scholarly journals Picture a Tree by B. Reid

2012 ◽  
Vol 1 (4) ◽  
Author(s):  
Sandy Campbell

Reid, Barbara. Picture a Tree. Toronto: North Winds Press, 2011. Print. The cover notes for this picture book tell us to “Picture a tree – now look again!”  Award winning Toronto author and illustrator, Barbara Reid, encourages readers to see not just the trees, but how people use them, what they mean and what we can see in them.  However it is not just the trees that demand a second look.  The book itself is the most amazing collection of artwork – all made of plasticine, a modeling clay!  On each page showing a tree in leaf, there are hundreds of tiny plasticine leaves.  When Reid shows us a street scene where the trees make a leafy tunnel, the street, the cars, the house fronts and the people walking their dog are all fine plasticine work.  When she shows us shade trees as umbrellas, not only is the woman with the baby and the man on a scooter made of the plasticine, the shadow cast by the tree is, too. As the book moves through the seasons from spring to winter, Reid really does find many different ways to look at trees. She sees the leafless branches as a drawing against the sky, falling leaves as a good-bye party and snow-covered trees as trees in snowsuits.  The text is brief and easy to read; no more than a single sentence on each page.  The concepts and words are simple enough for children ages three and up to enjoy. Most children reading this book will not see the artwork as different from any other illustration.  It is only in the expanses of sky or snow that it is easy to see the plasticine.  Because of this, parents will enjoy Picture a Tree on a different level from the children with whom they share it.   Highly recommended for public and elementary school libraries. Highly recommended:  4 out of 4 starsReviewer:  Sandy Campbell Sandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give.

2012 ◽  
Vol 1 (4) ◽  
Author(s):  
Sandy Campbell

Taniton, Raymond and Mindy Willett.  At the Heart of It: Dene dzó t’áré.  Markham, On:  Fifth   House, 2011.  Print. Indigenous author Raymond Taniton is a member of The Sahtugot’ine, or the “people of Great Bear Lake”.  In At the Heart of It, Taniton invites readers into his world.  We meet his family, see the Sahtu Region where he lives, meet the elders in the community, learn how to make a traditional hand drum, learn some games and read some of the stories.  The stories are particularly important. This book is the most recent in Fifth House’s “The Land is Our Story Book” series, all co-authored by writer Mindy Willett. Taniton concludes this volume by saying, “The land is our storybook. It is our school, our library, our church. It is where we learn our stories and where we discover who we are as true Dene people. The land is at the heart of it all”.  And in this book Taniton and Willett do succeed in helping us to understand “the land”. This is a picture book, an educational book and a celebration of what it means to be Satugot’ine. Tessa Macintosh’s photographs are used throughout. The top of each page has a border image of the beaded toes of twenty-one moccasins. Often a large image will form the background of a page with text and other images superimposed.  For example, for the story “The Lake is the Boss”, the background is an image which looks out through the mouth of a cave.  The story is about a giant wolf that lived in the cave. The text, along with smaller images of the island that the wolf became when he turned to stone, is superimposed on the cave photograph.  The images and text, taken together, form many lessons for young people.  The stories provide metaphorical and philosophical lessons, but the book also provides practical lessons, such as the illustrated steps to making a drum.  As a whole, the book celebrates Raymond Taniton’s family, the Sahtugot’ine people and their way of life.   Highly recommended for elementary school and public libraries. Highly Recommended:  4 out of 4 starsReviewer:  Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give.


2017 ◽  
Vol 7 (2) ◽  
Author(s):  
Sandy Campbell

Uluadluak, Donald.  The People of the Sea, illustrated by Mike Motz, Inhabit Media, 2017The People of the Sea is a recollection by the late Inuit elder, Donald Uluadluak, of seeing an arnajuinnaq or a sea person, while he and his friends played on the beach near Arviat. The story is a simple retelling of the adventure which highlights the presence of sea-people in Inuit culture.  Unlike the vicious mermaids or tuutaliit of books such as Kiviuq and the Mermaids, who have frightening appearances and want to destroy kayaks and kill hunters, the sea-people in this story seem benign and simply curious. Mike Motz has drawn them as almost-expressionless creatures who look like fair-skinned women with long dark hair and facial tattoos – just as Uluadluak describes them. The two-page images are multi-coloured and do a good job of reflecting the sea and tundra environments. Text is overprinted on the images. The text is simple and comprehensible to the intended audience of 5 to 7 year-olds, but is above their reading level, so an adult would need to read this book aloud. The People of the Sea would also be appropriate for upper elementary children who are interested in traditional myths and legends.  Highly recommended for school libraries and public libraries. Highly Recommended:  4 stars out of 4Reviewer: Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give.  


