1:2 11 6 4 2 2 2 2 2 4;mso-font-charset:128;mso-generic-font-family:swiss;mso-font-pitch:variable;mso-font-signature:-134238209 -371195905 63 0 4129279 0;}@font-face{font-family:STSongti-TC-Regular;panose-1:2 1 6 0 4 1 1 1 1 1;mso-font-charset:136;mso-generic-font-family:auto;mso-font-pitch:variable;mso-font-signature:647 135200768 16 0 1310879 0;}@font-face{font-family:"\@STSongti-TC-Regular";mso-font-charset:136;mso-generic-font-family:auto;mso-font-pitch:variable;mso-font-signature:647 135200768 16 0 1310879 0;}p.MsoNormal, li.MsoNormal, div.MsoNormal{mso-style-unhide:no;mso-style-qformat:yes;mso-style-parent:"";margin:0cm;mso-pagination:widow-orphan;font-size:12.0pt;font-family:"Times New Roman",serif;mso-fareast-font-family:"Arial Unicode MS";border:none;mso-ansi-language:EN-US;mso-fareast-language:EN-US;mso-bidi-language:AR-SA;}p{mso-style-priority:99;mso-margin-top-alt:auto;margin-right:0cm;mso-margin-bottom-alt:auto;margin-left:0cm;mso-pagination:widow-orphan;font-size:12.0pt;font-family:"Times New Roman",serif;mso-fareast-font-family:"Times New Roman";}.MsoChpDefault{mso-style-type:export-only;mso-default-props:yes;font-size:10.0pt;mso-ansi-font-size:10.0pt;mso-bidi-font-size:10.0pt;mso-fareast-font-family:"Arial Unicode MS";border:none;}.MsoPapDefault{mso-style-type:export-only;}div.WordSection1{page:WordSection1;}@font-face{font-family:"Cambria Math";panose-1:2 4 5 3 5 4 6 3 2 4;mso-font-charset:0;mso-generic-font-family:roman;mso-font-pitch:variable;mso-font-signature:-536870145 1107305727 0 0 415 0;}@font-face{font-family:"Arial Unicode MS";panose-1:2 11 6 4 2 2 2 2 2 4;mso-font-charset:128;mso-generic-font-family:swiss;mso-font-pitch:variable;mso-font-signature:-134238209 -371195905 63 0 4129279 0;}@font-face{font-family:"Helvetica Neue";panose-1:2 0 5 3 0 0 0 2 0 4;mso-font-charset:0;mso-generic-font-family:auto;mso-font-pitch:variable;mso-font-signature:-452984065 1342208475 16 0 1 0;}@font-face{font-family:"\@Arial Unicode MS";panose-1:2 11 6 4 2 2 2 2 2 4;mso-font-charset:128;mso-generic-font-family:swiss;mso-font-pitch:variable;mso-font-signature:-134238209 -371195905 63 0 4129279 0;}p.MsoNormal, li.MsoNormal, div.MsoNormal{mso-style-unhide:no;mso-style-qformat:yes;mso-style-parent:"";margin:0cm;mso-pagination:widow-orphan;font-size:12.0pt;font-family:"Times New Roman",serif;mso-fareast-font-family:"Arial Unicode MS";border:none;mso-ansi-language:EN-US;mso-fareast-language:EN-US;mso-bidi-language:AR-SA;}p.Default, li.Default, div.Default{mso-style-name:Default;mso-style-unhide:no;mso-style-parent:"";margin-top:8.0pt;margin-right:0cm;margin-bottom:0cm;margin-left:0cm;line-height:120%;mso-pagination:widow-orphan;font-size:12.0pt;font-family:"Helvetica Neue";mso-fareast-font-family:"Helvetica Neue";mso-bidi-font-family:"Helvetica Neue";color:black;border:none;mso-style-textoutline-type:none;mso-style-textoutline-outlinestyle-dpiwidth:0pt;mso-style-textoutline-outlinestyle-linecap:flat;mso-style-textoutline-outlinestyle-join:bevel;mso-style-textoutline-outlinestyle-pctmiterlimit:0%;mso-style-textoutline-outlinestyle-dash:solid;mso-style-textoutline-outlinestyle-align:center;mso-style-textoutline-outlinestyle-compound:simple;}.MsoChpDefault{mso-style-type:export-only;mso-default-props:yes;font-size:10.0pt;mso-ansi-font-size:10.0pt;mso-bidi-font-size:10.0pt;mso-fareast-font-family:"Arial Unicode MS";border:none;}.MsoPapDefault{mso-style-type:export-only;}div.WordSection1{page:WordSection1;}

scholarly journals OUT OF SIGHT, STILL IN MIND: visually impaired women's embodied accounts of ideal femininity

