scholarly journals (Non-)Belonging in the Context of War and Migration: Reconstructing the Self-Examinations of a 1.5 Generation Refugee

Author(s):  
Ana Mijić
2014 ◽  
Vol 5 (2) ◽  
pp. 69-76
Author(s):  
Małgorzata Bogaczyk-Vormayr

This short working paper is my first attempt to present my concept analysis of relation between the poverty experiences – e.g. childhood suffering by war and migration background, daily life suffering by starvation, abuse, racism etc. – and the process of self-understanding and resilience with the help of an oral history or literature (non-fiction as much as fiction novels). I reflect Wilhelm Dilthey’s opinion about the distinction between autobiography and Self-biography, and I present the Self-biography as a right way to concretize the themes of poverty and exclusion.


2019 ◽  
Vol 8 (2) ◽  
pp. 24-34
Author(s):  
Azza Basarudin

This experimental writing explores the meaning of home and belonging in the context of border, margins, and migration. Rooted in the politics of memory, this essay explores the messiness of human emotions and the complex ways in which the self is (re)configured between and within border spaces. Through journeys in Penang, Los Angeles, and Jerusalem, I turn inward to unpack the multilayered intersections of gender, race, class, nationality, and religion that color my life's journey, shedding light on moments when encounters generate questions about agency, humanity, and identity, and when, sometimes, the longing for home involves the unmaking of the longing itself.


2016 ◽  
Vol 18 (suppl_4) ◽  
pp. iv42-iv42 ◽  
Author(s):  
F. M. Brehar ◽  
A. V. Gafencu ◽  
D. Arsene ◽  
V. G. Trusca ◽  
E. V. Fuior ◽  
...  
Keyword(s):  
The Self ◽  

2017 ◽  
Vol 124 ◽  
pp. 1122-1126 ◽  
Author(s):  
Shu long Wen ◽  
Hong Zhang ◽  
Kai Hui He ◽  
Xin Sheng Yang ◽  
Hui Na Cui ◽  
...  

2017 ◽  
Vol 12 (1) ◽  
pp. 175
Author(s):  
Alexandra Dantzer

The purpose of this paper is to propose an alternative take on the phenomena of migration by discussing the notion of happiness seen as technology of the self that is oriented towards the future and therefore connecting different times and places. This understanding is predicated upon the comprehension that happiness shapes what coheres as a world and that it is always anticipated, rather than actual. I want to argue that migration, instead as simple crossing of the border and settling for “better life”, is an on-going mental process that I refer to as mindwork. Through the proposed framework mobility is understood as a way of achieving happy life. In contrast to previous theories, emotions are not seen as vehicles making the migration process easier or harder, but vice versa. By inverting the process anthropologist can refine their approaches in both fields, anthropology of emotions/happiness and migration studies and gain deeper insight into questions such as: what does it mean to be happy in a specific context, how does happiness enter the lives of people and last but not least why do some people migrate and what do they invest into this process marked with ambiguity?


Author(s):  
Marie-Claire Caloz-Tschopp

Describing the relationship between torture and migration means examining its unpredictable foundations, its major civilizational challenges. In the relationship between capitalism and torture and torture and migration, a philosophical/political reflection proposes to identify an aporia: what happens to violence going to extremes (Balibar) inscribed in the self-destruction of humanity by itself? Torture, like an octopus extends its tentacles, poses new enigmas to struggles, knowledge, human rights. The general challenge is to radicalize critical work, to learn to think about extremes, to redesign the relationship to violence, to identify new forms of torture and the conditions for struggle and survival. To experience the democratic vertigo rooted in the report on torture and migration in Europe and elsewhere is to invent, on fragile soil, insurrectional democratic policies of counter-violence and civility.


Author(s):  
Rebecca Syswerda

While much of the literature about Muslim identities has tended to focus on British-born Muslims in densely populated ‘Muslim’ localities, the experiences of Muslim migrants living outside such localities have been largely overlooked. This leaves unanswered questions about the role of ‘other’ women – that is, women from diverse religious, cultural and ethnic backgrounds – in shaping Muslim migrant women’s sense of self and their attitudes towards post-migration life. This chapter seeks to address this oversight by exploring the ways in which recent Muslim migrant women to Scotland construct new identities in relation to the ‘other’ women whom they encounter in their post-migration, everyday lives, including friends, neighbours and local community members. Thus, this chapter steps off from what is now a ‘relatively widespread understanding of the self as a relational achievement’ (Conradson and McKay, 2007: 167).


Arts ◽  
2021 ◽  
Vol 10 (4) ◽  
pp. 77
Author(s):  
Ihor Junyk

This essay explores David Bowie’s so-called “Berlin Triptych”: Low, “Heroes”, and Lodger. The essay takes issue with previous interpretations that have claimed that the albums do not form a “triptych” of any meaningful kind, and that this pretentious term was only applied ex post facto as a marketing strategy. At the heart of my argument is the concept and experience of migration. In the mid-1970s David Bowie was living in Los Angeles at a highpoint of fame and acclaim. His life, however, was also an increasingly hellish nightmare of delusion, paranoia, and cocaine psychosis. In order to save his music, and his life, the singer decamped to Europe. For the next several years he lived an itinerant life with Berlin at its centre. The experience of displacement, and a series of encounters that this displacement facilitated (with the European new wave and a longer tradition of avant-garde modernism), led to both a reshuffling of the self and a radical new sound. The “triptych” tells the story of this progression, both narratively and sonically.


2021 ◽  
Vol 7 (2) ◽  
pp. 151-168
Author(s):  
Monica Manolachi ◽  

When Donald W. Winnicott conceived his psychoanalytical concepts and theories, initially meant to address problems associated with the relationship between a mother and her child, the British paediatrician was aware they could be meaningful for understanding cultural issues too. One of the key questions when dealing with literature as a form of culture is to what extent the representation of the self in it is true or false. Winnicott’s theory of transitional objects – items used to provide psychological comfort – can operate as a significant critical tool when trying to answer such questions. This paper firstly explores the reception of Winnicott’s theory of transitional objects and phenomena and other associated concepts in literary criticism. It moves further to demonstrate it is especially relevant when literature travels or deals with international migration. Last but not least, it presents several possible limitations for the field of literary criticism, taking into consideration contemporary theories about the location of culture.


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