2011 ◽  
Vol 1 (2) ◽  
Author(s):  
Sandy Campbell

Coffelt, Nancy.  Catch That Baby! Toronto: Aladdin, 2011. Print. There comes a point in every toddler’s life when he or she just needs to make a break for it and run away from Mom; if naked, after a bath, so much the better.  Nancy Coffelt captures that moment in this delightful book.  Rudy tosses his towel at the dog, shouts, “No dressed” and the romp begins.  Mom chases, clothing in hand, and is joined in successive panels by other family members all of whom try, but not too hard, to “catch that naked baby”. This is primarily a picture book.  Award-winning illustrator Scott Nash has drawn cartoon style illustrations, with large blocks of bright colour, little visual detail and speech bubbles.   The simple presentation is perfect for toddlers, who will be able to completely relate to “Nudie Rudy” pelting around the house in the buff, although most pre-readers will not end up swinging from vines in the conservatory. Young children will enjoy the repetition in the little bit of text on each page and will love finding Rudy on each page, particularly on pages where those silly adults cannot see him, even though he is so obviously in plain sight that a baby could find him. Catch That Baby! is a gem that will become a favourite read aloud book in many families.  It would make an excellent gift for a toddler and belongs in every public library collection. Highly recommended:  4 out of 4 stars Reviewer: Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give.


2015 ◽  
Vol 5 (2) ◽  
Author(s):  
Sandy Campbell

Graham, Georgia.  Cub’s Journey Home. Markham, ON:  Red Deer Press, 2015.  Print.Georgia Graham is a fine artist, but as a writer, needs a good editor.  Like her earlier work Where Wild Horses Run, this is a beautifully illustrated book.  Graham’s landscapes, trees, rivers, rocks, bears and flowers are all highly realistic. She tackles a variety of environments including snow, running water, forest fire, a burnt landscape and a garbage dump. Many of the images are frame-worthy.  There are flaws in the flames of her forest fire, some of which look like they belong on racing cars; however, in the next image, she absolutely captures the complexity of the fire reflected on swamp water.  Unfortunately, the text is an amalgamation of strange images and unusual or extravagant word choices. Why, for example, is a baby bear growing inside the mother called a “speck”?  There is so much purple prose that the reader is constantly distracted.  There are “long needles of sunlight” that “stab”.  The snow covering the den is “a curtain of lacy ice”. “A breeze runs its icy fingers through his fur.”  The cub “skedaddles”.  “A dark blanket [of smoke] rises up and steals the stars from the sky.” The whole text would have been much better if Graham had just written in her natural voice, as she occasionally does, to good effect.While the unusual word choices make the reading level of the text much too advanced for a picture book, the images, with their excellent rendering of Alberta landscapes, make it valuable.  This book is recommended with reservations for elementary school libraries and public libraries. Recommended with reservations: 2 out of 4 starsReviewer:  Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give.


2016 ◽  
Vol 5 (4) ◽  
Author(s):  
Sandy Campbell

Mallory, Carolyn.  Painted Skies.  Iqaluit, NU:  Inhabit Media, 2015.  Print.The northern lights, or aurora borealis, are ethereal and difficult to reproduce in an image, however, illustrator Amei Zhao does an admirable job.  Carolyn Mallory’s story, told through the voices of two girls, Leslie and Oolipika, is a simple one encompassing the tradition that the northern lights are spirits playing a soccer-like game and that if they come too close, you might be hit by the ball.  To let the spirits know you are there, you click your fingernails together.  The Arctic environment is present throughout.  When Leslie jumps she is “all arms and legs like a young caribou”.  When the girls make snow angels they move their arms and legs “as if they were ptarmigans trying to get off the ground”.  The reading level is appropriate for a picture book. While the story is well-written, it is the artwork on which the story is printed that is the best part of this volume.  All of the pages are night pictures, so the images are shadowed, with highlights of moonlight.  The deep blues, blacks, purples and greens contrast with the pinks and lime greens of the northern lights. Zhao has also added whispy green figures of the auroral spirits running through the sky. While this is a simple book, it is another example of Inhabit Media’s excellent work in capturing Arctic stories and creating high quality publications with them.  This book is highly recommended for elementary school libraries and public libraries.Highly recommended:  4 stars out of 4Reviewer:  Sandy CampbelSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give. 


