scholarly journals A Study on a Baek Du-Yong(白斗鏞) As a Owner of the bookstore HanNamSeoRim(翰南書林) In the Early 20th Century-Focused on the GaJangDoSeocheob(家藏圖書帖) by a Selection of prose and poetry for the Bookstore HanNamSeoRim Opening Congratulation-

2010 ◽  
Vol null (37) ◽  
pp. 175-201
Author(s):  
이민희
Keyword(s):  
20Th Century ◽  
Early 20Th Century ◽  
Selection Of

The Snapshots of A. Thomas Nelson: A Case Study in the Preservation of Early 20th-century Vernacular Albums

Collections ◽  
2018 ◽  
Vol 14 (2) ◽  
pp. 171-193
Author(s):  
Stephanie Becker
Keyword(s):  
United States ◽  
New York ◽  
20Th Century ◽  
The United States ◽  
Early 20Th Century ◽  
Single Object ◽  
Critical Questions ◽  
Selection Of

Throughout the early 20th century, A. Thomas Nelson took snapshots while traveling the United States and Canada. His wife, Catherine Nelson, made a selection of these and placed them within eight photographic albums, later acquired by the George Eastman Museum in Rochester, New York. Using one of these, “Snapshots from Travels in the United States and Canada (1904–1940),” as a case study, this article explores preservation practices for early 20th-century vernacular albums. While such albums are a valuable part of any collection, they present many complex preservation challenges due to the variety of materials contained within a single object. Critical questions about cataloging, digitizing, and rehousing methods guide decisions on how to stabilize the album's fragile condition and allow for access. This case study offers insight for collection managers and archivists who find themselves caring for similar snapshot albums.

Architecture in journals of the ‘avant~garde’. Part 2

1984 ◽  
Vol 9 (2) ◽  
pp. 40-65
Author(s):  
Isabella Pezzini ◽  
Jacques Gubler
Keyword(s):  
The Netherlands ◽  
20Th Century ◽  
Early 20Th Century ◽  
Special Issue ◽  
Alphabetical Order ◽  
Avant Garde ◽  
Selection Of

A selection of ‘avant-garde’ journals, from the early 20th century onwards, which have included architectural material. The journals are grouped into countries (which appear in alphabetical order), and are then arranged chronologically by date first published. Part 2 covers journals from the Netherlands, Poland, Romania, Spain, Switzerland, U.S.A., U.S.S.R. and Yugoslavia. Part 1 appeared in Art Libraries Journal, vol. 9, no. 1, Spring 1984. The journals are described by a number of contributors denoted by their initials: A3. (Antoine Baudin); A.R.G. (Antoni Ramon Graells); J.G. (Jacques Gubler); M.D.G. (Manolo De Giorgi); I.P. (Isabella Pezzini); P.G.T. (Piero G. Tanca).The article is the translation of a survey ‘La rete delle riviste’ which first appeared in Rassegna, no. 12, December 1982 – a special issue entitled ‘Architettura nelle riviste d’avanguardia’.

Architecture in journals of the ‘avant-garde’. Part 1

1984 ◽  
Vol 9 (1) ◽  
pp. 3-43 ◽  
Author(s):  
Isabella Pezzini ◽  
Jacques Gubler
Keyword(s):  
Great Britain ◽  
20Th Century ◽  
Early 20Th Century ◽  
Special Issue ◽  
Alphabetical Order ◽  
Avant Garde ◽  
Selection Of

A selection of ‘avant-garde’ journals, from the early 20th century onwards, which have included architectural material. The journals are grouped into countries (which appear in alphabetical order), and are then arranged chronologically by date first published. Part 1 covers journals from Argentina, Austria, Belgium, Czechoslovakia, France, Germany, Great Britain, Hungary and Italy. The journals are described by a number of contributors denoted by their initials: A.B. (Antoine Baudin); J.G. (Jacques Gubler); M.D.G. (Manolo De Giorgi); B.H. (Brian Henson); I.P. (Isabella Pezzini); F.R. (Franco Raggi); P.G.T. (Piero G. Tanca).The article is the translation of a survey ‘La rete delle riviste’ which first appeared in Rassegna, no. 12, December 1982 - a special issue entitled ‘Architettura nelle riviste d’avanguardia’.

