scholarly journals CONSPIRACY THINKING IN THE DYNAMICS OF MODERN CULTURE: CHARACTERISTICS AND FEATURES OF MANIFESTATION

2021 ◽  
Vol 1 (48) ◽  
pp. 82-109
Author(s):  
Інна Ігорівна Коваленко ◽  
Едуард Анатолійович Кальницький
Keyword(s):  
Human Life ◽  
Cultural Development ◽  
The Body ◽  
Vector Model ◽  
Main Body ◽  
Conspiracy Theories ◽  
Modern Culture ◽  
The World ◽  
The Difference ◽  
Political Mythology

Problem setting. One of the distinguishing features of the modern era is the marginal and dubious nature of explanations of complex social realities. Cognitive and symbolic specifics of conspiratorial thinking, marked by a sense of predictability, regularity and explicit simplicity, contribute to the development and dissemination of political mythology. Recent research and publications analysis. In recent decades, concepts have been actively used in the body of social science works: paranoid style, conspiratorial narrative, power discourse, unstable ontologies, crisis of production of meanings, conspiratorial worldview. The latest scientific search takes place in the context of abandoning the strict framing of conspiracy theories in favor of a pluralistic approach that combines epistemic, existential and social dimensions of the subject. Paper objective.  The aim of the article is to try to identify the features of conspiracy in the latest conditions of cultural development. Paper main body. The article shows the features of modern conspiracy theories in terms of its paradoxical stability, information and cognitive attractiveness. It is emphasized that the conspiracy discourse determines the peculiarities of the conspiratorial mentality, influencing, in particular, the existential aspects of human life. The consequences of the influence of conspiracy theories can be not only feelings of alienation from politics or radicalization of society, but also the blurring of semantic boundaries between conspiracy theories and more respectable forms of socio-political criticism. Such features make it possible to distinguish positive and critical understandings of conspiracy theory, as well as to outline the main vectors in further theoretical studies of conspiracy theories. Among the distinctive features of conspiratorial meaning formation are the cultural-temporal universality, the paradoxical combination of irrational and rationalist ways of perception, and others. The peculiarities of conspiratorial thinking in comparison with the radical-constructivist specifics of the explanation of the world, as well as in the communicative-narrative logic are analyzed. The difference between conspiratorial meaning formation and the picture of the world in unstable ontologies is shown. Differentiated conspiracy narrative and political imagination. Particular attention is paid to the phenomenon of agency in the context of a multi-vector model of social organization. Conclusions of the research. The dynamics of the multifaceted study of conspiracy correlates with the growing awareness that conspiratorial narrative tends to grow significantly and affect society and culture. The stability and success of the conspiracy narrative is ensured by the realization of the claim to "correct" understanding, which makes it quite convincing, and therefore in demand. Conspiracy theories, manifested in various ways of agent communication, range from simple conspiracy through complicity to structural prejudices and ideologies.

Metaphysics of movement

2021 ◽  
pp. 598-608
Author(s):  
Gr.G. Khubulava
Keyword(s):  
Middle Ages ◽  
Human Life ◽  
History Of Philosophy ◽  
The Body ◽  
Bodily Movement ◽  
The World ◽  
History Of ◽  
The Difference ◽  
The Moment ◽  
The Mind

Relevance. Movement surrounds and accompanies us everywhere: planets move, time, river waters, the life of cities is accompanied by traffic along highways. Our own life is also inseparable from the phenomenon of movement, both at the micro and macro levels: whether it be the movement and division of atoms of matter and cells of the body, the movement and interaction of our bodies in space, or the movement of a person towards a specific goal, conditioned by intention and expressed in actions, which in themselves are also a movement of the will. Purpose: to describe and evaluate the nature of the phenomenon of movement both in the history of philosophy (from Zeno to Descartes and Bergson) and in the history of medicine (from Aristotle and Celsus to modern mechanisms that give a person a chance to return the possibility of movement as an aspect of full life). Methods: the research method is not only the analysis of the development of the phenomenon of movement in the history of philosophy and science, but also the analysis of the influence of modern technologies on the very understanding of the nature of movement not as a physiological, but as an ontological phenomenon. Results. The ancient idea of movement as a deception of the senses, describing the closed on itself the existence of an objectively motionless space or being the source and cause of eternally arising and disintegrating existence, was an attempt by thinkers to “catch the mind on being”, not just creating a picture of a single cosmos, but also comprehending him as part of the human world. The bodily movement and structure of a person was understood as part of the visible and speculative structure of being. The thought of the Middle Ages, which understood movement as the path of the world and man to God, perceived the phenomenon of movement as an expression of free will and, at the same time, the desire of the world to its completion, which is at the same time the moment of its transformation. The Renaissance epoch, which proclaimed man as an end in itself for existence, closely links the physical movement of man with the movement of the cosmos, and considers the visible nature to be the source of knowledge of the Divine Will. The New Time, which theoretically separated the mechanics of the bodily and the impulses of the soul and mind and declared man a “biological machine”, in fact does not break the relationship between the movement of the soul and the body, but, demonstrating the difference in the nature of these movements, anticipated the discovery of psychosomatics. Finally, modern times not only created a classification of “body techniques” inherent in various stages of human life and groups of people, describing the socio-cultural aspect of corporeality, but also perceived movement as an act of our existence and involvement in the existence of the world. Conclusion. Movement cannot be understood as a purely physiological act. In the process of growth, becoming, having barely learned to walk, we are faced with the need to perform actions, to “behave”, to be like a personal I and as a part of the moving world that collided with us. A world in which every step is an event and deed capable of defining “the landscape of our personal and universal being”.

