scholarly journals The Rocktalog: Scholars Celebrating & Inhabiting Musicians

Author(s):  
Geoffrey V. Carter

The Rocktalog brings together scholars’ reflections on a selection of musicians from different styles, along with a range of imagined dialogues and statements from the artists themselves, some remixed and some improvised. Edited by Geoffrey V. Carter, this collection of sixteen works draws on “The Octalog,” a lively panel discussion at the CCCC’s in 1988, later published as “Octalog I” in Rhetoric Review. Reimaginging this original “electric” dialogue as an ongoing conversation between musicians and musical scholars, The Rocktalog asks questions about the roles of remix, conversation, and composition in engaging with music and musical artists. Each reflection features a mix of audio tracks, original essays and transcripts.

Author(s):  
C. Kenneally ◽  
A. Horn ◽  
A. I. Zemskov

The article of mosaic structure comprises the materials of the panel discussion “Collaboration & community. The transition to open access” held by Copyright Clearance Center (USA) within the framework London Book Fair in April, 2018. These materials (arguments presented by four discussion participants, experts in scholarly publishing: a publisher of Cambridge University Press, Cambridge University librarian, expert of Royal Society of Chemistry, and Executive Director of Knowledge Unlatched, a crowdfunding platform), and the introduction speech by Christopher Kenneally, discussion moderator, were published on the discussion date and distributed to the participants. By courtesy of Christopher Kenneally and Alastair Horn in charge of the Academic Bulletin where the prematerials were first published, we are including the original English-language text, the translation and the author’s summary and arguments on expanding publication formats, e. g. outspreading of panel sessions at conferences. The article is aimed at two goals: to introduce readers to several issues of the open access system voiced at the discussion panel, and to analyze in detail the methods of audience communication (the technologies based on open access principles). The selection of materials, permission for translation into Russian (and the translation) as well as the permission for reprinting the original are accomplished by Andrey I. Zemskov, RNPLS&T leading researcher, who attended the discussion panel. He is also the author of the summary review on the new publication and public exposure model as an open access version.


2021 ◽  
Vol 66 (1) ◽  
pp. 54-81
Author(s):  
Quynh Anh Le ngoc

Abstract This article offers an insight into strategies in English-to-German simultaneous interpretation that can be applied when a speaker uses racist language. Six interpreters were first introduced to a selection of strategies. They were then asked to interpret a staged panel discussion in which racist language was used. Each time they recognized racist speech they were supposed to intuitively apply one of the strategies they had previously been introduced to. In a final step, all six interpreters took part in a focus group interview during which they assessed the applied strategies and discussed difficulties. The results from both the interpretations and the focus group interview illustrate how racist speech can be interpreted critically. They offer a new perspective on traditional translation and interpretation theories as well as on the role of interpreters. The article concludes with some ideas as to how the results could be incorporated into interpretation didactics. Given the fact that we live and work in a time in which power relations and the world’s landscape continue to shift and change, it appears appropriate to challenge the current self-image of interpreters.


Author(s):  
Dagmara Drewniak

In June 2015 The Canadian Polish Research Institute organized a panel discussion chaired by professor Tamara Trojanowska called “Writing Change and Continuity: Culture, Languages, Generations.” The debate featured esteemed writers of Polish descent: Eva Stachniak, Andrew Borkowski, Ania Szado, Jowita Bydlowska and Aga Maksimowska. Although the writers in question do not belong to the same generation and do not share exactly the same emigration experience, nowadays they form a distinguished group of Canadian writers of Polish origins. The aim of this paper is to look at the selection of the latest texts written by authors of the Polish diaspora in Canada such as Eva Stachniak’s The Chosen Maiden (2017), Jowita Bydlowska’s Drunk Mom (2013) and Guy (2016), Ania Szado’s Studio Saint Ex (2013) and Aga Maksimowska’s Giant (2012) among others. This paper does not venture to repeat the conclusions drawn during the panel but rather to extend the exploration of the recent Polish diasporic, multivoiced writing as well as offer a modest supplement to the famous analysis of ethnic writing proposed by Smaro Kamboureli in her Scandalous Bodies: Diasporic Literature in English Canada (2009). Hence, the discussion comprises the authors’ choice of themes, (dis)appearance of immigrant motifs, references to Poland as a country of origin and Canada as the new homeland as well as an analysis of the genres the aforementioned authors use.


1999 ◽  
Vol 27 (2) ◽  
pp. 355-363 ◽  
Author(s):  
Carolyn Williams

THE IDEA FOR THIS CLUSTER of work had its origins in a session of the 1996 Modern Language Association Convention in Washington, D. C., where the editors of Victorian Literature and Culture organized a panel devoted to the topic at hand: “Victorian Studies and Cultural Studies.” The panel presentations and the post-panel discussion were extremely stimulating, and it was clear that the rich topic wanted further consideration. The following selection of essays, gathered together under this journal’s special feature, the “Editors’ Topic,” is the result. Here, then, are four articles representing a range of practice — though not, by any means, the entire range of practice — in the intersecting fields of Victorian studies and cultural studies. The articles are followed by fourteen forum essays presenting an array of pressing issues, arguments, and sharp opinions centering in the relations — past, present, and potential — between Victorian studies and cultural studies. Three of the following eighteen pieces were presented (and those in shorter, nascent form) at the MLA: Mary Ellis Gibson’s article on Henry Martyn, Jane Eyre, and Missionary Biography, Kristen Leaver’s consideration of Victorian melodrama, and my brief ruminations on the concepts of “discourse” and “genre.” All the rest were commissioned for this issue of Victorian Literature and Culture.


