scholarly journals NarDis: Narrativizing Disruptive Media Events with the Media Suite’s Exploratory Search Tools

2021 ◽  
Vol 24 (1-2) ◽  
pp. 1
Author(s):  
Sabrina Sauer ◽  
Berber Hagedoorn
Keyword(s):  
Exploratory Search ◽  
Media Events ◽  
The Media

scholarly journals The Associative Dictionary of Media Events in the Early XXI Century: a New Lexicographic Concept

2021 ◽  
Vol 22 (4) ◽  
pp. 1069-1078
Author(s):  
Ya. A. Dudareva ◽  
N. N. Shpilnaya ◽  
T. V. Moskvitina
Keyword(s):  
Special Problem ◽  
Russian Language ◽  
Lexical Representation ◽  
Collective Consciousness ◽  
Russian Speakers ◽  
Media Events ◽  
The Everyday ◽  
The Media ◽  
Cultural Linguistics ◽  
Media Event

The article introduces a new concept of the Associative Dictionary of Media Events of the Early XXI Century. The project continues the traditions of common lexicography. As a rule, common lexicography is part of a special problem field described by various antinomies, e.g. objective vs. subjective in the language, individual vs. collective, descriptive vs. prescriptive approaches to the lexical representation in dictionaries, etc. The new dictionary represents a snapshot of everyday media consciousness and thus belongs to descriptive lexicographic projects. The dictionary is based on an associative experiment that involved Russian and French speakers. While traditional associative dictionaries contain the most frequent vocabulary, this project represents the conceptual meanings of various media events that exist in the everyday collective consciousness. The new dictionary belongs to media linguistics, descriptive lexicography, and interpretive linguistics. The present article describes the technology of its compilation, substantiates its relevance and novelty, and offers a sample entry using the case of the COVID-19 pandemic and its representation in the Russian language. Each media event consisted of two associative nests: one was based on the reactions of respondents who were familiar with the stimulus, whereas the other demonstrated reactions of participants unfamiliar with the media event. The epidemic being global, such key lexemes as "covid" and "coronavirus" lost their agnonymity for Russian speakers, and the media event appeared to have a zero agnonymous associative nest. The paper also provides a linguistic commentary on the covid entry, which summed up all the reactions received during the associative experiment. The lexicographic project can be of interest to specialists in media, political, cognitive, and cultural linguistics.

The Black Panther Has Died

2016 ◽  
pp. 158-171
Author(s):  
Samuel Mateus
Keyword(s):  
National Identity ◽  
Social Integration ◽  
World Wide ◽  
Media Ecology ◽  
Shared Experience ◽  
Public Events ◽  
Media Events ◽  
The Media ◽  
Portuguese Society ◽  
Media Event

Media ecology is characterized today by the frequent airing of disruptive events. The shared experience of broadcasting is thus taken by disenchantment, fragmentation and individualization. Does this mean that integrative and ceremonial media events are condemned to disappear? What about media rituals and collective consensus? In this chapter, we argue that the Media Events category is not just an invaluable frame to understand contemporary television but it is also a vital process on the way societies re-work their solidarities, negotiate collective belonging and publicly stage social rituals. Analysing the live coverage of the funerary ceremonies of Eusébio, the Portuguese world-wide football legend, we address this major social occurrence approaching it as a death media event, a public mourning ceremonial and a tele-ritual. Media events are still a powerful example of how media plays a major role on social integration and national identity. The television broadcast of Eusébio's funeral - it is claimed - constitutes a key example, in the Portuguese society, of the integrative dimension of public events.

scholarly journals Let’s dance the news! How the news media are adapting to the logic of TikTok

Journalism ◽  
2020 ◽  
pp. 146488492096909
Author(s):  
Jorge Vázquez-Herrero ◽  
María-Cruz Negreira-Rey ◽  
Xosé López-García
Keyword(s):  
Content Analysis ◽  
Social Network ◽  
News Media ◽  
Exploratory Search ◽  
Access To Information ◽  
New Approach ◽  
The World ◽  
The Media