scholarly journals SEMIOTICS OF GESTURE: PERFORMATIVE CONCEPTUALISM

2021 ◽  
Vol 2 (49) ◽  
Author(s):  
Yuliia Meliakova ◽  
Inna Kovalenko
Keyword(s):  
Dynamic Models ◽  
Modern Human ◽  
The Body ◽  
Main Body ◽  
Social Significance ◽  
Cultural Space ◽  
Self Presentation ◽  
Modern Culture ◽  
The World ◽  
The One

Problem setting. This article poses the problem of understanding and applying performance as a conceptual model of the functioning of an individual in a modern multi-layered reality. The study presents an analysis of popular actionist practices and the further development of the pure action ontology. The performance serves as an approbation of the dynamism technique and the principle of action in social, digital and artistic actions. Recent research and publications analysis. The assertion of the principle of dynamism and activity in the modern cultural space explains the popularity of performative topics in a parallel scientific and philosophical discourse. At the same time, the bulk of works on performance relates to the field of theory and methodology of art. These are the works of such authors: G. Elshevskaya, E. Krylova, E. Andreeva, J. Kostincova, D. Filippova, Andrey and Yaroslava Artemenko, H. Petrovsky, S. Levitt, H. Downey and J. Sherry, A. Eckersley and C. Duff. G  Reingold, M. Cuellar-Moreno and J. Antonio Cubas-Delgado, A. Loskutov, O. Novoselova and E. Kurbanova and others have studied dynamic models of bodily expressiveness in social practices, including in the information space of culture and communication. In turn, the American philosophers J. Butler, J  Dean and G. Standing develop the concept of performance in relation to political actionism. They view the gatherings of social rights agents as a performative practice of their relationship to power. Paper objective. The aim of the study is to review and theoretically analyze modern creative practices of the subject's bodily expression in the field of art, politics, law and digital communication, as well as to further substantiate the methodological role of the performative concept in modern culture. Paper main body. Today's popular installations, happenings, flash mobs and challenge explicates the very essence of modern human existence in the world. Art zones and other creative social spaces (workshops) use direct body language in their functioning and, at the same time, are highly attractive and effective in today's youth environment. Silent actions demonstrate the limited possibilities for a person to manifest themselves, despite the large number of rights, freedoms and technical means to improve life. Defective self-presentation expresses the one-sided and limited nature of the subject's existence in the social, legal, political and cultural space today. The natural change of technological structures, cultural eras and political models in the world irreversibly modifies a person, his environment and the possibilities of self-realization in it. The creative space of action allows to express the conceptual ontological principle of modernity – the break between the physical and the semantic, the act and the commentary, the action and the word, the body and corporeality. In a stratified reality, a person cannot maintain integrity. His verbal-symbolic being is separated from the physical (body); they express themselves and communicate autonomously and independently. Desocialization and the dominance of virtuality led to the dismemberment and impoverishment of many human functions, in particular the localization of his speech and actions. Therefore, performance is becoming an irreplaceable alternative way of self-realization of the silent body. While language remains a way of being a person as an agent of the information environment. Conclusions of the research. Thus, the study refers to the art experience of bodily subjects as a manifestation of their anthropological authenticity, social significance, legal usefulness, epistemological activity and political will.

