scholarly journals Vestidos y adornos: la crítica a las apariencias exernas a través de la prensa española (finales del siglo XVIII- siglo XIX) = Dresses and ornaments: criticism of outward appearances through the Spanish press (late eighteenth century-nineteenth century)

2017 ◽  
pp. 137
Author(s):  
Francisco Javier Crespo Sánchez
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
External Appearance ◽  
Negative Results ◽  
Late Eighteenth Century ◽  
The Family ◽  
Late Eighteenth ◽  
Siglo Xix ◽  
Spanish Press ◽  
Newspaper Articles

<p>Este trabajo estudia los discursos que sobre la moda y el lujo recogió la prensa española (especialmente la cercana al pensamiento religioso) entre finales del siglo XVIII y el siglo XIX con el objetivo de entender qué motivos se indicaban para querer controlar la apariencia externa. Así, elementos como la moralidad, la economía o los resultados negativos que provocaba en la mujer y en la familia, han sido los principales temas analizados a través de los artículos periodísticos.</p><p><strong>Abstract</strong></p><p>This paper studies the discourses about fashion and luxury appeared in the Spanish press (especially in the religious press) between the late eighteenth century and the nineteenth century in order to understand what reasons were indicated to control the external appearance. Thus, elements such as morality, economy or the negative results caused in women and the family, have been the main topics discussed through newspaper articles.</p>

scholarly journals Héroes nacionales como vehículos emocionales de conceptos / National Heroes as Emotional Vehicles of Political Concepts

2017 ◽  
pp. 12 ◽  
Author(s):  
Ana Isabel González Manso
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Comparative Analysis ◽  
Intellectual History ◽  
The Past ◽  
Late Eighteenth Century ◽  
Historical Figures ◽  
Late Eighteenth ◽  
Siglo Xix ◽  
The Relationship

This article deals with the relationship between concepts, heroes and emotions. To that purpose it propounds an explicative mechanism through the comparative analysis of the use of heroes in Spanish politics in the late eighteenth century and the first half of the nineteenth century. The spread of some political concepts was facilitated by their association with heroes of the past, which not only provide legitimacy but also a strong emotional burden in terms of the values they represented. The proposed methodology is applied to the examination of political uses of two historical figures: Padilla and Pelayo.Key WordsEmotions, national heroes, intellectual history, nineteenth centuryResumenEl presente artículo examina la relación entre conceptos, héroes y emociones. Para ello propone un mecanismo que se sirve del análisis comparado del uso de héroes en la política española de finales del siglo XVIII y de la primera mitad del XIX. La difusión de ciertos conceptos políticos se vio facilitada por su asociación con héroes del pasado que no solo aportaban legitimidad y prestigio sino también una fuerte carga emocional dado los valores que estos héroes representaban. Las consideraciones metodológicas se aplican al análisis de los usos políticos de dos personajes históricos: Padilla y Pelayo.Palabras claveEmociones, héroes nacionales, historia intelectual, siglo XIX

scholarly journals ‘Constitutions selection’: Darwin, race and medicine

BJHS Themes ◽  
2021 ◽  
pp. 1-19
Author(s):  
Suman Seth
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Charles Darwin ◽  
Skin Colour ◽  
Race Science ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
History Of ◽  
History Of Race ◽  
Descent Of Man

Abstract In the course of his discussion of the origin of variations in skin colour among humans in the Descent of Man, Charles Darwin suggested that darker skin might be correlated with immunity to certain diseases. To make that suggestion, he drew upon a claim that seemed self-evidently correct in 1871, although it had seemed almost certainly incorrect in the late eighteenth century: that immunity to disease could be understood as a hereditary racial trait. This paper aims to show how fundamental was the idea of ‘constitutions selection’, as Darwin would call it, for his thinking about human races, tracking his (ultimately unsuccessful) attempts to find proof of its operation over a period of more than thirty years. At the same time and more broadly, following Darwin's conceptual resources on this question helps explicate relationships between conceptions of disease and conceptions of race in the nineteenth century. That period saw the birth of a modern, fixist, biologically determinist racism, which increasingly manifested itself in medical writings. The reverse was also true: medicine was a crucial site in which race was forged. The history of what has been called ‘race-science’, it is argued, cannot and should not be written independent of the history of ‘race-medicine’.

THE “HARD FORM” OF SCULPTURE: MARBLE, MATTER AND SPIRIT IN EUROPEAN SCULPTURE FROM THE ENLIGHTENMENT THROUGH ROMANTICISM

2008 ◽  
Vol 5 (3) ◽  
pp. 455-486 ◽  
Author(s):  
LINDA WALSH
Keyword(s):  
Eighteenth Century ◽  
Theory And Practice ◽  
Early Nineteenth Century ◽  
External Appearance ◽  
The Enlightenment ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
Familiar World ◽  
A Site ◽  
Aesthetic Values

The apparently distinct aesthetic values of naturalism (a fidelity to external appearance) and neoclassicism (with its focus on idealization and intangible essence) came together in creative tension and fusion in much late eighteenth-century and early nineteenth-century sculptural theory and practice. The hybrid styles that resulted suited the requirements of the European sculpture-buying public. Both aesthetics, however, created difficulties for the German Idealists who represented a particularly uncompromising strain of Romantic theory. In their view, naturalism was too closely bound to the observable, familiar world, while neoclassicism was too wedded to notions of clearly defined forms. This article explores sculptural practice and theory at this time as a site of complex debates around the medium's potential for specific concrete representation in a context of competing Romantic visions (ethereal, social and commercial) of modernity.

