scholarly journals Video and storytelling in a digital world: interactions and narratives in videoclips

2017 ◽  
Vol 32 ◽  
pp. 459-476
Author(s):  
Rodrigo Oliva ◽  
José Bidarra ◽  
Denize Araújo

This paper presents a study about narratives in music videos. It discusses the arrangements of audio-visual languages from settings established by characteristics of the media, emphasizing the role of platforms for the diffusion of information and entertainment such as YouTube. It highlights a dialogue within cinema’s own language and shows that, in contemporary scenarios, music videos actually tell stories. It is argued that contemporary music videos, in great majority, increase the duration of music, with pauses, performances of characters, insertion of dialogues and other structuring elements that are not typical of the classic and conventional paradigms of a language. For our purposes, the objects of this study are the music videos of Canadian filmmaker Xavier Dolan. The theoretical foundation is established through authors involved in debates around a culture of convergence, transmedia storytelling and interactions among the audio-visual languages.

Author(s):  
Antonio García-Carmona

AbstractThe global COVID-19 pandemic caused by the SARS-CoV-2 virus has led to a plethora of information published in the media. Conceived as a socioscientific issue of great relevance currently, this article highlight the educational potential of some media news about the pandemic to reflect and learn about the nature of science (NOS). To this end, a theoretical foundation is first presented regarding the reading of science news published in the media as an educational resource to learn about NOS. Secondly, a proposal is presented on how this might be addressed in the science classroom. The proposal is illustrated by four news items, intentionally selected as examples, which have been published in the Spanish digital press. The aspects of NOS that are discussed in the context of the news items selected are: tentativeness of scientific knowledge, role of error in scientific research, role of debate in the development of science, importance of models and modelling in scientific research, and ethics in science.


2007 ◽  
Vol 13 (1) ◽  
pp. 8-18
Author(s):  
Matt Mollgaard

Three broad themes reflecting the role of the media in the digital age emerged from the Journalism Downunder journalism education conference in Auckland in December 2006. These were trepidation, confusion and celebration. The sense of trepidation relates to a fear of the unknown and unknowable: a sense that digital technologies are changing at a speed that confounds attempts to master them before they morph into new forms. Another theme was the confusion created by the new digital technologies. This confusion is related to the fetish-isation of gadgets and the growing gap between those who have always interacted with the digital world and those who have had it thrust upon them. The third theme was cautious celebration. The power, speed and usefulness of digital creation, transmission and reception opens up communication and the media to people in previously unimaginable ways. This commentary is an overview of papers presented at the conference, with some general conclusions reached about the future of journalism in the digital age. While the new digital platforms and technologies do present significant challenges to traditional journalism, they are also enabling technologies that offer opportunities to reinvigorate newsgathering. Although the future of journalism is a digital one, the core competencies of a good journalist will be as important as ever.


Author(s):  
Howard P. Chudacoff

This chapter reflects on the future of college sports. It discusses the controversial issues swirling around college sports and the role of NCAA. It argues that despite the persistence of scandal or antitrust litigation, sports has remained the activity most identified with college student life and the strongest link between an institution and the public. In the end, the great majority of college athletes are genuine college students and should be treated as such. Rather than simply paying them for what they do on the field of play, the school that admits them—not the NCAA, not the government, not the media—should shoulder the responsibility for stimulating and feeding their intellectual curiosity and developing them into productive members of society.


2020 ◽  
Vol 68 (1 Zeszyt specjalny) ◽  
pp. 477-492
Author(s):  
Wojciech Kudyba

John Paul II is not only a writer, but also an extremely popular hero of contemporary literary works. Some poets interestingly problematise the issue of the presence of the Pope’s figure in the media. Tadeusz Dąbrowski’s poem transfers our attention from a single television frame to a reflection on the role of the media in our digital world. In contrast, the lyrics of Roman Bąk first contain a caricatured image of the media and show the Pope-prophet and mystic in the second part of his diptych.


Author(s):  
Eric L. Sprankle ◽  
Christian M. End ◽  
Miranda N. Bretz

Utilizing a 2 (lyrics: present or absent) × 2 (images: present or absent) design, this study examined the unique effects of sexually degrading music videos and music lyrics on males’ aggressive behavior toward women, as well as males’ endorsement of rape myths and sexual stereotypes. Under the guise of a media memory study, 187 male undergraduate students were randomly assigned to one of four conditions. Despite the many psychological theories predicting an effect, the presentation of sexually degrading content in a visual or auditory medium (or combination thereof) did not significantly alter the participants’ aggression and self-reported endorsement of rape myths and sexual stereotypes. The null findings challenge the many corporate and governmental restrictions placed on sexual content in the media over concern for harmful effects.


2021 ◽  
pp. 104-109
Author(s):  
Chernysh O.O.

The urgency of the researched problem is connected with the growing role of mass media in modern conditions leads to change of values and transformation of identity of the person. The active growth of the role of the media, their influence on the formation and development of personality leads to the concept of “media socialization” and immutation in the media. The aim of the study is to outline the possibilities of the process of media socialization in the context of immutation in the media. The methods of our research are: analysis of pedagogical, psychological, literature, synthesis, comparison, generalization. The article analyzes the views of domestic and foreign scientists on the problem of immutation in the media and the transformation of the information space. In the context of the mass nature of the immutation of society, the concept of “media socialization” becomes relevant, which is the basis for reducing the negative impact of the media on the individual.The author identifies the lack of a thorough study of the concept of “media socialization” in modern scientific thought. Thus, media socialization is associated with the transformation of traditional means of socialization, and is to assimilate and reproduce the social experience of mankind with the help of new media.The article analyzes the essence of the concepts “media space”, “mass media” and “immutation”. The influence of mass media on the formation and development of the modern personality is described in detail.The study concluded that it is necessary to form a media culture of the individual, to establish safe and effective interaction of young people with the modern media system, the formation of media awareness, media literacy and media competence in accordance with age and individual characteristics for successful media socialization. The role of state bodies in solving the problem of media socialization of the individual was also determined. It is determined that the process of formation of media culture in youth should take place at the level of traditional institutions of socialization of the individual.The author sees the prospect of further research in a detailed analysis and study of the potential of educational institutions as an institution and a means of counteracting the mass nature of the immutation of society.Key words: immutation, media socialization, mass media, media space, information.


2012 ◽  
Vol 21 (2) ◽  
pp. 223-243
Author(s):  
Irit Degani-Raz

The idea that Beckett investigates in his works the limits of the media he uses has been widely discussed. In this article I examine the fiction Imagination Dead Imagine as a limiting case in Beckett's exploration of limits at large and the limits of the media he uses in particular. Imagination Dead Imagine is shown to be the self-reflexive act of an artist who imaginatively explores the limits of that ultimate medium – the artist's imagination itself. My central aim is to show that various types of structural homologies (at several levels of abstraction) can be discerned between this poetic exploration of the limits of imagination and Cartesian thought. The homologies indicated here transcend what might be termed as ‘Cartesian typical topics’ (such as the mind-body dualism, the cogito, rationalism versus empiricism, etc.). The most important homologies that are indicated here are those existing between the role of imagination in Descartes' thought - an issue that until only a few decades ago was quite neglected, even by Cartesian scholars - and Beckett's perception of imagination. I suggest the use of these homologies as a tool for tracing possible sources of inspiration for Beckett's Imagination Dead Imagine.


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