Metaphysics of movement

2021 ◽  
pp. 681-694
Author(s):  
Gr.G. Khubulava
Keyword(s):  
Middle Ages ◽  
Human Life ◽  
History Of Philosophy ◽  
The Body ◽  
Bodily Movement ◽  
The World ◽  
History Of ◽  
The Difference ◽  
The Moment ◽  
The Mind

Relevance. Movement surrounds and accompanies us everywhere: planets move, time, river waters, the life of cities is accompanied by traffic along highways. Our own life is also inseparable from the phenomenon of movement, both at the micro and macro levels: whether it be the movement and division of atoms of matter and cells of the body, the movement and interaction of our bodies in space, or the movement of a person towards a specific goal, conditioned by intention and expressed in actions, which in themselves are also a movement of the will. Purpose: to describe and evaluate the nature of the phenomenon of movement both in the history of philosophy (from Zeno to Descartes and Bergson) and in the history of medicine (from Aristotle and Celsus to modern mechanisms that give a person a chance to return the possibility of movement as an aspect of full life). Methods: the research method is not only the analysis of the development of the phenomenon of movement in the history of philosophy and science, but also the analysis of the influence of modern technologies on the very understanding of the nature of movement not as a physiological, but as an ontological phenomenon. Results. The ancient idea of movement as a deception of the senses, describing the closed on itself the existence of an objectively motionless space or being the source and cause of eternally arising and disintegrating existence, was an attempt by thinkers to “catch the mind on being”, not just creating a picture of a single cosmos, but also comprehending him as part of the human world. The bodily movement and structure of a person was understood as part of the visible and speculative structure of being. The thought of the Middle Ages, which understood movement as the path of the world and man to God, perceived the phenomenon of movement as an expression of free will and, at the same time, the desire of the world to its completion, which is at the same time the moment of its transformation. The Renaissance epoch, which proclaimed man as an end in itself for existence, closely links the physical movement of man with the movement of the cosmos, and considers the visible nature to be the source of knowledge of the Divine Will. The New Time, which theoretically separated the mechanics of the bodily and the impulses of the soul and mind and declared man a “biological machine”, in fact does not break the relationship between the movement of the soul and the body, but, demonstrating the difference in the nature of these movements, anticipated the discovery of psychosomatics. Finally, modern times not only created a classification of “body techniques” inherent in various stages of human life and groups of people, describing the socio-cultural aspect of corporeality, but also perceived movement as an act of our existence and involvement in the existence of the world. Conclusion. Movement cannot be understood as a purely physiological act. In the process of growth, becoming, having barely learned to walk, we are faced with the need to perform actions, to “behave”, to be like a personal I and as a part of the moving world that collided with us. A world in which every step is an event and deed capable of defining “the landscape of our personal and universal being”.

Diplomatic service of the European Union

2021 ◽  
Author(s):  
Marina Okladnaya ◽  
Ivan Yakovyuk ◽  
Victoria Dyadyk
Keyword(s):  
European Union ◽  
Foreign Policy ◽  
External Action ◽  
The Body ◽  
Main Body ◽  
The European Union ◽  
European Union Law ◽  
The World ◽  
The Status ◽  
European Diplomacy

Problem setting. Today the European Union interacts with the whole world and represents the interests and values of the European community far beyond one continent. Carrying out such activities provides for the existence of effective institutions for its implementation, which today are the European External Action Service and the European Uniondelegations around the world. It significantly differs from the classical manifestations of diplomacy, which determines the relevance of research into the establishment and development of the European Union diplomatic service. Moreover, understanding the process of formation and features of European Union diplomacy is interesting for domestic researchers of European Union law given the pro-European aspirations of Ukraine. Analysis of recent researches and publications. Certain aspects of this topic have been studied by suchdomesticscientistsas F. Baranovsky, M. Hnatyuk, O. Grinenko, O. Gladenko, M. Entin, O. Opanasyuk-Radlinska, E. Ryaboshtan, D. Tkachenko, O. Turchenko, Y.Sergienko, V. Streltsova, G. Utko, O. Fisun, V. Tsivaty, V. Shamraeva, O. Shapovalova, etc. Target of research is to research the basic preconditions and features of the establishment and development of the European Union diplomatic service and its functioning in today’s conditions. Article’s main body. The article is devoted to the study of the main prerequisites and features of the establishment and development of the diplomatic service of the European Union. The authors paid attention to the coverage of the status, competence and procedure for sending the first representations of the Communities abroad, in particular the delegations of the European Commission. The changes made by the Maastricht, Amsterdam and Lisbon treaties on foreign policy are analyzed as well. All the reforms implemented by these treaties were aimed primarily at making the European Union more effective and coordinated in the international arena, and finally resolved the issue of the institutionalization of the body that deals with the European Union diplomatic service. So now it has the status of the European External Action Service and successfully performs its functions in the current conditions. Conclusions and prospects for the development. The modern European Union diplomatic service is the result of a long process of formalization and institutionalization of a whole set of its foreign policy bodies. The development of the European Union representation system shows that the spread of its representative activities has become global, as well as the dynamic transformation of the content of its goals to interact with the world in order to implement its foreign policy. However, despite the current and rapid dynamics of development and evolution of this institution, the question remains whether the European External Action Service is the final option for the external design of the European Union diplomatic service, or whether it will be another step in the process of building pan-European diplomacy.

