scholarly journals The United States in the Great War and the Alternate History of the Twentieth Century

2019 ◽  
Vol 9 (1) ◽  
Author(s):  
Matthew Anstatt
2010 ◽  
Vol 17 (4) ◽  
pp. 305-323 ◽  
Author(s):  
Zhiwei Xiao

AbstractNo serious study has been published on how Chinese filmmakers have portrayed the United States and the American people over the last century. The number of such films is not large. That fact stands in sharp contrast not only to the number of "China pictures" produced in the United States, which is not surprising, but also in contrast to the major role played by Chinese print media. This essay surveys the history of Chinese cinematic images of America from the early twentieth century to the new millennium and notes the shifts from mostly positive portrayal in the pre-1949 Chinese films, to universal condemnation during the Mao years and to a more nuanced, complex, and multi-colored presentation of the last few decades.


2013 ◽  
Vol 8 (3) ◽  
pp. 461-482 ◽  
Author(s):  
Ines Prodöhl

AbstractThis article traces the complex and shifting organization of soy's production and consumption from Northeast China to Europe and the United States. It focuses on a set of national and transnational actors with differing interests in the global and national spread of soybeans. The combination of these actors in certain spatiotemporal contexts enabled a fundamental change in soy from an Asian to an American cash crop. At the beginning of the twentieth century, soy rapidly became Northeast China's cash crop, owing to steadily increasing Western demand. However, the versatility of soy – and soy oil in particular – offered a highly successful response to the agricultural and industrial challenges that the United States faced during the Great Depression and the Second World War. By the end of the war, American farmers in the Midwest cultivated more soybeans than their Chinese counterparts.


2021 ◽  

The fourth volume of The Cambridge History of America and the World examines the heights of American global power in the mid-twentieth century and how challenges from at home and abroad altered the United States and its role in the world. The second half of the twentieth century marked the pinnacle of American global power in economic, political, and cultural terms, but even as it reached such heights, the United States quickly faced new challenges to its power, originating both domestically and internationally. Highlighting cutting-edge ideas from scholars from all over the world, this volume anatomizes American power as well as the counters and alternatives to 'the American empire.' Topics include US economic and military power, American culture overseas, human rights and humanitarianism, third-world internationalism, immigration, communications technology, and the Anthropocene.


2018 ◽  
Vol 51 (2) ◽  
pp. 134-142
Author(s):  
Esther B. Schupak

Abstract Because of its potential for fostering antisemitic stereotypes, in the twentieth century The Merchant of Venice has a history of being subject to censorship in secondary schools in the United States. While in the past it has often been argued that the play can be used to teach tolerance and to fight societal evils such as xenophobia, racism and antisemitism, I argue that this is no longer the case due to the proliferation of performance methods in the classroom, and the resultant emphasis on watching film and stage productions. Because images – particularly film images – carry such strong emotional valence, they have the capacity to subsume other pedagogical aspects of this drama in their emotional power and memorability. I therefore question whether the debate over teaching this play is truly a question of ‘censorship’, or simply educational choice.


Rusin ◽  
2020 ◽  
pp. 67-90
Author(s):  
M.V. Vedernikov ◽  

With the outbreak of WWI (1914–1918), the participating countries began to promote separatist movements on their own territory, which aimed to destroy the foundations of hostile multinational empires. Of particular interest to the Russian authorities were the compatriots of the Slavic peoples of Austria-Hungary, who loudly declared their desire to destroy the Habsburg Empire. One of the most active diasporas was the Czechs, who managed to meet with Nicholas II twice in the first month of the war and achieve the formation of the Czech squad. However, the Czech question, initially incorporating the Slovak one due to the ethnic and linguistic proximity, exposed significant contradictions. An active part of the Slovak political elite living in Russia opposed the formation of a single Czech-Slovak state, because they were close to the idea of Slovakia’s accession to Russia. To popularize these ideas, a Slovak-Russian society named after L. Štur was established in Moscow. It received support from the outstanding Russians as well as the largest Slovak diasporas in the United States. The assistance of such important actors forced the Czechs to look for ways to resolve the conflict with the Slovaks, which undoubtedly led to the mainstreaming of the Slovak question. However, the cessions of 1915–1916 failed to resolve the conflict. Drawing on new archival sources and current historiography, the author concludes that the presence of multiple conflicts contributed to the formation of the Czech-Slovak national idea, which was free from asymmetry, and made Slovaks equal partners.


Author(s):  
Laura Harris

In Experiments in Exile, I explore and compare projects undertaken by two twentieth-century American intellectuals while they lived in voluntary exiles in the United States: the Trinidadian writer and revolutionary C. L. R. James and the Brazilian visual artist and counterculturalist Hélio Oiticica. James and Oiticica never met. They lived and worked in the United States at different moments. My focus is on James’s stay during the 1940s and on Oiticica’s stay during the 1970s. Given the significant differences between them—not just at the level of nationality but at the level of race (James was black, Oiticica was white), class (James was situated within a precarious middle class, Oiticica was firmly established within an upper middle class), sexuality (James was straight, Oiticica was gay), and disciplinary locations (James is generally situated in the history of radical social theory and practice, and Oiticica is generally situated in the history of avant-garde aesthetic theory and practice)—this is surely an unlikely combination. This study is itself an experiment, one that goes beyond the usual parameters of comparativist or transnational research, to identify, in the surprising resonances between the projects pursued by these two very disparate figures, a common project I believe they, together, bring into relief....


2019 ◽  
Vol 68 (4) ◽  
pp. 40-59
Author(s):  
Pamela H. Simpson

With its roots in ancient food molds and table art for Renaissance banquets, butter sculpture in the United States debuted during the centennial and flourished in the first quarter of the twentieth century. As the dairy industry moved from farm to regional cooperative creameries and eventually to national brands, butter sculpture appeared at fairs and expositions. Both amateur and professional sculptors used this unusual medium for busts and portraits, dairy-related subjects, and models of buildings. The ephemeral nature of the medium and the novelty of food as art drew crowds to exhibits advertising butter as the natural, healthy alternative to oleomargarine.


1919 ◽  
Vol 13 (1) ◽  
pp. 115-119
Author(s):  
Frederic A. Ogg

A former issue of the REVIEW (November, 1917) contained a résumé of German political affairs from the outbreak of the great war to the accession of Chancellor Michaelis, July 14, 1917. The summary will here be continued to the abdication of Emperor William II in November, 1918.The appointment of Michaelis came at a time when the imperial government was under fire, both in the Reichstag and throughout the country. The Russian revolution and the entrance into the war by the United States had given a new impetus to the movement for political reform.


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