scholarly journals On Design Education and Cultural Inheritance

2019 ◽  
Vol 3 (2) ◽  
pp. 39
Author(s):  
Shengnan Cui

<p>With the development of the economy, the art design industry in China is booming, and art design education has been paid attention to by various universities. After absorbing western modern design ideas, China's art design education develops rapidly. The personal design style of designers is largely influenced by national culture, which carries the history and spirit of the nation and has a profound influence and reference significance on modern art design<sup>[1]</sup>.This paper discusses the necessity of inheriting local culture for art design education in colleges and universities, and explores the ways and means of combining art design education with inheriting local excellent culture.</p>

Author(s):  
Yu Gao

The blended teaching has not been well implemented in art design major courses of colleges. Neither has the performance of this teaching mode in course teaching been correctly evaluated. To solve the problem, this paper attempts to design suitable blended teaching strategies for art design major courses in colleges. To this end, a theoretical analysis was carried out on how blended teaching promotes the effects of modern art design education and course teaching. On this basis, several strategies were presented to implement blended teaching in art design major courses of colleges. From the perspec-tive of engineering application, the authors established an evaluation index system and an evaluation analysis model for the performance of blended teaching in art design major courses, and thereby managed to quantify the teaching performance. The research results provide a theoretical basis and a practical solution for the implementation of blended teaching in art design major courses.


2021 ◽  
Vol 1 ◽  
pp. 3319-3328
Author(s):  
Xiaoxiao Liu ◽  
Yukari Nagai ◽  
Kumi Yabuuchi ◽  
Xiuxia Cui

AbstractCreativity is very important for designers, and methods to stimulate designers' creativity are the long-term focus of art design education. The senses are an important channel for designers to receive information and define core issues. Stimulating the designer's senses can help enhance their perception and creativity, and is of great benefit for the quality and efficiency of the design outcome. Today's interactive media technology provides more possibilities and advantages for designers' perception and sensation. The purpose of this research is to explore a way to stimulate the designer's senses through the use of interactive media, thereby improving the designer's design thinking and creativity, and providing designers with innovative design support. By means of interactive ground projection and experiments, and discussion of the advantages of interactive media to stimulate designers' senses, this research proposes innovations in art design educational media, which is valuable for the training and learning of designers and the development of virtual education environment in the future.


2012 ◽  
Vol 209-211 ◽  
pp. 23-27
Author(s):  
Gang Lv

This paper mainly discusses the important role of the Chinese ancient view –“harmony between man and nature” in modern design. It focuses on the analysis of popular concepts of “environment orientation” and “people orientation” in environmental design, and holds the view that the concept of “harmony of man and nature” makes up for the deficiencies of the first two. In dealing with the relationship between man and himself or nature, the concept of “harmony between man and nature” offers a good theoretical basis which will surely become new ethics and standard in design.


2021 ◽  
Vol 3 (5) ◽  
pp. 113-118
Author(s):  
Chen Wang ◽  
Dan Liu ◽  
Xiaoman Huang

Under the background of the vigorous development of various cultural and artistic forms, the traditional patterns that can express the unique charm of Chinese national culture have become an important material for modern design. Traditional patterns not only have unique decorative functions, but also represent the spirit of traditional culture. Among them, flower and bird patterns are also precipitated by history. It is worth exploring how to combine the flower and bird patterns with the aesthetics of the times, and how to integrate the traditional flower and bird patterns with the nature of the times. Starting with the formation and development of flower and bird patterns, this paper analyzes the historical, cultural and aesthetic attributes of flower and bird patterns from the perspective of design culture, and expounds the application of flower and bird patterns in makeup and hair in various historical dynasties. With the development of the times, the application of flower and bird patterns in modern makeup and hair should be both national and in line with the aesthetic requirements of modern people.


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