Let’s move to a vantage point a little quieter: the surface of the moon. It is so still that Neil Armstrong’s footprints remain undisturbed. The only reason the US flag there appears to “fly” is that a wire holds it up. The moon and Mercury stayed still as Mars, Venus, and Earth moved on down the road of geological development. The moon is a “steady” environment, a word whose Middle English roots are appropriately tangled with the word for “sterile.” Nothing moves on the moon, but in its sky Mars, Venus, and Earth move in their orbits, just as they moved on in complexity 4 billion years ago. Out of the whole solar system, Mars and Venus are the most like Earth in size, position, and composition. Mars is smaller, but Venus could be Earth’s twin in size. If Earth and Venus were separated at birth, then something happened to obscure the family resemblance: liquid water brought life. To chemists, liquid is the third phase of matter, between solid and gas, and its presence made all the difference. Mars gleams a bright blood red even to the naked eye, while Venus is choked with thick yellow bands of clouds. Mars is cold enough to have carbon dioxide snow, while Venus is hot enough to melt tin and boil water. Earth’s blue oceans and green continents provide a bright, primary contrast. These three siblings have drastically different fortunes. At first, they looked the same, colored with black mafic basalt and glowing red magma. The original planets were all so hot that their atmospheres were driven off into space. The oceans and the air came from within. Steam condensed into oceans on each planet’s cool basalt surface. Oceans changed the planet. Water is a transformative chemical, small yet highly charged, seeping into the smallest cracks, dissolving what it can and carrying those things long distances. Venus, Earth, and Mars do not look like the moon because they have been washed in water. Mars is dry now, but the Curiosity rover left no doubt that the red planet was first blue with water.
Why are you amused: Unveiling multimodal humor from the prototype theoretical perspective