2016 ◽  
Vol 36 (1) ◽  
Author(s):  
Tara A. Fannon
Keyword(s):  
Visually Impaired ◽  
Female Body ◽  
Common Knowledge ◽  
The Body ◽  
Font Size ◽  
Visual Disability ◽  
Sociology Of The Body ◽  
Physical Form ◽  
The Feminine ◽  
Body Self

<!-- P { margin-bottom: 0.08in; direction: ltr; color: rgb(0, 0, 10); }P.western { font-family: "Times New Roman",serif; font-size: 12pt; }P.cjk { font-family: "Arial Unicode MS",sans-serif; font-size: 12pt; }P.ctl { font-family: "Arial Unicode MS",sans-serif; font-size: 12pt; }A:link { } --><p class="western" style="margin-bottom: 0in; line-height: 0.14in;">With its emphasis on physical form, the diffusion of the feminine ideal relies heavily on the use of visual imagery but there is a common knowledge about  the feminine ideal that penetrates language and discourse. The relationship between mainstream representations of the feminine ideal and non-disabled female body/self dissatisfaction has been well-documented over the years but less attention has been given to understanding how such visual representations affect women with disabilities, specifically women with visual disabilities. Drawing on qualitative data taken from the personal diaries and in-depth interviews with seven blind and visually impaired Irish women, and using a feminist disability model reinforced by sociology of the body, gender theory and visual studies, I examine what it means to be a young woman with a visual disability living in a visually-reliant, appearance-oriented culture. I explore interpretations and expressions of femininity and beauty, the complicated, often fraught, relationship with female body and self and the rituals and practices used to manage appearance while having a disability.</p>

Material Virtue: Ethics and the Body in Early China (review)

2006 ◽  
Vol 56 (4) ◽  
pp. 694-699 ◽  
Author(s):  
Edward G. (Edward Gilman) Slingerland
Keyword(s):  
Virtue Ethics ◽  
The Body ◽  
Early China

scholarly journals Time Travel to the Past of Bosnia and Herzegovina through Virtual and Augmented Reality

2021 ◽  
Vol 11 (8) ◽  
pp. 3711
Author(s):  
Selma Rizvić ◽  
Dušanka Bošković ◽  
Vensada Okanović ◽  
Ivona Ivković Kihić ◽  
Irfan Prazina ◽  
...  
Keyword(s):  
Virtual Reality ◽  
Augmented Reality ◽  
Bosnia And Herzegovina ◽  
Time Travel ◽  
Virtual Museum ◽  
The Past ◽  
Intangible Heritage ◽  
Physical Form ◽  
Virtual And Augmented Reality ◽  
Cultural Monuments

Bosnia and Herzegovina (BH) has a very picturesque past. Founded in 11th century, it has always been a crossroads of faiths and civilizations. Extended Reality (XR) technologies can finally take us to time travel into this history, enable us to experience past events and meet historical characters. In this paper, we overview the latest applications we developed that use Virtual Reality (VR) video, Virtual and Augmented Reality (AR) for interactive digital storytelling about BH history. “Nine dissidents” is the first BH VR documentary, tackling a still tricky subject of dissidents in the Socialist Yugoslavia, artists and writers falsely accused, persecuted and still forbidden. “Virtual Museum of Old Crafts” aims to present and preserve crafts intangible heritage through Virtual Reality. “Battle on Neretva VR” is recreating a famous WWII battle offering the users to experience it and meet comrade Tito, the commander of the Yugoslav Liberation Army. “Sarajevo 5D” shows the cultural monuments from Sarajevo that do not exist anymore in physical form using Augmented Reality. Through user experience studies, we measure the user immersion and edutainment of these applications and show the potential of XR for the presentation and preservation of cultural heritage.