scholarly journals Jazz Avant-Garde by Cecil Taylor

2020 ◽  
Vol 19 (19) ◽  
pp. 466-481
Author(s):  
Pavlo Holotenko
Keyword(s):  
Main Idea ◽  
Spiritual Values ◽  
Free Jazz ◽  
Modern Culture ◽  
Avant Garde ◽  
Jazz Music ◽  
The World ◽  
History Of ◽  
Research Findings ◽  
The Difference

The relevance of the subject. Jazz music is a vivid, unique and distinctive phenomenon of the world culture, which is a grand achievement of many-years musical practice of humanity. In the context of the artistic culture of the modern information society, jazz art plays an essential part and is really quite interesting. The creative activity of jazz performers has always attracted the attention of the audience, caused a diverse reaction and today has many supporters in different parts of the world. Since the middle of the XX century, more and more trends have begun to emerge in jazz music, which led to the understanding of philosophical and psychological issues, in particular, ethical, aesthetic, social and other aspects. In this connection, new styles began to form in jazz, which in fact represented the emergence of the next, radically new stage in the evolution of jazz art. In the second half of the XX century there appeared jazz avant-garde – an entirely new cultural phenomenon that has its own history and philosophy, genre and style. In musicology, this concept can also be called “abstract jazz”, “new jazz”, “free jazz”, etc. It is clear that this trend is at the crossroads of two separate types of art – musical avant-garde and jazz, so it attracts admirers from both sides. Compared to traditional classic jazzmen, many prominent musicians of jazz avant-garde are still little known. Among them are composer and pianist Cecil Taylor, who was a compelling opponent of jazz traditions. His style is unique, his music is one of the most striking examples of musical avant-garde in the history of art. Nowadays, the scientific literature has no fundamental works devoted entirely to the analysis of C. Taylor’s avant-garde art. This circumstance also enhances the relevance of studying specific features of C. Taylor’s performing style. The purpose of the research is to determine peculiarities of Cecil Taylor’s creative style and related techniques of music speech. Achieving the goal involves solving the following tasks: to determine the difference between artistic systems of classic and avant-garde jazz; to outline the main informative paradigms of C. Taylor’s creative work; to analyze the technology of expressive means of C. Taylor’s music; to reveal the significance of C. Taylor’s avant-garde activity and to identify its place in the world of modern artistic culture. Research methods. The research is based on the interaction of scientific approaches, the most important of which are: analytical, which involves elaboration of musical means of expressiveness and composition technique of sounds organization; comparative, used to compare specific features of artistic systems of jazz mainstream and avant-garde; semantic, necessary for defining the content of music pieces, their meanings, images, mood; biographical, with the help of which certain facts of the musician’s biography are specified for a better understanding of his creative personality. Results of the study confirm the fact that in the world of artistic culture Cecil Taylor is one of the greatest representatives of the radical musical avant-garde. The basis of his art is the so-called “aesthetics of opposition”, the central idea of the artistic system of jazz avant-garde, according to which any artistic truth categorically established for all others cannot exist. In this context, the individualization of style, the relativity of all aesthetic ideals and the unlimited spectrum of expressive possibilities are stated, which is conditioned by the optimal disclosure of the figurative and emotional content of the piece. At the same time, the central object of the avant-garde jazz denial is the concept of the classic jazz art, based on the so-called “aesthetics of identity”. Its main idea is to adhere to structural stamps in order to maximally approach the stylistic aesthetic ideal. Such an ideal is the given classical theme-standard. Actually, this is an artistic truth for the jazz mainstream, to which one should aspire. Avant-gardists did not agree with this situation, for them it was nothing more than imposing personal whims by adherents of jazz traditions. The main informative paradigms of C. Taylor’s avant-garde art are antiromanticism, realistic pessimism and dystopia. The essence of anti-romanticism is to deny the domination of sentimentality, subjectivity, dreaminess and escape from reality, typical for romanticism. In their place, the primacy of rationalism, collectivity and pursuit of objectivism are established. Realistic pessimism is a worldview where, basing on tragic experience attention is focused on negative aspects, which leads to a belief in the eternal dominance of evil all over the world. Anti-utopia is recognition of the deception of utopia, the denial of the achievement of social ideals and the possibility of creating the world of justice. The main means of expressiveness of this ideological content in C. Taylor’s works are atonality, disharmony and percussive pianism. Conclusions. According to the research findings, we conclude that Cecil Taylor made a significant contribution to the development of modern culture. He was a compelling opponent of jazz traditions, always remained an uncompromising fighter for new jazz. Cecil Taylor is a virtuoso pianist and prominent improviser, one of the best representatives of avant-garde jazz in the world. Cecil Taylor discovered a new bright side of musical art and stimulated the public to redefine spiritual values and view of world as a whole. His work attracts and will attract attention of all those who are interested in contemporary art.

