Zen View of Nature in the Performance of Modern Fashion Design

2011 ◽  
Vol 331 ◽  
pp. 666-669
Author(s):  
Nan Qiao ◽  
Li Jun Liu ◽  
Yuan Yuan Lv
Keyword(s):  
Material Culture ◽  
Traditional Culture ◽  
Fashion Design ◽  
Modern Design ◽  
Design Elements ◽  
Design Style ◽  
Important Character

The view of nature is an important character of Zen aesthetic. At present, the Zen view of nature and cause of design was widely used in architecture, interior, furniture, household goods and clothing designs, giving a modern design with new field and angle. Zen view of nature through the exposition, analysis of its role in modern fashion design style and influence, and the concrete embodiment of the design elements. Intended to demonstrate - not only the material culture of clothing bearing, it is "yardsticks", concerned about the soul of the "refined." Pointed out that the essence of traditional culture, to learn from the design of nutrition will have a more mellow and spiritual implication of precipitation, so the design will have a long-term vitality.

scholarly journals The Application Status of Chinese Traditional Cultural Elements in Modern Clothing Design

2019 ◽  
Vol 3 (4) ◽  
pp. 119
Author(s):  
Yuxue Zou
Keyword(s):  
Traditional Culture ◽  
Value Orientation ◽  
Fashion Design ◽  
Cultural Elements ◽  
Design Elements ◽  
Clothing Design ◽  
Cultural Connotation ◽  
Art Forms ◽  
History Of

<p>China has a long history of Chinese civilization and profound traditional culture. The design elements contained in the Chinese civilization and traditional culture, with diverse forms, broad themes, long-lasting and rich connotations, are worthy cultural essences and cultural treasures and any other art forms are difficult to replace the historical status of this essence. The fashion design trend prevailing in the commodity world has been rooted in the soil of Chinese traditional cultureand constantly absorbs the creative essence of design elements, hoping to inject positive cultural connotation into the construction of value orientation in modern fashion design.</p>

Exploration of the Hakka Traditional Ware Design From Product View

2013 ◽  
Vol 651 ◽  
pp. 553-558
Author(s):  
Jin Fa Huang ◽  
Yang Jiang ◽  
Jin Xia Cheng
Keyword(s):  
Product Design ◽  
Traditional Culture ◽  
Regional Culture ◽  
Modern Design ◽  
Design Elements ◽  
Traditional Conception ◽  
Traditional Design ◽  
Design Activities ◽  
National Characteristic ◽  
The Masses

The culture included in Hakka traditional ware with theoretical and practical value for application was generalized on the basis of analyzing the traditional Hakka culture. The breakthrough point between traditional quintessential culture and modern design was explored from the angle of design. Varieties of Hakka shaping elements with vivid characteristics were found through Hakka traditional design elements, and incorporated into modern design to be a means to serve regional culture and economy. Meanwhile, we further analyzed the traditional conception of making wares for Hakka, and clarified its beneficial influence on developing spiritual and material civilization of Hakka. The development of modern product design and the association between the design elements of traditional Hakka wares and conception of making wares were pointed out to be not only the case of individual designers, but also involved the cooperation between designers and the masses. The Hakka traditional culture of ware design has important influence on promoting modern product design. To protect excellent traditional culture, propagandize and develop national characteristic culture, idiographic design activities must be done.

scholarly journals Research on the Application of Traditional Materials in Furnishing Design

2021 ◽  
Vol 9 (4) ◽  
Author(s):  
Hongyi Li
Keyword(s):  
Traditional Culture ◽  
Folk Art ◽  
Modern Design ◽  
International Standing ◽  
Design Style ◽  
China’S Economy

With the development of China’s economy and culture, people’s aesthetic level and aesthetic requirement keeps improving, The concept of "Decoration is more important than decoration" becomes more and more popular, people attach more and more importance to furnishing style and material application. In particular, the proportion of soft decoration in the whole furnishing is getting bigger and bigger. At the same time, with the development of globalization, China’s international standing has been constantly strengthened, we need to become more confident on our culture. Also, there are more and more people pay attention to the China traditional folk art and traditional folk material. The designer should not only learning Modern design style, but also look for design style and decoration material fit for China from traditional culture.

