scholarly journals Grief as a Cognitive Metaphore in “Manchester by the Sea”

2018 ◽  
Vol 10 (1) ◽  
pp. 44-53
Author(s):  
Nina А Tsyrkun
Keyword(s):  
The Other ◽  
Emotional Attachment ◽  
Film Composition ◽  
Positive Vector ◽  
State Of Mind ◽  
The Subject ◽  
Mourning And Melancholia ◽  
Musical Accompaniment ◽  
Negative Form ◽  
Mourning Process

The article is devoted to analysis of Kenneth Lonergans Manchester by the Sea (1916) through the category of so-called cinema of grief dealing with the problems of enduring trauma of loss of the dear ones. The gist of the topic is institutionalization of the concealed ego of the protagonist through the death of the Other. Thus the treatment concerns sorrows of the trauma which undergoes either positive dinamic of its overcoming, or a negative form of embedding into the loss. The author assumes, that in Lonergans film the second case is visually articulated, anyhow logically drawing to the positive vector disclosing the concealed identity of the protagonist. The arc of the hero is traced on three levels, that is the film composition, psychological discordance of the protagonist and the soundtrack as a certain subtext of the picture. The study is based on the sources discussing the problem in question: Ziegmund Freuds Mourning and Melancholia, in which Freud argued that mourning comes to a decisive end when the subject severs its emotional attachment to the lost one, and on the works by Nicolas Abraham and Maria Trk about mourning disorder (introjection versus incorporation). The composition of the film is structured around flashbacks explaining the reasons for a pervasive cloud of shame, sadness, and guilt that follows the protagonist in the mourning process. In his architecture of grieving the filmmaker actually describes the protagonists melancholia in Freudian terms as a painful depression without any concern towards the outside world. He is characterized by a loss of the ability to love, reticence in any activity and decreased self-criticism and craving for punishment. Anyhow the musical accompaniment not only illustrates the depressed protagonist state of mind but also - with Handels Messiah at the climax point predetermines the finale with his crucial changing.

The Vilification of Thomas Paine: Constructing a Folk Devil in the 1790s

2016 ◽  
Author(s):  
Michael T. Davis
Keyword(s):  
Psychological Impact ◽  
The Other ◽  
Sense Of Control ◽  
Common Elements ◽  
Thomas Paine ◽  
State Of Mind ◽  
The Subject

This chapter focuses on Thomas Paine as a ‘folk devil’, the ways in which stories and myths about him and his works were implicated in the tense politics of the 1790s. Two narratives, one involving a baker named John Atwood and the other a physician named Theodore Wilson, were deliberately designed to foster anti-Paine sentiments; both men were allegedly bewitched by Paine. The stories drew on several common elements to articulate moral and didactic tales about the dire consequences of reading Paine. The evil effects begin with the psychological impact of Paine's writings which mesmerise men, creating a desperate and deranged state of mind — a form of political madness that makes the subject lose all sense of control. The chapter examines how conservatives' characterisations of Paine as an evil force relate to the construction of deviant identities that creates personas of ‘otherness’, whereby scapegoats are stigmatised as folk devils.

scholarly journals "Wszystko już tu było, od samego początku" - "Mikrokosmosy" Claudia Magrisa jako triesteńska auto/bio/geografia

2018 ◽  
Vol 17 ◽  
pp. 183-199
Author(s):  
Natalia Chwaja
Keyword(s):  
The Other ◽  
Multiple Role ◽  
Active Factor ◽  
The Past ◽  
Other Hand ◽  
City Space ◽  
State Of Mind ◽  
The Subject ◽  
The City

„It was all there already, from the beginning” – Microcosms by Claudio Magris as a Triestineauto/bio/geographyAbstractThe aim of my article is to study the relation between the subject and the city, focusing on thecase of an autobiographic essayistic novel by a contemporary Italian writer Claudio Magris.The space of Trieste, author’s native city, plays a multiple role in the Microcosms narration.On one hand, it works as a “mnemotechnical pretext” for the protagonist’s sentimentaljourney into the past, both individual and collective. On the other hand, the city space canbe seen as an active factor, shaping the hero’s “triestine” state of mind and reflecting itself inthe novel’s poetics. In my analysis, I refer to some essential categories of geopoetics (“auto/bio/geography” by Elżbieta Rybicka, Tadeusz Sławek’s and Stefan Symotiuk’s interpretationsof genius loci), as well as to Walter Benjamin’s oeuvre, which I consider one of the mostimportant Microcosms’ intertexts.Keywords: Claudio Magris, Trieste, city, auto/bio/geography, space, genius loci

scholarly journals Modals and negation: A semantic explanation of the modal suppletion strategy in Chinese

2015 ◽  
Vol 4 (2) ◽  
pp. 163-193 ◽  
Author(s):  
Carlotta Sparvoli
Keyword(s):  
The Other ◽  
List Type ◽  
Semantic Property ◽  
Semantic Account ◽  
Other Hand ◽  
The Subject ◽  
Epistemic Modalities ◽  
Source Orientation ◽  
Standard Chinese ◽  
Negative Form

