Informational Element of Power: The Role of Public Diplomacy in United States-Cuba Policy Implementation

2005 ◽  
Author(s):  
Roberto C. Andujar
2017 ◽  
Vol 12 (4) ◽  
pp. 257-282 ◽  
Author(s):  
Mai’a K. Davis Cross ◽  
Teresa La Porte

A resilient actor is one with the capacity to recover from setbacks and obstacles, whether stemming from endogenous or exogenous factors. Beyond actual recovery, this article argues that there is also an important perceptional dimension. Image resilience is the capacity on the part of actors to overcome and deal with the widespread negative perceptions that often follow on the heels of these setbacks. The article argues that the ability to cultivate image resilience rests significantly on the power of public diplomacy. Through establishing a strong image for an actor over the longer term, public diplomacy enables that actor to be more resilient during times of crisis. The European Union is a particularly good case study to shed light on this. Using original interview evidence, this article examines a specific example of how the European Union was ultimately able to strengthen its image resilience in the United States through public diplomacy.


Author(s):  
Stephen Bowman

This book examines the role of the elite Pilgrims Society in Anglo-American relations during the first half of the twentieth century. The Pilgrims Society was a dining club founded in London and New York in 1902 and 1903 which sought to improve relations between Britain and the United States. The Society provided an elite network that brought together influential politicians, diplomats, journalists, and businessmen during key moments in Anglo-American diplomacy. This book argues that the Pilgrims acted in cooperation with officialdom in both countries to promote its essentially elitist conception of Anglo-American friendship. The book presents a series of case studies that focus on the proceedings and wider diplomatic significance of lavish banquets held across the period at iconic London and New York hotels. In so doing, the book is the first-ever scholarly examination of the Pilgrims Society and establishes the role of unofficial public diplomacy activities and associational culture in official Anglo-American relations in an earlier period than has been recognised in the existing historiography. The book concludes that the Pilgrims Society is best regarded as a semi-official actor in international relations which – through its engagement with the press and by means of facilitating contact between policy-making elites – provided a milieu that supported ideas of Anglo-American friendship and legitimised greater state involvement in public diplomacy.


2021 ◽  
Vol 27 (4) ◽  
pp. 69-75
Author(s):  
Anton B. Gekht

This article examines the role of Marcus Wallenberg Jr., a prominent financier and industrialist, one of the leaders of the financial and industrial group of the Wallenberg family, in the foreign policy of Sweden on the eve of and during World War II. Having concentrated in his hands the main threads of influence on the industry and the financial sphere of the kingdom, Marcus Wallenberg was unofficially involved in the development of the foreign policy of the kingdom, which sought to be out of direct involvement in the war. The article examines various contacts with representatives of the opposing sides, carries out with the active participation of this banker and industrialist, both as part of official delegations and as individuals – the main focus is on establishing interaction between the USSR and Finland in 1943-1944, as well as cooperation with the Allies – Britain and the United States. The article also analyses the non-institutionalised regular contacts of Marcus Wallenberg Jr. with the political leadership of Sweden during 1938-1945, including the difficulties faced by the financial and industrial group under his control in the period immediately after the end of World War II.


2016 ◽  
Vol 35 (1) ◽  
pp. 92-118
Author(s):  
Aušra Dumčiuvienė

Abstract Importance of public diplomacy for states foreign policy implementation and image formation continued to grow over past few decades. New communication technologies provided new means for more successful public diplomacy implementation. The aim of this article is to examine the role of twiplomacy in states foreign policy implementation. Twiplomacy is quite new phenomenon, but its significance is undeniable. A lot of states leaders, governmental institutions, diplomatic missions and diplomats have accounts in Twitter and use it for promoting foreign policy goals and developing positive image of state. Social networks are used to implement states’ public diplomacy, because they provide opportunity to reach mainstream audiences, to develop dialogue amongst politicians and wider audiences and influence people opinion on important issues.


2007 ◽  
Vol 2 (3) ◽  
pp. 229-254 ◽  
Author(s):  
Craig Hayden

AbstractSince 2002, US communication-based foreign policies have resulted in the launch of two high-profile international broadcasting stations — Radio Sawa and al-Hurra television — as well as other failed ventures such as the 'Shared Values' documentary campaign and the Hi Arabic youth magazine. These policies have, at best, delivered mixed results as a form of public diplomacy for the United States. The principal objective of this article is to illuminate how governing beliefs about public diplomacy might have mitigated its success, by identifying the implicit policy imagination revealed in policy arguments. This article investigates the discursive imagination behind US international broadcasting programmes and how public debate outlines an 'argument formation' for US foreign-policy rhetoric. Three episodes of policy argument between 2001 and 2005 are assessed as demonstrative of a rhetorically constructed policy imagination that prompted a broadcasting strategy that was incompatible with the communicative norms of its targeted foreign audience.


2019 ◽  
Vol 14 (1-2) ◽  
pp. 182-197
Author(s):  
Caitlin Byrne

Summary Public diplomacy practice is intensifying across the Indo-Pacific as global actors compete to keep pace with the emerging geopolitical realities of a contested world order. China’s rise is the dominant feature. It comes as the United States retreats from global leadership, further heightening the sense of uncertainty in the region. Amid this strategic re-ordering, competition to influence narratives, set political agendas and frame the rules of a changing order is intense. The stakes for public diplomacy could not be higher and the implications for political leaders are significant. This article examines the role of Indo-Pacific political leaders through the lens of public diplomacy. While there are significant differences in approach, findings suggest that the imperative for political leaders to inform, engage and influence public audiences increasingly lies in the desire to shape the narrative and thus the nature of a regional order that will be favourable for their national interests.


2008 ◽  
Vol 20 (3) ◽  
pp. 97-105 ◽  
Author(s):  
Smita C. Banerjee ◽  
Kathryn Greene ◽  
Marina Krcmar ◽  
Zhanna Bagdasarov ◽  
Dovile Ruginyte

This study demonstrates the significance of individual difference factors, particularly gender and sensation seeking, in predicting media choice (examined through hypothetical descriptions of films that participants anticipated they would view). This study used a 2 (Positive mood/negative mood) × 2 (High arousal/low arousal) within-subject design with 544 undergraduate students recruited from a large northeastern university in the United States. Results showed that happy films and high arousal films were preferred over sad films and low-arousal films, respectively. In terms of gender differences, female viewers reported a greater preference than male viewers for happy-mood films. Also, male viewers reported a greater preference for high-arousal films compared to female viewers, and female viewers reported a greater preference for low-arousal films compared to male viewers. Finally, high sensation seekers reported a preference for high-arousal films. Implications for research design and importance of exploring media characteristics are discussed.


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