scholarly journals The Gypsy King by M. Fergus

2014 ◽  
Vol 3 (3) ◽  
Author(s):  
Jorden Smith

Fergus, Maureen. The Gypsy King. Toronto: RazorBill Penguin Canada, 2013. Print.Described by the publisher, Penguin Canada, as “The Princess Bride meets A Game of Thrones with a hint of Ever After,” this book holds great promise. As a fan of all three, my expectations were high and I was a little disappointed. The book is enjoyable, the writing is engaging, the plot has a few interesting twists, the main characters are interesting, but the abrupt ending felt like a marketing ploy. At least it is an effective ploy. I am already watching the shelf for the next book in the series to arrive.Fergus depicts a rigid caste system, a ruthless and vindictive regent, a selfish quest for eternal life, and a society fighting for survival. The Gypsy King tells the story of Persephone, a strong-willed slave, who longs for freedom but does not take action. When she encounters Azriel, a charming gypsy and resourceful thief, her situation takes a dramatic turn. Azriel believes Persephone may be part of a 15-year old prophecy shared by the last gypsy seer following the slaughter of innocent gypsies. The primary villain, Mordecai, is exceptionally evil; he is ruthless, maniacal, and makes puppy-murdering Cruella look like a normal human being. His actions are more gruesomely depicted than expected and this book is not for those with a weak stomach. The novel contains scenes of violence and sexuality that may not appeal to all readers.The fiercely independent female protagonist, Persephone, is the best part of this book. I was frustrated with her at times for her reticence to escape her situation, but ultimately I found myself appreciating her loyalty and commitment to those in need of her assistance—both humans and animals. She has moments in distress, but never plays the maiden in need of a hero. Although she clearly has feelings for Azriel, and vice versa, their relationship does not progress much beyond palpable sexual tension. Showing her resourcefulness, our protagonist seizes opportunities and works to extricate herself and others from the grasp of Mordecai and his merciless men. Facing an oppressive society that scorns her social class and her gender, Persephone is fighting her way up two bitterly steep hills. However, she finds the strength, the courage, and the resolve to survive. That being said, she is not a saint. She experiences jealousy, hatred, and selfishness yet she is a vibrant and passionate character. Fergus has developed a perfectly human protagonist and it is a refreshing change. Because I am so looking forward to the next installment and I love a strong female lead, I will give the book four stars.Recommended: Four out of Four StarsReviewer: Jorden SmithJorden is a Public Services Librarian in Rutherford Humanities and Social Sciences Library at the University of Alberta.  She is an avid fiction reader and subscribes to Hemingway’s belief that “there is no friend as loyal as a book.” 

2013 ◽  
Vol 3 (2) ◽  
Author(s):  
Kymberly Sobchyshyn

Hartman, Rachel. Seraphina. Toronto: Doubleday Canada, 2012. Print.Rachel Hartman’s debut novel, Seraphina, is a fantastical journey into a world where humans and shape shifting dragons live among each other. The novel follows Seraphina, a strong and intelligent female character with a talent for music, as she is caught between two races. Hartman has masterfully created a new religion, culture, language, political system, and multiple species in order to fully immerse the reader in Seraphina’s world.Hartman’s dragons, a unique breed of cold, unemotional mathematicians, are mostly intrigued and confused by what they consider to be overly emotional and artistic humans. The strong differences between the two races are cause for tension, but Seraphina has a mysterious gift of being able to understand how dragons think and why they react to humans in such curious and sometimes dangerous ways.Seraphina is a story of political unrest and adventure, with a little romance added in for good measure. Not only is the book a quick and entertaining read, but the glossary is not to be missed. That’s right, the glossary! Hartman created much of the foreign vocabulary in the novel, and the glossary is the place where her sense of humour and criticism of the world she has created really shine through. Some of the more challenging vocabulary in the novel is defined in the glossary so readers who might feel discouraged by the language should know that the author has invented most of these words. For a good laugh and some added detail about Seraphina’s world, the glossary is a great way to finish. Seraphina is the first in what Hartman has planned to be a series.Recommended: 3 out of 4 starsReviewer: Kymberly SobchyshynKymberly is currently in her second year of schooling to obtain a Master’s in Library and Information Studies at the University of Alberta. In her free time she enjoys traveling, ancient history, and reading of the fiction and non-fiction variety.


