scholarly journals A History of Violence: The Culture of Honor as a Determinant of Homicide in the US South

Author(s):  
Pauline Grosjean
2018 ◽  
Vol 52 (2) ◽  
pp. 390-417
Author(s):  
ELISABETH ENGEL

This article traces and analyzes the missionary photography of the African Methodist Episcopal Church (AME), the most important independent black American institution that began to operate in colonial South Africa at the onset of the politics of racial segregation in the 1890s. It argues that AME missionary photography presents a neglected archive, from which a history of black photographic encounters and a subaltern perspective on the dominant visual cultures of European imperialism and Christian missions in Africa can be retrieved. Focussing in particular on how AME missionaries deployed tropes of the culturally refined “New Negro” and the US South in their visual description of South Africa, this article demonstrates that photography was an important tool for black subjects to define their image beyond the representations of black inferiority that established visual traditions constructed.


Religions ◽  
2019 ◽  
Vol 10 (9) ◽  
pp. 510
Author(s):  
Lee Bloch

According to a prophecy told in a small, Muskogee-identified community in the US South, the seeds of Indigenous ways of knowing and relating to more-than-human kin will once again flourish in the ruins of colonial orders. Even settlers will be forced to turn to Indigenous knowledges because “they have destroyed everything else”. Following this visionary history-future, this article asks how Indigenous diplomacies and temporalities animate resurgent possibilities for making life within the fractures (and apocalyptic ruins) of settler states. This demands a rethinking of the global and the international from the perspective of deep Indigenous histories. I draw on research visiting ancestral landscapes with community members, discussing a trip to an ancient shell mound and a contemporary cemetery in which shells are laid atop grave plots. These stories evoke a long-term history of shifting and multivalient shell use across religious and temporal differences. They speak to practices of acknowledgement that exceed liberal settler regimes of state recognition and extend from much older diplomatic practices.


2019 ◽  
Vol 16 (3) ◽  
pp. 87-93 ◽  
Author(s):  
Yalidy Matos

“A Legacy of Exclusion” briefly traces the historical migration of Latinas/os to the US South, countering the myth that the migration of Latinas/os to the region is new. Additionally, the piece argues that the exclusion Latinas/os face in the region is a continuation of racist policies and unequal power dynamics in the South that link Latina/o presence to a longer historical past and legacy. Through an examination of Alabama’s anti-immigration legislation, HB 56, I make two interrelated arguments. First, I argue that although there is nothing new about Latina/o migration to the region, what is new is the geopolitics of immigration — specifically, the proliferation of immigration enforcement within the interior of the United States. Second, these kinds of racist exclusionary projects have historical precedent. The contemporary regulation of nonwhite bodies is part of a much longer legacy of social control in the United States. Moving forward, I urge scholars of Latina/o studies and related fields whose focus is on the US South to engage with the history of settler colonialism, the displacement of native peoples, and the African American history of this region as a way to make important historical connections among and across racialized and otherized groups.


2020 ◽  
Vol 10 (1) ◽  
pp. 37-40 ◽  
Author(s):  
Andrew Curley ◽  
Sara Smith

In this response to Natalie Oswin’s provocation, ‘An other geography’, we consider how we might work against settler narratives and structures from our situated positions in the discipline and in a specific academic institution in the US South. Following Diné student Majerle Lister, we ask what it would mean to consider giving the land back: what does that entail? The academic institutions we inhabit were built to insure white futurity, on fictive histories. Can they be retrofitted in the present to enable the futurity of Indigenous people and theorizations? Can we turn our discipline’s history of erasure inside out, to center the land, people, and practices that were both crucial to and absent from it except as shadowy and metaphorical presences? We draw on our own teaching, and from scholarship in Indigenous and Black Studies, to consider what it might look like to return land and reconfigure relations among those who have been cast aside by white patriarchal settler structures, but in incommensurate ways.


Author(s):  
Sarah Robertson

This chapter charts the long history of travel writing about the US South and explores the continued fascination and simultaneous repulsion with its poor whites. It discusses neo-colonial approaches to the region and poverty in the work of writers including Pamela Petro, V.S. Naipaul, and Paul Theroux, and the cosmopolitan perspectives advanced by writers such as Bill Bryson and Eddy L. Harris. It compares representations of Atlanta as the embodiment of the New South with romanticized accounts of rural poverty and proposes that the realities of contemporary poverty either go unrecognized or are aligned with the economics of the Global South rather than with US economics that shape the Global North. It critically examines stereotyping, appeals to authenticity and questions the impact of tourism on the region.