Touching tacit knowledge: handwork as ethnographic method in a glassblowing studio

2017 ◽  
Vol 17 (2) ◽  
pp. 217-230 ◽  
Author(s):  
Erin O’Connor
Keyword(s):  
Tacit Knowledge ◽  
Learning Process ◽  
The Body ◽  
Hand Coordination ◽  
Proximal Term

This article draws from an enacted ethnography conducted over four years in a glassblowing studio, where I immersed myself in the learning process to become a glassblower. Specifically, it uses the visceral ethnographic experience of handwork in glassblowing to unpack the micro-meanings of hand coordination and examine Michael Polanyi’s theory of tacit knowledge ‘from the body’ (Ingold, 2000; Pink, 2009; Wacquant, 2015: 5). Methodologically, handwork is the ‘point of production’ by which to reflect upon Polanyi’s analytical concepts (Wacquant, 2015: 5). Broadly engaging anthropology’s study of the relation of gesture and form both within and outside of glassblowing studios and the sociology of skill, this analysis brings the body’s embedded experience and constitutive power to bear on analyses of tacit knowledge to reveal how handwork is itself constitutive of form and meaning (Atkinson, 2013b; Harper, 1987; Keller and Keller, 1996; Malafourius, 2008; Marchand, 2010, 2009, 2008, 2001; Sudnow, 1978). It also grounds a reinterpretation of the proximal term in Polanyi’s theory of tacit knowledge.

A "space" created in psychoanalysis and Eastern thought: a discussion of holding environment, container, and wu-wei

2021 ◽  
Vol 4 (1) ◽  
pp. 102-122
Author(s):  
Li Hanning
Keyword(s):  
Mental State ◽  
Interpersonal Relations ◽  
The Other ◽  
Holding Environment ◽  
True Self ◽  
Daily Lives ◽  
Psychoanalytic Therapy ◽  
Wu Wei ◽  
State Of Mind

In this article Winnicott, Bion, and Zhuangzi's three metaphorical concepts of psychological space are compared to understand the meaning of their respective use of space and unity, as well as the importance of the unity of space itself. This is carried out against the background of psychoanalysis and Eastern thought. This is not only a state that analysts need to be able to achieve in psychoanalytic therapy, but is also related to the quality of the mental state of each of us in our daily lives. An open and perceptive experience is responsible for the spontaneous presentation and for mental growth, and in Eastern thought, at its core is the wu-wei thought, defined as unconflicted personal harmony, inaction, or free-flowing spontaneity. Although psychoanalysis is a therapeutic method, it is not limited to this function. It is also a preparation for patients to approach their true self or "truth". Freud (1912e) described a way of approaching "an open mind, free from any presupposition" that could be achieved through analysis, and he promoted the development of mature interpersonal relations. Buddhist or Taoist practice, on the other hand, relies on correct breathing to calm oneself. Beyond all doubt, Winnicott, Bion, and the wise men of the East all knew that connecting with emotion or acquiring knowledge must be done in a calm state of mind.

The Coupling Effect between Aerobic Exercise and Physical & Form of the Youth

2012 ◽  
Vol 155-156 ◽  
pp. 1127-1131
Author(s):  
Yan Chen ◽  
Ai Min Qin ◽  
Bo Su
Keyword(s):  
Body Composition ◽  
Aerobic Exercise ◽  
Coupling Effect ◽  
The Body ◽  
Function Measurement ◽  
Cardiopulmonary Function ◽  
Physical Form ◽  
Experiment Method ◽  
Physical Effects ◽  
Young Students

Aerobics can through the big load workout, consumption of excess fat in the body, the body form and body composition have greatly improved, and this can help shape and size of the strong and handsome youth healthy physique. The author through the contrast experiment method to young students body composition and cardiopulmonary function measurement, in order to understand the aerobic exercise to young students' physical effects. The results showed that after aerobic exercise of young students measurements close to our country race standards; BMI, WHR, body fat rate are significantly lower; Cardiopulmonary function increase apparently.

scholarly journals Prevalência de sobrepeso e obesidade entre mulheres eutróficas

2012 ◽  
Vol 11 (2) ◽  
pp. 184
Author(s):  
Marcela Ribeiro da Costa ◽  
Durval Sobreiro Júnior ◽  
Crésio Alves
Keyword(s):  
Normal Weight ◽  
The Body ◽  
World Health ◽  
Font Size ◽  
Percentage Body Fat ◽  
Obesity And Overweight ◽  
Skin Fold ◽  
Methods Of Evaluation ◽  
Health Organization ◽  
Body Compositions