AbstractThis paper aims at providing a semantic account of the mechanism informing the use of negative modals in standard Chinese. Based on the notion of modal suppletion and negation placement strategies (de Haan 1997), it will be shown that: (i)in the negative form each modal takes on its prominent value;(ii)this prominent modal value displays the normative source orientation (Hsieh 2005), where the Situation-oriented normative source can include the Speaker-oriented normative source and, in particular cases in the domain of Possibility, also the Subject-oriented one;(iii)a negative modal admits different modal meanings only if there is no pragmatic conflict between them, as in the case of epistemic and non-epistemic modalities.Moreover, I will show that in non-epistemic modalities the suppletion mechanism is related to the need for normative disambiguation and is characterized by pragmatic exclusion and semantic inclusion (respectively in the Necessity and Possibility domains). In the epistemic area, on the other hand, the mandatory suppletion of the Speaker-oriented adverbs fulfills the condition of semantic well-formedness of the sentence and, for the other epistemic items, a major role is played by the strategy of negation placement (with the result that the syntactic negation mirrors the semantic property of this modality).

Mourning and Melancholia at the End of Nature

Remainders ◽  
2018 ◽  
Author(s):  
Margaret Ronda
Keyword(s):  
Long Poem ◽  
The Subject ◽  
Ecological Relations ◽  
Mourning And Melancholia ◽  
Mourning Process

This chapter begins with a consideration of the development of the discourse of the “end of nature” and its implications for understanding ecological relations. Pointing to the elegiac dimensions of this discourse, the chapter turns to Juliana Spahr’s long poem “Gentle Now, Don’t Add to Heartache” as an example of a literary exploration of the consequences of this conceptual absence. The chapter draws on the Romantic philosophy of Schiller as well as more recent psychoanalytic accounts of elegy and mourning to argue that the operations of elegy become the subject of investigation in Spahr’s work. “Gentle Now” serves as a representative eco-elegy that dwells in melancholia rather than moving toward the completion of the mourning process. The chapter closes with a consideration of a more recent poem by Spahr, co-written with Joshua Clover, that investigates the affective and political limits of melancholy as a response to present conditions.

Golgi Apparatus and Melanogenesis: Ultrastructural Study of a Human Cellular Blue Nevus (Melanocytoma)

1973 ◽  
Vol 31 ◽  
pp. 380-381
Author(s):  
S.R. Allegra
Keyword(s):  
Endoplasmic Reticulum ◽  
Golgi Apparatus ◽  
Ultrastructural Study ◽  
The Other ◽  
Blue Nevus ◽  
Normal Complement ◽  
Golgi Vesicles ◽  
Golgi System ◽  
The Subject ◽  
Cellular Blue Nevus

The respective roles of the ribo somes, endoplasmic reticulum, Golgi apparatus and perhaps nucleus in the synthesis and maturation of melanosomes is still the subject of some controversy. While the early melanosomes (premelanosomes) have been frequently demonstrated to originate as Golgi vesicles, it is undeniable that these structures can be formed in cells in which Golgi system is not found. This report was prompted by the findings in an essentially amelanotic human cellular blue nevus (melanocytoma) of two distinct lines of melanocytes one of which was devoid of any trace of Golgi apparatus while the other had normal complement of this organelle.

“Channeling” the powers of God’s Word

2010 ◽  
Vol 4 (2) ◽  
pp. 135-156 ◽  
Author(s):  
Dorothea E. Schulz
Keyword(s):  
The Other ◽  
Border Zone ◽  
Focus Attention ◽  
Spiritual Power ◽  
New Materials ◽  
God's Word ◽  
Audio Recordings ◽  
Heated Debate ◽  
The Subject ◽  
The One

Starting with the controversial esoteric employment of audio recordings by followers of the charismatic Muslim preacher Sharif Haidara in Mali, the article explores the dynamics emerging at the interface of different technologies and techniques employed by those engaging the realm of the Divine. I focus attention on the “border zone” between, on the one hand, techniques for appropriating scriptures based on long-standing religious conventions, and, on the other, audio recording technologies, whose adoption not yet established authoritative and standardized forms of practice, thereby generating insecurities and becoming the subject of heated debate. I argue that “recyclage” aptly describes the dynamics of this “border zone” because it captures the ways conventional techniques of accessing the Divine are reassessed and reemployed, by integrating new materials and rituals. Historically, appropriations of the Qur’an for esoteric purposes have been widespread in Muslim West Africa. These esoteric appropriations are at the basis of the considerable continuities, overlaps and crossovers, between scripture-related esoteric practices on one side, and the treatment by Sharif Haidara’s followers of audio taped sermons as vessels of his spiritual power, on the other.

