scholarly journals Research on the Application of Traditional Materials in Furnishing Design

2021 ◽  
Vol 9 (4) ◽  
Author(s):  
Hongyi Li
Keyword(s):  
Traditional Culture ◽  
Folk Art ◽  
Modern Design ◽  
International Standing ◽  
Design Style ◽  
China’S Economy

With the development of China’s economy and culture, people’s aesthetic level and aesthetic requirement keeps improving, The concept of "Decoration is more important than decoration" becomes more and more popular, people attach more and more importance to furnishing style and material application. In particular, the proportion of soft decoration in the whole furnishing is getting bigger and bigger. At the same time, with the development of globalization, China’s international standing has been constantly strengthened, we need to become more confident on our culture. Also, there are more and more people pay attention to the China traditional folk art and traditional folk material. The designer should not only learning Modern design style, but also look for design style and decoration material fit for China from traditional culture.

scholarly journals An Analysis of the Value of Chinese Folk Traditional Culture in Art Design Education in Contemporary Colleges and Universities

2017 ◽  
Vol 1 (1) ◽  
pp. 131
Author(s):  
Bin Lu
Keyword(s):  
Design Education ◽  
Traditional Culture ◽  
Folk Art ◽  
Colleges And Universities ◽  
Chinese Nation ◽  
Common Trend ◽  
Art And Culture ◽  
Artistic Vision ◽  
Art Design ◽  
China’S Economy

With the development and expansion of China's economy, people's artistic and cultural forms have also been significantly improved and developed. At the same time, the educational development of art design in colleges and universities has also become a common trend, for the shaping of the Chinese women's top of the artistic design concept has laid a good cornerstone. At the same time, the Chinese nation after five thousand years of development, the formation of the vast treasures of art and culture, in the origins of circulation is still endless, to the later Chinese children to provide valuable artistic learning resources. The fusion of Chinese folk art culture in the art design education of colleges and universities has a crucial influence on broadening students 'artistic vision, cultivating students' artistic innovation thinking and inheriting Chinese traditional folk art culture. Through the combination of folk art and modern art, the art education of colleges and universities has very far - reaching foresight significance.

Zen View of Nature in the Performance of Modern Fashion Design

2011 ◽  
Vol 331 ◽  
pp. 666-669
Author(s):  
Nan Qiao ◽  
Li Jun Liu ◽  
Yuan Yuan Lv
Keyword(s):  
Material Culture ◽  
Traditional Culture ◽  
Fashion Design ◽  
Modern Design ◽  
Design Elements ◽  
Design Style ◽  
Important Character

The view of nature is an important character of Zen aesthetic. At present, the Zen view of nature and cause of design was widely used in architecture, interior, furniture, household goods and clothing designs, giving a modern design with new field and angle. Zen view of nature through the exposition, analysis of its role in modern fashion design style and influence, and the concrete embodiment of the design elements. Intended to demonstrate - not only the material culture of clothing bearing, it is "yardsticks", concerned about the soul of the "refined." Pointed out that the essence of traditional culture, to learn from the design of nutrition will have a more mellow and spiritual implication of precipitation, so the design will have a long-term vitality.

Waters, Islands, and Shores in American Folklore and Folklife

2018 ◽  
pp. 576-597
Author(s):  
Shelly Drummond
Keyword(s):  
Traditional Culture ◽  
Folk Art ◽  
Future Research ◽  
Connection To Nature ◽  
Shoreline Development ◽  
Maritime Culture ◽  
American Folklore ◽  
Maritime Community

Maritime community traditions along America’s shorelines include occupational and recreational folklife, water-to-table foodways, and folk art. The forms vary regionally, but common threads are a relationship to the water and a connection to nature. Understanding the commodification of traditional maritime culture as it is incorporated into the identity of shoreline communities is critical to future research. Implications include the authority and diversity of maritime narratives, the commodification of that storyline, and the influence of researchers as advocates in shoreline development and preservation efforts. Development on shorelines reflects nostalgia for traditional landscapes and a drive for recreational space. Opportunities exist for advocacy and promotion of sustainability measures that support traditional culture.

scholarly journals Application of Flower and Bird Patterns in Modern Makeup and Hair from the Perspective of Design Culture

2021 ◽  
Vol 3 (5) ◽  
pp. 113-118
Author(s):  
Chen Wang ◽  
Dan Liu ◽  
Xiaoman Huang
Keyword(s):  
National Culture ◽  
Traditional Culture ◽  
Modern Design ◽  
Important Material ◽  
Design Culture ◽  
The Times ◽  
Traditional Patterns ◽  
The Aesthetic