scholarly journals The Image of the Author and the Character in Provincial Satirical Press in the Early 20th Century

2020 ◽  
Vol 9 (2) ◽  
pp. 300-306
Author(s):  
Tatyana Zhaplova ◽  
Elena Khmura
Keyword(s):  
20Th Century ◽  
Public Life ◽  
Editorial Policy ◽  
Social Classes ◽  
The Political ◽  
Early 20Th Century ◽  
Neutral Form ◽  
Everyday Problems ◽  
The City ◽  
Selection Of

The article analyzes the structure of the image of the author and the character in satirical magazines published in Orenburg in the early 20th century. The study shows that creation of a literary «mask» and the dialogization of main characters speech are the key methods to reflect the authors position, who is forced to maneuver between the reader and voluntary censorship. Parody, being an integral part of the arsenal of satirical poetics, contributes to effective intervention in the inconsistencies of modern reality, their correction or eradication. However, the external layer of tests, thanks to the malicious, ambivalent irony, preserves a completely noble and emotionally neutral form of appeal to contemporaries discussing everyday problems. It focuses on the hidden mechanisms of modern reality, affecting consciousness, worldview and social position of an individual and the stages of its development. Parodying the speech of representatives of various social classes, the author, using specific vocabulary and stylistics, clearly delineated the boundaries. It was possible to go beyond them only for a representative of a journalistic community that owned a palette of diverse means and techniques. They stylized characteristic noble metaphorization, merchant and bureaucratic symbolization, masking the lack of both spirituality and reason for existence in the description of peasants life, striking by its terrifying reality. The editorial policy of magazines is clearly reflected in the selection of materials for their distribution on the page. After accusatory materials relevant to the political and public life of the city, everyday genre paintings of national disasters and oppression are placed. It strengthens the readers need for change.

scholarly journals METHODOLOGY OF TRANSLATION ARABIC TEXT IN CHAPTER SOLAT IN KITAB BAHRUL MAZI

2020 ◽  
Vol 3 (9) ◽  
pp. 14-23
Author(s):  
Abdul Mu’iz Ahmad ◽  
Taj Rijal Muhamad Romli
Keyword(s):  
Central Asia ◽  
20Th Century ◽  
Qualitative Data ◽  
Alternative Methods ◽  
Early 20Th Century ◽  
Arabic Text ◽  
Research Framework ◽  
Literal Translation ◽  
Selection Of

According to Koharudin (2004, No. 3, p. 56, Dalam M. Hisyam, Mikdar & Dawilah, 2012), ‘Kitab Jawi’ also known as ‘Kitab Kuning’. In the early 20th century, the word ‘Yellow’ was called because the color of the paper of the book was yellow and the original paper material for printing came from Central Asia. In addition, the technique of translating the old or yellow Kitab is still in an old form which is a literal translation. Therefore, this research was conducted to analyse the translation from Chapter of Prayer in ‘Kitab Bahrul Mazi’. The researcher used qualitative data with a selection of 10 out of 88 ‘Bab Hadis’ which contain in the Kitab. Eugene Nida’s Theory (1964) was used as a guide to be developing a research framework that aimed to analyse the alternative methods which are suitable for the Kitab. Because of that, this study is expected to make it easier for the readers especially to understand the method of translation and to be able to practice the teachings of the Prophet Muhammad correctly and faithfully.

scholarly journals Novel in Southern Vietnam at the beginning of 20th century: Types and publicity forms

2013 ◽  
Vol 16 (2) ◽  
pp. 58-65
Author(s):  
Hung Manh Phan
Keyword(s):  
20Th Century ◽  
Early 20Th Century ◽  
The South ◽  
Southern Vietnam ◽  
Interactive Relationship ◽  
The Masses ◽  
Selection Of