The problem of woman’s emansipation in the feuilleton “Amazonia: a very inept story” by Mykola Chirsky

2020 ◽  
pp. 71-76
Author(s):  
Iryna Rusnak
Keyword(s):  
Scientific Understanding ◽  
The Other ◽  
Literary Studies ◽  
Ethical Guidelines ◽  
Compositional Structure ◽  
Urgent Task ◽  
The Subject ◽  
The One ◽  
Artistic Heritage

The author of the article analyses the problem of the female emancipation in the little-known feuilleton “Amazonia: A Very Inept Story” (1924) by Mykola Chirsky. The author determines the genre affiliation of the work and examines its compositional structure. Three parts are distinguished in the architectonics of associative feuilleton: associative conception; deployment of a “small” topic; conclusion. The author of the article clarifies the role of intertextual elements and the method of constantly switching the tone from serious to comic to reveal the thematic direction of the work. Mykola Chirsky’s interest in the problem of female emancipation is corresponded to the general mood of the era. The subject of ridicule in provocative feuilleton is the woman’s radical metamorphoses, since repulsive manifestations of emancipation becomes commonplace. At the same time, the writer shows respect for the woman, appreciates her femininity, internal and external beauty, personality. He associates the positive in women with the functions of a faithful wife, a caring mother, and a skilled housewife. In feuilleton, the writer does not bypass the problem of the modern man role in a family, but analyses the value and moral and ethical guidelines of his character. The husband’s bad habits receive a caricatured interpretation in the strange behaviour of relatives. On the one hand, the writer does not perceive the extremes brought by female emancipation, and on the other, he mercilessly criticises the male “virtues” of contemporaries far from the standard. The artistic heritage of Mykola Chirsky remains little studied. The urgent task of modern literary studies is the introduction of Mykola Chirsky’s unknown works into the scientific circulation and their thorough scientific understanding.

MUNDANE MIRACLES IN AWADH. ENCOUNTERS WITH THE REVEALED AND THE HIDDEN

2020 ◽  
pp. 130-140
Author(s):  
Maxim B. Demchenko ◽  
Keyword(s):  
The Other ◽  
Local People ◽  
Natural Phenomena ◽  
Mughal Empire ◽  
The Public ◽  
British Raj ◽  
The Subject ◽  
Other World ◽  
Better Than

The sphere of the unknown, supernatural and miraculous is one of the most popular subjects for everyday discussions in Ayodhya – the last of the provinces of the Mughal Empire, which entered the British Raj in 1859, and in the distant past – the space of many legendary and mythological events. Mostly they concern encounters with inhabitants of the “other world” – spirits, ghosts, jinns as well as miraculous healings following magic rituals or meetings with the so-called saints of different religions (Hindu sadhus, Sufi dervishes),with incomprehensible and frightening natural phenomena. According to the author’s observations ideas of the unknown in Avadh are codified and structured in Avadh better than in other parts of India. Local people can clearly define if they witness a bhut or a jinn and whether the disease is caused by some witchcraft or other reasons. Perhaps that is due to the presence in the holy town of a persistent tradition of katha, the public presentation of plots from the Ramayana epic in both the narrative and poetic as well as performative forms. But are the events and phenomena in question a miracle for the Avadhvasis, residents of Ayodhya and its environs, or are they so commonplace that they do not surprise or fascinate? That exactly is the subject of the essay, written on the basis of materials collected by the author in Ayodhya during the period of 2010 – 2019. The author would like to express his appreciation to Mr. Alok Sharma (Faizabad) for his advice and cooperation.

De-Finition

2019 ◽  
Vol 95 (2) ◽  
pp. 231-245
Author(s):  
Erik Ode
Keyword(s):  
Educational Research ◽  
The Other ◽  
Political Perspective ◽  
The World ◽  
The Subject ◽  
Scientific Terms

Abstract De-Finition. Poststructuralist Objections to the Limitation of the Other The metaphysic tradition always tried to structure the world by definitions and scientific terms. Since poststructuralist authors like Derrida, Foucault and Deleuze have claimed the ›death of the subject‹ educational research cannot ignore the critical objections to its own methods. Definitions and identifications may be a violation of the other’s right to stay different and undefined. This article tries to discuss the scientific limitations of the other in a pedagogical, ethical and political perspective.

Emmanuel Levinas: Um estudo sobre a ética da alteridade

2020 ◽  
Author(s):  
Abimael Francisco do Nascimento
Keyword(s):  
Emmanuel Levinas ◽  
Transcendental Philosophy ◽  
The Other ◽  
New Thought ◽  
Philosophical Criticism ◽  
The Face ◽  
The Subject ◽  
Theoretical Foundations ◽  
First Philosophy

The general objective of this study is to analyze the postulate of the ethics of otherness as the first philosophy, presented by Emmanuel Levinas. It is a proposal that runs through Levinas' thinking from his theoretical foundations, to his philosophical criticism. Levinas' thought presents itself as a new thought, as a critique of ontology and transcendental philosophy. For him, the concern with knowledge and with being made the other to be forgotten, placing the other in totality. Levinas proposes the ethics of otherness as sensitivity to the other. The subject says here I am, making myself responsible for the other in an infinite way, in a transcendence without return to myself, becoming hostage to the other, as an irrefutable responsibility. The idea of the infinite, present in the face of the other, points to a responsibility whoever more assumes himself, the more one is responsible, until the substitution by other.

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