<!--[if gte mso 9]><xml> <w:WordDocument> <w:View>Normal</w:View> <w:Zoom>0</w:Zoom> <w:HyphenationZone>21</w:HyphenationZone> <w:PunctuationKerning /> <w:ValidateAgainstSchemas /> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:Compatibility> <w:BreakWrappedTables /> <w:SnapToGridInCell /> <w:WrapTextWithPunct /> <w:UseAsianBreakRules /> <w:DontGrowAutofit /> </w:Compatibility> <w:BrowserLevel>MicrosoftInternetExplorer4</w:BrowserLevel> </w:WordDocument> </xml><![endif]--><!--[if gte mso 9]><xml> <w:LatentStyles DefLockedState="false" LatentStyleCount="156"> </w:LatentStyles> </xml><![endif]--><!--[if !mso]><object classid="clsid:38481807-CA0E-42D2-BF39-B33AF135CC4D" id=ieooui></object> <style> st1\:*{behavior:url(#ieooui) } </style> <![endif]--><!--[if gte mso 10]> <style> /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Tabela normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman"; mso-ansi-language:#0400; mso-fareast-language:#0400; mso-bidi-language:#0400;} </style> <![endif]--> <p class="MsoNormal" style="margin: 0cm 22.7pt 0.0001pt; text-align: justify;"><strong><span style="font-size: 8pt; color: black;">Introdução</span></strong><span style="font-size: 8pt;"> <strong>- </strong>Apesar da ampla utilização e significativa correlação do IMC (Índice de Massa Corporal) com o diagnóstico de sobrepeso e obesidade, estudos recentes sugerem pouca associação dos valores intermediários de sobrepeso com o percentual de gordura corporal, o que pode subestimar a prevalência de elevada adiposidade e seus riscos à saúde. <strong>Métodos</strong> - Este estudo comparou o diagnóstico de mulheres consideradas eutróficas pelo critério de IMC preconizado pela OMS (Organização Mundial de Saúde) com a avaliação segundo o cálculo do percentual de gordura corporal aferido por pregas cutâneas. Foram analisadas as fichas de avaliação física de duzentas e quatro alunas matriculadas em uma academia exclusiva para mulheres de Salvador, Bahia, em 2010. Foram analisados peso, altura, prega cutânea tricipital, supra-ilíaca e coxa, além dos cálculos de IMC e percentual de gordura corporal através do programa EVO®. <strong>Resultados - </strong>Foi observado que apenas 25,95% das mulheres eutróficas pelo valor do IMC permaneceram com mesmo diagnóstico nutricional após avaliação do percentual de gordura corporal. A prevalência de obesidade, segundo o IMC, foi de 6,37% da amostra total, enquanto essa prevalência entre mulheres eutróficas pelo IMC, após avaliação da composição corporal, foi de 38,17%, 6 vezes maior. Observou-se, também, influência da idade na adequação do IMC e percentual de gordura corporal. <strong>Discussão </strong>- Os achados deste estudo foram compatíveis com outros resultados encontrados na literatura, sugerindo subdiagnóstico do sobrepeso e da obesidade através da classificação do IMC e a necessidade da associação de métodos para uma avaliação clínica mais adequada e um diagnóstico do estado nutricional mais preciso.</span></p> <p class="MsoNormal" style="margin: 0cm 22.7pt 0.0001pt; text-align: justify;"><strong></strong><span style="font-size: 8pt;"></span><span style="font-size: 8pt;" lang="EN-US"></span></p> <p class="MsoNormal" style="margin: 0cm 22.7pt 0.0001pt; text-align: justify;"><strong><span style="font-size: 8pt; color: black;" lang="EN-US"> </span></strong></p> <p class="MsoNormal" style="margin: 0cm 22.7pt 0.0001pt; text-align: justify;"><strong><span style="font-size: 8pt; color: black;" lang="EN-US">Abstract</span></strong></p> <p class="MsoNormal" style="margin: 0cm 22.7pt 0.0001pt; text-align: justify;"><strong><span style="font-size: 8pt; color: black;" lang="EN-US">Introduction</span></strong><span style="font-size: 8pt;" lang="EN-US">: The BMI (Body Mass Index) is the major parameter currently recommended by the WHO (world health organization) to determine the diagnosis and the treatment to obesity and overweight. The intermediate BMI classification could underestimate the diagnosis when is compared with other evaluation methods. <strong>Methods</strong>: the aim of this paper is show the relationship between normal BMI and the high percentage body fat evaluated by skin fold thicknesses protocol (Pollock, 1984) in woman from Salvador, Bahia, Brazil in 2010. We compared the classification diagnosis based in BMI and skin fold thicknesses in 204 women age between 20 to 59 years. <strong>Results</strong>: in our sample, according with the classification based in BMI 74% of subjects was considered normal weight. When we analyzed the skin fold classification only 26% remain with the same diagnosis. <strong>Conclusions</strong>: Our outcome shows the role of the BMI in the diagnosis of the obesity and overweight must to be considerated and added to other methods of evaluation of the body compositions a skin fold protocols.</span></p>

scholarly journals Cuerpo indeterminado: La precariedad del cuerpo en el discurso feminista