Geopolitics of Comparison: World Literature Avant la Lettre

2021 ◽  
Vol 73 (3) ◽  
pp. 255-269
Author(s):  
Waïl S. Hassan
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Comparative Literature ◽  
World Literature ◽  
Medieval Period ◽  
Early Nineteenth Century ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
History Of

Abstract According to a well-known narrative, the concept of Weltliteratur and its academic correlative, the discipline of comparative literature, originated in Germany and France in the early nineteenth century, influenced by the spread of scientism and nationalism. But there is another genesis story that begins in the late eighteenth century in Spain and Italy, countries with histories entangled with the Arab presence in Europe during the medieval period. Emphasizing the role of Arabic in the formation of European literatures, Juan Andrés wrote the first comparative history of “all literature,” before the concepts of Weltliteratur and comparative literature gained currency. The divergence of the two genesis stories is the result of competing geopolitical interests, which determine which literatures enter into the sphere of comparison, on what terms, within which paradigms, and under what ideological and discursive conditions.

The Opium Wars

Jazz in China ◽  
2018 ◽  
pp. 14-20
Author(s):  
Eugene Marlow
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Eastern Coast ◽  
Republic Of China ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
Unrestricted Access ◽  
The Republic ◽  
The Many ◽  
Opium Wars

In the late 1910s, 1920s, and even into the 1930s, “jazz” was the music of the age in the Republic of China, especially and primarily in Shanghai on China's east coast. It was enjoyed equally by sophisticated Chinese gentry and upper-class people in the many dance halls dotting various parts of Shanghai, and by the many Europeans, Russians, and Americans living and working in the so-called “Paris of the East.” These same foreigners also owned pieces of Shanghai, literally. This chapter asks how several foreign nations came to own sections of Shanghai, and have unrestricted access to numerous key ports throughout China's eastern coast? The answer to these questions can be found in a conflict initially between the British (and ultimately the French, Russians, and Americans) and the Chinese in the mid-nineteenth century: the Opium Wars, two wars that had roots in late eighteenth-century China.

Dangerous Parents

2021 ◽  
pp. 19-39
Author(s):  
Peter Anderson
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Child Labour ◽  
Late Eighteenth Century ◽  
Late Eighteenth

While we know much about the cult of childhood, historians have spent less time analysing the ways in which certain parents became demonized from the late eighteenth century. This chapter traces growing criticisms across nations of parents who were felt to have endangered their offspring and to have deprived the nation of a future robust population. Industrialization and urbanization lent a growing shrillness to the debate. Doctors, opponents of child labour and slavery, and criminologists all began to denounce parents and especially those from the left who they identified as a threat to their offspring and society. As the nineteenth century progressed and competition between nations increased, the growth of eugenic thought gave extra virulence to these denunciations. This set the stage for demands for ‘dangerous’ parents to be stripped of their guardianship.

Wanostrocht’s Practical Grammar and the grammar-translation model

2020 ◽  
Author(s):  
Simon Coffey
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Translation Model ◽  
Late Eighteenth Century ◽  
Intended Purpose ◽  
The Us ◽  
Late Eighteenth ◽  
Background Detail

Wanostrochts’s Practical Grammar was first published in London in 1780, then in the US from 1805.1 It was one of the most successful pedagogical grammars of its time, appearing in revised forms for almost a century. It was probably the first grammar to include ‘exercises’ in the same volume and represents a prototype of what would become known as the ‘grammar-translation’ manual that provided a template for most language schoolbooks throughout the nineteenth century and beyond. The analysis in this chapter considers the content of Wanostrocht’s primer as an example of late eighteenth-century language epistemology, and provides broader background detail to help better understand the context of the publication, its intended purpose, and the reasons for its enduring popularity.

The Center Holds

2020 ◽  
pp. 90-123
Author(s):  
Aaron Sheehan-Dean
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Central Authority ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
The Creation ◽  
The U.S

Over the course of the mid-nineteenth-century wars, the dominant powers (Britain, the U.S., Russia, and Qing China) came to espouse a surprisingly similar orientation toward legitimate statehood. While the liberation wars of the late-eighteenth century witnessed the creation of many new republics, by midcentury those republics and the empires that had survived pursued greater central authority. Although sometimes at odds with liberal rhetoric of the age (especially among reforming Republicans in the U.S.), these actors recognized the importance of coercion of violence to maintaining their states. The victory of centralized authority, whether it took the form of empires or republics, reinforced the power of established states and of organized, aggressive defense of that order.

The Late Eighteenth Century

2017 ◽  
Author(s):  
Ellen T. Harris
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Temporal Separation ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
Ancient Music

In the late eighteenth century, The Academy of Ancient Music prepared a modern adaptation of Dido and Aeneas that was performed into the nineteenth century. The score was brought “up-to-date” by means of alterations to rhythmic flow and cadential patterns, and the temporal separation of individual movements from one another. Scenic demarcations were revised to indicate entrances and exits rather than stage set, and cuts were taken throughout the score. The vocal ranges of the soloists were altered to cover the standard vocal range: soprano (Dido), alto (Belinda), tenor (Aeneas), bass (Sorceress). Some of the surviving sources for these performances offer the names of specific singers who played the major roles.

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