scholarly journals ALLEGORICAL TRAVELS OF THE KIEVAN PRINCE IN THE POEM “VLADIMIR” BY M. M. KHERASKOV

2020 ◽  
Vol 6 (4) ◽  
pp. 63-74
Author(s):  
Anastasia V. Semenova ◽  

The article examines several episodes of the poem “Vladimir” by M. M. Kheraskov, highlights and analyzes two allegorical journeys of the main character. By means of allegories, the work implements the author's didactic tasks – to instruct readers on the path of virtue on the example of the character's adventures. Vladimir's wanderings take place in a fantastic space and are aimed at spiritual rebirth and salvation of the soul. The vices and temptations of the Kievan Prince appear personified before him and try to turn the hero away from receiving baptism, discredit or distort the Christian faith. The first allegorical journey corresponds to the initial stage of the inner transformation of the character, the second coincides with the final one. Going to the abode of the righteous, Vladimir finds himself in darkness and fog, symbolizing his spiritual blindness, doubts and delusions, faces monstersvices under beautiful disguises, but with the help of a magic object – the flame of faith, presented by the wise mentor Idolem – fights with them and wins. On the way to the temple in the last song of the poem, Vladimir is again stopped and confused by pagans and embodied temptations, but the hero independently distinguishes between good and evil, truth and lies. As a result, the Kievan Prince makes the right choice, overthrows opponents and reaches the goal – the true temple where he receives baptism. Vladimir's twice-completed journey reflects the metamorphosis taking place with the hero. At the same time, allegorical journeys create the fantastic background necessary for the epic, replacing the mythological component. The magical adventures of Vladimir make the plot of the poem more fascinating, illustrate the moral quest of the Kievan Prince, thus allowing you to unobtrusively educate readers without boring teachings.

2018 ◽  
Vol 3 (2) ◽  
pp. 302
Author(s):  
Hj. Laila Fitriani

AbstractPortrait of the Main Characters in the Novel of Cinta Suci Zahrana by HabiburrahmanEl Shirazy. Literate is never separated from the intrinsic elements which included theme,plot, characters, background/setting, language style, message and point of view. Oneof the intrinsic elements is the characteristic that could be seen from how the author’screativity expressed and implied the characters of the story. The expressed one couldbe seen from the way of thinking, life style, outlook on life and behavior which pictureout whom and how the character lives and develops in the story plot, just like thecharacter in novel Cinta Suci Zahrana which tell about the phenomenon of a successfulwoman in education and work involved in finding the right one for her romance life.Keywords: intrinsic elements, main character, sociopsychologyAbstrakPotret Tokoh Utama dalam Novel Cinta Suci Zahrana karya Habiburrahman El Shirazy.Sastra tidak pernah lepas dari unsur-unsur intrinsik yang meliputi tema, alur, karakter,latar belakang/setting, gaya bahasa, pesan (amanat), dan sudut pandang. Salah satuunsur intrinsik adalah karakteristik yang dapat dilihat dari bagaimana ekspresikreativitas penulis dan pengaruh karakter dari ceritanya. Salah satu ekspresi yangbisa dilihat dari cara berpikir, gaya hidup, pandangan hidup, dan perilaku yangmenggambarkan seseorang dan bagaimana kehidupan karakter dan pengembangannyadalam plot cerita, seperti karakter dalam novel Cinta Suci Zahrana yang menceritakantentang fenomena seorang wanita yang sukses dalam pendidikan dan pekerjaan terlibatdalam menemukan seseorang yang tepat bagi kehidupan asmaranya.Kata-kata kunci: unsur intrinsik, karakter utama, sosiopsikologi


2020 ◽  
Vol 25 (2) ◽  
pp. 207-213
Author(s):  
Ekaterina A. Andreeva

The Tale of a Luxurious Life and Fun is a late composition of Old Russian literature, it includes some references to European sources (including Polish and Ancient Roman literature). Democratic literature of the 17th century offered the readers to get acquainted with other characters and plots: a person who is not distinguished by virtues becomes the main character of the story, which deals with staying in an amazing country of luxury and fun and the way to this country. With special care, the author draws a possible and desirable life of a hawk and a lazy person in a utopian world, but warns about the cost of staying in such an amazing place. Parodying the genre of walking known in Old Russia, in which the pilgrim was enriched spiritually, the writer tells about a new type of travel that devalues and depersonalizes a person, deprives him of the possibility of development. The absence of direct edifying and didactic digressions, however, does not deprive the text of depth: the hero is given the opportunity to choose, and he has the right to decide how to behave and which path to choose.


Author(s):  
Linda MEIJER-WASSENAAR ◽  
Diny VAN EST

How can a supreme audit institution (SAI) use design thinking in auditing? SAIs audit the way taxpayers’ money is collected and spent. Adding design thinking to their activities is not to be taken lightly. SAIs independently check whether public organizations have done the right things in the right way, but the organizations might not be willing to act upon a SAI’s recommendations. Can you imagine the role of design in audits? In this paper we share our experiences of some design approaches in the work of one SAI: the Netherlands Court of Audit (NCA). Design thinking needs to be adapted (Dorst, 2015a) before it can be used by SAIs such as the NCA in order to reflect their independent, autonomous status. To dive deeper into design thinking, Buchanan’s design framework (2015) and different ways of reasoning (Dorst, 2015b) are used to explore how design thinking can be adapted for audits.