2015 ◽  
Vol 20 ◽  
pp. 47
Author(s):  
María Isabel Peña Aguado
Keyword(s):  
Feminist Theory ◽  
Queer Theory ◽  
Female Body ◽  
The Body ◽  
Philosophical Tradition ◽  
Font Size ◽  
Feminist Discourse ◽  
Feminist Movements ◽  
Cuerpo Femenino

<p lang="de-DE" align="JUSTIFY"><span style="color: #000000;"><span style="font-family: Cambria, serif;"><span style="font-size: small;"><span style="font-family: Times New Roman, serif;"><span style="font-size: medium;"><span lang="en-US">La teoría feminista heredó de una tradición filosófica hostil la identificación de cuerpo y mujer. Partiendo de esta identificación de mujer y cuerpo es comprensible que un cuestionamiento del concepto ‘mujer’  influya asimismo en el lugar que va a encontrar el cuerpo dentro del movimiento y teoría feministas. Ese lugar será diferente dependiendo de las diversas reivindicaciones que marcan las diferencias entre los distintos feminismos y teorías </span></span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: medium;"><span lang="en-US"><em>queer</em></span></span></span><span style="font-family: Times New Roman, serif;"><span style="font-size: medium;"><span lang="en-US">. La pregunta que se plantea es hasta qué punto la precariedad del cuerpo femenino dentro de la misma teoría feminista es consecuencia del cuestionamiento del concepto de mujer o si, por el contrario, no será más bien el rechazo a una realidad corporal concreta lo que ha permitido y ayudado a desarmar los conceptos de ‘mujer’ y ‘mujeres’ hasta el punto de considerarlos como innecesario para el mismo discurso y políticas feministas contemporáneos.</span></span></span></span></span></span></p><p lang="de-DE" align="JUSTIFY"><span style="color: #000000;"><span style="font-family: Cambria, serif;"><span style="font-size: small;"><span style="font-family: Times New Roman, serif;"><span style="font-size: medium;"><span lang="en-US">Palabras claves: cuerpo, mujeres, feminismo, Teoría Queer</span></span></span></span></span></span></p><p lang="de-DE" align="JUSTIFY"><span style="color: #000000;"><span style="font-family: Cambria, serif;"><span style="font-size: small;"><span style="font-family: Times New Roman, serif;"><span style="font-size: medium;"><span lang="en-US"><br /></span></span></span></span></span></span></p><p lang="de-DE" align="JUSTIFY"><span style="color: #000000;"><span style="font-family: Cambria, serif;"><span style="font-size: small;"><span style="font-family: Times New Roman, serif;"><span style="font-size: medium;"><span lang="en-US"><br /></span></span></span></span></span></span></p><p lang="de-DE" align="JUSTIFY"><span style="color: #000000;"><span style="font-family: Cambria, serif;"><span style="font-size: small;"><span style="font-family: Times New Roman, serif;"><span style="font-size: medium;"><span lang="en-US"><br /><em>Indeterminacy of the body: precariousness of body in the feminist discourse</em></span></span></span></span></span></span></p><p lang="de-DE" align="JUSTIFY"><em><span style="color: #000000;"><span style="font-family: Cambria, serif;"><span style="font-size: small;"><span style="font-family: Times New Roman, serif;"><span style="font-size: medium;"><span lang="en-US">Feminist theory inherited the identification of woman and body from a hostile philosophical tradition. Given this identification, it is understandable that a questioning of the concept ‚woman‘ also influences the place that the body will find in the feminist movements and theories. The question that arises is how far the precariousness of the female body within feminist theory itself is the result of a questioning of the concept of ‘woman’ or whether, on the contrary, it is the rejection of a concrete corporal reality which has enabled and helped to disarm the concepts of ‚woman‘ and ‚women‘ to the point of considering them unnecessary for contemporary feminist discourse and politics.<br /></span></span></span></span></span></span></em></p><p lang="de-DE" align="JUSTIFY"><em><span style="color: #000000;"><span style="font-family: Cambria, serif;"><span style="font-size: small;"><span style="font-family: Times New Roman, serif;"><span style="font-size: medium;"><span lang="en-US">Keywords: body, women, feminism, Queer Theory<br /></span></span></span></span></span></span></em></p><p lang="de-DE" align="JUSTIFY"> </p><p lang="de-DE" align="JUSTIFY"> </p>

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