The influence of TikTok has reached the news media, which has adapted to the logic of the platform, in a context marked by the incidental consumption of news, virality and the intermediation of technology in access to information. The popularity of this social network invites news outlets to address a young audience on a platform characterized by visual and short content and dynamics defined by algorithmic recommendations, trending hashtags and challenges. Based on an exploratory search of news media and programmes on TikTok from around the world, we selected 234 accounts and conducted a content analysis of the 19 news media and programmes identified with a verified profile and general thematic scope. The results point to a progressive incorporation of the media since 2019, with the purpose of informing, positioning their brand and adapting to the logic of TikTok in a new approach to journalism for younger generations.

scholarly journals Media Events

Communication ◽  
2017 ◽  
Author(s):  
Julia Sonnevend
Keyword(s):  
Empirical Studies ◽  
Arab Country ◽  
Berlin Wall ◽  
World Cup ◽  
Presidential Debates ◽  
Media Events ◽  
Media Spectacle ◽  
Large Audience ◽  
The Media ◽  
Media Event

“Media event” seems like a concept that has been around forever, but it is a relatively new invention in media research. Its origins can be found in Daniel Dayan and Elihu Katz’s canonical book titled Media Events: The Live Broadcasting of History, published in 1992 by Harvard University Press. The event that inspired Dayan and Katz was the visit of Egyptian president Anwar el-Sadat to Israel in 1977. While seemingly only a ceremonial media spectacle, this first official visit from an Arab country to Jerusalem in fact led to a (so far) lasting peace between Israel and Egypt. It was a powerful example of successful media diplomacy that captured the imagination of Dayan and Katz, so much so that they spent the next decade trying to grasp the magic of events in media. In Dayan and Katz’s strict taxonomy, an event would qualify for inclusion as a “media event” only if it fulfilled eight requirements. It had to (1) be broadcast live by television, (2) constitute an interruption of everyday life and everyday broadcasting, (3) be preplanned and scripted, and (4) be viewed by a large audience. There should also be (5) a normative expectation that viewing was obligatory and (6) a reverent, awe-filled narration, and the event had to be (7) integrative of society and (8) mostly conciliatory. Dayan and Katz presented three basic scripts of media events. These were contests (for instance, the World Cup, the Olympic Games, and the presidential debates), conquests (such as the landing on the moon and Pope John Paul II’s visit to Communist Poland), and coronations (for example, the funerals of President Kennedy and Indira Gandhi, the coronation of Elizabeth II, and the royal wedding of Charles and Diana). Overall, Dayan and Katz achieved a genuinely new understanding of events in media, inspiring further theoretical developments and empirical studies in communication studies and other disciplines. Media Events: The Live Broadcasting of History was published after the fall of the Berlin Wall, in a particularly hopeful time of history. Traumatic events, especially the 9/11 attacks, prompted many scholars, including Dayan and Katz, to revise the media event concept to include nonceremonial, unplanned events—for instance, wars, disasters, and terrorist attacks as covered by a wide variety of “new” and “old” media.

scholarly journals Contestation, a Deeper Seduction

2014 ◽  
Vol 5 (1) ◽  
pp. 45-57
Author(s):  
Peter Zuurbier
Keyword(s):  
Collective Action ◽  
Michel Foucault ◽  
Media Events ◽  
The Media ◽  
Media Event

Individual media events, from the extraordinary to the mundane, as well as the logic they present, have transcended society. Media events no longer happen in isolation, they are intertextually and extratextually linked and mixed together. The ability to view, create, join in, and affect the shape of media events has caused a profound shift in the conception of what they are. What Daniel Dayan and Elihu Katz refer to as individual media events, Guy Debord, Michel Foucault and Douglas Kellner consider collectively as spectacle. Their work on media events and spectacle features a debate on the role of contestation within it. Live audience members have an opportunity to impact media events and the spectacle either through individual or collective action. This action can go along with the intents ascribed to the media event and spectacle, or it can oppose them. Contestation often takes the form of an oppositional interruption of the linear messaging promoted within media events and spectacle. Contestation is typically a strategy used by voices that feel marginalized by the images of the spectacle. But contestation of media events and spectacle through their own logic becomes a means of deeper seduction.