Under the background of the vigorous development of various cultural and artistic forms, the traditional patterns that can express the unique charm of Chinese national culture have become an important material for modern design. Traditional patterns not only have unique decorative functions, but also represent the spirit of traditional culture. Among them, flower and bird patterns are also precipitated by history. It is worth exploring how to combine the flower and bird patterns with the aesthetics of the times, and how to integrate the traditional flower and bird patterns with the nature of the times. Starting with the formation and development of flower and bird patterns, this paper analyzes the historical, cultural and aesthetic attributes of flower and bird patterns from the perspective of design culture, and expounds the application of flower and bird patterns in makeup and hair in various historical dynasties. With the development of the times, the application of flower and bird patterns in modern makeup and hair should be both national and in line with the aesthetic requirements of modern people.

scholarly journals Research on the Present Condition and Product Design of Suiling Black Pottery in Heilongjiang Province

2018 ◽  
Vol 176 ◽  
pp. 02024
Author(s):  
Li Xiaoqi ◽  
Zhao Aili ◽  
Jia Mengshi ◽  
Yan Zhenxing ◽  
Yang Liangliang ◽  
...  
Keyword(s):  
Economic Development ◽  
Product Design ◽  
Rapid Development ◽  
Traditional Culture ◽  
Design Methods ◽  
Present Condition ◽  
Heilongjiang Province ◽  
Modern Design ◽  
Industry Chain ◽  
Traditional Technologies

The paper surveys and analyzes the basic present condition of Suiling black pottery in Heilongjiang Province, and innovates and designs black pottery products. This paper combines traditional technologies with modern design methods to enrich the categories of black pottery products, expands the industry chain, and promotes the economic development of Suiling. The rapid development of modern industry led to the decline of handicraft, and the development of Suiling black pottery has stagnated. Handicrafts should be designed and transformed to ensure the inheritance of traditional culture and skills.

scholarly journals On Design Education and Cultural Inheritance

2019 ◽  
Vol 3 (2) ◽  
pp. 39
Author(s):  
Shengnan Cui
Keyword(s):  
National Culture ◽  
Design Education ◽  
Modern Art ◽  
Local Culture ◽  
Cultural Inheritance ◽  
Modern Design ◽  
Profound Influence ◽  
Art Design ◽  
Design Style ◽  
Design Ideas

<p>With the development of the economy, the art design industry in China is booming, and art design education has been paid attention to by various universities. After absorbing western modern design ideas, China's art design education develops rapidly. The personal design style of designers is largely influenced by national culture, which carries the history and spirit of the nation and has a profound influence and reference significance on modern art design<sup>[1]</sup>.This paper discusses the necessity of inheriting local culture for art design education in colleges and universities, and explores the ways and means of combining art design education with inheriting local excellent culture.</p>

scholarly journals The problems of determining the canon in the plastic folklore of the Sakha (Yakuts)

2018 ◽  
Vol 55 ◽  
pp. 04010
Author(s):  
Sargylana Nikiforova ◽  
Galina Popova ◽  
Ekaterina Dyachkovskaya
Keyword(s):  
Traditional Culture ◽  
Folk Art ◽  
Ethnic Community ◽  
Spiritual Experience ◽  
The People ◽  
Applied Art ◽  
The World ◽  
Basic Characteristics

In the conditions of erosion of specificity and weakening of ethnic cultures identity, massive imitation of authenticity undertaken by the cultural bearers themselves with the aim of commercializing becomes an additional threat to its preservation. The authors believe that these threats can be minimized if “structuring elements” of this culture are determined. In particular, the popularization of canonical national forms of culture can contribute to this. The undividedness of oral folk art and decorative applied art is the basic characteristics of folklore. In addition to it, the structural and content components of the artistic canon in the folk art of Sakha (Yakuts) are named in the paper. In traditional culture, the thing made according to the canon, determines the behavior of its owner and makes him correspond to the expected visions of the ethnic community; moreover, it models the scenario of his fate. The problems of interaction between the evolution of style and the author’s deviations from the canon are partially touched upon in the article. With regard to the plastic folklore, these are the best, typical, and familiar features that are not presented as a sum of skills and techniques of craft, but as a creative interpretation of the national master. In the outstanding works of folk art, these ornamental forms are deliberately chosen, taking into account the chromatic code of culture, the composition of which refers to the national picture of the world. The pictorial canon in the plastic folklore captures and transmits the rules for visualizing the spiritual experience of the people from generation to generation. In fact, it forms the framework of culture, and it is the canon that provides for “not a common expression of faces” of each culture.

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