scholarly journals A review of the health implications of heavy metals and pesticide residues on khat users

2021 ◽  
Vol 45 (1) ◽  
Author(s):  
Albert M. Oyugi ◽  
Joshua K. Kibet ◽  
John O. Adongo
Keyword(s):  
Heavy Metals ◽  
Food Chain ◽  
The Body ◽  
Control Measures ◽  
World Health ◽  
Health Concern ◽  
Main Body ◽  
Farming Practices ◽  
Health Implications ◽  
The World

Abstract Background There is an exponential rise in the use of farming chemicals in agricultural practices ostensibly to increase food production. The chewing of fresh khat leaves and shoots has spread across the world from ancient khat producing regions in East Africa and the Arabian Peninsula. Khat is a well-established socialization substance with stimulating characteristics. In this work, we have reviewed the deleterious impacts of several heavy metals such as lead, cadmium, iron in the khat plant and their health impacts. Survey on the health complications of farming chemicals used in khat production is also presented. Main body of the abstract The toxic effects of heavy metals and farming chemicals in plant matter such as khat leaves are a serious health concern. Heavy metals including cadmium (Cd) and lead (Pb), for instance, bio-accumulate in the body and the food chain as precursors for disease. It has been established that blood that has lead levels of 40–60 ug/dL is a precursor for serious health illnesses such as cardiac arrest and cancer. On the other hand, cadmium is reported to bind itself onto metallothioneins hence forming cadmium–metallothionein complex that is transported to all body organs causing deleterious cell damage. The entry of farming chemical into the food chain especially via the chewing of contaminated khat has been known to contribute to health problems such as cancer, hypertension and liver cirrhosis. khat is branded a ‘substance of abuse’ by the World Health Organization (WHO) because of the adverse health risks it causes to humans. Relevant articles published between 2010 and 2021, and archived in PubMed, Google Scholar, Medley, Cochrane, and Web of Science were used in this review. Short conclusion The health implications of heavy metals and farming chemicals arising from the consumption of contaminated khat shoots are a serious concern to the khat chewing community. Consequently, there is need to develop better farming practices that may minimize the absorption of heavy metals and farming chemicals by the khat plant. Information presented in this review is also important in sensitizing policy makers to advance control measures towards safer khat farming practices.

Furor Liturgicus: The Religious Concerns of Russian Poetry

2020 ◽  
pp. 395-411
Author(s):  
Martha M. F. Kelly
Keyword(s):  
Eighteenth Century ◽  
Human Life ◽  
Literary Tradition ◽  
Russian Literature ◽  
The Body ◽  
Poetic Tradition ◽  
The World ◽  
Russian Poetry ◽  
Modern Russian

In a now classic 1994 article Victor Zhivov counters the idea that the eighteenth-century quest to create a modern Russian literature represented a wholesale rejection of Russia’s previous literary tradition. He shows instead how poets appropriated elements of Orthodox liturgical tradition in a bid to adapt the classical notion of ‘furor poeticus’, marking it by the eruption of Church Slavonic norms into modern poetics. This chapter demonstrates how, as Zhivov contends, elements of Orthodox liturgical culture have continued to shape the modern Russian poetic tradition from the eighteenth century into the present. In particular, Russian poets have long presented poetry as uniquely able to transform the world by drawing on Orthodox imagery of theosis or divinization—the transfiguration of human life and thus the world, by the divine light and being. The liturgically inflected religious concerns of Russian poetry that sections address include prophecy, human co-creation with God, the problem of the body, and the role of silence.