scholarly journals The public of media events

2011 ◽  
Vol 27 (50) ◽  
pp. 17 ◽  
Author(s):  
Christian Morgner
Keyword(s):  
Mass Communication ◽  
Large Scale ◽  
Public Involvement ◽  
Emotional Reactions ◽  
The Public ◽  
Media Events ◽  
Different Types ◽  
The Media

This article focuses on the growing importance of large-scale events and their central role in a globalised media world in relation to public reactions and public involvement. The peculiar structure of such events requires a different understanding of mass communication and its audience. Therefore, the audience is further examined with regard to its impact on and inclusion in the media itself. Consequently, questions are raised as to how the public is incorporated, the form this inclusion takes and the effect that this has on the audience&rsquo;s participation.<br />The article examines different types of semantic inclusion, with a focus on emotional reactions towards three different media events: the Titanic disaster, the assassination of John F. Kennedy, and the death of Princess Diana.<br />

Critical Role of Emotions in Media Events

2016 ◽  
pp. 179-195
Author(s):  
Monika Verbalytė
Keyword(s):  
Critical Role ◽  
Theoretical Argument ◽  
Empirical Inquiry ◽  
Media Events ◽  
Specific Emotion ◽  
The Media ◽  
The Subject ◽  
Sociology Of Emotion ◽  
Media Event

This contribution relates recent theoretizations of media events with the emotion theory in order to get a better picture of what role emotions play in these events. Critical view toward media events helps to understand the limitations of the claims made by those who established this concept 30 years ago: Rather than instances magically integrating society, media events are seen as struggles over the meaning in the contested media field where by far not every winning meaning enhances societal integration. Additionally, psychology and sociology of emotion gives a necessary foundation for the concise theory of emotions in the media events and guides the empirical inquiry into the subject by suggesting that research should focus on the arousing rhetoric as well as narratives interpreting this arousal and turning it into the specific emotion. The analyzed media event – political scandal – very well exemplifies the theoretical argument made in regard to media events, demonstrates the power of emotions in establishing particular versions of reality and illustrates what I call the recursive logic of media events: the fact that their meaning is established at the very end of their occurrence, whereas their event-ness is implied at the beginning with the intensive arousal attracting everyone's attention.

Sport Omnibus Events as Media Shows

2018 ◽  
pp. 538-554 ◽  
Author(s):  
Diana-Luiza Dumitriu
Keyword(s):  
Social Field ◽  
Social Agenda ◽  
Media Events ◽  
Sport Competition ◽  
The Social ◽  
The Media ◽  
Commercial Value ◽  
Tv Shows ◽  
The Aesthetic ◽  
Sport Events