2014 ◽  
Vol 4 (2) ◽  
Author(s):  
Sandy Campbell

Corderoy,Tracey. I Want My Mommy!  Wilton, CT: Tiger Tales, 2013. Print.This charming picture book addresses separation anxiety, which is common among young children being left with occasional caregivers.  The story is depicted with mice playing the roles of people.  Arthur is a small mouse, who is staying with his grandmother while his mother goes out for the day.  Arthur has "never been apart from Mommy for the whole day before".  He misses her a lot.  Although his grandmother distracts him with dragons, sword fights and lunch, Arthur is still sometimes sad and thinks that his mom has returned every time the doorbell rings.  Allison Edgson's illustrations are bright, attractive and somewhat romantic.  Grandma's garden has a white picket fence with an arched trellis, hollyhocks and climbing roses.  Throughout, Arthur is dressed in a green dragon suit.   The images are sometimes two-page spreads with text over-printed or smaller round pictures with in text the white spaces around them. The text is a large font, with a few words bolded or capitalized for effect.  The text is age appropriate for pre-kindergarten to grade three, but intended to be read aloud by an adult.I Want My Mommy! allows children to see their own situation depicted in a story.  Children can  empathize with Arthur and see that he does cope with being away from his mother and that his mother does return. This is an excellent book for public libraries and elementary school libraries and pediatric health collections. Highly recommended: 4 stars out of 4Reviewer: Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give. 


2018 ◽  
Vol 8 (2) ◽  
Author(s):  
Sandy Campbell

Simpson, Kate. Finding Granny: We Never Really Lose the People We Love. EK Books, 2018. This is an uplifting picture book about a child, Edie, whose beloved grandmother has a stroke and spends a long time recovering in hospital. At first, Edie does not accept that the woman in the bed, whose words do not make sense, is her grandmother. Through art therapy classes that Edie shares with her grandmother, she slowly rebuilds and reaffirms their close relationship. Edie comes to understand that while the colours in Granny’s painting are “all running into each other”, the painting is still beautiful. Gwyenneth Jones’ artwork is bright, exuberant and makes a sad and frightening subject engaging and entertaining. When the doctor, who has bright red glasses and a giant nose, explains that Granny’s “brain isn’t working the way it used to,” she points to a huge picture of a brain that has tiny eyes, a downturned mouth and huge adhesive bandages in an X across it.  This book celebrates intergenerational love and the effectiveness of art therapy in healing both relationships and illness. It also offers a lesson of patience and hope for those whose loved ones are recovering from stroke. Finding Granny would be a good addition to public, school, and hospital libraries. Highly Recommended:  4 out of 4 starsReviewer:  Sandy Campbell Sandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines. Sandy thinks that sharing books with children is one of the greatest gifts anyone can give. 


2011 ◽  
Vol 1 (1) ◽  
Author(s):  
Sandy Campbell

Kaslik, Ibi. Tales from the Tundra: A Collection of Inuit Stories. Illus. Anthony Brennan. Iqaluit: Inhabit Media, 2010. Print. Inhabit Media is an Inuit-owned, independent publishing company that “aims to promote and preserve the stories, knowledge, and talent of northern Canada.”  This collection of five traditional Inuit stories from different regions in Nunavut is one of their most recent offerings.  Three of the stories tell of how specific animals came into being.  One tells how the raven and loon came to look the way they do and the fifth, The Owl and the Siksik, is a typical story of outwitting the enemy. Anthony Brennan’s illustrations have a two-dimensional fantasy quality to them that is more reminiscent of cartoons or Japanese anime than of traditional Inuit art.  Many of the creatures are outlined in black and then filled with solid colour.  While the backgrounds are usually ice-blue, and there are pastel colours in the images, many of the main parts of the drawings are black, giving the book an overall ominous look. While these stories are described in the forward as “contemporary retellings”, Kaslik’s voice is similar to that of an elder telling stories and her style is traditional.  The language is simple and direct, occasionally incorporating Inuit words.  Animals are anthropomorphized.  They do the same sorts of things that humans do and have human emotions and foibles.  For example, in “The Raven and The Loon”, the two birds sew clothes for each other.   When Raven thinks that Loon is sewing too slowly, she reacts impatiently: “Please, sew faster!” impatient Raven pleaded.” Kaslik also uses internal dialogue, another traditional technique, to allow the reader to listen to the characters reasoning out their actions. For example, “Siksiks often go in and out of their dens,” thought the owl, believing himself to be very clever.  “Today I will find a siksik den and wait there until I see one.” There are few children’s books of Inuit mythology available, and fewer that have the authenticity of being published by an Inuit publishing house.  Overall, this volume is a small, but welcome addition to the field, through which many children will be able to learn about the mythology of the Inuit.  For public and school libraries everywhere. Highly recommended:  4 out of 4 stars Reviewer: Sandy Campbell Sandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give. 