2017 ◽  
Vol 16 (2) ◽  
pp. 177-192 ◽  
Author(s):  
Anaheed Al-Hardan

The 1948 Nakba has, in light of the 1993 Oslo Accords and Palestinian refugee activists' mobilisation around the right of return, taken on a new-found centrality and importance in Palestinian refugee communities. Closely-related to this, members of the ‘Generation of Palestine’, the only individuals who can recollect Nakba memories, have come to be seen as the guardians of memories that are eventually to reclaim the homeland. These historical, social and political realities are deeply rooted in the ways in which the few remaining members of the generation of Palestine recollect 1948. Moreover, as members of communities that were destroyed in Palestine, and whose common and temporal and spatial frameworks were non-linearly constituted anew in Syria, one of the multiples meanings of the Nakba today can be found in the way the refugee communities perceive and define this generation.


2017 ◽  
Vol 12 (1) ◽  
pp. 50-77
Author(s):  
Sarah Weiss

This article examines Rangda and her role as a chthonic and mythological figure in Bali, particularly the way in which Rangda’s identity has intertwined with that of the Hindu goddess Durga— slayer of buffalo demons and other creatures that cannot be bested by Shiva or other male Hindu gods. Images and stories about Durga in Bali are significantly different from those found in Hindu contexts in India. Although she retains the strong-willed independence and decision-making capabilities prominently associated with Durga in India, in Bali the goddess Durga is primarily associated with violent and negative attributes as well as looks and behaviours that are more usually associated with Kali in India. The reconstruction of Durga in Bali, in particular the integration of Durga with the figure of the witch Rangda, reflects the local importance of the dynamic relationship between good and bad, positive and negative forces in Bali. I suggest that Balinese representations of Rangda and Durga reveal a flux and transformation between good and evil, not simply one side of a balanced binary opposition. Transformation—here defined as the persistent movement between ritual purity and impurity—is a key element in the localization of the goddess Durga in Bali.


Author(s):  
Shai Dothan

There is a consensus about the existence of an international right to vote in democratic elections. Yet states disagree about the limits of this right when it comes to the case of prisoners’ disenfranchisement. Some states allow all prisoners to vote, some disenfranchise all prisoners, and others allow only some prisoners to vote. This chapter argues that national courts view the international right to vote in three fundamentally different ways: some view it as an inalienable right that cannot be taken away, some view it merely as a privilege that doesn’t belong to the citizens, and others view it as a revocable right that can be taken away under certain conditions. The differences in the way states conceive the right to vote imply that attempts by the European Court of Human Rights to follow the policies of the majority of European states by using the Emerging Consensus doctrine are problematic.


Author(s):  
Don Garrett

Like Hobbes, Spinoza prominently invokes promising and contracts (covenants) in his discussion of the foundations of the state—primarily, but not exclusively, in his Theological-Political Treatise. His understanding of their nature and significance, however, differs in important ways from that of Hobbes. This chapter poses four related puzzles concerning Spinoza’s claims about promises and contracts as they invoke or relate specifically to Hobbes: “whether the right of nature is preserved intact”; whether “reason urges peace in all circumstances”; whether breaking a promise is ever “in accordance with reason”; and whether one is obligated to keep a pledge extorted by a robber. Next, it analyzes and compares the doctrines of Hobbes and Spinoza on several key topics: rights and powers, good and evil, reason and passion, and faith and deception (both “evil deception” [“dolus malus”] and “good deception” [“dolus bonus”]). Finally, it employs these doctrines to resolve the four puzzles.


Author(s):  
Matti Eklund

What is it for a concept to be normative? Some possible answers are explored and rejected, among them that a concept is normative if it ascribes a normative property. The positive answer defended is that a concept is normative if it is in the right way associated with a normative use. Among issues discussed along the way are the nature of analyticity, and there being a notion of analyticity—what I call semantic analyticity—such that a statement can be analytic in this sense while failing to be true. Considerations regarding thick concepts and slurs are brought to bear on the issues that come up.


Author(s):  
Lisa Rodgers

‘Ordinary’ employment contracts—including those of domestic servants—have been deemed to attract diplomatic immunity because they fall within the scope of diplomatic functions. This chapter highlights the potential for conflict between these forms of immunity and the rights of the employees, and reflects on cases in which personal servants of diplomatic agents have challenged both the existence of immunity and the scope of its application. The chapter examines claims that the exercise of diplomatic immunity might violate the right to a fair trial under Article 6 of the European Convention on Human Rights and the way in which courts have dealt with these issues. The chapter analyses diplomats’ own employment claims and notes that they are usually blocked by the assertion of immunity, but also reflects on more recent developments in which claims had been considered which were incidental to diplomatic employment (eg Nigeria v Ogbonna [2012]).


2021 ◽  
pp. 1-16
Author(s):  
Nils Franzén

Abstract This article discusses why it is the case that we refuse to accept strange evaluative claims as being true in fictions, even though we are happy to go along with other types of absurdities in such contexts. For instance, we would refuse to accept the following statement as true, even in the context of a fiction: (i) In killing her baby, Giselda did the right thing; after all, it was a girl. This article offers a sensibilist diagnosis of this puzzle, inspired by an observation first made by David Hume. According to sensibilism, the way we feel about things settles their evaluative properties. Thus, when confronted with a fictional scenario where the configuration of non-evaluative facts and properties is relevantly similar to the actual world, we refuse to go along with evaluative properties being instantiated according to a different pattern. It is the attitudes we hold in the actual world that fix the extension of evaluative terms, even in nonactual worlds. When engaging with a fiction, we (to some extent) leave our beliefs about what the world is like behind, while taking our emotional attitudes with us into the fiction. To substantiate this diagnosis, this paper outlines a sensibilist semantics for evaluative terms based on recent discussion regarding predicates of personal taste, and explains how, together with standard assumptions about the nature of fictional discourse, it makes the relevant predictions with respect to engagement with fictions.


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