Anthropologic Relationships among Prehistoric Northeastern Amerindians

1980 ◽  
Vol 1 (2) ◽  
pp. 145-159
Author(s):  
Edward F. Harris ◽  
Nicholas F. Bellantoni
Keyword(s):  
New York ◽  
Gene Flow ◽  
Material Culture ◽  
New England ◽  
Cultural Barriers ◽  
Group Differences ◽  
Phenetic Analysis ◽  
Trade Relationships ◽  
Good Agreement

Archaeologically defined inter-group differences in the Northeast subarea ate assessed with a phenetic analysis of published craniometric information. Spatial distinctions in the material culture are in good agreement with those defined by the cranial metrics. The fundamental dichotomy, between the Ontario Iroquois and the eastern grouping of New York and New England, suggests a long-term dissociation between these two groups relative to their ecologic adaptations, trade relationships, trait-list associations, and natural and cultural barriers to gene flow.

scholarly journals Research on Contemporary “Chinese Theme” Fashion Design based on Aesthetic Distance Theory

2020 ◽  
Vol 16 (10) ◽  
pp. 57
Author(s):  
Yuru Ma ◽  
Xiangyang Bian
Keyword(s):  
Fundamental Principle ◽  
Fashion Design ◽  
Chinese People ◽  
The West ◽  
Basic Principles ◽  
Design Elements ◽  
Avant Garde ◽  
Clothing Design ◽  
Aesthetic Distance ◽  
Contemporary Chinese

Chinese theme or style has a long history in international fashion design; it is a common theme for Chinese and western designers to pursue Oriental sentiment and express Oriental aesthetics. However, for contemporary Chinese theme fashion design, Chinese and western designers have different understanding and interpretation, and there are many differences in design techniques and effects. In this paper, we propose to research on contemporary Chinese theme fashion design based on the theory of aesthetic distance, and interpret the essence of Chinese theme fashion design from different aesthetic distances. In addition, the basic principles of contemporary Chinese theme clothing design are summarized through the analysis and comparison of Chinese and western design cases. The results show that Chinese theme design, to the West, represents &ldquo;the other&rdquo; and &ldquo;exotic theme&rdquo; in a modern way; while in the eyes of Chinese people, it is a contemporary embodiment of &ldquo;retro theme&rdquo;. The clothing design in modern Chinese fashion should, based on the design elements collected in an expansive and deep way, pursue the balance and integration of &ldquo;conservative&rdquo; and &ldquo;avant-garde&rdquo; elements and the harmony of &ldquo;form&rdquo; and &ldquo;spirit&rdquo;, abiding by the fundamental principle of &ldquo;absorbing tradition&rdquo; to &ldquo;create the present&rdquo;.

scholarly journals Application of Flower and Bird Patterns in Modern Makeup and Hair from the Perspective of Design Culture

2021 ◽  
Vol 3 (5) ◽  
pp. 113-118
Author(s):  
Chen Wang ◽  
Dan Liu ◽  
Xiaoman Huang
Keyword(s):  
National Culture ◽  
Traditional Culture ◽  
Modern Design ◽  
Important Material ◽  
Design Culture ◽  
The Times ◽  
Traditional Patterns ◽  
The Aesthetic

Under the background of the vigorous development of various cultural and artistic forms, the traditional patterns that can express the unique charm of Chinese national culture have become an important material for modern design. Traditional patterns not only have unique decorative functions, but also represent the spirit of traditional culture. Among them, flower and bird patterns are also precipitated by history. It is worth exploring how to combine the flower and bird patterns with the aesthetics of the times, and how to integrate the traditional flower and bird patterns with the nature of the times. Starting with the formation and development of flower and bird patterns, this paper analyzes the historical, cultural and aesthetic attributes of flower and bird patterns from the perspective of design culture, and expounds the application of flower and bird patterns in makeup and hair in various historical dynasties. With the development of the times, the application of flower and bird patterns in modern makeup and hair should be both national and in line with the aesthetic requirements of modern people.

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