The paper presented the types, the publicity forms of novels in southern Vietnam at the beginning of the 20th Century. The study emphasized on the typical characteristics of novels for the masses and its interactive relationship with publicity forms, readers and writers’ selection. The paper also affirms that the forms and contents of novels in the South are conceptive selection of southern novel writers during the early 20th Century.

scholarly journals Economic Adaptation of Resettlement Farms in the Context of the State Migration Policy to Turkestan in the Second Half of the 19th and the Beginning of the 20th Centuries

2021 ◽  
pp. 85-89
Author(s):  
Yu.N. Tsyryapkina
Keyword(s):  
20Th Century ◽  
Religious Identity ◽  
Migration Policy ◽  
The State ◽  
Early 20Th Century ◽  
Community Based ◽  
Old Believers ◽  
Economic Adaptation ◽  
State Selection ◽  
Selection Of

In this article the author examines the process of economic adaptation of resettlement farms in the context of the imperial strategy of attracting the Orthodox population to the region. The article proves that the migration movement in Turkestan in the second half of the 19th — early 20th century was of great state importance and the settlers acted as agents of colonization; belonging to the Orthodox community became the basis of solidarity for the resettlement community. Based on an analysis of unpublished archival sources, the author revealed that the empire used the religious identity of the settlers, which became a mechanism for the state selection of settlers for migration in the region for effective build a migration policy to Turkestan. The author concludes that the state policy towards sectarians and Old Believers was ambivalent: their migration to the region was restricted by legal mechanisms and at the same time their settlement was allowed and not prosecuted because of the high success rate of economic farms.

A Stylistic approach to Mihail Jora's pianistics as reflected in the Cycle Five Songs for Voice and Piano on Poems by Octavian Goga, op. 11

2021 ◽  
Vol 14 (63) (1) ◽  
pp. 23-30
Author(s):  
Andreea DOBIA ◽  
Keyword(s):  
20Th Century ◽  
Early 20Th Century ◽  
Musical Discourse ◽  
Voice And Piano ◽  
Selection Of ◽  
Piano Playing

Jora’s songs are musical architectural miniatures with a significant dramatic component, carefully wrought with regard to prosody and diction. The performer’s stage presence, gestures attitude next to sound and word are constitutive parts of the musical discourse. The philosophical state that the composer projects in his sonorities is specific to the early 20th century. His interest in philosophical concepts and his views on life, the attention to love, nature and symbolism are found in the selection of the lyrics alongside compositional means, prosody, the art of singing and that of piano playing.

Diniacopoulos Collection: Exploring Best Practices for Virtual Galleries

1969 ◽  
Author(s):  
Marissa Monette
Keyword(s):  
Virtual Reality ◽  
Best Practices ◽  
20Th Century ◽  
Web Design ◽  
Roman Period ◽  
Academic Publishing ◽  
Early 20Th Century ◽  
Online Platform ◽  
Late Roman Period ◽  
Selection Of

This project’s purpose is to design an online exhibit for a selection of vessels from theDiniacopoulos Collection, acquired by Queen’s University in 2001, and to explore the bestpractices for such online exhibits. This collection of sculptures, coins, and ceramics, among otherartifacts, was amassed in the early 20th century by Vincent and Olga Diniacopoulos. Ten of theartifacts, ranging from the prehistoric to the late Roman period, are displayed in a glass case inthe Classics Department. This display necessarily limits the viewer’s understanding of thevessels’ decoration and form, a problem that is particularly acute in the case of the paintedvessels. It is argued that an online platform is more interactive and informative by attempting to be asintuitive to navigate as walking through an exhibit. Virtual reality and object movies present theartifacts in 360 degrees and are fully controlled by the user. This enables a careful examinationof the artifacts’ characteristics. The online exhibit does not endeavor to replace or degrade the objects and their value by presenting them digitally. Instead, by being able to access these objects online at anytime with virtual reality amplifies and supports the physical display. The website achieves this byencouraging viewers to visit the collection in person. This online exhibit is designed using Adobe Muse, although in the future, academic publishing and web design programs, such as Omeka, should be considered.

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