scholarly journals JOÃO BATISTA LIBANIO: A ETERNA CADÊNCIA DA FÉ

2014 ◽  
Vol 46 (128) ◽  
pp. 135
Author(s):  
Faustino Teixeira

A questão da fé sempre esteve no centro das atenções de João Batista Libânio, não só em âmbito acadêmico, enquanto objeto de sua atuação na área da teologia fundamental, mas também no campo de sua presença pastoral. E ela que propicia o salto essencial no coração do Transcendente, tocando o núcleo mais íntimo da existência humana. O objetivo aqui é apresentar alguns elementos da visão de Libânio sobre o tema, e sublinhar a forma como ele aborda os vários âmbitos da fé.ABSTRACT: The question of faith has always occupied a central place for João Batista Libanio, not only in the academic sphere, as object of his work in the area of fundamental theology, but also in the field of his pastoral presence. Faith allows for the essential leap in the heart of the Transcendent, touching the innermost core of human existence. The goal in this article is to present a few elements of Libanio’s vision on the theme, and emphasize how he addresses the various scopes of faith.

Discourse ◽  
2021 ◽  
Vol 7 (2) ◽  
pp. 28-39
Author(s):  
N. V. Serova

Introduction.In the technogenic epoch, people’s understanding of the nature of time has changed. The image of the high-tech time has formed and widely spread under the influence of modern technologies. Today, it has determined the nature of the temporal existence of person and has become, through the electronic clock, an instrument of its dehumanization. Anticipating these threats, the representatives of existentialism undertook the development of temporal problems starting from the middle of the XIX century. The existential analysis of the category “instant” as a specific dimension of the temporal existence of a person has taken a central place in it. Identifying the differences in the meaning of the terms “instant” and “minute” in philosophical and natural science interpretations, the author has suggested the possibility of humanizing modern technological processes by changing modern person’s concept of time.Methodology and sources. Hermeneutical and retrospective methods, methods of existential and comparative analyzes, the use of existential, cultural and interdisciplinary approaches have become the methodological basis of the work. The analysis of philosophical texts on the problem of changing the perception of time by person in the technogenic epoch (L. Mumford, M. McLuhan, D. Naisbitt), the works of existential philosophers devoted to temporal problems (S. Kierkegaard, N. Berdyaev, M. Heidegger) theoretical works on physics (S. Hawking, E. Sudarshan, J. Vaccaro), and a number of works on the humanitarian problems of the technogenic epoch was made (E. Balas, V. Tikhonova, V. Stepin, L. Kuznetsova).Results and discussion. The problem of overcoming the dehumanization of the temporality of human existence under the influence of high-tech time was considered in the article. The following conclusions were the results of the study of this problem. First, the reasons for the dehumanization of the temporal existence of a person acting in accordance with high-tech time have been identified. Secondly, the need to distinguish between the concepts of “minutes” of objective time and “moments” of the temporality of human existence was justified. Third, the study of temporal problems was defined as a condition for the humanization of scientific and technological development of modern epoch.Conclusion. In the technogenic, person’s free choice between minutes of high-tech time and moments of existential time have determined the fate of his / her temporal existence. Making one’s choice, a person has determined the character of the development of the technogenic epoch in the direction of the dehumanization of human existence or in the direction of the humanization of the technical world. The breadth of the study of the nature of human temporality and temporal issues in general will have affected the right choice.


Forum ◽  
2022 ◽  
Vol 50 (2) ◽  
pp. 199-216
Author(s):  
Yovinus Andi Nata ◽  
Antonius Denny Firmanto ◽  
Nanik Wijiyati Aluwesia

The focus of this study is on theological reflection on the myth of Plai Long Diang Yung which is contained in the culture of the Dayak Wehea people. This myth has a special and central place in the life of the local people and is the origin of the Lom Plai celebration which is the culmination of all traditional celebrations and rituals. This myth has an important meaning in people's lives and talks about many things related to human existence, nature and God. With this fact, the myth can become a locus theologic that can enrich the reflection of the Church's faith and root the faith in culture and culture in the light of faith. The method used in this paper is based on the results of critical reading of the mythical text of Plai Long Diang Yung and the Christian Tradition text. This study found that the myth of Plai Long Diang Yung contained a very rich theological meaning which spoke of Christ, salvation and God who is not limited to human sexuality.