2016 ◽  
Vol 92 (01) ◽  
pp. 53-56
Author(s):  
George Sterling ◽  
Amy Goodbrand ◽  
Sheena A. Spencer

Tri-Creeks Experimental Watershed was initiated to compare the effects of logging and riparian buffers in three subbasins (Wampus, Deerlick, and Eunice Creeks) and to evaluate the effectiveness of timber harvesting ground rules in protecting fisheries and water resources. The watershed study was terminated in 1985 shortly after the harvest. In 2015, the University of Alberta re-established groundwater monitoring, hydrometric, and meteorological stations in Tri-Creeks Experimental watershed. Future research will utilize the 20-year historic data set and current data to study the the effect of forest cover change on the streamflow regime and fish populations. The objective of this paper is to summarize the novel results and available data from 1965–1987 for the Tri-Creeks Experimental Watershed.


2013 ◽  
Vol 3 (1) ◽  
Author(s):  
Tami Oliphant

Nielsen, Susin. The Reluctant Journal of Henry K. Larsen. Toronto: Tundra Books, 2012. Print. Susin Nielsen is the acclaimed author of Word Nerd and Dear George Clooney: Please Marry My Mother. She has won several writing awards and has consistently created compelling, charismatic, and fully drawn characters. In her new novel, The Reluctant Journal of Henry K. Larsen, Nielsen explores dark and uncomfortable themes such as mental illness, bullying, violence, tolerating differences, and the quiet desperation felt by those who must refashion their lives after a tragedy. For readers concerned that the novel will break their heart, it does. And then it fills that broken heart with joy. Through his affecting journal entries, readers come to know 13-year-old Henry K. Larsen. His therapist recommends that he write about his thoughts and feelings in the aftermath of “IT”—hence the ‘reluctant’ diary. However, Henry’s diary entries are laugh out loud funny on one page and provoke tears on the next. Henry has an extraordinary voice that is unlike any other narrator. He is angry, confused, saddened, shamed, and lost after “IT” happened. He has moved with his father to Vancouver to try to piece together a new life but in reality, his family barely manages to make it through the day. Henry is leery of other people, pushes them away, and he cannot find a place for himself or make sense of his emotions after “IT.” The last thing that Henry anticipates is that he will open up to anyone about “IT”—not to his wonderful new friends Farley and Alberta, to his therapist, or to his two new neighbours. However, incidents at school and at home force Henry to talk about Jesse and the “IT” that changed everyone’s lives forever. The Reluctant Journal of Henry K. Larsen is a quick and deeply satisfying read. This book is required reading. Despite the darker themes, the emotional payoff is not only gratifying, but inspiring. Highly Recommended: 4 out of 4 starsReviewer: Tami OliphantTami Oliphant works as a research librarian at the University of Alberta Libraries and for the School of Library and Information Studies at the University of Alberta. She earned her Master of Library and Information Studies from the University of Alberta and her doctorate from the University of Western Ontario. She has worked in academic libraries, public libraries, communications and planning, and as a sessional lecturer and researcher at the University of Alberta and the University of Western Ontario.


2017 ◽  
Vol 6 (3) ◽  
Author(s):  
Kyle Marshall

Williams Beckhorn, Susan. The Wolf’s Boy. Disney-Hyperion, 2016.Shortly after he is born, Kai’s parents discover his clubfoot and decide to abandon him to a pack of nearby wolves. Rather than become a meal for the wolves, they care for him until his mother comes to reclaim him to a human upbringing. Yet still, Kai’s childhood in the human village is not exactly easy for someone whose foot is considered to have made him tabat (cursed). He is dogged by taunts from his peers, who call him “Wolfboy”, and reproaches from his father, who is quietly ashamed of his son’s perceived limitations. Banned from taking part in hunting, Kai toils doing children’s work and harbours a secret artistic streak. His loneliness is eventually placated when he adopts a local wolf club (Uff) but, eventually, their existence in the village becomes untenable and Kai sets out with Uff on a dangerous adventure of self-discovery. Along the way, they learn to hunt, meet a giant Ice Man and develop a friendship that is believed to be impossible between humans and wolves.The Wolf’s Boy is Beckhorn’s second foray into prehistoric children’s fiction, following her 2006 novel Wind Rider. Here, she fashions a fairly complex story for young readers, with liberal usage of the villagers’ fictitious language that is seemingly unsupported with definitions (until the reader stumbles across the book’s glossary of term definitions). These challenges, however, will reward advanced readers looking to hone their reading skills on more advanced prose. Beckhorn quickly departs from The Wolf Boy’s familiar Jungle Book beginnings to establish the novel as a memorable work in its own right, and she uses beautiful, descriptive language to tackle bullying, promote body diversity and even explore the ancient beginnings of humans’ fears of “otherness”.Given Beckhorn’s success at using a prehistoric setting to illustrate the depth and genesis of human relationships with animals, it’s almost surprising that authors have not mined this territory consistently before. With certain appeal for children interested in prehistory, dogs and survival stories, The Wolf’s Boy will reward strong readers.Recommended: 3 out of 4 starsReviewer: Kyle MarshallReviewer biography: Kyle Marshall is the Planning, Assessment & Research Analyst for Edmonton Public Library. He graduated with his MLIS from the University of Alberta in June 2015, and is passionate about diversity in children's and youth literature.