2012 ◽  
Vol 1 (3) ◽  
Author(s):  
Debbie Feisst

Bedford, Martyn. Flip. Toronto: Doubleday Canada, 2011. Print. Martyn Bedford is a lecturer in creative writing at Leeds Trinity University College in the UK and is the award-winning author of five adult novels, including The Houdini Girl. Flip is his first foray into the genre of young adult fiction. Fourteen-year-old Alex Gray rushes home one December Friday night in an attempt to beat his curfew. Feeling a bit foggy upon waking the next morning, he realizes that not only is he in a strange bedroom but he does not recognize the clothes he is wearing. An unfamiliar voice calls for “Philip” to get ready for school, and when he descends the stairs to the breakfast table, he does not recognize the people seated, though they seem to recognize him. It’s now the middle of June. Upon looking into the mirror to wash his face, another boy stares back. Alex does not know if he has gone mad, or worse—if it is all real. Alex has no choice but to go through the day while trapped in another’s body, that of Philip Garamond. Nicknamed Flip, Philip is an athletic, sociable girl-magnet who goes to a posh school, and though he is Alex’s age, seems the complete opposite in every other way. For a while Alex even enjoys his new, fit body and the attention that comes with it. But where is Philip, and where is Alex’s body? Alex needs to figure out why his psyche has become trapped in Philip’s body and how he can get back into his own before it is too late. This is an excellent psychological thriller and not your average teen fare. The characters are realistic and the plot is action-packed, yet believable. Bedford dips into heavy topics like existentialism and concepts such as the soul and memory with adeptness. Body-swapping stories have no doubt been done before in teen fiction, but Bedford has given this tale a contemporary flair with a satisfying conclusion. Highly recommended: 4 out of 4 stars Reviewer: Debbie Feisst Debbie is a Public Services Librarian at the H.T. Coutts Education Library at the University of Alberta.  When not renovating, she enjoys travel, fitness and young adult fiction.


2015 ◽  
Vol 5 (1) ◽  
Author(s):  
Sandy Campbell

Christopher, Neil.  On the Shoulder of a Giant:  an Inuit Folktale. Iqualuit:  Inhabit Media, 2015. Print.This is another in a series of works designed by Neil Christopher, one of the founders of Inhabit Media, to preserve traditional Inuit stories.  In this book he retells a story, which is known in various forms all across the Arctic, of a giant who adopts a hunter as his son.  This giant, named Inukpak,  is one of the inukpasugjuit or “great giants” of Inuit stories.  Inukpak is so big that he can walk across the Arctic in “just a few days” and when he stands in the sea the water "never come[s] up past his knees". He is so big that he thinks that the hunter is a lost child, so he adopts him and carries him on his shoulder.This is a simple retelling, designed to teach about the mythical giants and to explain why the story is found in many cultures across the Canadian Arctic.  However, it also models a big person/small person relationship in which small people do not correct or talk back to big people.  Children will relate to the hunter, who is treated as a child and because the story is told from the hunter's perspective.  The giant sometimes doesn't recognize the impact of his own actions.  For example when he runs back to shore, he creates waves that swamp the hunter, but the giant thinks the hunter has been playing in the water.  "The hunter wanted to tell the giant that he had not been playing in the water.  He also wanted to explain to Inukpak that he had caught a bowhead whale, not a sculpin.  But, once again, the little hunter did not want to argue with a giant, so he just said, 'Okay.' "This is mainly a picture book. The illustrations run over two-page spreads with text over-printed on them.  Jim Nelson does a good job of presenting the difference in size between the giant and the human.  Inukpak is presented as a happy fellow, with black shaggy hair and a full beard.  Children will be amused by the giant picking up a polar bear by the scruff of its neck, like a kitten. The images are realistic and the backgrounds are lovely representations of Arctic landscapes. Overall, this is an enjoyable and high-quality work that should be included in elementary school libraries, public libraries and libraries specializing in Arctic children’s books.Highly Recommended:  4 out of 4 starsReviewer:  Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give. 


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