Inside the wider commodification process that the social field of sport has been subject to, sport events are not only about the competition itself, but they have become a global multilayered show. The ‘symbiotic relationship' (Valgeirsson & Snyder, 1986, p. 131) between sport and media made them one of the most successful entertaining products as they provide an intense spectatorship experience. The main aim of this chapter is to focus on the media-sport nexus in order to understand the impact that this hybridization process between the two social fields had on sport events? How media reflect and redefine sport competitions as media events? What are the main aspects that make sport events so competitive on the wider entertaining (media) market? Despite the undisputable transformative effects brought by sport competitions entering the media logic, I will argue that there is also a reverse effect that major sport events exert upon the media field, focusing mainly on their interruptive quality (Dayan & Kats, 1992) in terms of media and social agenda. In discussing these aspects I will narrow down the analysis on the major sport competitions, as they are the most complex media-sport constructs. The ‘fun factor' (Kellner, 2003, p. 3) and the emotional flow of the competition reach their most spectacular form through what I call omnibus events. By omnibus events I refer to major competitions on the sport global map that are defined as impressive shows, involving world wide audiences, significant number of sport acts and actors and high commercial value (i.e. The Olympic Games, The World Cup). More important, their vortextual nature (Whannel, 2002) makes them referential for the public agenda, drawing everyone's attention and building alternative ways to connect large number of people to them. The chapter will approach these sport omnibus events as media shows by analyzing their multilayered structure: the dramaturgical dimension of sport acts and its corollary management of impression, the ritual dimension of sport ceremonial practices, the axiological dimension of sport events as social values' system, the commercial dimension of sport events as products on the entertaining and celebrity market, the aesthetic dimension of sport acts as expressive media constructs and their emotional dimension in terms of spectatorship experience. On this last dimension there are two main aspects that I will focus on, one regarding the live-remote experience and the other one directed towards the multiplication process of sport competition related events (from special TV shows, social media events, to thematic parties or marketing events). Media's centrality inside the social field of sport came with a consistent spectacularization effect, contributing to sport competition becoming resourceful media shows in terms of public impact and commercial value, a process that this chapter manages to lay emphasis on by addressing the multilayered nature of such events.

Sport Omnibus Events as Media Shows

2016 ◽  
pp. 194-210
Author(s):  
Diana-Luiza Dumitriu
Keyword(s):  
Social Field ◽  
Social Agenda ◽  
Media Events ◽  
Sport Competition ◽  
The Social ◽  
The Media ◽  
Commercial Value ◽  
Tv Shows ◽  
The Aesthetic ◽  
Sport Events

Inside the wider commodification process that the social field of sport has been subject to, sport events are not only about the competition itself, but they have become a global multilayered show. The ‘symbiotic relationship' (Valgeirsson & Snyder, 1986, p. 131) between sport and media made them one of the most successful entertaining products as they provide an intense spectatorship experience. The main aim of this chapter is to focus on the media-sport nexus in order to understand the impact that this hybridization process between the two social fields had on sport events? How media reflect and redefine sport competitions as media events? What are the main aspects that make sport events so competitive on the wider entertaining (media) market? Despite the undisputable transformative effects brought by sport competitions entering the media logic, I will argue that there is also a reverse effect that major sport events exert upon the media field, focusing mainly on their interruptive quality (Dayan & Kats, 1992) in terms of media and social agenda. In discussing these aspects I will narrow down the analysis on the major sport competitions, as they are the most complex media-sport constructs. The ‘fun factor' (Kellner, 2003, p. 3) and the emotional flow of the competition reach their most spectacular form through what I call omnibus events. By omnibus events I refer to major competitions on the sport global map that are defined as impressive shows, involving world wide audiences, significant number of sport acts and actors and high commercial value (i.e. The Olympic Games, The World Cup). More important, their vortextual nature (Whannel, 2002) makes them referential for the public agenda, drawing everyone's attention and building alternative ways to connect large number of people to them. The chapter will approach these sport omnibus events as media shows by analyzing their multilayered structure: the dramaturgical dimension of sport acts and its corollary management of impression, the ritual dimension of sport ceremonial practices, the axiological dimension of sport events as social values' system, the commercial dimension of sport events as products on the entertaining and celebrity market, the aesthetic dimension of sport acts as expressive media constructs and their emotional dimension in terms of spectatorship experience. On this last dimension there are two main aspects that I will focus on, one regarding the live-remote experience and the other one directed towards the multiplication process of sport competition related events (from special TV shows, social media events, to thematic parties or marketing events). Media's centrality inside the social field of sport came with a consistent spectacularization effect, contributing to sport competition becoming resourceful media shows in terms of public impact and commercial value, a process that this chapter manages to lay emphasis on by addressing the multilayered nature of such events.

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