2012 ◽  
Vol 1 (3) ◽  
Author(s):  
Sandy Campbell

Masson, Sophie.  The Phar Lap Mystery.  Sydney, Aust.:  Scholastic, 2010.  Print The end notes of this historical novel describe the details of the remarkable Australian racehorse, Phar Lap, who, in the difficult times of the Great Depression, gave Australians something positive to think about.  The cover image, from the collection of the State Library of Victoria, shows the big red horse in full stride, tail flying, jockey crouched behind his neck, reigns pulled tight. While the novel tracks alongside the historical story, it is a delightfully written account presented as a two-year diary of an eleven year-old girl.  Diarist, Sally Fielding, is very conscious of the fact that she is writing for posterity.  She begins her September 19, 1931 entry with “Hill Stakes Day, and the best day ever!  I want to write down absolutely everything, to remember it all.” Author, Sophie Masson, who has written more than fifty juvenile novels, gives the reader a good snapshot of life in the 1930’s in urban Eastern Australia.   From the “chooks” in the back yard, to the fancy hats of the well-to-do ladies at the Rosehill racecourse, to the seedy characters from the underbelly of the racing industry, Masson’s detailed descriptions help to draw us into Sally’s world.   Aussie slang is sprinkled throughout the book to add to the “down-under” flavour.  “Strewth”, which is a mild oath like “crikey” appears often.  Sally refers to a young man with whom she is not impressed, as a “real mick”, denies that she’s a “stickybeak” when she really has been snooping and has a “slap up” lunch, which is a very good one. The story stretches over two years beginning with Sally’s private detective father first being engaged to try to find out who took a shot at Phar Lap and ends with Sally and her father going to America when Phar Lap is taken there  to race.  Sally’s diary chronicles her reactions to the various dangerous twists and turns of the case, her father’s on-again, off-again romance, and Sally’s general chatter about friends and events around her.  The family’s economic struggles are ever-present.  Occasionally readers are treated to a facsimile of a real newspaper article or a letter, which is “glued” into the volume, reinforcing the illusion that you really are reading someone’s diary. Overall this is a thoroughly enjoyable read that captures your attention and holds it through to the surprising ending.  The Phar Lap Mystery will appeal to readers from pre-teens through adults and especially to readers who love horses. Highly recommended for junior high and high school libraries, as well as public libraries everywhere.Reviewer: Sandy CampbellHighly recommended:  4 out of 4 starsSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give.


2014 ◽  
Vol 3 (4) ◽  
Author(s):  
Hanne Pearce

Gaiman, Neil, Fortunately, The Milk. Illus. Skottie Young. New York: HarperCollins, 2013. Print.Mum has left to present a paper on lizards at a conference leaving a young boy and his sister at home with Dad for a few days. In addition to frozen meals she leaves Dad a long list of things to do and remember, including the fact that they were running low on milk. On the second day of Mum’s absence the children are dismayed to realize that the refrigerator is now void of milk. Dad heads out to the corner store to remedy this unfortunate disruption to their breakfast, only to be gone an exceptionally long time. When Dad finally returns, he recounts the most unbelievable adventure he had on his way home with the milk, including an encounter with space aliens, pirates and a time travelling stegosaurus named “Dr. Steg”.I am familiar with Neil Gaiman’s works for adult readers and this was the first book I have read by him intended for children. I was delighted to see that his imaginative style shines as bright, or dare I say even brighter, in this juvenile genre.  The narrator tells the story in a very candid style and I particularly enjoyed the places where the children interrupt their father to dispute the details of his story.The black and white illustrations on nearly every page of the book have an edgy hand-drawn quality to them that complement the lighthearted nature of the story. Skottie Young has conveyed exceptional detail in his drawings, focusing not only on the zany cast of characters but also with the depth using background images. I enjoyed how his artistry weaved and wrapped itself around the text on the page.Fortunately, The Milk is an adventure tale born out of the commonplace that shows one can find adventure even in a simple jaunt down to the corner store. As an adventure story it has a narrative momentum that will appeal to those who enjoy movement and action. Readers like myself, who enjoy action alongside breaks of description and character development, may find these aspects a bit lacking. Overall, this is a fun story that when accompanied by the illustrations would make it easy to read together with the whole family, as even younger children would manage to follow along.Recommended: 3 out of 4 starsReviewer: Hanne PearceHanne Pearce has worked at the University of Alberta Libraries in various support staff positions since 2004 and is currently a Public Service Assistant at the Rutherford Humanities and Social Sciences Library. In 2010 she completed her MLIS at the University of Alberta. Aside from being an avid reader she has continuing interests in writing, photography, graphic design and knitting.