ESSENTIAL CHARACTERISTICS OF THE FITNESS CONCEPT AND THE AREA OF FITNESS IN LATVIA AND THE WORLD

2019 ◽  
Vol 4 ◽  
pp. 91
Author(s):  
Aleksandra Cuprika ◽  
Andra Fernate ◽  
Leonids Cupriks
Keyword(s):  
Quality Of Life ◽  
Physical Fitness ◽  
The Body ◽  
Physical Work ◽  
Way Of Life ◽  
Sport Competition ◽  
The World ◽  
Body Ideal ◽  
The Difference

Despite the great popularity of fitness around the world, it is still unclear what fitness is and how people understand it. The essence of fitness has gradually evolved from simple physical fitness to a cultural phenomenon. The second path of fitness development is from the physical health of a person reflected in a person’s readiness to do physical work to the desire to improve their own quality of life. That is why the aim of this study was to investigate in depth the essential characteristics of the fitness concept and the area of fitness. The study is based on 41 literature sources and scientific articles, 8 of which are in Russian and 33 – in English. The essence of the content of the fitness concept has been investigated and the hierarchy of concepts has been evaluated in different theoretical contexts, starting from the historical beginning of the fitness concept. Definitions were grouped in a broader and a narrower sense: 1) fitness as a set of attributes and abilities and 2) fitness as a way of life, lifestyle and quality of life. The essential categories of the fitness concept were compiled. The change of fitness area and its influence on the society was discussed. By summarizing the analysis of fitness definitions and evaluating fitness according to various theoretical aspects, it can be concluded that fitness is interpreted as sport competition fitness, as an implementation of a healthy way of life and as physical fitness or health-oriented physical fitness. Due to constant change and improvement of the body ideal sometimes it is complicated to participate in the process of improving health, also achieving it requires a lot of energy and time. People don’t understand where is the difference between healthy body and fitness body prepared for competition or commercial. Therefore the greater the beauty industry and fitness area becomes, the weaker becomes the human.  

Embroidery as an aesthetic constituent of the garment

Servis plus ◽  
10.12737/5542 ◽  
2014 ◽  
Vol 8 (3) ◽  
pp. 89-93
Author(s):  
Людмила Ефимова ◽  
Lyudmila Efimova
Keyword(s):  
Filial Piety ◽  
Human Life ◽  
Cultural Development ◽  
World Outlook ◽  
The World ◽  
Ancient Times

The aesthetically beautiful promotes the generation and development of morals, which is demonstrated by the art of embroidery. Dating back into the ancient times, the traditions and practice of embroidery have been consistently developed and passed from master to apprentice. The author regards elements of embroidery as symbols created as a result of the philosophical and aesthetic interpretation of the world. According to the author, towel embroidery has reflected folk world outlook, thoughts and customs connected with fertility and filial piety. Beauty as a symbol originating from the spiritual reveals itself in the embroidery ornaments, which identify human life and art with eternity. Embroidery resembles nature, as neither tolerates vacuum and is always rich in aesthetics and sense. Embroidery does not only reflect the historical and cultural development of people but is its active and direct participant.

scholarly journals AIR SUMBER KEHIDUPAN (Tinjauan Kimia Air dalam Al-Qur’an)

2018 ◽  
Vol 9 (2) ◽  
pp. 223-238
Author(s):  
Rini Nafsiati Astuti
Keyword(s):  
Hydrogen Bonding ◽  
Human Life ◽  
The Body ◽  
Water Molecules ◽  
Human Being ◽  
Living Thing ◽  
The World ◽  
Pressure Water ◽  
Life On Earth ◽  
Living Process

The living process is mediated by water to start a long evolutionary line that connected animal, plant, as well the human being. The beginning of life that involved water reflected in all of the life process, such as animal, plant, and human being as well. Single-cell organism is the simplest living thing is surrounded and filled with water. In order to survive, plant has to take water from the ground. While human being's body contains water about 54 % of weight contains liquid. Without water, living thing will not survive. The molecule of water bonds together in a special way that is known as hydrogen bonding. If there is no hydrogen bonding between water molecules so at 1 atm pressure water will be boiling at 100° C. This condition can cause disaster to the life on earth, such as blood will be boiling in the body, plants will be wilted and died, and the world will be turn to dry desert. Human no longer can't make their drinks. Water is very important for human life as it reflected in the verse that suggest human being to note the water they drink stated in Qur' an.

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