2003 ◽  
Vol 9 (1) ◽  
pp. 2-11 ◽  
Author(s):  
Dexter Dunphy

ABSTRACTThis paper addresses the issue of corporate sustainability. It examines why achieving sustainability is becoming an increasingly vital issue for society and organisations, defines sustainability and then outlines a set of phases through which organisations can move to achieve increasing levels of sustainability. Case studies are presented of organisations at various phases indicating the benefits, for the organisation and its stakeholders, which can be made at each phase. Finally the paper argues that there is a marked contrast between the two competing philosophies of neo-conservatism (economic rationalism) and the emerging philosophy of sustainability. Management schools have been strongly influenced by economic rationalism, which underpins the traditional orthodoxies presented in such schools. Sustainability represents an urgent challenge for management schools to rethink these traditional orthodoxies and give sustainability a central place in the curriculum.


2020 ◽  
Vol 14 (4) ◽  
pp. 355-361
Author(s):  
Yueh-Ting Lee ◽  
Matt Jamnik ◽  
Kortney Maedge ◽  
Wenting Chen

Our understanding of Anglophone modernism has been transformed by recent critical interest in translation. The central place of translation in the circulation of aesthetic and political ideas in the early twentieth century has been underlined, for example, as well as translation’s place in the creative and poetic dynamics of key modernist texts. This volume of Katherine Mansfield Studies offers a timely assessment of Mansfield’s place in such exchanges. As a reviewer, she developed a specific interest in literatures in translation, as well as showing a keen awareness of the translator’s presence in the text. Throughout her life, Mansfield engaged with new literary texts through translation, either translating proficiently herself, or working alongside a co-translator to explore the semantic and stylistic challenges of partially known languages. The metaphorical resonances of translating, transition and marginality also remain key features of her writing throughout her life. Meanwhile, her enduring popularity abroad is ensured by translations of her works, all of which reveal sociological and even ideological agendas of their own, an inevitable reflection of individual translators’ readings of her works, and the literary traditions of the new country and language of reception. The contributions to this volume refine and extend our appreciation of her specifically trans-linguistic and trans-literary lives. They illuminate the specific and more general influences of translation on Mansfield’s evolving technique and, jointly, they reveal the importance of translation on her literary language, as well as for her own particular brand of modernism.


Author(s):  
Alejandro Nava

This book explores the meaning of “soul” in sacred and profane incarnations, from its biblical origins to its central place in the rich traditions of black and Latin history. Surveying the work of writers, artists, poets, musicians, philosophers, and theologians, the book shows how their understandings of the “soul” revolve around narratives of justice, liberation, and spiritual redemption. The book contends that biblical traditions and hip-hop emerged out of experiences of dispossession and oppression. Whether born in the ghettos of America or of the Roman Empire, hip-hop and Christianity have endured by giving voice to the persecuted. This book offers a view of soul in living color, as a breathing, suffering, dreaming thing.


2017 ◽  
Vol 25 (1) ◽  
pp. 72-98
Author(s):  
Temba T. Rugwiji

The Hebrew Bible depicts that music and dance formed part of worship and reverence of Yahweh in which various musical instruments were played during ancient biblical times. In the modern post-biblical world, music and dance characterise every context of human existence either in moments of love, joy, celebration, victory, sorrow or reverence. In Zimbabwe, music — which is usually accompanied by dance — serves various purposes such as solidarity towards or remonstration against the land reform, despondency against corruption, celebration, giving hope to the sick, worship as in the church or appeasing the dead by those who are culturally-entrenched. Two fundamental questions need to be answered in this article: 1) What was the significance of music and dance in ancient Israel? 2) What is the significance of music and dance in Zimbabwe? In response to the above questions, this essay engages into dialogue the following three contestations. First, texts of music, musical instruments and dance in the Hebrew Bible are discussed in view of their spiritual significance in ancient Israel. Second, this study analyses music and dance from a faith perspective because it appears for the majority of Gospel musicians the biblical text plays a critical role in composing their songs. Third, this article examines music and dance in view of the spirituality which derives from various genres by Zimbabwean musicians in general. In its entirety, this article attempts to show that the Zimbabwean society draws some spirituality from music and dance when devastated by political, cultural or socio-economic crises.


2016 ◽  
Vol 24 (2) ◽  
pp. 159-169
Author(s):  
M L Mojapelo

Storytelling consists of an interaction between a narrator and a listener, both of whom assign meaning to the story as a whole and its component parts. The meaning assigned to the narrative changes over time under the influence of the recipient‟s changing precepts and perceptions which seem to be simplistic in infancy and more nuanced with age. It becomes more philosophical in that themes touching on the more profound questions of human existence tend to become more prominently discernible as the subject moves into the more reflective or summative phases of his or her existence. The aim of this article is to demonstrate the metaphorical character of a story, as reflected in changing patterns of meaning assigned to the narrative in the course of the subjective receiver‟s passage through the various stages of life. This was done by analysing meaning, from a particular storytelling session, at different stages of a listener‟s personal development. Meaning starts as literal and evolves through re-interpretation to abstract and deeper levels towards application in real life.


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