2011 ◽  
Vol 1 (2) ◽  
Author(s):  
Sarah Mead-Willis

Heltzel, Anne. Circle Nine. Somerville, Mass.: Candlewick Press, 2011. Print. Why are hapless females in YA novels always named Abby? I don’t know, the amnesiac narrator of Circle Nine would reply. That’s just what it says on my necklace.  So begins Anne Heltzel’s debut thriller: a teenaged girl awakens on the pavement outside a burning building with no memories and no name, save the one she wears in gold around her neck. With her is a mysterious, charismatic youth named Sam, who claims to be her friend. Sam persuades Abby to retreat from the fire and into the woods, where they hide in the safety of his “cave-palace”: a glittering subterranean paradise full of shimmering fabrics and sumptuous furniture. There, the two of them sip pomegranate wine, discuss fine literature, and forswear all contact with the outside world, which Sam likens to an Aleghierian hell (hence the book’s title). We suspect this a fantasy, invented by Abby to protect herself from an uglier cave and an uglier Sam, to say nothing of the ugly events occluded by her smoke-kippered memory. The question is: whose fantasy is it? What sixteen-year-old with cheap bling on her neck would retreat into a happy place wrought with literary allusion, Platonic cave metaphors, and Oriental carpets? This is clearly the reverie of the author herself, still in love with her various muses. Abby’s fantasyland, though out of character, is not necessarily a detriment to the novel itself. Indeed, we could do without the predictable combination of flashbacks and sleuthing by which Abby reconstructs her true identity, and abide instead within her doomed and darkly luminous otherworld. For it is there that Heltzel’s storytelling is at its boldest, her writing most sensuous and wild, and it is here that the novel promises—if only briefly—to be something other than the dreary chestnut about a naïve girl brought low by bad luck and sly men.Recommended with reservations: 2 out of 4 starsReviewer: Sarah Mead-Willis Sarah is the Rare Book Cataloguer at the University of Alberta's Bruce Peel Special Collections Library. She holds a BA and an MLIS from the University of Alberta and an MA in English Literature from the University of Victoria.


2014 ◽  
Vol 3 (3) ◽  
Author(s):  
Sean Luyk

Stinson, Kathy. The Man with the Violin. lllus. Dušan Petričić. Toronto: Annick Press, 2013. Print.Kathy Stinson, author of more than 25 previous books for young people, has written a lovely book featuring illustrations by award winning artist Dušan Petričić.This book tells the story of Dylan, a young boy walking through a busy Washington, D.C. Metro station with his mother. Dylan hears a man playing beautiful music on his violin, but his mother refuses to stop to listen and they move on and board the train home. Without giving away the ending, readers of this review will be pleased to know that this book is based on a true story, and features a postscript by a notable classical musician.Stinson’s engaging writing style pairs well with Petričić’s creative use of colour to depict the musical sounds of the violin. The author and illustrator bring music to life in this touching book that reminds us of the curious nature of children, and their ability to notice things that adults ignore.The Man with the Violin is recommended for readers from 5-8 years of age, but it would also be great for story time with younger children as well. Highly Recommended: 4 out of 4 starsReviewer: Sean LuykSean is the Music Librarian for the Rutherford Humanities and Social Sciences Library at the University of Alberta. Sean holds an MA in Music Criticism and B.Mus from McMaster University, as well as an MLIS from the University of Western Ontario.