2016 ◽  
Vol 50 (3) ◽  
pp. 503-514
Author(s):  
RICHARD H. KING

It is easy to forget that interest in the intellectual history of the US South only fully emerged in the post-1960s years. Though there have been no outstanding southern philosophers or philosophers of the South to focus on, there have been plenty of talented literary and cultural critics and political and social thinkers, as well as historians, political scientists, and sociologists, whose work has significantly shaped the idea of the South and who thus deserve the interest of the intellectual historian. Works as varied as Clement Eaton's The Freedom-of-Thought Struggle in the Old South (1940) Rollin Osterweis's Romanticism and Nationalism in the Old South (1949), and William R. Taylor's Cavalier and Yankee (1961) were early examples of the effort to identify the intellectual and cultural issues central to the history of the region. By exploring the literary history of the South in the interwar years, what came to be called the Southern Renaissance, post-1945 literary historians such as Louis D. Rubin and Lewis Simpson undoubtedly also influenced those who tried to make sense of the life of the mind below the Mason–Dixon line.


2020 ◽  
Vol 8 ◽  
pp. 232470962094130
Author(s):  
Krystal Mills ◽  
Oluwole Akintayo ◽  
Linda Egbosiuba ◽  
Salome Dadzie ◽  
Adrina Skyles ◽  
...  

The triad of diarrhea, dementia, and dermatitis constitutes the clinical diagnosis of pellagra. However, most reported cases of pellagra have occurred without all components of the triad. Pellagra was declared eradicated in the United States after an outbreak in the 1920s, and is now considered to be an exceedingly rare diagnosis in developed countries. In this article, we present a case of a 56-year-old man who presented with a significant history of alcohol use and chronic diarrhea. Pellagra was clinically diagnosed based on the triad of diarrhea, cognitive dysfunction, and dermatitis in this malnourished, alcoholic patient. The patient was treated and clinically improved with resolution of his diarrhea and cognitive dysfunction.


2019 ◽  
Vol 91 (3) ◽  
pp. 523-555
Author(s):  
Jarvis C. McInnis

Abstract This essay reconstructs the history of the Cotton Farmer, a rare African American newspaper edited and published by black tenant farmers employed by the Delta and Pine Land Company, once the world’s largest corporate cotton plantation located in the Mississippi delta. The Cotton Farmer ran from 1919 to circa 1927 and was mainly confined to the company’s properties. However, in 1926, three copies of the paper circulated to Bocas del Toro, Panama, to a Garveyite and West Indian migrant laborer employed on the infamous United Fruit Company’s vast banana and fruit plantations. Tracing the Cotton Farmer’s hemispheric circulation from the Mississippi delta to Panama, this essay explores the intersections of labor, literacy, and diaspora in the global black south. What do we make of a reading public among black tenant farmers on a corporate cotton plantation in the Mississippi delta at the height of Jim Crow? How did the entanglements of labor and literacy at once challenge and correspond with conventional accounts of sharecropping in the Jim Crow South? Further, in light of the Cotton Farmer’s circulation from Mississippi’s cotton fields to Panama’s banana fields, this essay establishes the corporate plantation as a heuristic for exploring the imperial logics and practices tying the US South to the larger project of colonial domination in the Caribbean and Latin America, and ultimately reexamines black transnationalism and diaspora from the position of corporate plantation laborers as they negotiated ever-evolving modes of domination and social control on corporate plantations in the global black south. In so doing, it establishes black agricultural and corporate plantation laborers as architects of black geographic thought and diasporic practice alongside their urban, cosmopolitan contemporaries.


Author(s):  
Candace Bailey

This book is a history of women in the US South told through the medium of music, focusing on music’s social and cultural uses, and mapping the cultural geography across space and time. The subjects represent a wide range of circumstances: enslaved women of color, white plantation daughters, both black and white daughters of middle-class families, women born on small farms, the daughters of mechanics. By recasting southern musical practices from the point of view of women’s history, it recovers silent voices and positions them within the social world of which they were so much a part. Significantly, it also introduces the existence and influence of professional women. The concentration here is music read from notation. Spending the time and money to learn to read music implies a tangible appreciation for its undertaking, and it indicates that those who paid for the education saw a benefit in doing so. It conferred value, in this case cultural capital, on those musicking in all its facets. This value, in turn, served in the performance of gentility in the mid-nineteenth century. The source materials include binder’s volumes (bound volumes of sheet music or manuscripts), letters, diaries, the contents of newspapers, images, and other types of documentation. As an ethnographic reading of archival sources, this study crafts new and vital interpretations of music in southern culture.


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