2019 ◽  
Vol 42 ◽  
Author(s):  
Gian Domenico Iannetti ◽  
Giorgio Vallortigara

Abstract Some of the foundations of Heyes’ radical reasoning seem to be based on a fractional selection of available evidence. Using an ethological perspective, we argue against Heyes’ rapid dismissal of innate cognitive instincts. Heyes’ use of fMRI studies of literacy to claim that culture assembles pieces of mental technology seems an example of incorrect reverse inferences and overlap theories pervasive in cognitive neuroscience.


1975 ◽  
Vol 26 ◽  
pp. 395-407
Author(s):  
S. Henriksen

The first question to be answered, in seeking coordinate systems for geodynamics, is: what is geodynamics? The answer is, of course, that geodynamics is that part of geophysics which is concerned with movements of the Earth, as opposed to geostatics which is the physics of the stationary Earth. But as far as we know, there is no stationary Earth – epur sic monere. So geodynamics is actually coextensive with geophysics, and coordinate systems suitable for the one should be suitable for the other. At the present time, there are not many coordinate systems, if any, that can be identified with a static Earth. Certainly the only coordinate of aeronomic (atmospheric) interest is the height, and this is usually either as geodynamic height or as pressure. In oceanology, the most important coordinate is depth, and this, like heights in the atmosphere, is expressed as metric depth from mean sea level, as geodynamic depth, or as pressure. Only for the earth do we find “static” systems in use, ana even here there is real question as to whether the systems are dynamic or static. So it would seem that our answer to the question, of what kind, of coordinate systems are we seeking, must be that we are looking for the same systems as are used in geophysics, and these systems are dynamic in nature already – that is, their definition involvestime.


1978 ◽  
Vol 48 ◽  
pp. 515-521
Author(s):  
W. Nicholson

SummaryA routine has been developed for the processing of the 5820 plates of the survey. The plates are measured on the automatic measuring machine, GALAXY, and the measures are subsequently processed by computer, to edit and then refer them to the SAO catalogue. A start has been made on measuring the plates, but the final selection of stars to be made is still a matter for discussion.


Author(s):  
P.J. Killingworth ◽  
M. Warren

Ultimate resolution in the scanning electron microscope is determined not only by the diameter of the incident electron beam, but by interaction of that beam with the specimen material. Generally, while minimum beam diameter diminishes with increasing voltage, due to the reduced effect of aberration component and magnetic interference, the excited volume within the sample increases with electron energy. Thus, for any given material and imaging signal, there is an optimum volt age to achieve best resolution.In the case of organic materials, which are in general of low density and electric ally non-conducting; and may in addition be susceptible to radiation and heat damage, the selection of correct operating parameters is extremely critical and is achiev ed by interative adjustment.


Author(s):  
P. M. Lowrie ◽  
W. S. Tyler

The importance of examining stained 1 to 2μ plastic sections by light microscopy has long been recognized, both for increased definition of many histologic features and for selection of specimen samples to be used in ultrastructural studies. Selection of specimens with specific orien ation relative to anatomical structures becomes of critical importance in ultrastructural investigations of organs such as the lung. The uantity of blocks necessary to locate special areas of interest by random sampling is large, however, and the method is lacking in precision. Several methods have been described for selection of specific areas for electron microscopy using light microscopic evaluation of paraffin, epoxy-infiltrated, or epoxy-embedded large blocks from which thick sections were cut. Selected areas from these thick sections were subsequently removed and re-embedded or attached to blank precasted blocks and resectioned for transmission electron microscopy (TEM).


Author(s):  
K.-H. Herrmann ◽  
D. Krahl ◽  
H.-P Rust

The high detection quantum efficiency (DQE) is the main requirement for an imagerecording system used in electron microscopy of radiation-sensitive specimens. An electronic TV system of the type shown in Fig. 1 fulfills these conditions and can be used for either analog or digital image storage and processing [1], Several sources of noise may reduce the DQE, and therefore a careful selection of various elements is imperative.The noise of target and of video amplifier can be neglected when the converter stages produce sufficient target electrons per incident primary electron. The required gain depends on the type of the tube and also on the type of the signal processing chosen. For EBS tubes, for example, it exceeds 10. The ideal case, in which all impinging electrons create uniform charge peaks at the target, is not obtainable for several reasons, and these will be discussed as they relate to a system with a scintillator, fiber-optic and photo-cathode combination as the first stage.


Sign in / Sign up

Export Citation Format

Share Document