2018 ◽  
Vol 7 (4) ◽  
Author(s):  
Caitlin Ratcliffe

Green, John. Turtles All the Way Down. Dutton Books, 2017.  Turtles All the Way Down ticks many boxes; it has friendship, mystery, and romance. Above all, it is the coming-of-age story of a girl struggling with mental illness.Sixteen-year-old Ava Holmes lives within the ever-tightening spiral of her own thoughts. When billionaire Russell Pickett goes missing under suspicious circumstances, Ava and her “Best and Most Fearless Friend,” Daisy, investigate in the hope of pocketing the reward money. Along the way, Ava renews her childhood friendship with Russell’s son, Davis, and their relationship turns romantic as the two teens explore love and their burgeoning sexuality. Yet these elements of typical YA are filtered through the lens of Ava’s mental illness and her daily struggle with profound anxiety, obsessive thinking, and intrusive thoughts. Ava uses the metaphor of an ever-tightening spiral to conceptualize her obsessive thought patterns. The mystery and the romance plotlines are continuously sidelined by Ava’s ongoing struggle with her own mind. Ava’s illness threatens her relationship with Davis, her friendship with Daisy, and, eventually, her life.John Green is a YouTube personality and an award-winning author, best known for The Fault in Our Stars (2012). This novel fits the pattern of Green’s previous works, which feature poignantly relatable teenagers seeking to understand their place in the world. But in Turtles All the Way Down, Green uses the structure of the YA novel to depict the mental illness that has affected his life since childhood. Readers familiar with Green’s virtual presence will hear echoes of his voice in Ava’s. The novel carries the weight of authenticity, as neither Ava nor the reader can find relief from the obsessive thought spirals. By bringing the reader into Ava’s head, Green bridges the gap between language and Ava’s (and his own) abstract experiences. Ava’s chronic mental illness is not magic-ed away, and the novel’s ending is plausible and moving in its truthfulness.     A few elements in the novel feel forced. The climax, for instance, seems to happen simply because the structure of the novel requires one. However, Ava’s daily struggle living with her obsessive thoughts is painfully authentic. Though Green writes through the eyes of a teenage girl, his stream-of-consciousness prose may be easily understood by a wide variety of readers. This novel is a stark, honest, and accessible portrayal of living with mental illness. It is a difficult, astonishing read that is highly recommended for those seeking to understand mental illnesses on a personal level.Highly recommended: 4 out of 4 starsReviewer: Caitlin RatcliffeCaitlin Ratcliffe is an MLIS candidate at the University of Alberta. She completed her Bachelor of Arts with a double major in English and History at the University of Lethbridge. When not studying, she enjoys playing soccer and reading sci-fi, fantasy, and young adult fiction.


2014 ◽  
Vol 4 (1) ◽  
Author(s):  
Colette Leung

Rhodes, Morgan. Falling Kingdoms. New York: Penguin Group, 2012. Print.This young adult fantasy novel tells the story of three different fictional kingdoms: the prosperous Auranos, the impoverished Paelsia, and the oppressed Limeros. The book opens with a short prologue where two witches steal a baby girl, who is prophesied to become a powerful sorceress.Sixteen years later, the story continues with Princess Cleo of Auranos, who is out with some friends and Lord Aron, whom she hates but may one day be her betrothed. They visit a wine merchant in Paelsia, as the country is known for its wonderful wine. After tasting a sample, Aron uses his position to bully the wine merchant into letting him buy many cases of wine for only a fraction of their cost. When the merchant’s two sons, Tomas and Jonas, interrupt the trade, they become insulted and start a fight with Aron, who pulls a dagger and kills Tomas. The incident serves as a catalyst for war between all three kingdoms.The novel follows four different storylines. One is the story of Princess Cleo, who feels incredibly guilty about the death of Tomas.  She discovers love and loss, and is kidnapped by the neighbouring kingdoms, who wish to use her to make the King of Auranos give up his realm. Another major storyline is that of Jonas, who seeks revenge for his brother’s death. He aligns himself with the Chief of Paelsia, and helps instigate a rebellion with the help of the Kingdom of Limeros, in order to conquer Auranos. The last two storylines deal with the royalty of Limeros. Prince Magnus, who grew up under the abuse of his tyrannical father, struggles to live up to the king’s expectation as heir, and also to protect his younger sister Lucia. Even more torturous for Magnus are his strong, romantic feelings towards Lucia. The last storyline is that of Lucia, who is in fact the baby stolen years ago, raised as a princess in Limeros. At age sixteen, her powers manifest, and she learns to control them, and she seeks to protect her brother at all costs. Her father wishes to use her powers to his advantage during the war on Auranos. All four of these stories converge by the end of the book.Falling Kingdoms takes a serious look at politics, and the effects of economic discrepancy between social classes. The book ends on a cliffhanger. It is the first in a series, the second of which is called Rebel Spring. This series explores not only the repercussions of the war between kingdoms, but the place of magic in this fictional world.As the book alternates between the four different viewpoints, and each of these viewpoints engage multiple characters, the story is complex, and might be hard for some to follow. The novel also deals with heavy themes, including war, revenge, death, incest, abuse, and sex.Recommended: 3 out of 4 starsReviewer: Colette LeungColette Leung is a graduate student at the University of Alberta, working in the fields of Library and Information science and Humanities Computing who loves reading, cats, and tea. Her research interests focus around how digital tools can be used to explore fields such as literature, language, and history in new and innovative ways.


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